This work covers the entire sweep of Milner's career, exploring fully in themselves overlooked areas, including Milner's place in the newspaper "information milieu," his attempts to bring working men into the Unionist fold (before, during, and after the Great War), his conspiratorial role in the 1914 Ulster Crisis, his key, but mostly forgotten, place in the First World War, the Peace of Paris and, throughout, his private life. The book reveals, as has no other, relationships with Margot Tennant (later Asquith), to whom Milner first proposed marriage, his mistress Cecile Duval, the novelist Elinor Glyn, and his two-decades-long liaison with Violet Cecil, who became his wife in 1921, only four years before Milner's death."--BOOK JACKET.
The first modern account of Theodore Roosevelt and the First World War, this is a tale of war and politics as well as the private story of true love and family devotion: a story as multi-faceted as TR's own personality.
Albert J. Luxford has long been known as "The Gimmick Man" in the film and television industry, but he has remained one of its unsung and unknown geniuses despite his well-known work. He equipped James Bond with some of his most memorable gadgets; made possible many of the effects and sequences in the Carry On series. He worked on such shows and movies as Are You Being Served?, The Muppets, Highlander, and Chitty Chitty Bang Bang, among many others. In this memoir, Luxford reminisces with great good humor about his life and work and shares some tricks of the trade. He left school at 16 to attend the Institute of Automobile Engineers in West London and began in the film industry as an engineer at Pinewood Studios. The bulk of this work is made up of Luxford's recollections about his experiences in special effects. This is a genuine tour behind the scenes by an incomparable master of movie magic.
In the early morning of July 31, 1952, a murder occurred in a dingy bar in a small resort town in the uppermost part of northern Michigan. The trial that followed, in which young army lieutenant Coleman Peterson was tried for murdering the bar owner, inspired a number-one bestselling novel and an Academy Award-nominated film. Showcasing the far-reaching power of a single crime, The Anatomy of a Murder Trilogy: A Classic Trial, Book, and Film follows the murder from the barroom to the court room to the theatrical release of Anatomy of a Murder in 1959.
In debates surrounding the New Perspective on Paul, the sixteenth-century Protestant Reformers are often characterized as the apostle's misinterpreters-in-chief. In this book Stephen Chester challenges that conception with a careful and nuanced reading of the Reformers' Pauline exegesis. Examining the overall contours of Reformation exegesis of Paul, Chester contrasts the Reformers with their opponents and explores particular contributions made by such key figures as Luther, Melanchthon, and Calvin. He relates their insights to contemporary debates in Pauline theology about justification, union with Christ, and other central themes, arguing that their work remains a significant resource today. Published in the 500th anniversary year of the Protestant Reformation, Chester's Reading Paul with the Reformers reclaims a robust understanding of how the Reformers actually read the apostle Paul.
We are living in turbulent times, witnessing renewed international conflict, resurgent nationalism, declining multilateralism, and a torrent of hostile propaganda. How are we to understand these developments and conduct diplomacy in their presence? Nicholas J. Cull, the distinguished historian of propaganda, revisits the international media campaigns of the past in the light of the challenges of the present. His concept of Reputational Security deftly links issues of national image and outreach to the deepest needs of any state, rescuing them from the list of low-priority optional extras to which they are so often consigned in the West. Reputational Security, he argues, comes from being known and appreciated in the world. With clarity and determination, Cull considers core tasks, approaches, and opportunities available for international actors today, including counterpropaganda, media development, diaspora diplomacy, cultural work, and – perhaps most surprisingly of all – media disarmament. This book is crucial for all who care about responding to the threat of malign media disruption, revitalizing international cooperation, and establishing the Reputational Security we and our allies need to survive and flourish. Reputational Security is enlightening reading for students and scholars of public diplomacy, international relations, security studies, communications, and media, as well as practitioners.
The question of women's role in the military is extremely topical. A Woman and a Soldier covers the experiences of women in the military from the late mediaeval period to the present day. Written in two volumes this comprehensive guide covers a wide range of wars: The Thirty Years War, the French and Indian Wars in Northern America, the Anglo-Boer War, the First and Second World Wars, the Long March in China, and the Vietnam War. There are also thematic chapters, including studies of terrorism and contemporary military service. Taking a multidisciplinary approach: historical, anthropological, and cultural, the book shows the variety of arguments used to support or deny women's military service and the combat taboo. In the process the book challenges preconceived notions about women's integration in the military and builds a picture of the ideological and practical issues surrounding women soldiers.
