James Fenimore Cooper (1789-1851) was a prolific and popular American writer of the early 19th century. His historical romances of frontier and Indian life in the early American days created a unique form of American literature, best known for The Deerslayer and the Last of the Mohicans. The Two Admirals revolves around who should inherit an English estate and the loyalties of two naval men during the battles of succession between 1745 and 1775.
James Fenimore Cooper was a 19th century writer known for his historical romances and stories of the sea. His Leatherstocking tales including the novel The Last of the Mohicans are his best-known works. The Pilot was first published in 1824. Its subject is the life of a naval pilot during the Revolution of 1775-1783. The hero of this tale is modeled after the notorious John Paul Jones. He leads adventurous raids for the American Navy along the English coast.
The Prairie – Cowboy Classics - By J. Fenimore Cooper. The Prairie: A Tale (1827) is a novel by James Fenimore Cooper, the third novel written by him featuring Natty Bumppo. His fictitious frontier hero Bumppo is never called by his name, but is instead referred to as "the trapper" or "the old man." Chronologically The Prairie is the fifth and final installment of the Leatherstocking Tales, though it was published before The Pathfinder (1841) and The Deerslayer (1842). It depicts Natty in the final year of his life still proving helpful to people in distress on the American frontier. The book frequently references characters and events from the two books previously published in the Leatherstocking Tales as well as the two which Cooper wouldn't write for more than ten years. Continuity with The Last of the Mohicans is indicated by the appearance of the grandson of Duncan and Alice Heyward and the noble Pawnee chief Hard Heart, whose name is English for the French nickname for the Delaware, le Coeur-dur.
James Fenimore Cooper (1789-1851) was an American novelist, travel writer, and social critic, regarded as the first great American writer of fiction. He was famed for his action-packed plots and his vivid, if somewhat idealized, portrayal of American life in the forest and at sea. Born in Burlington, New Jersey, Cooper grew up in Cooperstown, a central New York State town founded by his father. Much of Cooper's knowledge of the forest and Native Americans was gathered firsthand during his boyhood in a region still very much a wilderness. After being expelled from Yale University in 1805 for his prankish behavior, Cooper served as a sailor in the merchant marine and as a midshipman in the United States Navy. He left naval service in 1811 to marry Susan DeLancey, and for several years managed his wife's income-producing estates in Westchester County, New York. Cooper began his writing career at the age of 30. He wrote his first book, Precaution (1820), primarily to demonstrate to his wife that he could write a better novel than the one he was reading to her at the time. Precaution was a conventional novel of English manners and was not a success. Cooper chose for his second book a subject closer to home, and the result, The Spy (1821), a novel about the American Revolution (1775-1783) in New York State, was successful both in the United States and abroad. In 1823 Cooper wrote The Pioneers, the first of the five novels that make up the Leatherstocking Tales. The remaining four books were - The Last of the Mohicans (1826), The Prairie (1827), The Pathfinder (1840), and The Deerslayer (1841).
Mercedes of Castile" is an adventurous ancient novel penned by way of James Fenimore Cooper, acknowledged for his sizeable contributions to American literature. Published in 1840, this work takes readers on a captivating journey thru the Age of Discovery, following the tale of Mercedes de Valverde, a Spanish noblewoman. Set in the late fifteenth century, the unconventional intertwines elements of romance, exploration, and historical drama. Mercedes, the critical person, embarks on a quest that leads her from the grand courts of Castile to the uncharted territories of the New World. Her love story with Columbus, who is portrayed as a heroic and decided discern, is a relevant subject. Cooper's storytelling is characterized with the aid of his brilliant descriptions of each the Old World's opulence and the New World's untamed wilderness. As a professional creator, he crafts a story packed with adventure and romance, highlighting the demanding situations and allure of a technology marked by means of bold seafaring and the quest for the unknown. "Mercedes of Castile" is a fascinating combination of historical fiction and romantic adventure, inviting readers to delve into an interesting and evocative length in history.
