An engaging series of essays, originally given at the International Institute for Secular Humanistic Judaism. The aim of the colloquium was to make available the results of recent archaeological work to a wider interested public, and specifically to bring science to bear on the early history of the Jewish people.
Jerusalem is the center of the universe, the hub of the three great monotheistic religions, yet how did a city located on the desert fringe, in the semi-arid southern highlands of Israel with little tillable land achieve such dominance? To provide answers to this enduring riddle, Israel Finkelstein has collected twenty-four of his best articles and essays covering the Middle Bronze Age to the late Hellenistic period. With critical and well-informed care, he analyzes archaeological evidence that often stands in tension with the biblical text. Topics of particular interest include the archaeology of the tenth century BCE; Saul, David, and Solomon in the Bible and archaeology; the first expansion of the city in the ninth century; its full growth in the late eighth to seventh centuries; Jerusalem and Judah under the Assyrian Empire; the days of King Josiah; and transformations in the Persian-Hellenistic era. Short addenda update the reader on recent developments.
In this groundbreaking work that sets apart fact and legend, authors Finkelstein and Silberman use significant archeological discoveries to provide historical information about biblical Israel and its neighbors. In this iconoclastic and provocative work, leading scholars Israel Finkelstein and Neil Asher Silberman draw on recent archaeological research to present a dramatically revised portrait of ancient Israel and its neighbors. They argue that crucial evidence (or a telling lack of evidence) at digs in Israel, Egypt, Jordan, and Lebanon suggests that many of the most famous stories in the Bible—the wanderings of the patriarchs, the Exodus from Egypt, Joshua’s conquest of Canaan, and David and Solomon’s vast empire—reflect the world of the later authors rather than actual historical facts. Challenging the fundamentalist readings of the scriptures and marshaling the latest archaeological evidence to support its new vision of ancient Israel, The Bible Unearthed offers a fascinating and controversial perspective on when and why the Bible was written and why it possesses such great spiritual and emotional power today.
A thorough case for a later date for of Ezra, Nehemiah, and Chronicles In this collection of essays, Israel Finkelstein deals with key topics in Ezra, Nehemiah, and 1 and 2 Chronicles, such as the list of returnees, the construction of the city wall of Jerusalem, the adversaries of Nehemiah, the tribal genealogies, and the territorial expansion of Judah in 2 Chronicles. Finkelstein argues that the geographical and historical realities cached behind at least parts of these books fit the Hasmonean period in the late second century BCE. Seven previously published essays are supplemented by maps, updates to the archaeological material, and references to recent publications on the topics. Features: Analysis of geographical chapters of Ezra, Nehemiah, and Chronicles Study of the Hasmonean period in the late second century BCE Unique arguments regarding chronology and historical background
This collection of twelve papers, dedicated to Professor Israel Finkelstein, deals with various aspects concerning the archaeology of Israel and the Levant during the Bronze and Iron Ages. Although the area under discussion runs from southeastern Turkey (Alalakh) down to the arid zones of the Negev Desert, the main emphasis is on the Land of Israel. This collection provides the most recent evaluation of a number of thorny issues in Israeli archaeology during the Bronze and Iron Ages and specifically addresses chronology, state formation, identity, and agency. It offers, inter alia, a fresh look at the burial practices and iconography of the periods disscussed, as well as a re-evaluation of the subsistence economy and settlement patterns. This book is finely illustrated with more than sixty original drawings.
An engaging series of essays, originally given at the International Institute for Secular Humanistic Judaism. The aim of the colloquium was to make available the results of recent archaeological work to a wider interested public, and specifically to bring science to bear on the early history of the Jewish people.
Tanna Debe Eliyyahu" is a midrashic work thought to have been composed between the third and the tenth centuries. Unlike all the other midrashim, it does not consist of a compilation of individual homilies but is a unified work shaped with a character of its own. This Midrash is distinguished by its didactic and moral aims. The author deals with the divine precepts and the reasons for them, and the importance and knowledge of Torah, prayer, and repentence. He is especially concerned with the ethical and religious values that are enshrined in the lives of the patriarchs. In the eye of many students and scholars, it is unique, a masterpiece of Jewish thought.
Collins-Bride & Saxe's Clinical Guidelines for Advanced Practice Nursing, Fourth Edition is an accessible and practical reference designed to support nurses and students in daily clinical decision making. Written by an interdisciplinary team of APRNs, it emphasizes collaboration for optimal patient-centered care and follows a lifespan approach with content divided into four clinical areas-Pediatrics, Sexual & Reproductive Health, Obstetrics, and Adult-Gerontology. To support varying advanced practice roles, the authors utilize the S-O-A-P (Subjective-Objective-Assessment-Plan) format for an organized and accessible teaching and learning experience.
Children of the Ghetto ... documents the lives of immigrant Jews who lived and worked in the Yiddish-speaking streets and densely packed alleys emptying into Petticoat Lane, the East End bazaar that was both marketplace and communal watering hole. His portrayal of the uncertain situation of 'his people,' which all too often had been painted in dreadfully sombre tones by earnest social reformers and drum-beating evangelists, is insightfully told with affectionate honesty and wryness of humour"--Page 4 of cover.
