Memory. A word so often said, often thought of, and continuously studied. Yet, we know relatively so little other than how vast and magnificent it is. In Who Will Remember You? A Philosophical History and Theory of Memory and Will, Israel B. Bitton, offers an interdisciplinary perspective that unifies philosophy of memory with history, neuroscience, culture and ethics, yielding novel insights into the elusive phenomena of memory, namely its universality. Bitton posits that the current and typical “misunderstanding of memory” stems from over-specialization in scientific research, a compartmentalization that does not support reaching holistic conclusions which are necessary for fully appreciating the totality of memory phenomena. No longer should memory be thought of as residing only in the brain, for the body is known to have memory too, but neither should it be thought of as exclusively human since it inheres in all matter as a physical and biological fact. Indeed, Bitton extends the philosophical and practical meanings of memory furthest in great detail, employing the latest research in neuroscience to support his case. In this work, Bitton traces the kernels of these ideas from the ancient Egyptians and Israelites all the way through to the modern period in philosophy, science and popular culture, demonstrating that his philosophical formulation has always been and remains accepted de facto by society as can easily be detected in various social trends. Upon offering his holistic account that considers the magnitude of memory phenomena across several disciplines, Bitton presents a novel theory that postulates the primary human drive as categorized by a will to significance, which, because of the universality of memory becomes a will to memorability. By placing the individual at the center of their own memory-reality, they can be empowered to safeguard, enhance, and extend the universal force of memory within and around them. From that vantage point, this book provides its audience with ideas meant to provoke and incite the readers’ own reflections on memory’s meaning and import as well as what it takes to be an ethical “memory agent” in an era of hyper-fake news.
Memory. A word so often said, often thought of, and continuously studied. Yet, we know relatively so little other than how vast and magnificent it is. In Who Will Remember You? A Philosophical History and Theory of Memory and Will, Israel B. Bitton, offers an interdisciplinary perspective that unifies philosophy of memory with history, neuroscience, culture and ethics, yielding novel insights into the elusive phenomena of memory, namely its universality. Bitton posits that the current and typical “misunderstanding of memory” stems from over-specialization in scientific research, a compartmentalization that does not support reaching holistic conclusions which are necessary for fully appreciating the totality of memory phenomena. No longer should memory be thought of as residing only in the brain, for the body is known to have memory too, but neither should it be thought of as exclusively human since it inheres in all matter as a physical and biological fact. Indeed, Bitton extends the philosophical and practical meanings of memory furthest in great detail, employing the latest research in neuroscience to support his case. In this work, Bitton traces the kernels of these ideas from the ancient Egyptians and Israelites all the way through to the modern period in philosophy, science and popular culture, demonstrating that his philosophical formulation has always been and remains accepted de facto by society as can easily be detected in various social trends. Upon offering his holistic account that considers the magnitude of memory phenomena across several disciplines, Bitton presents a novel theory that postulates the primary human drive as categorized by a will to significance, which, because of the universality of memory becomes a will to memorability. By placing the individual at the center of their own memory-reality, they can be empowered to safeguard, enhance, and extend the universal force of memory within and around them. From that vantage point, this book provides its audience with ideas meant to provoke and incite the readers’ own reflections on memory’s meaning and import as well as what it takes to be an ethical “memory agent” in an era of hyper-fake news.
Translation is an art as taxing as any of the fine arts practiced by humankind. The translator is caught between the need to render the original in a readable and polished version of the target language and the obligation not to depart too far from the original, which might have fine nuances not easily transferred from one language to another. The problem is so well known that generations of students have given their years to studying languages so as not to lose those drops of the original distillation that are inevitably spilled in the process of transfer. The translator cannot retreat from the confrontation and must do the best he can. In translating Israel W eissbrem's work one is faced with a complicating factor: The author was writing in a language that was in the process of revivification after a long era during which it had been able to cope with the demands made upon its resources. The literary demands up until then were largely of the philosophical and theological order with which the extant lexicographical inventory could cope. Then, in the nineteenth century, belles lettres, poetry, the novel, and the essay made demands that necessitated updating the Hebrew language into a vernacular that could muster an inventory of phrases for every life setting.
When The Hope of Israel was translated into English in 1652, its argument from Scripture that messianic redemption would not come to the Jewish people until they were scattered in all the corners of the Earth aroused great interest and played an instrumental part in the discussions in the Commonwealth under Cromwell which eventually led to the readmission of the Jews in 1656. This edition of that English text includes an introduction and notes which place the work in the intellectual context of its time.
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