Somebody feels threatened by Aggie's commitment to researching and writing the family history. Leaving threatening phone calls, emails, and faxes, the bad guy doesn't give up. Hiring a killer, a neophyte bad guy, this stalker trails Aggie and her double cousin to France, and on a river cruise, and then on a cross-country drive. The problem-what sort of scandal occured in the recent or distant past to send a family member on such a deadly quest? What could Aggie possibly uncover that's so awful as to require murder most foul? Aggie's research takes her and Lisa back to the past on a historical adventure, where we see the settling of the west, particularly Wyoming, through the eyes of the cousins' great-great-grandmothers. Meanwhile, in this day and age, one wonders what in the world possessed another cousin to marry a real loser, a teller turned bank VP after marrying the secretary of state. Also, Aggie's generation of cousins are bent on playing cupid, except they're in conflict about whom and why. Should they push Senator Steve Norman at Cousin Nasty, or devise romantic scenarios for Steve with Nicole, Aggie's granddaughter? These two sub-plots get in the way of Aggie's quest, one of which contributes to her search and her desperate efforts to save her own life, and the other sub-plot of which must inevitably foil the primary plot. (Aggie's Double Dollies, more than any other of the Aggie Morissey mysteries, helps to unravel the family saga)
Jerica Davidson, the First Miss, enrolls at her parents' alma mater. Her professor advisor is Joan, daughter of Aggie Morissey, good friend of the President, Jerica's dad. Eager to live a normal life away from the spotlight and the secret service, Jerica falls in with a rough crowd, led by her roommate, Callie, a devious opportunist. Callie introduces Jerica, the girl who longs to win beaty contests, to Butch, a tough guy from Milwaukee. Aggie tries to take Jerica under her wing, but the President's daughter resists, eluding both Aggie and Joan. Now Butch is one step closer to winning Jerica's heart, body, and soul, through her commitment to him, to Callie, and to their cause. Involving Jerica in his terrorist activities would be cool. He convinces Jerica that their cause is "Saving the Trees". When Jerica goes missing just when a building on campus blows up, Butch leaks the news that the First Miss is a member of the eco-terrorist gang responsible for the mayhem. And the press goes wild! Aggie Morissey starts out worrying about President Dominic Davidson's life, but she could be mistaken: right family, wrong person.
Aggie suspects she was invited to the Vermont retreat because of her friendship with the President. Before leaving home, though, she catches her husband and cousin in bed! She is so enraged, if she had a gun shed shoot them both! Thus overwrought, and convinced she knows what it feels like to contemplate murder, Aggie pursues one red herring after another in her half-hearted attempt to finger a serial killer running amok at the retreat before anybody else dies. Coming under suspicion are several doubles or pairs attending the retreat, people she thinks of now as her friends. Meanwhile, the Holloway brothers plan how to manipulate the scene from their pink canoe on Lake Bomoseen. They have planted a live weapon, a person theyve hypnotized, to take out the President when he and the First Lady arrive at the retreat to visit their good friend, Aggie Morissey, whom the Holloways have been sure got an invitation to this conference on Improving Family Relationships.
Somebody feels threatened by Aggie's commitment to researching and writing the family history. Leaving threatening phone calls, emails, and faxes, the bad guy doesn't give up. Hiring a killer, a neophyte bad guy, this stalker trails Aggie and her double cousin to France, and on a river cruise, and then on a cross-country drive. The problem-what sort of scandal occured in the recent or distant past to send a family member on such a deadly quest? What could Aggie possibly uncover that's so awful as to require murder most foul? Aggie's research takes her and Lisa back to the past on a historical adventure, where we see the settling of the west, particularly Wyoming, through the eyes of the cousins' great-great-grandmothers. Meanwhile, in this day and age, one wonders what in the world possessed another cousin to marry a real loser, a teller turned bank VP after marrying the secretary of state. Also, Aggie's generation of cousins are bent on playing cupid, except they're in conflict about whom and why. Should they push Senator Steve Norman at Cousin Nasty, or devise romantic scenarios for Steve with Nicole, Aggie's granddaughter? These two sub-plots get in the way of Aggie's quest, one of which contributes to her search and her desperate efforts to save her own life, and the other sub-plot of which must inevitably foil the primary plot. (Aggie's Double Dollies, more than any other of the Aggie Morissey mysteries, helps to unravel the family saga)
Bill Taylor dreams of becoming a world champion rodeo cowboy. To raise a stake toward achieving his goal, Billy follows his brother's advice to "find a rich wife to support your dream." Billy persuades Nicole to elope with him and have his baby. He hopes her rich old granddad will die soon and leave her a bundle. Meanwhile, her kinfolk want their princess back home in the bosom of the family who loves her. Nicole struggles to control her temper--vowing to stop beating up on Billy and endangering her child. She changes her mind almost daily about sticking by her man, because she's afraid of losing little Stevie into the foster care service. In a backwater community where nothing much ever happens, an art gallery owner dabbles in art forgeries. Senator Steve Norman and the U.S. President are two hobby artists whose works of art are at risk. And Aggie Morissey seeks to solve a murder before one of her double cousins is arrested. Key players in the story are Nicole Jacquot Taylor and her husband, Cowboy Billy Taylor; Steve Norman, the man Nickee cannot have. And Aggie Morissey, supportive confidante and grandmother. Plus a supporting case of assorted in-laws and outlaws, the art gallery owner, the bartender, the banker, and the President of the United States.
