Critic Ivan Felt and poet Harris Conklin are the Don Quixote and Sancho Panza of baseball fandom. Or, perhaps, the Felix and Oscar of baseball fandom. Or the Pollock and de Kooning. Or the Bugs and Daffy. The New York Mets are, of course, the New York Mets of baseball. In 2005, Felt and Conklin, lifelong friends and lifelong fans, determined to change the course of their own careers and of baseball history by doing what had never been done: writing their beloved team to a World Championship. The 2005 Mets, with a new manager and some of the spiffiest free agents on the market, seemed ready to take the world by storm. Felt and Conklin believed themselves up to the task. It is, after all, Belief (and free agents) that makes such dreams come true. Believeniks! is the record of a journey. Felt and Conklin would, alas, fail to see their team attain that golden pinnacle in the clouds of baseball glory. As Believeniks! reveals, however, the season’s unfolding drama would leave two of baseball’s most erudite and excitable fans forever changed.
Within the confines of society, the relentless grip of routine and the wright of mundane existence cast a shadow on each individual. Each day unfolds with monotonous predictability, as people navigate the labyrinthine bureaucracy trapped in a ceaseless cycle of paperwork, regulations, and mind-numbing tasks. Within this menial existence, the collective does not yearn for something more, they play their part in the stifling confines of the system they are a part of. Caught up in a web of manipulation and ambivalence, our protagonist gets entangled in a struggle with the very system he once trusted. As he peels back the layers of the machinery, he realizes that corruption and oppression run much deeper than it once seemed. With each revelation, the perception of the system which envelopes everything continues to degrade. The perception of the world shatters, and a complicity in and perpetuation of a malevolent status quo must be confronted.
A 19th-century Russian masterpiece about love, politics, family, and the tension between the new generation and the old world. Ivan Turgenev’s Fathers and Children is a book full to bursting with life, both comic and tragic. At the heart of this novel about love, politics, and society, strong beliefs and heated disagreements, illness and death, is the generational divide between the young and the old. When the young university graduate Arkady and his mentor, the nihilist Bazarov, leave St. Petersburg to visit their aging parents in the provinces, the conflict that ensues from the generations’ clashing views of the world—the youths’ radicalism and the parents’ liberalism—is both representative of nineteenth-century Russia and recognizably contemporary. At the time of its publication in 1862, the book aroused indignation in critics who felt betrayed by Turgenev’s refusal to let his novel serve a single ideology; it also received a spirited defense by those who saw in his diffuse sympathies a greater service to art and to humanity. In this fresh new translation Nicolas Pasternak Slater and Maya Slater have captured Turgenev’s subtle humor, his pitch-perfect ear for dialogue, his compassion, and, above all, his skill as a storyteller
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