Fictional Presidential Films Hollywood’s manner of making films, its conventions, applies especially to fictional presidential films, allowing filmmakers to express their ideas that could not be done in traditional historical films. Fictional Presidential Films offers a complete filmography of these two-hundred-plus films decade by decade since 1930. The main body of the work provides a brief summary of each decade along with a summary on the overall nature of films in which a fictional President appeared. Each relevant film is then discussed with credits, plot summary, description of the presidential appearance, and, when possible, an assessment of the presidential portrayal included.
The first book to compare and contrast the rise of mass circulation press in Britain and America. It provides insights into the origins of tabloid journalism and explores a range of cross-cultural and literary issues, tracing the history of key newspapers and the careers of influential journalists such as Bennett, Russell, Harmsworth and Pulitzer.
In addition to being the first academic study of the giallo film in English, this book surveys more than fifty films of this subgenre. The works of twenty-five different filmmakers are considered, including Mario Bava and Dario Argento, Lucio Fulci, Sergio Martino, Pupi Avati, and Umberto Lenzi. Koven explores the interrelationships between these films; how one influences the others, how certain filmmakers take ideas and expand on them, and how those ideas are further transformed by other filmmakers. Koven also discusses the impact of the giallo on the later North American slasher genre."--BOOK JACKET.
A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.
George Jean Nathan (1882-1958) was formative influence on American letters in the first half of this century, and is generally considered the leading drama critic of his era. With H. L. Mencken, Nathan edited The Smart Set and founded and edited The American Mercury, journals that shaped opinion in the 1920s and 1930s. This series of reprints, individually introduced by the distinguished critic and novelist Charles Angoff, collects Nathan's penetrating, witty, and sometimes cynical drama criticism.
This book serves as a fascinating guide to 100 war films from 1930 to the present. Readers interested in war movies will learn surprising anecdotes about these films and will have all their questions about the films' historical accuracy answered. This cinematic guide to war movies spans 800 years in its analysis of films from those set in the 13th century Scottish Wars of Independence (Braveheart) to those taking place during the 21st-century war in Afghanistan (Lone Survivor). World War II has produced the largest number of war movies and continues to spawn recently released films such as Dunkirk. This book explores those, but also examines films set during such conflicts as the Napoleonic Wars, the American Civil War, World War I, the Vietnam War, and the wars in Afghanistan and Iraq. The book is organized alphabetically by film title, making it easy to navigate. Each entry is divided into five sections: Background (a brief discussion of the film's genesis and financing); Production (information about how, where, and when the film was shot); Synopsis (a detailed plot summary); Reception (how the film did in terms of box office, awards, and reviews) and "Reel History vs. Real History" (a brief analysis of the film's historical accuracy). This book is ideal for readers looking to get a vivid behind-the-scenes look at the greatest war movies ever made.
How does a small provincial city in southern Japan become the site of a world-famous wheelchair marathon that has been attracting the best international athletes since 1981? In More Than Medals, Dennis J. Frost answers this question and addresses the histories of individuals, institutions, and events—the 1964 Paralympics, the FESPIC Games, the Ōita International Wheelchair Marathon, the Nagano Winter Paralympics, and the 2021 Tokyo Summer Games that played important roles in the development of disability sports in Japan. Sporting events in the postwar era, Frost shows, have repeatedly served as forums for addressing the concerns of individuals with disabilities. More Than Medals provides new insights on the cultural and historical nature of disability and demonstrates how sporting events have challenged some stigmas associated with disability, while reinforcing or generating others. Frost analyzes institutional materials and uses close readings of media, biographical sources, and interviews with Japanese athletes to highlight the profound—though often ambiguous—ways in which sports have shaped how postwar Japan has perceived and addressed disability. His novel approach highlights the importance of the Paralympics and the impact that disability sports have had on Japanese society. Open access edition funded by the National Endowment for the Humanities.