Jerica Davidson, the First Miss, enrolls at her parents' alma mater. Her professor advisor is Joan, daughter of Aggie Morissey, good friend of the President, Jerica's dad. Eager to live a normal life away from the spotlight and the secret service, Jerica falls in with a rough crowd, led by her roommate, Callie, a devious opportunist. Callie introduces Jerica, the girl who longs to win beaty contests, to Butch, a tough guy from Milwaukee. Aggie tries to take Jerica under her wing, but the President's daughter resists, eluding both Aggie and Joan. Now Butch is one step closer to winning Jerica's heart, body, and soul, through her commitment to him, to Callie, and to their cause. Involving Jerica in his terrorist activities would be cool. He convinces Jerica that their cause is "Saving the Trees". When Jerica goes missing just when a building on campus blows up, Butch leaks the news that the First Miss is a member of the eco-terrorist gang responsible for the mayhem. And the press goes wild! Aggie Morissey starts out worrying about President Dominic Davidson's life, but she could be mistaken: right family, wrong person.
Israel G. "Izzy" Young was the proprietor of the Folklore Center in Greenwich Village from the late 1950s to the early 1970s. The literal center of the New York folk music scene, the Center not only sold records, books, and guitar strings but served as a concert hall, meeting spot, and information kiosk for all folk scene events. Among Young's first customers was Harry Belafonte; among his regular visitors were Alan Lomax and Pete Seeger. Shortly after his arrival in New York City in 1961, an unknown Bob Dyan banged away at songs on Young's typewriter. Young would also stage Dylan's first concert, as well as shows by Joni Mitchell, the Fugs, Emmylou Harris, and Tim Buckley, Doc Watson, Son House, and Mississippi John Hurt. The Conscience of the Folk Revival: The Writings of Israel "Izzy" Young collects Young's writing, from his regular column "Frets and Frails" for Sing Out Magazine (1959-1969) to his commentaries on such contentious issues as copyright and commercialism. Also including his personal recollections of seminal figures, from Bob Dylan and Alan Lomax to Harry Smith and Woody Guthrie, this collection removes the rose tinting of past memoirs by offering Young's detailed, day-by-day accounts. A key collection of primary sources on the American countercultural scene in New York City, this work will interest not only folk music fans, but students and scholars of American social and cultural history.
Bill Taylor dreams of becoming a world champion rodeo cowboy. To raise a stake toward achieving his goal, Billy follows his brother's advice to "find a rich wife to support your dream." Billy persuades Nicole to elope with him and have his baby. He hopes her rich old granddad will die soon and leave her a bundle. Meanwhile, her kinfolk want their princess back home in the bosom of the family who loves her. Nicole struggles to control her temper--vowing to stop beating up on Billy and endangering her child. She changes her mind almost daily about sticking by her man, because she's afraid of losing little Stevie into the foster care service. In a backwater community where nothing much ever happens, an art gallery owner dabbles in art forgeries. Senator Steve Norman and the U.S. President are two hobby artists whose works of art are at risk. And Aggie Morissey seeks to solve a murder before one of her double cousins is arrested. Key players in the story are Nicole Jacquot Taylor and her husband, Cowboy Billy Taylor; Steve Norman, the man Nickee cannot have. And Aggie Morissey, supportive confidante and grandmother. Plus a supporting case of assorted in-laws and outlaws, the art gallery owner, the bartender, the banker, and the President of the United States.
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