Communism is not just a dream of a better world, it is also a theory about how we get there If the question of communism is making a comeback today, this renewed interest is often accompanied by an abandonment of any concrete political perspective. Critical philosophies are flourishing and proliferating, but, folded into the academic terrain, they often remain disconnected from the global issues associated with the present crisis of capitalism, contributing, in turn, to the fragmentation of the resistances that are opposed to it. Instead of locking the perspective of emancipation into the registers of utopia, or relegating it to the side of an empty populism, Isabelle Garo studies in this book the conditions of a contemporary revival of the alternative as a collective construction, anchored in real aspirations and struggles and inseparable from a rethinking of the theoretical work. By addressing the impasses faced by many of the most fashionable radical theorists - Badiou, Laclau, the theorists of the commons, and revisiting them in relation to Marx and Gramsci also allows us to re-read the latter from the point of view of contemporary questions of the state and the party, of work and property, of conflict and hegemony. Thus, to rethink strategy is above all to re-explore the question of mediations, whether they be forms of organisation or existing mobilisations, as sites par excellence of political invention.
If the question of communism is making a comeback today, this renewed interest is often accompanied by an abandonment of any concrete political perspective. Critical philosophies are flourishing and proliferating, but, folded into the academic terrain, they often remain disconnected from the global issues associated with the present crisis of capitalism, contributing, in turn, to the fragmentation of the resistances that are opposed to it. Instead of locking the perspective of emancipation into the registers of utopia, or relegating it to the side of an empty populism, Isabelle Garo studies in this book the conditions of a contemporary revival of the alternative as a collective construction, anchored in real aspirations and struggles and inseparable from a rethinking of the theoretical work. By addressing the impasses faced by many of the most fashionable radical theorists - Badiou, Laclau, the theorists of the commons, and revisiting them in relation to Marx and Gramsci also allows us to re-read the latter from the point of view of contemporary questions of the state and the party, of work and property, of conflict and hegemony. Thus, to rethink strategy is above all to re-explore the question of mediations, whether they be forms of organisation or existing mobilisations, as sites par excellence of political invention.
Le Fabuleux destin d'Amelie Poulain" was the surprise boxoffice success of 2001, with nine million spectators in France, and more than 30 million worldwide. The film turned Audrey Tautou into an international star, in her iconic role as Amelie, a naive French Parisian who devotes herself to mending the lives of the people around her. Shot on location in Paris, the film combines poetic and magical realism with stylish cinematography, original use of colour, state-of-the-art special effects, and an evocative soundtrack; together these have produced a popular film of universal appeal. Isabelle Vanderschelden examines the film's production within the French film industry. She analyzes the issues of genre and narrative that it presents so well. She looks in depth at the film's key scenes, as well as at Jeunet's distinctive visual style and cinematography and his use of digital technology. The national and international receptions of Amelie are explored to establish why the film has caught the public imagination and whether it marks a renewal in the cultural diversity and distinctive identity of the French film industry. This book will be essential reading for cinema lovers and students alike.
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