In Seeing Stars, Dennis J. Frost traces the emergence and evolution of sports celebrity in Japan from the seventeenth through the twenty-first centuries. Frost explores how various constituencies have repeatedly molded and deployed representations of individual athletes, revealing that sports stars are socially constructed phenomena, the products of both particular historical moments and broader discourses of celebrity. Drawing from media coverage, biographies, literary works, athletes’ memoirs, bureaucratic memoranda, interviews, and films, Frost argues that the largely unquestioned mass of information about sports stars not only reflects, but also shapes society and body culture. He examines the lives and times of star athletes—including sumo grand champion Hitachiyama, female Olympic medalist Hitomi Kinue, legendary pitcher Sawamura Eiji, and world champion boxer Gushiken Yokoō—demonstrating how representations of such sports stars mediated Japan’s emergence into the putatively universal realm of sports, unsettled orthodox notions of gender, facilitated wartime mobilization of physically fit men and women, and masked lingering inequalities in postwar Japanese society. As the first critical examination of the history of sports celebrity outside a Euro-American context, this book also sheds new light on the transnational forces at play in the production and impact of celebrity images and dispels misconceptions that sports stars in the non-West are mere imitations of their Western counterparts.
Hearts and Hands focuses on healing through community building. Empowered by thirty years of experience with gangs in Los Angeles and Chicago, Rodríguez offers a unique book of change. He makes concrete suggestions, shows how we can create nonviolent opportunities for youth today, and redirects kids into productive and satisfying lives. And he warns that we sacrifice community values for material gain when we incarcerate or marginalize people already on the edge of society. His drive to dissolve gang influence on kids is as personal as it is societal; his son, to whom he dedicates Hearts and Hands, served more than a decade in prison for gang-related activity. With anecdotes, interviews, and time-tested guidelines, Hearts and Hands makes a powerful argument for building and supporting community life.
The UAW's Southern Gamble is the first in-depth assessment of the United Auto Workers' efforts to organize foreign vehicle plants (Daimler-Chrysler, Mercedes-Benz, Nissan, and Volkswagen) in the American South since 1989, an era when union membership declined precipitously. Stephen J. Silvia chronicles transnational union cooperation between the UAW and its counterparts in Brazil, France, Germany, and Japan and documents the development of employer strategies that have proven increasingly effective at thwarting unionization. Silvia shows that when organizing, unions must now fight on three fronts: at the worksite; in the corporate boardroom; and in the political realm. The UAW's Southern Gamble makes clear that the UAW's failed campaigns in the South can teach hard-won lessons about challenging the structural and legal roadblocks to union participation and effectively organizing workers within and beyond the auto industry.
German film is diverse and multi-faceted; its history includes five distinct German governments (Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany, and the German Democratic Republic), two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as the natural inclination of artists to rebel and create new styles, allow for the construction of a narrative of German film. While the disjuncture generates distinct points of separation, it also highlights continuities between the ruptures. Outlining the richness of German film, The A to Z of German Cinema covers mainstream, alternative, and experimental film from 1895 to the present through a chronology, introductory essay, appendix of the 100 most significant German films, a bibliography, and hundreds of cross-referenced dictionary entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. The book's broad canvas will lead students and scholars of cinema to appreciate the complex nature of German film.
Hugely enjoyable--and valuable. I dropped everything else to read it. A treasure..."--Charles Wheeler, senior foreign correspondent, the BBC The newspaper is to the twentieth century what the novel was for the nineteenth century: the expression of popular sentiment. In the first of a three-volume study of journalism and what it has meant as a source of knowledge and as a mechanism for orchestrating mass ideology, Melvin J. Lasky provides a major overview. His research runs the gamut of material found in newspapers, from the trivial to the profound, from pseudo-science to habits of solid investigation. The volume is divided into four parts. The first attacks deficiencies in grammar and syntax with examples from newspapers and magazines drawn from the German as well as English-language press. The second examines the key issues of journalism: accuracy and authenticity. Lasky provides an especially acute account of differences between active literacy and passive viewing, or the relationship of word and picture in defining authenticity. The third part emphasizes the problem of bias in everything from racial reporting to cultural correctness. This is the first systematic attempt to study racial nomenclature, identity-labeling, and literary discrimination. Lasky follows closely the model set by George Orwell a half century earlier. The final section of the work covers the competition between popular media and the redefinition of pornography and its language. The volume closes with an examination of how the popular culture both influenced and was influential upon literary titans like Hemingway, Lawrence, and Tynan. Melvin J. Lasky was the editor of Encounter in England from 1958 until its close in 1990. It was viewed as the most brilliant European periodical of its time. Lasky served as foreign correspondent for the New York Times and The Reporter, and has written for many of the intellectual journals from Partisan Review to Commentary. He is the author of The Hungarian Revolution, Africa for Beginners, Utopia and Revolution, On the Barricades, and Off, and Voices in a Revolution.
