Quotatives considers the phenomenon “quotation” from a wealth of perspectives. It consolidates findings from different strands of research, combining formal and functional approaches for the definition of reported discourse and situating the phenomenon in a broader typological and sociolinguistic perspective. Provides an interface between sociolinguistic research and other linguistic disciplines, in particular discourse analysis, typology, construction grammar but also more formal approaches Incorporates innovative methodology that draws on discourse analytic, typological and sociolinguistic approaches Investigates the system both in its diachronic development as well as via cross-variety comparisons Presents careful definition of the envelope of variation and considers alternative definitions of the phenomenon “quotation” Empirical findings are reported from distribution and perception data, which allows comparing and contrasting perception and reality
Quotatives considers the phenomenon “quotation” from a wealth of perspectives. It consolidates findings from different strands of research, combining formal and functional approaches for the definition of reported discourse and situating the phenomenon in a broader typological and sociolinguistic perspective. Provides an interface between sociolinguistic research and other linguistic disciplines, in particular discourse analysis, typology, construction grammar but also more formal approaches Incorporates innovative methodology that draws on discourse analytic, typological and sociolinguistic approaches Investigates the system both in its diachronic development as well as via cross-variety comparisons Presents careful definition of the envelope of variation and considers alternative definitions of the phenomenon “quotation” Empirical findings are reported from distribution and perception data, which allows comparing and contrasting perception and reality
La journaliste Isabelle Fiemeyer, qui côtoie depuis très longtemps le personnage de Coco Chanel, nous offre sous une plume romanesque un portrait très réaliste d'une figure du XXe siècle érigée en mythe pour le meilleur et pour le pire. Fruit de la seule enquête vraiment sérieuse sur la période de l'Occupation, ce livre réhabilite Coco tout en nous rappelant que le style Chanel fut synonyme d'émancipation des femmes.
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