Since it was first published in Hebrew in 2000, this provocative book has been garnering acclaim and stirring controversy for its bold reinterpretation of the relationship between Judaism and Christianity in the Middle Ages, especially in medieval Europe. Looking at a remarkably wide array of source material, Israel Jacob Yuval argues that the inter-religious polemic between Judaism and Christianity served as a substantial component in the mutual formation of each of the two religions. He investigates ancient Jewish Passover rituals; Jewish martyrs in the Rhineland who in 1096 killed their own children; Christian perceptions of those ritual killings; and events of the year 1240, when Jews in northern France and Germany expected the Messiah to arrive. Looking below the surface of these key moments, Yuval finds that, among other things, the impact of Christianity on Talmudic and medieval Judaism was much stronger than previously assumed and that a "rejection of Christianity" became a focal point of early Jewish identity. Two Nations in Your Womb will reshape our understanding of Jewish and Christian life in late antiquity and over the centuries.
The study of midrash—the biblical exegesis, parables, and anecdotes of the Rabbis—has enjoyed a renaissance in recent years. Most recent scholarship, however, has focused on the aggadic or narrative midrash, while halakhic or legal midrash—the exegesis of biblical law—has received relatively little attention. In Scripture as Logos, Azzan Yadin addresses this long-standing need, examining early, tannaitic (70-200 C.E.) legal midrash, focusing on the interpretive tradition associated with the figure of Rabbi Ishmael. This is a sophisticated study of midrashic hermeneutics, growing out of the observation that the Rabbi Ishmael midrashim contain a dual personification of Scripture, which is referred to as both "torah" and "ha-katuv." It is Yadin's significant contribution to note that the two terms are not in fact synonymous but rather serve as metonymies for Sinai on the one hand and, on the other, the rabbinic house of study, the bet midrash. Yadin develops this insight, ultimately presenting the complex but highly coherent interpretive ideology that underlies these rabbinic texts, an ideology that—contrary to the dominant view today—seeks to minimize the role of the rabbinic reader by presenting Scripture as actively self-interpretive. Moving beyond textual analysis, Yadin then locates the Rabbi Ishmael hermeneutic within the religious landscape of Second Temple and post-Temple literature. The result is a series of surprising connections between these rabbinic texts and Wisdom literature, the Dead Sea Scrolls, and the Church Fathers, all of which lead to a radical rethinking of the origins of rabbinic midrash and, indeed, of the Rabbis as a whole.
“The book addresses chronologically the most striking reactions of the art world to the rise of military engagement in Vietnam then in Cambodia.” —Guillaume LeBot, Critique d’art The Vietnam War (1964–1975) divided American society like no other war of the twentieth century, and some of the most memorable American art and art-related activism of the last fifty years protested U.S. involvement. At a time when Pop Art, Minimalism, and Conceptual Art dominated the American art world, individual artists and art collectives played a significant role in antiwar protest and inspired subsequent generations of artists. This significant story of engagement, which has never been covered in a book-length survey before, is the subject of Kill for Peace. Writing for both general and academic audiences, Matthew Israel recounts the major moments in the Vietnam War and the antiwar movement and describes artists’ individual and collective responses to them. He discusses major artists such as Leon Golub, Edward Kienholz, Martha Rosler, Peter Saul, Nancy Spero, and Robert Morris; artists’ groups including the Art Workers’ Coalition (AWC) and the Artists Protest Committee (APC); and iconic works of collective protest art such as AWC’s Q. And Babies? A. And Babies and APC’s The Artists Tower of Protest. Israel also formulates a typology of antiwar engagement, identifying and naming artists’ approaches to protest. These approaches range from extra-aesthetic actions—advertisements, strikes, walk-outs, and petitions without a visual aspect—to advance memorials, which were war memorials purposefully created before the war’s end that criticized both the war and the form and content of traditional war memorials. “Accessible and informative.” —Art Libraries Society of North America
Scholar Israel Knohl offers a new perspective on the history and theology of the Priestly source of the Pentateuch. Knohl claims that groups associated with the Priestly Torah appear ensconced within the Temple, operating within a "Sanctuary of Silence", in contrast to the later Holiness School, which reached a loftier conception of God and a broader purview of faith, holiness, and practice.
Exploring the military, legal, social and literary aspects of ancient warfare, this study examines the multifaceted nature of the siege phenomenon in the Ancient Near East. The book is based on Akkadian and biblical (and, to lesser degree, Greek, Aramaic, Egyptian, Hittite and Ugaritic) sources as well as on the depictions on reliefs from Assyrian palaces and Egyptian temples. The analysis incorporates lexical study and military thinking and focuses on the technology of warfare and human behavior in a state of emergency. This volume is a co-publication between Brill and The Hebrew University Magnes Press.
Story of Our Lady statue in Bethlehem destroyed by the Jewish Army and its universal meaning. Ideas are not less important than material things; oil does not provide the whole explanation of the war in the Middle East, faith is not dead and can't die as long as mankind exists. Even the belief in the Market forces is just another faith, an old established cult of Mammon. Faith is not only a personal affair; religion still matters, probably more than we think.