In this third of a three-volume work, the author traces the interpretation of the book of Job from the Authorized Version of the Bible (King James Version) through philosophers of the seventeenth, eighteenth, and nineteenth centuries. He also covers Job in the literature of the Romantics, Blake, Melville, and Dostoyevsky. As appendices, he treats Job in Geography (Uz), Job and Zoology (Behemoth and Leviathan), and Job in Film. Volume 1: Job in the Ancient World Volume 2: Job in the Medieval World Volume 3: Job in the Modern World
Cinema and science fiction were made for each other. Science fiction has been at the cutting edge of film technology and the genre has produced some of the most ambitious, imaginative and visually spectacular films ever made. Yet science fiction cinema is about more than just state-of-the-art special effects. It has also provided a vehicle for film-makers and writers to comment on their own societies and cultures. In this new study of the genre, James Chapman and Nicholas Cull examine a series of landmark science fiction films from the 1930s to the present. They include genre classics, including 'Things to Come', 'Forbidden Planet', 'Planet of the Apes' and '2001: A Space Odyssey', alongside modern blockbusters 'Star Wars' and 'Avatar'. They consider both screen originals and adaptations of the work of major science fiction authors such as H.G. Wells and Arthur C. Clarke. They range widely across the genre from pulp adventure and space opera to political allegory and speculative documentary- there is even a science fiction musical. Chapman and Cull explore the contexts and document the production histories of each film to show how they made their way to the screen- and why they turned out the way they did. Informed throughout by extensive original research in US and British archives, Projecting Tomorrow will be essential reading for all students and fans of science fiction cinema.
Presents the life and accomplishments of the motion picture actor, director, and philanthropist, from his early life and acting career to his personal life and family.
Popular cinema is saturated with images and narratives of empire. With "Projecting Empire", Chapman and Cull have written the first major study of imperialism and cinema for over thirty years. This welcome text maps the history of empire cinema in both Hollywood and Britain through a serious of case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries, from the 1930s and "The Four Feathers" to the present, with "Indiana Jones" and "Three Kings". The authors consider industry-wide trends and place the films in their wider cultural and historical contexts. Using primary sources that include private papers, they look at the presence of particular auteurs in the cinema of Imperialism, including Korda, Lean, Huston and Attenborough, as well as the actors who brought the stories to life, such as Elizabeth Taylor and George Clooney. At a time when imperialism has a new significance in the world, this book will fulfil the needs of students and interested filmgoers alike.
A product of the Committee on Foreign Affairs of the US House of Representatives, this text studies the emergence of a more unified Europe as an economic and political power, and the implications of European integration for the United States.
In 1973, early in their careers, Martin Scorsese and Robert De Niro collaborated for the first time. Over the next few decades, they worked together on seven more movies, many of which brought them both acclaim and awards. And while successful director and actor pairings have occurred throughout the history of film, few have fashioned so many works of enduring value as these two artists. In little more than two decades, Scorsese and De Niro produced eight features, including the classics Taxi Driver, Raging Bull, and GoodFellas. In The Films of Martin Scorsese and Robert De Niro, Andrew J. Rausch examines the creative output of this remarkable pair, from their initial offering, Mean Streets, to their most recent film together, Casino. Rausch looks at their relationship as individual artists who worked together to create cinematic magic, as well as the friendship that was forged nearly 40 years ago. Drawing upon interviews and other sources, Rausch goes behind the scenes of their eight films, providing insi
New technologies have opened up fresh possibilities for public diplomacy, but this has not erased the importance of history. On the contrary, the lessons of the past seem more relevant than ever, in an age in which communications play an unprecedented role. Whether communications are electronic or hand-delivered, the foundations remain as valid today as they ever have been. Blending history with insights from international relations, communication studies, psychology, and contemporary practice, Cull explores the five core areas of public diplomacy: listening, advocacy, cultural diplomacy, exchanges, and international broadcasting. He unpacks the approaches which have dominated in recent years – nation-branding and partnership – and sets out the foundations for successful global public engagement. Rich with case studies and examples drawn from ancient times through to our own digital age, the book shows the true capabilities and limits of emerging platforms and technologies, as well as drawing on lessons from the past which can empower us and help us to shape the future. This comprehensive and accessible introduction is essential reading for students, scholars, and practitioners, as well as anyone interested in understanding or mobilizing global public opinion.
