The field notes of a pioneering folklorist who collected the songs, stories, and cultural history of Great Lakes sailors in the 1930s. Ivan H. Walton was a pioneering folklorist who collected the songs and stories of aging sailors living along the shores of the Great Lakes in the 1930s. His collection is unique in the annals of Great Lakes folklore. It began as a search for songs but broadened into a collection of weather signs, shipboard beliefs, greenhorn tales, and stories of the intense rivalry between sailors and the steamboat men who replaced them. Edited by Joe Grimm, Songquest: The Journals of Great Lakes Folklorist Ivan H. Walton is a selection from the daily journals Walton wrote during his travels as a folklore collector. It is clear that Walton, a professor of English at the University of Michigan, both admired the sailors of the Great Lakes for what they had done during their working years and worried about them as they entered the twilight of their lives. Walton went beyond the songs he set out to find and captured the pitch and roll of the Great Lakes alive with white-winged schooners. His writings provide a clear picture of the colorful individuals he met and interviewed—captains, cabin boys, tugmen, chandlers, boardinghouse owners, dredgers, and light keepers. Walton also documented the methods he used and recorded his personal thoughts about his nomadic life and the events going on around him during the 1930s, including the Great Depression, Franklin D. Roosevelt’s election, and the end of Prohibition.
Jamboree! To many country music fans the word conjures up memories of Saturday nights around the family radio listening to live broadcasts from that haven of hillbilly music, West Virginia. From 1926 through the 1950s, as Ivan Tribe shows in his lively history, country music radio programming made the Mountain State a mecca for country singers and instrumentalists from all over America. Wilma Lee and Stoney Cooper, Little Jimmy Dickens, Hawkshaw Hawkins, Red Sovine, Blaine Smith, Curly Ray Cline, Grandpa Jones, Cowboy Loye, Rex and Eleanor Parker, Lee Moore, Buddy Starcher, Doc and Chickie Williams, and Molly O'Day were among the many who came to prominence via West Virginia radio. Wheeling's "WWVA jamboree," first broadcast in 1933, attracted a wide audience, especially after 1942, when the station increased its power. The show's success spawned numerous competitors, as new stations all over West Virginia followed WWVA's lead in headlining country music. The state also played an important role in the early recording industry. The Tweedy Brothers, Frank Hutchison, Roy Harvey, Blind Alfred Reed, Frank Welling and John McGhee, Cap and Andy, and the Kessinger Brothers were among West Virginians whose waxings contributed to the state's reputation for fine native musicianship. So too did those who sought out and recorded the Mountaineer folksong heritage. As Nashville's dominance has grown since the 1960s, West Virginia's leadership in country music has lessened. Young performers must now seek fame outside their native state. But, as Ivan Tribe demonstrates, the state's numerous outdoor festivals continue to keep alive the heritage of country music's "mountain mama.
Jean-Jacques Goldman n’est pas seulement un grand nom de la chanson. Il est aussi un enfant d’immigrés juifs devenu la personnalité préférée des Français, un artiste engagé après la mort des utopies, un artisan au coeur des industries culturelles, un homme en rupture avec les codes virils. Le succès n’a affecté ni sa droiture ni son humilité. Pour exister, Goldman a dû composer avec les règles de son temps, mais il a fini par composer lui-même l’air du temps, les chansons que les filles écoutaient dans leur chambre, les tubes sur lesquels tous les jeunes dansaient, les hymnes des générations qui se pressaient à ses concerts. Et puis, au sommet de la gloire, l’hyperstar a choisi de se retirer. Dans la folie des réseaux sociaux, son invisibilité le rend étrangement visible. À force d’absence, et parce qu’il n’a jamais été aussi présent, Goldman est devenu un mythe. Ce livre retrace le parcours d’un artiste exceptionnel, tout en racontant nos années Goldman.
The theory of convex optimization has been constantly developing over the past 30 years. Most recently, many researchers have been studying more complicated classes of problems that still can be studied by means of convex analysis, so-called "anticonvex" and "convex-anticonvex" optimizaton problems. This manuscript contains an exhaustive presentation of the duality for these classes of problems and some of its generalization in the framework of abstract convexity. This manuscript will be of great interest for experts in this and related fields.
Results and problems in the modern theory of best approximation, in which the methods of functional analysis are applied in a consequent manner. This modern theory constitutes both a unified foundation for the classical theory of best approximation and a powerful tool for obtaining new results.
The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over 50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation’s borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world. From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies.
Economic growth slowed sharply last year in Europe and Central Asia, as Russia's invasion of Ukraine, a surge in inflation, and the sharp tightening of monetary policy and financing conditions hit private consumption, investment, and trade. The marked increase in food and energy prices boosted inflation to a pace not seen in 20 years. The burden of inflation was spread unevenly across households. The poorest households faced inflation that was more than 2 percentage points higher than the inflation faced by the richest households, with this difference exceeding 5 percentage points in some countries. Poverty and inequality rates derived from household-specific inflation rates differ from those based on the standard consumer price index (CPI) approach. These differences have important policy implications, because many programs use CPI†“based inflation adjustments, which do not accurately capture changes in the cost of living of targeted populations. Output growth in the region is projected to remain little changed in 2023 but better than projected in January 2023, largely reflecting upgrades to the pace of expansion in Poland, Russia, and Türkiye.
