The U.S. Environmental Protection Agency has recommended that states develop Pesticide Management Plans for four agricultural chemicals - alachlor, atrazine, metolachlor, and simazine - used in Utah as herbicides in the production of corn and sorghum, and to control weeds and undesired vegetation (such as along right-of-ways or utility substations). This report and accompanying maps are intended to be used as part of these Pesticide Management Plans to provide local, state, and federal government agencies and agricultural pesticide users with a base of information concerning sensitivity and vulnerability of ground water in the basin-fill aquifer (bedrock is not evaluated) to agricultural pesticides in the southern Sevier Desert and Pahvant Valley, Millard County, Utah. We used existing data to produce pesticide sensitivity and vulnerability maps by applying an attribute ranking system specifically tailored to the western United States using Geographic Information System analysis methods. 28 pages + 2 plates
This is a book about Johannesburg and one man’s place in it: a provocative, teasing, revealing, analytical and poetic text on the city and the life rooted in its concrete streets. A high-water mark in Ivan Vladislavi?’s writing, Portrait with Keys is a sprawling yet comprehensive portrait of his Joburg. His gaze roams freely across the decades, but the focus falls on the eve of the millennium. Neither a novel in any conventional sense nor a collection of short stories, this chain of lyrical texts brings together memoir, history, snapshots, meditations, asides on arts and – not least – observations on that essential urban accessory, the Gorilla steering lock. Home, habit, change, memory, mortality, friendship, ghosts, gardens, walking, falling, selling and stealing are all part of this unique dossier of city life. Portrait with Keys is an extraordinary work, both an oblique self-portrait of the author and a vivid recovery of where we have been all along.
This book is a groundbreaking contribution to the study of the UFO enigma, originally published over 30 years ago. In this book, Sanderson, a renowned zoologist with a keen interest in the paranormal, puts forward the curious theory that a oeOINTS"-Other Intelligences-live under the Eartha (TM)s oceans. This underwater, parallel, civilization may be twice as old as Homo sapiens, he proposes, and may have a oedeveloped what we call space flight." Sanderson postulates that the OINTS are behind many UFO sightings as well as the mysterious disappearances of aircraft and ships in the Bermuda Triangle. What better place to have an impenetrable base than deep within the oceans of the planet? Yet, if UFOs, or at least some of them, are coming from beneath our oceans or lakes, does it necessarily mean that there is another civilization besides our own that is responsible? In fact, could it be that since WWII a number of underwater UFO bases have been constructed by the very human governments of our planet? Whatever their source, Sanderson offers here an exhaustive study of USOs (Unidentified Submarine Objects) observed in nearly every part of the world. He presents many well-documented and exciting case studies of these unusual sightings; more.
Scottish zoologist IVAN TERRANCE SANDERSON (1911-1973) coined the word cryptozoology and first used it in print in this hard-to-find 1961 work, the story of "hairy hominids" across the planet from the very beginnings of human civilization until the mid 20th century. With its scientific, anthropological approach, this is one of the first books to treat the phenomenon of "Bigfoot" seriously, and introduced a groundbreaking classification system for the spectrum of subhumanoids. "I am happy that a whole new generation of cryptozoologists-in-training will be able to read Ivan T. Sanderson's classic book," says cryptozoologist Loren Coleman in his new introduction. "This book opened the minds of many to the vastness of the hominoid reports... and spotlighted for people that Bigfoot/Sasquatch research was the next area for exploration in North America." This new edition, complete with the original illustrations and maps, is part of Cosimo's Loren Coleman Presents series. LOREN COLEMAN is author of numerous books of cryptozoology, including Bigfoot!: The True Story of Apes in America and Mothman and Other Curious Encounters.
The U.S. Environmental Protection Agency is recommending that states develop Pesticide Management Plans for four agricultural chemicals – alachlor, atrazine, metolachlor, and simazine – herbicides used in Utah in the production of corn and sorghum. This report and accompanying maps are intended to be used as part of these Pesticide Management Plans to provide local, state, and federal government agencies and agricultural pesticide users with a base of information concerning sensitivity and vulnerability of ground water to agricultural pesticides in Utah. We used existing data to produce pesticide sensitivity and vulnerability maps by applying a combined process-based and index-based model specifically tailored to the Western United States using Geographic Information System analysis methods. This is a first cut at developing pesticide sensitivity and vulnerability maps; better data and tools may become available in the future so that better maps can be produced. 40 pages + 2 plates
Born in rural Ohio in 1897, Beryl Halley was educated at a strict Freewill Baptist school. After briefly teaching in a one-room schoolhouse, she joined the navy in 1918 before her unlikely path led her to Broadway, then to the Ziegfeld Follies (1923-1925). She also appeared in Earl Carroll's Vanities and other revues, as well as in films, and had a widely publicized brush with the law (over alleged nudity) in 1926. She retired from show business in 1930, married an insurance executive and had a family, later reappearing in the public eye as an officer in the Ziegfeld Girls' Club. Making her home in Houston in the 1950s, she worked as legal secretary for a large law firm. Her death at age 90 was unpublicized. Her story is told here for the first time.
This dazzling portrait of Johannesburg is "one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa" (Christopher Hope).
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