Time travels in divers paces with divers people.' Shakespeare’s oft-quoted line contains a hidden ambiguity: not only do individual people experience time differently, but time travels in diverse paces when we are with diverse persons. The line articulates a contemporary understanding of subjective time: it is changed by interaction with our social environment. Interacting with other people—and even literary characters—can slow or quicken the experience of time. Interactive time, and the paradigm of enactive cognition in which it sits, calls for an expansion of traditional ideas of time in narrative. The first book-length study of interactive time in narrative, Catching Time explains how lived time and narrative time interpenetrate each other, so that the relational model of subjective time acts as a narrative function. Catching Time develops a novel, interdisciplinary framework, drawing on cognitive science, narratology, and linguistics, to understand the patterns of temporality that shape narrative.
This book lays out the principles of general pathology for biomedical researchers, grad students, medical students, and physicians, with elegance and deep insight. Disease processes are explained in the light of malfunctions at the cellular level, offering a rich understanding of the clinical correlates of all aspects of fundamental cellular physiology and basic biomedicine. The book has been fully revised and updated to present a current but deep understanding of disease states at the cell and tissue levels - cellular pathology, inflammation, immunopathology vascular disturbance, and tumor biology.
Most social historians writing about working women in pre-nineteenth century Britain have tended to concentrate on fairly large groups, such as factory workers or domestic servants, often in an attempt to reach some conclusions regarding their standards of living and social position. Another approach has lead feminist historians to search for underlying causes of women's exploitation through the locus of class and gender. Without ignoring these crucial issues, this volume written by cultural historians takes a slightly different approach, focusing on the status of small, sometimes tiny, groups of women holding marginal positions in the labour market, and often employed on an irregular basis. Women such as housekeepers, nurses, camp followers, governesses, actresses and musicians, to take some of the cases examined in this volume, generally did not have stable, permanent employment. Even female tradesmen often only worked for short periods of their lives. The temporary, unreliable character of such work can be partly related to the changing needs of women at different periods of their lives, but it also has much to do the status of women's work in eighteenth century British society. Providing case-studies of women's work in three different environments - middle and upper class households, male dominated communities and societies and the world of the arts - this collection asks fresh questions about women's aspirations and identity at various levels of society. In comparing and contrasting these varying spheres of female employment, this book throws in sharp relief the contrasting attitude to women's work inside and outside the home, and how the latter was often regarded as having a potentially destabilising and transgressive effect on British society.
That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and French panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. From Waterloo to Chirac’s slandering of British cooking, the authors chart this cross-channel entanglement and the unparalleled breadth of cultural, economic, and political influence it has wrought on both sides, illuminating the complex and sometimes contradictory aspects of this relationship—rivalry, enmity, and misapprehension mixed with envy, admiration, and genuine affection—and the myriad ways it has shaped the modern world. Written with wit and elegance, and illustrated with delightful images and cartoons from both sides of the Channel, That Sweet Enemy is a unique and immensely enjoyable history, destined to become a classic.
A university campus is a place with special resonance: conjuring images of cloistered quadrangles and wood-panelled libraries, often echoing centuries of scholarly tradition. And yet it is also a place of cutting-edge science, interactive learning, youth, vibrancy, and energy. It is this dual nature which makes the physical environment of a university so dynamic as well as a highly challenging landscape to design and manage successfully. Today, the scale of the pressures and the rate of change facing higher education institutions are greater than ever.? Squeezed public spending, rising tuition fees and the growing education ambitions of developing nations are set against a backdrop of rapid technological progress and changing pedagogies. What are the repercussions for the physical realities of university planning and architecture? And how are university campuses adapting to contend with these pressures? University Trends introduces the most significant, widespread and thought-provoking trends in campus design today. Part 1 identifies current trends such as starchitecture, large-scale campus extensions, adaptive re-use, and international branch campuses. Part 2 profiles each trend via highly-illustrated, global case studies of well-publicised as well as lesser-known projects. The essential guide to current and future trends in campus design.
Wonderful behind-the-scenes look at the life and career of Annie Oakley. More than 100 rare photographs, posters, handbills, and other memorabilia chronicle her life, especially her 17 years touring with Buffalo Bill.
In the decades before the Civil War, American society witnessed the emergence of a new form of print culture, as penny papers, mammoth weeklies, giftbooks, fashion magazines, and other ephemeral printed materials brought exuberance and theatricality to public culture and made the practice of reading more controversial. For a short yet pivotal period, argues Isabelle Lehuu, the world of print was turned upside down. Unlike the printed works of the eighteenth century, produced to educate and refine, the new media aimed to entertain a widening yet diversified public of men and women. As they gained popularity among American readers, these new print forms provoked fierce reactions from cultural arbiters who considered them transgressive. No longer the manly art of intellectual pursuit, reading took on new meaning; reading for pleasure became an act with the power to silently disrupt the social order. Neither just an epilogue to an earlier age of scarce books and genteel culture nor merely a prologue to the late nineteenth century and its mass culture and commercial literature, the antebellum era marked a significant passage in the history of books and reading in the United States, Lehuu argues. Originally published 2000. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
An arresting and visually rich monograph of the work of contemporary artist Sanya Kantarovsky. Forlorn and spiritually bankrupt, tender or abject—the subjects in the figurative paintings of Sanya Kantarovsky (b. 1982) convey an uneasy, dark humor. They seem trapped in a precarious inner monologue, or under the spell of mundane lived experience. A Solid House, developed in conjunction with Kantarovsky’s exhibition A Solid House at the Aspen Art Museum, includes more than 200 full-color image plates and spans the artist’s oeuvre, focusing on his most recent output following his previous monograph, No Joke (2014). The publication also includes a conversation between Kantarovsky and art historian Isabelle Graw, as well as essays by the psychoanalyst and writer Jamieson Webster and art historian George Baker.
Persuasion ou comment l'amour triomphe du temps. Ce roman raconte les retrouvailles d'Anne Elliot avec Frederick Wentworth, dont elle a repoussé la demande en mariage huit ans auparavant, persuadée par son amie Lady Russell des risques de cette union avec un jeune officier de marine en début de carrière, pauvre et à l'avenir incertain. Mais alors que la guerre avec la France s'achève, le capitaine Wentworth revient, fortune faite, avec le désir de se marier pour fonder un foyer. Il a conservé du refus d'Anne Elliot la conviction que la jeune fille manquait de caractère et se laissait trop aisément persuader. Dernier roman de Jane Austen, publié à Londres, par son frère après la mort de l'auteur, conjointement avec Northanger Abbey en décembre 1817 ( daté de 1818). Dans ce dernier roman, pour la première fois, l'héroïne trouve le bonheur non en épousant un propriétaire terrien bien-né mais un self-made man qui ne doit sa fortune qu'à ses mérites personnels.
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