Since the appearance, in 1970, of Vol. I of the present monograph 1370], the theory of bases in Banach spaces has developed substantially. Therefore, the present volume contains only Ch. III of the monograph, instead of Ch. Ill, IV and V, as was planned initially (cp. the table of contents of Vol. I). Since this volume is a continuation of Vol. I of the same monograph, we shall refer to the results of Vol. I directly as results of Ch. I or Ch. II (without specifying Vol. I). On the other hand, sometimes we shall also mention that certain results will be considered in Vol. III (Ch. IV, V). In spite of the many new advances made in this field, the statement in the Preface to Vol. I, that "the existing books on functional analysis contain only a few results on bases", remains still valid, with the exception of the recent book [248 a] of J. Lindenstrauss and L. Tzafriri. Since we have learned about [248 a] only in 1978, in this volume there are only references to previous works, instead of [248 a]; however, this will cause no inconvenience, since the intersec tion of the present volume with [248 a] is very small. Let us also mention the appearance, since 1970, of some survey papers on bases in Banach spaces (V. D. Milman [287], [288], C. W. McArthur [275]; M. I. Kadec [204], § 3 and others).
These three essential volumes on classical music theory and history explore the lives and contributions of some of music’s greatest minds. In Legend of a Musical City: The Story of Vienna, renowned Austrian music critic Max Graf shares his recollections of life with Anton Bruckner, Gustav Mahler, Johannes Brahms, Richard Strauss, Arnold Schoenberg, and other immortals of the music world. Bringing to life several iconic composers as well as the city of Vienna itself, Graf recounts a charming, personal, and highly educational story of Austria’s musical legacy. In Schoenberg and His School, noted composer, conductor, and music theorist René Leibowitz offers an authoritative analysis of Schoenberg’s groundbreaking contributions to composition theory and Western polyphony. In addition to detailing his subject’s major works, Leibowitz also explores Schoenberg’s impact on the works of his two great disciples, Alban Berg and Anton Webern. In Shostakovich: The Man and His Work, Ivan Martynov presents a compelling and intimate biography of this pioneering legend. Martynov draws on extensive research, including interviews and conversations with Shostakovich himself, as well as his own expertise in the field of musicology.
This provocative collection and major publishing event brings together the critical highlights of the well-known New York cultural critic John Simon. Covering a span of more than three decades, it includes previously published work from New York, The Hudson Review, National Review, Opera News, The New Leader, and other notable publications. This music volume is the most varied and contains both music reviews and essays on opera and classical performances and recordings, even Brazilian music, with CD references, that reflect Simon's most up-to-date views on the topic. A SAMPLE: Simon on Erik Satie: "The preferred word for Satie's music is depouillement, meaning stripping down, sobriety, concision, or bareness. 'The artist does not have the right to dispose needlessly of the hearer's time,' Satie proclaimed. But no one else's bareness, save that of a Greek statue or Renaissance nude, seems so fully, sensuously self-sufficient.
No Sacred Place offers a critical study of social injustice done at the behest of law and religion in the context of cultural politics in Christianized societies. Author Ivan Walters theorizes the causes of social injustice and oppression of marginalized peoples as found in the law and Christian theology in both modern and post-modern cultural politics. He advances a theory of redemption through a transgressive discourse that challenges most of the traditional assumptions of Eurocentric Christianity and jurisprudence. Walters sees law and religion as two powerful, politico-cultural institutions that must be kept in check in order to protect the rights of those who are marginalized by the society. History reveals a litany of horrors that have been perpetrated on marginalized peoples by both religious bigotry and the law. Through theological and jurisprudential theoretical inquiries, Walters advocates a thesis of at-one-ment through the historical Christus instead of the Christianitys bastardized version of the Christus. His thesis then is grounded in a theory of challenge and resistance to oppression and the advocacy of the possibilities for redemption from oppression. No Sacred Place challenges the church in particular and society in general to create a new social order and right the wrongs of the current system.
Jamboree! To many country music fans the word conjures up memories of Saturday nights around the family radio listening to live broadcasts from that haven of hillbilly music, West Virginia. From 1926 through the 1950s, as Ivan Tribe shows in his lively history, country music radio programming made the Mountain State a mecca for country singers and instrumentalists from all over America. Wilma Lee and Stoney Cooper, Little Jimmy Dickens, Hawkshaw Hawkins, Red Sovine, Blaine Smith, Curly Ray Cline, Grandpa Jones, Cowboy Loye, Rex and Eleanor Parker, Lee Moore, Buddy Starcher, Doc and Chickie Williams, and Molly O'Day were among the many who came to prominence via West Virginia radio. Wheeling's "WWVA jamboree," first broadcast in 1933, attracted a wide audience, especially after 1942, when the station increased its power. The show's success spawned numerous competitors, as new stations all over West Virginia followed WWVA's lead in headlining country music. The state also played an important role in the early recording industry. The Tweedy Brothers, Frank Hutchison, Roy Harvey, Blind Alfred Reed, Frank Welling and John McGhee, Cap and Andy, and the Kessinger Brothers were among West Virginians whose waxings contributed to the state's reputation for fine native musicianship. So too did those who sought out and recorded the Mountaineer folksong heritage. As Nashville's dominance has grown since the 1960s, West Virginia's leadership in country music has lessened. Young performers must now seek fame outside their native state. But, as Ivan Tribe demonstrates, the state's numerous outdoor festivals continue to keep alive the heritage of country music's "mountain mama.
In a world obsessed with the virtual, tangible things are once again making history. Tangible Things invites readers to look closely at the things around them, arguing that almost any material thing, when examined closely, can be a link between present and past."--Provided by publisher.
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