From horse thieves to hurricanes, from shattered Southern myths to fractured family ties, from Nashville to Myrtle Beach to Miami, Low Country is a lyrical, devastating, fiercely original memoir" of one family's changing fortunes in the Low Country of South Carolina (Justin Taylor, author of Riding with the Ghost). J. Nicole Jones is the only daughter of a prominent South Carolina family, a family that grew rich building the hotels and seafood restaurants that draw tourists to Myrtle Beach. But at home, she is surrounded by violence and capriciousness: a grandfather who beats his wife, a barman father who dreams of being a country music star. At one time, Jones's parents can barely afford groceries; at another, her volatile grandfather presents her with a fur coat. After a girlhood of extreme wealth and deep debt, of ghosts and folklore, of cruel men and unwanted spectacle, Jones finds herself face to face with an explosive possibility concerning her long-abused grandmother that she can neither speak nor shake. And through the lens of her own family's catastrophes and triumphs, Jones pays homage to the landscapes and legends of her childhood home, a region haunted by its history: Eliza Pinckney cultivates indigo, Blackbeard ransacks the coast, and the Gray Man paces the beach, warning of Hurricane Hazel.
A dreamy California Gothic about a woman who moves to the mysterious town of Bellinas to save her marriage, only to be swept up in a hedonistic cult that isn’t what it seems Tansy and her husband Guy are the newest arrivals in Bellinas, a lush oasis tucked into the coast of northern California where a reclusive, creative community is beginning to take shape. Helmed by Guy’s cousin Mia, a famous model -turned -wellness -luminary, and her tech mogul husband, the group renounces the outside world in pursuit of purity, fashioning their own rules about what to eat and how to live. Everything seems perfect in Bellinas: food is abundant, flowers are always in bloom, and nearby wildfires leave the town remarkably unscathed. While Guy is happy in their new lives, Tansy becomes more and more suspicious of the community and increasingly desperate to save her already-fragile marriage. And as lonely women have throughout the ages, she wants to believe in what may only be a beautiful lie. The Witches of Bellinas unfolds as a confession from Tansy, filled with anguish over the life, and sense of self, she’s surrendered in her desperation to belong. In J. Nicole Jones’s clever reimagining of cult power and groupthink, the question isn’t why join, but rather, what happens when you understand the danger, but can’t conceive of a way out?
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