Making Sweatshops reveals the inexorable movement towards an open trading system, the shifting alignments of actors pushing for or opposing openness, and, most centrally, how trade policy promotes the globalization of apparel production, filling a gap in our understanding of these dynamics."—Richard P. Appelbaum, coauthor of Behind the Label: Inequality in the Los Angeles Apparel Industry "A detailed examination of the role that trade policy plays in the process of globalization. Rosen provides a meticulous historical analysis of the textile/apparel industry, one of the world's most globalized industries and one of its most hot-button issues."—Stephen Cullenberg, coauthor of Transition and Development in India "Rosen shows how politics have always shaped the trade agenda from beginning to end, and she presents a most compelling case that if trade and the global economy are to foster justice and equality for the people of our world, we will need to rewrite the existing rules of global trade."—Charles Kernaghan, director of the National Labor Committee "This book delves deep into the industry's trade journals, congressional testimony, newspaper accounts, and economic and political scholarship of the last fifty-five years to tell the story of U.S. trade policy and the decline of labor standards in the apparel industry. This patient and voluminous examination systematically reveals, for the first time, how the U.S. sacrificed its apparel workers on the altar, first of the anti-Communist crusade, and then of free trade ideology."—Robert J.S. Ross, PhD, Professor of Sociology and Director, International Studies Stream, Clark University "Making Sweatshops is, in part, a history of the apparel and textile industries in the U.S. and the world. But it is much more than that. It is also about power and globalization. Rosen explains how the former shapes the latter, and how workers around the world suffer because of it. Activists, policy makers, consumers--anyone interested in understanding why sweatshops exist--should read this book."—Bruce Raynor, President, Union of Needletrades, Industrial and Textile Employees (Unite) "Rosen convincingly demonstrates that it is the transnational corporations rather than the consumers, and certainly rather than the workers, who benefit from trade liberalization, whose rules the lobbyists for these very coporations more or less write for supine politicians. This is a book in the great tradition of solid scholarship allied with deep commitment to the cause of global economic justice."—Leslie Sklair, author of Globalization: Capitalism and its Alternatives
In his historic play The Melting Pot, Israel Zangwill (1864-1926) introduced into our discourse a potent metaphor that for nearly a hundred years has served as a key definition of the United States. The play, enthusiastically espoused by President Theodore Roosevelt, to whom it was dedicated, offered a grand vision of America as a dynamic process of ethnic and racial amalgamation. By his own admission, The Melting Pot grew out of Zangwill's intense involvement in issues of Jewish immigration and resettlement and was grounded in his interpretation of Jewish history. Zangwill, Anglo Jewry's most renowned writer, began writing seriously for the stage in the late 1890s. At the time, the negative stereotype of the so-called Stage Jew was still deeply entrenched in the theatrical mainstream, so much so that Jewish playwrights writing for the English-language stage avoided altogether the portrayal of Jewish life. Zangwill shattered this silence in 1899 with the American premiere of Children of the Ghetto-his first full-length drama, and the first English-language play devoted in its entirety to the depiction of Jewish life in an authentic and positive fashion. The play's groundbreaking production drew tremendous attention and generated heated debates, but since the script was never published, the memory of the passions it generated dimmed, and its whereabouts eventually became unknown. After more than a century, theater historian Edna Nahshon has discovered the original manuscript of this milestone text, as well as that of another unpublished Zangwill play, The King of Schnorrers, and the original version of The Melting Pot. Nahshon brings these three works together in print for the first time in From the Ghetto to the Melting Pot. Edna Nahshon's in-depth introduction to this volume includes a biography of Israel Zangwill that especially pertains to these works and situates them within the Anglo-American theater of the time. The essays preceding each play provide rich and hitherto unknown information on the scripts, their stage productions, and their popular and critical reception. While some issues addressed in From the Ghetto to the Melting Pot are uniquely Jewish, others are universal and typical of the negotiation of self-presentation by ethnic and minority groups, particularly within the American experience.
This engaging and informative book reveals unknown but true facts about the prophetical books of the Bible. Rabbis have avoided many questions raised by the seemingly improbable events in these volumes. This book addresses these questions and takes an open and rational look at the episodes. The book addresses provocative questions such as: What is the proper way to interpret the Torah? How does Maimonides understand the episodes of the Prophets? Did miracles such as the splitting of the Red Sea, the falling of the walls at Jericho, and the sun standing still for Joshua really occur? What assumptions cause us to misunderstand the Bible? Is there a biblical mandate prohibiting suicide? Does the Bible forbid ceding parts of the land of Israel for peace? Can children be punished for their parents misdeeds, and, if not, why does the Torah say that they are punished? Why does Shabbat begin at different times for men and women? Why did significant biblical leaders violate rabbinical laws? What really caused the adding of a day to holidays shortly after the time of Moses? Why does the Bible not always mean what it appears to say? Is it true that Judaism does not know what happens after death?
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