Focusing on Gisbertus Voetius’s views on God, freedom, and contingency, Andreas J. Beck offers the first monograph in English that is entirely devoted to the theology of this leading figure of early modern Reformed scholasticism.
In the latest addition to the America in the Twentieth Century series, Dunar provides a sweeping account of the twentieth century’s second decade. Beginning with the social, political, and economic circumstances in the United States in 1910, America in the Teens presents the themes and pivotal events that shaped America during this tumultuous period. The election of 1912, World War I, social change in the late Progressive Era, the influence of war on women and minorities, and changes in the motion picture industry are among the many is-sues covered in this eminently readable, concise text. Dunar traces the development of a vibrant society during a time of enormous change and explores the ways in which Americans reacted. World War I brought our nation to the forefront of the world’s great powers but also provoked divisions that Americans would confront through the twentieth century and beyond: racial tensions, immigration issues, and labor-management disputes. At the same time, there were progressive triumphs: women earned the right to vote; American industry made great strides, symbolized by the mass production of Henry Ford’s automobiles; and American cinema and jazz enjoyed international acclaim. Combining an engrossing narrative with intelligent analysis, America in the Teens enriches our understanding of that critical era.
When the Empire of Japan defeated the Chinese Qing Dynasty in 1895 and won its first colony, Taiwan, it worked to establish it as a model colony. The Japanese brought Taiwan not only education and economic reform but also a new pastime made popular in Japan by American influence: baseball. But unlike in many other models, the introduction of baseball to Taiwan didn't lead to imperial indoctrination or nationalist resistance. Taiwan instead stands as a fascinating counterexample to an otherwise seemingly established norm in the cultural politics of modern imperialism. Taiwan's baseball culture evolved as a cultural hybrid between American, Japanese, and later Chinese influences. In Empire of Infields John J. Harney traces the evolution and identity of Taiwanese baseball, focusing on three teams: the Nenggao team of 1924-25, the Kan? team of 1931, and the Hongye schoolboy team of 1968. Baseball developed as an aspect of Japanese cultural practices that survived the end of Japanese rule at the end of World War II and was a central element of Japanese influence in the formation of popular culture across East Asia. The Republic of China (which reclaimed Taiwan in 1945) only embraced baseball in 1968 as an expression of a distinct Chinese nationalism and as a vehicle for political narratives. Empire of Infields explores not only the development of Taiwanese baseball but also the influence of baseball on Taiwan's cultural identity in its colonial years and beyond as a clear departure from narratives of assimilation and resistance.
In Women and Narrative Identity Green demonstrates that the "national text" has at times functioned to constrain women's literary expression, while in other cases it has empowered the feminine voice, endowing it with a unique identitary power. She shows that writers such as Laure Conan, Germaine Guèvremont, Gabrielle Roy, Anne Hébert, and Marie-Claire Blais have been recognized as important because they have been widely perceived as speaking to and about the people of Quebec. The Quebec identity narrative has offered women writers a framework within which they are able not only to make their voices heard but to tell a story of feminine dispossession and desire that often questions central cultural values. Green shows that while women writers in Europe and America have subtly altered the form of the novel, in Quebec women have, in rewriting the narratives of Quebec identity, also redefined the terms of the nation itself.