His argument, that the real American should be one rooted in virtue, honor, and honesty, transcend time and historical era. This edition is the first to combine all three works - the entirety of Letter and The American Democrat, and numerous excerpts from Notions.".
This novel by J. Fenimore Cooper is an early work that established him as one of America's foremost novelists. The novel is a classic of the genre and is sure to delight readers of all ages. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Race and Identity in D. H. Lawrence is a wide-ranging examination of Lawrence's adoption and adaptation of stereotypes about minorities, with a focus on three particular 'racial' groups. This book explores societal attitudes in England, Europe, and the United States and Lawrence's utilization of cultural norms to explore his own identity.
After the War of 1812, Americans belatedly realized that they lacked national identity. The subsequent campaign to articulate nationality transformed every facet of culture from architecture to painting, and in the realm of letters, literary jingoism embroiled American authors in the heated politics of nationalism. The age demanded stirring images of U.S. virtue, often achieved by contriving myths and obscuring brutalities. Between these sanitized narratives of the nation and U.S. social reality lay a grotesque discontinuity: vehement conflicts over slavery, Indian removal, immigration, and territorial expansion divided the country. Authors such as Washington Irving, James Fenimore Cooper, Catharine M. Sedgwick, William Gilmore Simms, Nathaniel Hawthorne, and Lydia Maria Child wrestled uneasily with the imperative to revise history to produce national fable. Counter-narratives by fugitive slaves, Native Americans, and defiant women subverted literary nationalism by exposing the plight of the unfree and dispossessed. And with them all, Edgar Allan Poe openly mocked literary nationalism and deplored the celebration of "stupid" books appealing to provincial self-congratulation. More than any other author, he personifies the contrary, alien perspective that discerns the weird operations at work behind the facade of American nation-building.
In this path-breaking study of the intersections between visual and literary culture, Christopher J. Lukasik explores how early Americans grappled with the relationship between appearance and social distinction in the decades between the American Revolution and the Civil War. Through a wide range of evidence, including canonical and obscure novels, newspapers, periodicals, scientific and medical treatises, and plays as well as conduct manuals, portraits, silhouettes, and engravings, Discerning Characters charts the transition from the eighteenth century's emphasis on performance and manners to the search for a more reliable form of corporeal legibility in the wake of the Revolution. The emergence of physiognomy, which sought to understand a person's character based on apparently unchanging facial features, facilitated a larger shift in perception about the meanings of physical appearance and its relationship to social distinction. The ensuing struggle between the face as a pliable medium of cultural performance and as rigid evidence of social standing, Lukasik argues, was at the center of the post-Revolutionary novel, which imagined physiognomic distinction as providing stability during a time of cultural division and political turmoil. As Lukasik shows, this tension between a model of character grounded in the fluid performances of the self and one grounded in the permanent features of the face would continue to shape not only the representation of social distinction within the novel but, more broadly, the practices of literary production and reception in nineteenth-century America across a wide range of media. The result is a new interdisciplinary interpretation of the rise of the novel in America that reconsiders the political and social aims of the genre during the fifty years following the Revolution. In so doing, Discerning Characters powerfully rethinks how we have read—and continue to read—both novels and each other.
For over 200 years, the American Western novel has chronicled much of the American experience, especially those of James Fenimore Cooper, Bret Harte, Andy Adams, Jack Schaefer and Larry McMurtry. Alongside the roguish figure of the cowboy, Westerns depict the experiences of women and minorities as they face the hardships and deprivations of the frontier. This book is directed at the general reader who is interested in the literature, history and culture of the American West. Exploring novels that have achieved a high level of acclaim, it is a survey and homage to the frontier's lasting works, detailing both the writers' lives and their fictional creations. The author traces the development of the Western novel through biography, anecdote, summary, analysis and informed criticism, revealing the struggles and triumphs of the genre's authors, the changing standards of the frontier story and the lasting effects of the region's magisterial landscape.
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