When his kingdom waged a holy crusade to reclaim a sacred artifact long thought lost, Legalt Dramis made a name for himself as a peerless warrior. Known by friend and foe alike as Crimson Flash for his incredible combat prowess, he carved a bloody swath through his enemies and succeeded against impossible odds to bring the Divine Oath back to its rightful place. Upon his return, however, he surprised the world by turning his back on both his homeland and nobility, choosing instead the life of a mercenary. Six years after his departure, as war looms once more on the horizon, Legalt is hired back into service and finds himself drawn into a conflict that threatens to reveal the dark truth behind the Crusade, as well as the secret behind the legendary Crimson Flash himself.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
John Charles Comerford grew up playing hard, on the streets and fields of Washington Township, New Jersey. He attended Our Lady of Good Counsel Grammar School through 8th grade. He then jumped across the street to attend Westwood High School, where he soon began playing guitar and composing songs at the age of sixteen. Writing short musical stories would soon turn into a more involved field of composition, as he later attended Bergen Community College in Paramus, NJ. Here, he developed a desire to become a paperback writer. While attending college, he took a job with the US Postal Service as a mail carrier and is still delivering, thirty years later. He is still a performing musician and a recording artist on itunes. He now resides in Pawling, New York with his wife Bridget and his son Jack.
Readers generally know only one of the two famous James brothers. Literary types know Henry James; psychologists, philosophers, and religion scholars know William James. In reality, the brothers’ minds were inseparable, as the more than eight hundred letters they wrote to each other reveal. In this book, J. C. Hallman mines the letters for mutual affection and influence, painting a moving portrait of a relationship between two extraordinary men. Deeply intimate, sometimes antagonistic, rife with wit, and on the cutting edge of art and science, the letters portray the brothers’ relationship and measure the manner in which their dialogue helped shape, through the influence of their literary and intellectual output, the philosophy, science, and literature of the century that followed. William and Henry James served as each other’s muse and critic. For instance, the event of the death of Mrs. Sands illustrates what H’ry never stated: even if the “matter” of his fiction was light, the minds behind it lived and died as though it was very heavy indeed. He seemed to best understand this himself only after WUm/u fully fleshed out his system. “I can’t now explain save by the very fact of the spell itself . . . that [Pragmatism] cast upon me,” H’ry wrote in 1907. “All my life I have . . . unconsciously pragmatised.” WUm/u was never able to be quite so gracious in return. In 1868, he lashed out at the “every day” elements of two of H’ry’s early stories, and then explained: “I have uttered this long rigmarole in a dogmatic manner, as one speaks, to himself, but of course you will use it merely as a mass to react against in your own way, so that it may serve you some good purpose.” He believed he was doing H’ry a service as he criticized a growing tendency toward “over-refinement” or “curliness” of style. “I think it ought to be of use to you,” he wrote in 1872, “to have any detailed criticism fm even a wrong judge, and you don’t get much fm. any one else.” For the most part, H’ry agreed. “I hope you will continue to give me, when you can, your free impression of my performance. It is a great thing to have some one write to one of one’s things as if one were a 3d person & you are the only individual who will do this.”
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.