Writing London asks the reader to consider how writers sought to respond to the nature of London. Drawing on literary and architectural theory and psychoanalysis, Julian Wolfreys looks at a variety of nineteenth-century writings to consider various literary modes of productions as responses to the city. Beginning with an introductory survey of the variety of literary representations and responses to the city, Writing London follows the shaping of the urban consciousness from Blake to Dickens, through Shelley, Barbauld, Byron, De Quincey, Engels and Wordsworth. It concludes with an Afterword which, in developing insights into the relationship between writing and the city, questions the heritage industry's reinvention of London, while arguing for a new understanding of the urban spirit.
Following on from Julian Wolfrey's successful Writing London (1998), this second volume extends Wolfrey's original argument that a new urban sensibility in the nineteenth century had been developed which established new ways of writing about and responding to the city. Writing London - Volume 2 explores through a range of readings of twentieth-century films and texts the complex relationship between the experience of the city, the pleasures of the urban text and the solitary nature of these pleasures. The book has a broad focus, in part dictated not only by the transformation of literary production in the twentieth-century, but also by the need to respond to the changes in both urban representation and London itself. Writers discussed include Virginia Woolf, Elizabeth Bowen, Maureen Duffy, Peter Ackroyd, Iain Sinclair and Michael Moorcock. The volume covers texts from the late nineteenth-century to the end of the twentieth, in a critical reading that incorporates the theoretical insights of Walter Benjamin, Guy Debord and Jacques Derrida.
While most analyses of the French National Front (NF) see it as a threat to democracy, the exact nature of this threat has never been clearly defined. Drawing on interviews with leading far-right figures and access to internal party documents, this book identifies the NF as a modern fascist party. The authors produce an uncompromising assessment of attempts to confront the NF and explain how it emerged as the leading challenger to a discredited mainstream in the 2002 presidential election.
Peter Ackroyd: The Ludic and Labyrinthine Text offers the reader the first major critical study in English of one of Britain's most inventive, playful and significant writers of the twentieth century. This study playfully, yet rigorously engages with these aspects of literary stylistics and personal and national identity so important in Ackroyd's work. Rejecting the postmodern label previously attached to the author, Gibson and Wolfreys provide a consideration of all Ackroyd's writing to date, from his poetry and critical thought, to his novels and biographies, offering an indispensable account to anyone interested in Ackroyd and the condition of the novel at the end of the twentieth century.
This book stages a series of interventions and inventions of urban space between 1880 and 1930 in key literary texts of the period. Making sharp distinctions between modernity and modernism, the volume reassesses the city as a series of singular sites irreducible to stable identities, concluding with an extended reading of The Waste Land .
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