The Time at Darwin's Reef is primarily a book of storytelling through mixed genres--verse, prose, and painting. Brady's work is designed to draw out key dimensions of the poetics of anthropology and history embedded in creative writing--in the mix and on the margins of verse and prose, painting and writing, fiction and fact--to revisit the sometimes academically resistant idea that there is more than one way to say (and therefore to see) things. This is a poetic exploration of themes encountered in the academy's attempts to explicate reality, including travel through various cultures, times, and circumstances. The goal of this unique book is both analytic and aesthetic. It is also humanistic: a commentary on the human condition, of being and not being in a cross-cultural world. It will be of immediate interest to poets and writers who wish to explore anthropological poetics, to ethnographers and teachers of ethnographic method, and to instructors and students in creative and experimental writing.
An examination of how the Jews—real and imagined—so challenged the Christian majority in medieval Europe that it became a society that was religiously and culturally antisemitic in new ways In medieval Europe, Jews were not passive victims of the Christian community, as is often assumed, but rather were startlingly assertive, forming a Jewish civilization within Latin Christian society. Both Jews and Christians considered themselves to be God’s chosen people. These dueling claims fueled the rise of both cultures as they became rivals for supremacy. In How the West Became Antisemitic, Ivan Marcus shows how Christian and Jewish competition in medieval Europe laid the foundation for modern antisemitism. Marcus explains that Jews accepted Christians as misguided practitioners of their ancestral customs, but regarded Christianity as idolatry. Christians, on the other hand, looked at Jews themselves—not Judaism—as despised. They directed their hatred at a real and imagined Jew: theoretically subordinate, but sometimes assertive, an implacable “enemy within.” In their view, Jews were permanently and physically Jewish—impossible to convert to Christianity. Thus Christians came to hate Jews first for religious reasons, and eventually for racial ones. Even when Jews no longer lived among them, medieval Christians could not forget their former neighbors. Modern antisemitism, based on the imagined Jew as powerful and world dominating, is a transformation of this medieval hatred. A sweeping and well-documented history of the rivalry between Jewish and Christian civilizations during the making of Europe, How the West Became Antisemitic is an ambitious new interpretation of the medieval world and its impact on modernity.
These studies explore the history of the Jewish minority of Ashkenaz (northern France and the German Empire) during the High Middle Ages. Although the Jews in medieval Europe are usually thought to have been isolated from the Christian majority, they actually were part of a 'Jewish-Christian symbiosis.' A number of studies in the collection focus on Jewish-Christian cultural and social interactions, the foundations of the community ascribed to Charlemagne, and especially on the fashioning of a martyrological collective identity in 1096. Even when Jews resisted Christian pressures they often did so by internalizing Christian motifs and turning them on their heads to argue for the truth of Judaism alone. This may be seen especially in the formation of Jews as martyrs, a trope that places Jews as collective Christ figures whose suffering brings about vicarious atonement. The remainder of the studies delve into the lives and writings of a group of Jewish ascetic pietists, Hasidei Ashkenaz, which shaped the religious culture of most European Jews before modernity. In Sefer Hasidim (Book of the Pietists), attributed to Rabbi Judah the Pietist of Regensburg (d. 1217), one finds a mirror of everyday Jewish-Christian interactions even while the author advances a radical view of Jewish religious pietism.
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