W. T. Stead (1849-1912) was a newspaper editor, author, social reformer, advocate for women rights, peace campaigner, spiritualist, and one of the best-known public figures in the late Victorian and Edwardian Britain. W. T. Stead: Nonconformist and Newspaper Prophet provides a compelling religious biography of Stead, offering particular attention to his conception of journalism—in an age of growing mass literacy—as a means to communicate religious truth and morality, and his view of the editor's desk as a modern pulpit. Leading scholar, Stewart J. Brown explores how his Nonconformist Conscience and sense of divine calling infused Stead's newspaper crusades-most famously his 'Maiden Tribute' campaign against child prostitution. The biography also examines Stead's growing interest in spiritualism and the occult, as he searched for the evidence of an afterlife that might draw people in a more secular age back to faith. It discusses his imperialism and his belief in the English-speaking peoples of the British Empire and American Republic as God's new chosen people for the spread of civilisation; and it highlights how his growing understanding of other faiths and cultures—but more especially his moral revulsion over the South African War of 1899-1902—brought him to question those beliefs. Finally, it assesses the influence of religious faith on his campaigns for world peace and the arbitration of international disputes.
My name is Kevin J. Phillips. The virus behind profiling comes in many forms, races, religions, sexual preferences, etc. I was a subject of profiling while driving, and my goal is to educate others on the problematic effects of profiling through this book, Driving While Black: A Memoir of Profiling.
Celebrates the resilience of people too often ignored by history texts, revealing the challenges faced by a group of migrant workers who formed the multiracial town of Randolph, Arizona. Recaptures the ways of life for Black migrant workers, as well as Hispanics and Native Americans, through detailed interviews with third- and fourth- generation descendants of pre-Emancipation Blacks. Material from news articles, historical society archives, advertisements, and photos gives a historical and cultural context for the oral histories. Includes bandw historical and modern photos. The author teaches English, Black studies, and women's studies at the University of Missouri. Annotation copyrighted by Book News, Inc., Portland, OR
The History of German film is diverse and multi-faceted. This volume can only suggest the richness of a film tradition that includes five distinct German governments [Wilhelmine Germany, the Weimar Republic, the Third Reich, the Federal Republic of Germany (West Germany), and the German Democratic Republic (East Germany), s well as a reunited Germany], two national industries (Germany and Austria), and a myriad of styles and production methods. Paradoxically, the political disruptions that have produced these distinct film eras, as well as and the natural inclination of artists to rebel and create new styles, allow for construction of a narrative of German film. Disjuncture generates distinct points of separation, and yet also highlights continuities between the ruptures. This second edition of Historical Dictionary of German Cinema contains a chronology, an introduction, appendixes and an extensive bibliography. The dictionary section has over 200 cross-referenced entries on directors, actors, films, cinematographers, composers, producers, and major historical events that greatly affected the direction and development of German cinema. This book is an excellent resource for students, researchers, and anyone wanting to know more about German cinema.
This book demonstrates how social distress or anxiety is reflected, modified, and evolves through the medium of the motion picture. Tracing cinema from its earliest forms, the authors show how film is a perfect medium for generating and projecting dreams, fantasies, and nightmares, on the individual as well as the societal level. Arising at the same time as Freud’s influential ideas, cinema has been intertwined with the wishes and fears of the greater culture and has served as a means of experiencing those feelings in a communal and taming environment. From Munsterberg’s original pronouncements in the early 20th century about the psychology of cinema, through the pioneering films of Melies, the works of the German expressionists, to James Bond and today’s superheroes this book weaves a narrative highlighting the importance of the social dream. It develops the idea that no art form goes beyond the ordinary process of consciousness in the same way as film, reflecting, as it does, the cognitive, emotional, and volitional aspects of human nature.
In 2018 almost half of all vehicles made in North America were produced at foreign-owned plants, and the sector was on track to monopolize the market. Despite this, the industry has been overlooked compared with its domestic counterpart, both in scholarship and popular memory. Redressing this neglect, America’s Other Automakers provides a new history of the foreignowned auto sector, the first to extensively draw on archival sources and to articulate the human agency of participants, including workers, managers, and industry recruiters. Timothy J. Minchin challenges the view that the industry’s growth primarily reflected incentives, stressing human agency and the complexity of individual stories instead. Deeply human in its approach, the book also explores the industry’s impact on grassroots communities, showing that it had more costs than supporters acknowledged. Drawing on a wide range of primary and secondary sources, America’s Other Automakers uncovers significant tensions over unionization, reports of discriminatory hiring, and unease about the industry’s rapid growth, critically exploring seven large assembly facilities and their impact on the communities in which they were built.
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