For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me." There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture. I say apparent, for in its subject, and not in its handling, however exquisite, consists its real value. The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not that of any religious order. In her hand the figure bears a lamp, by which alone her figure and face are illuminated; and her features wear such an arch smile, as well becomes a pretty woman when practising some prankish roguery; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, in total shadow, stands the figure of a man dressed in the old Flemish fashion, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing. There are some pictures, which impress one, I know not how, with a conviction that they represent not the mere ideal shapes and combinations which have floated through the imagination of the artist, but scenes, faces, and situations which have actually existed. There is in that strange picture, something that stamps it as the representation of a reality.
Sink your teeth into the cult classic vampire novella that inspired Bram Stoker’s Dracula. Fear sweeps the countryside as people fall victim to a strange illness. After a peculiar accident, beautiful Mircalla becomes a ward at Laura’s family home. Soon, friendship blooms between the mysterious Mircalla and curious Laura. Love is in the air, but so is something deadly. Will Mircalla’s secret cost Laura her life? Carmilla, originally published in 1872, is one of the first vampire novels ever written, predating Dracula by twenty-six years. Carmilla, with its themes of vampirism and homosexuality, shocked the standards and stereotypes for women set in the Victorian era. Today, Carmilla is considered the original archetype of female and LGBTQ vampires, and Le Fanu’s influence is seen throughout vampire fiction./
The foremost teller of scary stories in his day and a profound influence on both the novelists and filmmakers of the 20th century, Anglo-Irish author JOSEPH THOMAS SHERIDAN LE FANU (18141873) has, sadly, fallen out of scholarly and popular favor, and unfairly so. To this day, contemporary readers who happen across his works praise his talent for weaving a tense literary atmosphere tinged by the supernatural and bolstered by hints of ambiguous magic. Though his best-known works were horror tales, Le Fanus first novels were historical in nature. The House by the Churchyard, originally published in 1863, bridges the authors early work and his later experiments in Gothic horror, and is said to have inspired James Joyces Finnegans Wake. A rambling tale of the charming Irish town of Chapelizod in 1767, it sees men of the Royal Irish Artillery stationed in the village and disrupting the quiet life there... though the brooding Mr. Mervyn and his coffin and the mysterious newcomer Mr. Dangerfield lend elements of the unknown as well. With a series of new editions of Le Fanus works, Cosimo is proud to reintroduce modern book lovers to the writings of the early master of suspense fiction who pioneered the concept of psychological horror.
The foremost teller of scary stories in his day and a profound influence on both the novelists and filmmakers of the 20th century, Anglo-Irish author JOSEPH THOMAS SHERIDAN LE FANU (18141873) has, sadly, fallen out of scholarly and popular favor, and unfairly so. To this day, contemporary readers who happen across his works praise his talent for weaving a tense literary atmosphere tinged by the supernatural and bolstered by hints of ambiguous magic. First published in 1864, Uncle Silas, one of his more famous works, is a macabre tale of the death-haunted mansion known as Knowl, and Maud Ruthyn, who narrates for us the ominous goings-on there through her curtain of obsession with the dark and the dead. Considered by some to be among the best horror novels ever written, this is certainly a pinnacle of Victorian suspense that continues to grip sophisticated readers today. With a series of new editions of Le Fanus works, Cosimo is proud to reintroduce modern book lovers to the writings of the early master of suspense fiction who pioneered the concept of psychological horror.
Joseph Sheridan Le Fanu was one of the foremost writers of ghost stories in the Victorian era, penning such renowned works as Uncle Silas and In a Glass Darkly. This collection of spine-tingling short stories is sure to please fans of gothic tales from the golden age of horror writing.
J. Sheridan Le Fanu (1814-1873). Irish journalist, novelists, and short story writer, called the father of the modern ghost story. Although Le Fanu was one of the most popular writers of the Victorian era, he is not so widely read anymore. Le Fanu's best-known works include Uncle Silas (1864), a suspense story, and The House by the Churchyard (1863), a murder mystery. His vampire story 'Carmilla, ' which influenced Bram Stoker's Dracula, has been filmed several times." -- Books and Writers.
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