After an eloquent and moving analysis of what he sees as the disillusion of themodern age, Lippmann posits as the central dilemma of liberalism its inability to find an appropriate substitute for the older forms of authority-- church, state, class, family, law, custom--that it has denied. Lippmann attempts to find a way out of this chaos through the acceptance of a higher humanism and a way of life inspired by the ideal of -disinterestedness- in all things. In his new introduction to the Transaction edition, John Patrick Diggins marks A Preface to Morals, originally published in 1929, as a critical turning point in Lippmann's intellectual career. He also provides an excellent discussion of the enduring value of this major twentieth-century work by situating it within the context of other intellectual movements.
Timothy Paris examines Winston Churchill's involvement in the struggle for power in a number of Middle Eastern countries between 1920 and 1925. His study traces the development of the Sherifian policy, a policy that was devised by the British.
In African American culture, the church is instrumental in establishing and maintaining social order. Professor Paris shows that a study of black church teachings reveals black social ethics. These ethics aren't "abstract moral principles, but sociopolitical quests for liberation and freedom.
One of literature's greatest gifts is its portrayal of realistically drawn characters--human beings in whom we can recognize motivations and emotions. In Imagined Human Beings, Bernard J. Paris explores the inner conflicts of some of literature's most famous characters, using Karen Horney's psychoanalytic theories to understand the behavior of these characters as we would the behavior of real people. When realistically drawn characters are understood in psychological terms, they tend to escape their roles in the plot and thus subvert the view of them advanced by the author. A Horneyan approach both alerts us to conflicts between plot and characterization, rhetoric and mimesis, and helps us understand the forces in the author's personalty that generate them. The Horneyan model can make sense of thematic inconsistencies by seeing them as the product of the author's inner divisions. Paris uses this approach to explore a wide range of texts, including Antigone, "The Clerk's Tale," The Merchant of Venice, A Doll's House, Hedda Gabler, Great Expectations, Jane Eyre, The Mayor of Casterbridge, Wuthering Heights, Madame Bovary, The Awakening, and The End of the Road.
Shakespeare's history and Roman plays are usually discussed in terms of their political themes; their leading characters are imagined human beings who must be understood in motivational terms. Analyzing these characters with the aid of modern psychology (the theories of Karen Horney), this story attempts both to make sense of inconsistencies within the plays and the controversies they have produced.
In a probing analysis that has broad implications for theories of reading, Bernard J. Paris explores how personal needs and changes in his own psychology have affected his responses to George Eliot over the years. Having lost his earlier enthusiasm for her "Religion of Humanity," he now appreciates the psychological intuitions that are embodied in her brilliant portraits of characters and relationships. Concentrating on Eliot's most impressive psychological novels, Middlemarch and Daniel Deronda, Paris focuses on her detailed portrayals of major characters in an effort to recover her intuitions and appreciate her mimetic achievement. He argues that although she intended for her characters to provide confirmation of her views, she was instead led to deeper, more enduring truths, although she did not consciously comprehend the discoveries she had made. Like her characters, Paris argues, these truths must be disengaged from her rhetoric in order to be perceived.
Eminent black social ethicist Peter Paris focuses on African "spirituality"--the religious and moral values pervading traditional African religious worldviews. Paris's careful scholarship and his eye for value in varying cultural milieus combine to model comparative cultural analysis and to clarify cultural foundations of black ethical life.
It was from the pulpit of the Riverside Church that Martin Luther King, Jr., first publicly voiced his opposition to the Vietnam War, that Nelson Mandela addressed U.S. church leaders after his release from prison, and that speakers as diverse as Cesar Chavez, Jesse Jackson, Desmond Tutu, Fidel Castro, and Reinhold Niebuhr lectured church and nation about issues of the day. The greatest of American preachers have served as senior minister, including Harry Emerson Fosdick, Robert J. McCracken, Ernest T. Campbell, William Sloane Coffin, Jr., and James A. Forbes, Jr., and at one time the New York Times printed reports of each Sunday's sermon in its Monday morning edition. For seven decades the church has served as the premier model of Protestant liberalism in the United States. Its history represents the movement from white Protestant hegemony to a multiracial and multiethnic church that has been at the vanguard of social justice advocacy, liberation theologies, gay and lesbian ministries, peace studies, ethnic and racial dialogue, and Jewish-Christian relations. A collaborative effort by a stellar team of scholars, The History of the Riverside Church in the City of New York offers a critical history of this unique institution on Manhattan's Upper West Side, including its cultural impact on New York City and beyond, its outstanding preachers, and its architecture, and assesses the shifting fortunes of religious progressivism in the twentieth century.
