Last Tales is a collection of twelve of the last tales that Isak Dinesen wrote before her death in 1962. They include seven tales from Albondocani, a projected novel that was never completed; "The Caryatids," an unfinished Gothic tale of a couple bedeviled by an old letter and a gypsy's spell; and three tales of winter, including "Converse at Night in Copenhagen," a drunken, all-night conversation between a boy-king, a prostitute, and a poor young poet.
In Isak Dinesen's universe, the magical enchantment of the fairy tale and the moral resonance of myth coexist with an unflinching grasp of the most obscure human strengths and weaknesses. A despairing author abandons his wife, but in the course of a long night's wandering, he learns love's true value and returns to her, only to find her a different woman than the one he left. A landowner, seeking to prove a principle, inadvertently exposes the ferocity of mother love. A wealthy young traveler melts the hauteur of a lovely woman by masquerading as her aged and loyal servant. Shimmering and haunting, Dinesen's Winter's Tales transport us, through their author's deft guidance of our desire to imagine, to the mysterious place where all stories are born.
Isak Dinesen takes up the absorbing story of her life in Kenya begun in the unforgettable Out of Africa, which she published under the name of Karen Blixen. With warmth and humanity these four stories illuminate her love both for the African people, their dignity and traditions, and for the beauty and wildness of the landscape. The first three were written in the 1950s and the last, 'Echoes from the Hills', was written especially for this volume in the summer of 1960 when the author was in her seventies. In all they provide a moving final chapter to her African reminiscences.
With classic simplicity and a painter's feeling for atmosphere and detail, Isak Dinesen tells of the years she spent from 1914 to 1931 managing a coffee plantation in Kenya.
Originally published in 1934, Seven Gothic Tales, the first book by "one of the finest and most singular artists of our time" (The Atlantic), is a modern classic. Here are seven exquisite tales combining the keen psychological insight characteristic of the modern short story with the haunting mystery of the nineteenth-century Gothic tale, in the tradition of writers such as Goethe, Hoffmann, and Poe.
Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Karen Blixen, author of the acclaimed memoir Out of Africa, was also a master of the short story form: her tales offer luminous meditations on rebirth and redemption, on the mystery and unexpectedness of human behaviour. Alongside 'Babette's Feast', this selection also includes 'Sorrow-Acre', often thought to be one of her finest stories. 'Tales as delicate as Venetian glass', The New York Times
This book recounts events of the seventeen years when Blixen made her home in Kenya. The book is a lyrical meditation on Blixen's life on her coffee plantation, as well as a tribute to some of the people who touched her life there. It provides a vividly interesting snapshot of African colonial life.
Isak Dinesen . . . had an original approach to life that permeated all her work. She loved storytelling, with the result that most of her essays are quasi-narratives, which proceed not from major to minor premise but from one anecdote to another as the way of making concrete whatever idea she is considering. Her work is a delight and at times a marvel."—The New Yorker "Through these daguerreotypes we begin to understand other periods, the renunciations of World War I, the purpose of houses and mansions, of ritual ceremonials, such as tatooing. We are given a fresh and vivid view of the women's movement . . . which urges that what our 'small society' needs beyond human beings who have demonstrated what they can do, is people who are. 'Indeed, our own time,' she wrote in 1953, 'can be said to need a revision from doing to being.' She demonstrated it in her own work and craft, with courage and with dignity. This collection is as real as a gallery of old daguerreotypes, moving and unfaded. The work, as Hannah Arendt says, of a wise woman."—Robert Kirsch, Los Angeles Times "These essays . . . have the flavor of good conversation: humorous, easy, personal but not oppressive, the distillation of reading, thought, and experience. Their subjects are of surprisingly current interest. We need make no concessions to the past, need not set our watches back to 'historical.' Isak Dinesen was not a faddish thinker. . . . 'In history it is always the human element that has a chance for eternal life,' Dinesen remarks, and she gives these essays their chance."—Penelope Mesic, Chicago
These five rich, witty and magical stories include one of Dinesen's most well known tales, 'Babette's Feast', which was made into the classic film. It tells the story of a French cook working in a puritanical Norwegian community, who treats her employers to the decadent feast of a lifetime. There is also a real-life Prospero and his Ariel in 'Tempests', a mysterious pearl-fisher in 'The Diver' and a brief, tragic encounter in 'The Ring'. All the stories have a mystic, fairy-tale quality, linked by themes of angels, the sea, dreams and fate. They were among the last to be written by Isak Dinesen, and show her as a master of short fiction.
Baden-Baden, 1875: an aristocratic spa town haven where Europe's elite might 'take the waters' and continue to perpetuate centuries of upper class tradition. Axel Leth, a young Danish nobleman, quietly performs his established role amidst ageing widows and retired generals. Enter Mizzie, a red-haired beauty, shy and demure in the custody of her governess, Miss Rabe. Axel quickly falls in love. But overhearing their tête-à-tête, he soon learns that their performance runs much deeper than the superficial customs of an upper-class watering-hole. In this tale of servants, owners and the sham of the aristocratic world, Isak Dinesen unravels the deep-rooted desire of rulers to rule and the crushing burden of pretence, upbringing and social acceptance.
From the author of the timeless classic Out of Africa: five hauntingly evoked, sensuously realized stories and a novella “that belong in that special realm in which artistry is more real than reality” (TIME). • Ehrengard is soon to be a Netflix Film. “Dinesen’s stories are the work of a writer with a powerful imagination and a shrewd intelligence.” —The New York Times Book Review In the classic “Babette’s Feast,” a mysterious Frenchwoman prepares sumptuous feast for a gathering of religious ascetics and, in doing so, introduces them to the true essence of grace. In “The Immortal Story,” a miserly old tea-trader living in Canton wishes for power and finds redemption as he turns an oft-told sailors’ tale into reality for a young man and woman. And in the magnificent novella Ehrengard, Dinesen tells of the powerful yet restrained rapport between a noble Wagnerian beauty and rakish artist.
In her memoir, Out of Africa, and in short stories, Danish-born writer Dinesen evoked a timeless Africa distilled from her 18 years on a Kenya coffee plantation. This lovely-looking but ultimately shallow picture book, a tie-in with the film based on Out of Africa, splices excerpts from Dinesen's autobiographical writings, stories and letters with color photographs of Africa's land, people and wildlife. For readers familiar with her works, the album is pleasant enough, though readers expecting visual signs of today's real, changing, troubled Africa will be disappointed. In an almost apologetic introduction, Judith Thurman, Dinesen's biographer, notes that the writer was not a conservationist, enjoyed big game hunting and had paternalistic, feudal relationships with Africans. Nevertheless, Dinesen upheld the dignity and value of African culture, and her rhythmic prose captured the complex poetry of Africa's landscape. These positive qualities are rendered in photos taken by Peter Beard, Galen Rowell, Frank Connor and others.
From the skilled author of The Belle of Amherst and Barrymore. Julie Harris starred on Broadway and in the national tour as Baroness Karen Blixen, aka Isak Dinesen, author of Out of Africa and Seven Gothic Tales. Preparing for a trip to America, the flamboyant author tells of how she traveled to Africa, married a baron, and suffered his neglect and faithlessness while contracting syphillis in the bargain. In Act Two, she reveal
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