Peter Paris's popular and influential work on African and African American spirituality is here brought to a broader audience. Paris, in his influential book "The Spirituality of African Peoples, showed how the religious and moral values of Africa have pervaded African American life and thought. In this excerpt, discussing six particular virtues, he shows how the African worldview enriched and ennobled African American notions of morality and values, of public virtue, and of meaningful life.
This volume in the Library of Theological Ethics series draws on writings from the early nineteenth through the late twentieth centuries to explore the intersection of black experience and Christian faith throughout the history of the United States. The first sections follow the many dimensions of the African American struggle with racism in this country: struggles against theories of white supremacy, against chattel slavery, and against racial segregation and discrimination. The latter sections turn to the black Christian vision of human flourishing, drawing on perspectives from the arts, religion, philosophy, ethics, and theology. It introduces students to major voices from African American Christianity, including Frederick Douglass, Richard Allen, W. E. B. DuBois, Marcus Garvey, Martin Luther King Jr., Bayard Rustin, Barbara Jordan, James H. Cone, and Jacqueline Grant. This is the essential resource for anyone who wishes to understand the role that Christian faith has played in the African American struggle for a more just society.
Karen Horney is regarded by many as one of the most important psychoanalytic thinkers of the 20th century. This book argues that Horney's inner struggles, in particular her compulsive need for men, induced her to embark on a search for self-understanding.
This analysis of four Black religious leaders--Martin Luther King Jr., Malcolm X, Joseph H. Jackson, and Adam Clayton Powell Jr.--reviews their differences and determines whether grounds for coalitional activity still exists. These leaders all clearly agreed that racism should be opposed but they vigorously disagreed on the forms the opposition should take.
In Character and Conflict in Jane Austen's Novels , Bernard J. Paris offers an analysis of the protagonists in four of Jane Austen's most popular novels. His analysis reveals them to be brilliant mimetic creations who often break free of the formal and thematic limitations placed upon them by Austen. Paris traces the powerful tensions between form, theme, and mimesis in Mansfield Park , Emma , Pride and Prejudice , and Persuasion . Paris uses Northrop Frye's theory of comic forms to analyse and describe the formal structure of the novels, and Karen Horney's psychological theories to explore the personalities and inner conflicts of the main characters. The concluding chapter turns from the characters to their creator, employing the Horneyan categories of self-effacing, detached, and expansive personality types to interpret Jane Austen's own personality. Readers of Jane Austen will find much that is new and challenging in this study. It is one of the few books to recognise and pay tribute to Jane Austen's genius in characterisation. Anyone who reads this book will come away with a new understanding of Austen's heroines as imagined human beings and also with a deeper feeling for the troubled humanity of the author herself.
Many critics agree with C. S. Lewis that "Satan is the best drawn of Milton's characters". Satan is certainly a wonderful creation, but Adam and Eve are also complex and well-drawn, and God may be the most complicated character of all. Paradise Lost is above all God's story; it is his discontent, first with Lucifer and then with human beings, that drives the action from the beginning until his anger subsides at the world's end. God and Satan have similarities not only in their pursuit of revenge, but also in their craving for power and glory. The ambitious Satan wants more than he already has, but what accounts for the voracity of God's appetite? Does the fact that each threatens the status of the other help to explain the intensity of their hatred and rage? Is their vindictiveness a response to being threatened, an effort to repair the injury they feel they've sustained? This seems to be the case for Satan, but must not God also have felt deeply hurt to have such a powerful need for vengeance? If so, why is the Almighty so vulnerable? And why is he so hard on Adam and Eve and the rest of humankind? These are the kinds of questions Bernard Paris tries to answer in this book. Paris's purpose is not to focus on Milton's illustrative intentions but to try to understand God, Satan, Adam, and Eve as psychologically motivated characters who are torn by inner conflicts.Most critics treat Milton's characters as coded messages from the author, but their mimetic features interfere with the process of decoding. Instead of looking through the characters to the author, Paris looks at Milton's characters as objects of interest in themselves, as creations inside a creation who escape their thematic roles and are embodiments of his psychological intuitions. This book heightens our appreciation of an ignored aspect of Milton's art and offers new insights into the critical controversies that have surrounded Paradise Lost.
A Ghanaian scholar of religion argues that poverty is a particularly complex subject in traditional African cultures, where holistic worldviews unite life’s material and spiritual dimensions. A South African ethicist examines informal economies in Ghana, Jamaica, Kenya, and South Africa, looking at their ideological roots, social organization, and vulnerability to global capital. African American theologians offer ethnographic accounts of empowering religious rituals performed in churches in the United States, Jamaica, and South Africa. This important collection brings together these and other Pan-African perspectives on religion and poverty in Africa and the African diaspora. Contributors from Africa and North America explore poverty’s roots and effects, the ways that experiences and understandings of deprivation are shaped by religion, and the capacity and limitations of religion as a means of alleviating poverty. As part of a collaborative project, the contributors visited Ghana, Kenya, and South Africa, as well as Jamaica and the United States. In each location, they met with clergy, scholars, government representatives, and NGO workers, and they examined how religious groups and community organizations address poverty. Their essays complement one another. Some focus on poverty, some on religion, others on their intersection, and still others on social change. A Jamaican scholar of gender studies decries the feminization of poverty, while a Nigerian ethicist and lawyer argues that the protection of human rights must factor into efforts to overcome poverty. A church historian from Togo examines the idea of poverty as a moral virtue and its repercussions in Africa, and a Tanzanian theologian and priest analyzes ujamaa, an African philosophy of community and social change. Taken together, the volume’s essays create a discourse of mutual understanding across linguistic, religious, ethnic, and national boundaries. Contributors. Elizabeth Amoah, Kossi A. Ayedze, Barbara Bailey, Katie G. Cannon, Noel Erskine, Dwight N. Hopkins, Simeon O. Ilesanmi, Laurenti Magesa, Madipoane Masenya, Takatso A. Mofokeng, Esther M. Mombo, Nyambura J. Njoroge, Jacob Olupona, Peter J. Paris, Anthony B. Pinn, Linda E. Thomas, Lewin L. Williams
Psychology helps us to talk about what the novelist knows, but fiction helps us to know what the psychologist is talking about." So writes the author of this brilliant study. The chief impulse of realistic fiction is mimetic; novels of psychological realism call by their very nature for psychological analysis. This study uses psychology to analyze important characters and to explore the consciousness of the author and the work as a whole. What is needed for the interpretation of realistic fiction is a psychological theory congruent with the experience portrayed. Emerging from Paris' approach are wholly new and illuminating interpretations of Becky Sharp, William Dobbin, Amelia Sedley, Julien Sorel, Madame de Renal, Mathilde de la Mole, Maggie Tulliver, the underground man, Charley Marlow, and Lord Jim. The psychological approach employed by Paris helps the reader not only to grasp the intricacies of mimetic characterization, but also to make sense of thematic inconsistencies which occur in some of the books under consideration. For students of human behavior as well as students of literature, the great figures of realistic fiction provide a rich source of empathic understanding and psychological insight.
Psychology helps us to talk about what the novelist knows, but fiction helps us to know what the psychologist is talking about." So writes the author of this brilliant study. The chief impulse of realistic fiction is mimetic; novels of psychological realism call by their very nature for psychological analysis. This study uses psychology to analyze important characters and to explore the consciousness of the author and the work as a whole. What is needed for the interpretation of realistic fiction is a psychological theory congruent with the experience portrayed. Emerging from Paris' approach are wholly new and illuminating interpretations of Becky Sharp, William Dobbin, Amelia Sedley, Julian Sorel, Madame de Renal, Mathilde de la Mole, Maggie Tulliver, the underground man, Charley Marlow, and Lord Jim. The psychological approach employed by Paris helps the reader not only to grasp the intricacies of mimetic characterization, but also to make sense of thematic inconsistencies which occur in some of the books under consideration. For students of human behavior as well as students of literature, the great figures of realistic fiction provide a rich source of empathic understanding and psychological insight.
Adopting a friendly but critical approach to the talking therapies, this book places psychotherapy in a social and historical context, exploring its relationship to contemporary culture and recommending a different way of thinking about practice.
This study approaches Marlow not simply as a literary device but as one of the greatest character creations in literature, an understanding of whose inner conflicts newly illuminates the structure of his narrations, his interactions with his auditors, and the thematic ambiguity of his tales.
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