Isabella Van Elferen's Books

Timbre

Paradox, Materialism, Vibrational Aesthetics

By: Isabella van Elferen

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Timbre

Paradox, Materialism, Vibrational Aesthetics

By: Isabella van Elferen

The first book on timbre (or, tone color), and one that covers both classical and popular music

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ISBN 10

1501365843

ISBN 13

9781501365843

Timbre

Paradox, Materialism, Vibrational Aesthetics

By: Isabella Van Elferen

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Timbre

Paradox, Materialism, Vibrational Aesthetics

By: Isabella Van Elferen

Timbre is among the most important and the most elusive aspects of music. Visceral and immediate in its sonic properties, yet also considered sublime and ineffable, timbre finds itself caught up in metaphors: tone “color”, “wet” acoustics, or in Schoenberg's words, “the illusory stuff of our dreams.” This multi-disciplinary approach to timbre assesses the acoustic, corporeal, performative, and aesthetic dimensions of tone color in Western music practice and philosophy. It develops a new theorization of timbre and its crucial role in the epistemology of musical materialism through a vital materialist aesthetics in which conventional binaries and dualisms are superseded by a vibrant continuum. As the aesthetic and epistemological questions foregrounded by timbre are not restricted to isolated periods in music history or individual genres, but have pervaded Western musical aesthetics since early Modernity, the book discusses musical examples taken from both “classical” and “popular” music. These range, in “classical” music, from the Middle Ages through the Baroque, the belcanto opera and electronic music to saturated music; and, in “popular” music, from indie through soul and ballad to dark industrial.

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Page Count

249

Publisher

Bloomsbury Publishing USA

Published Date

ISBN 10

1501365827

ISBN 13

9781501365829

Goth Music

From Sound to Subculture

By: Isabella van Elferen,Jeffrey Andrew Weinstock

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Goth Music

From Sound to Subculture

By: Isabella van Elferen,Jeffrey Andrew Weinstock

Is "goth music" a genre, and if so, how does it relate to the goth subculture? The music played at goth club nights and festivals encompasses a broad range of musical substyles, from gloomy Batcave reverberations to neo-medieval bagpipe drones and from the lush vocals of goth metal to the harsh distortion of goth industrial. Goth Music: From Sound to Subculture argues that within this variegated musical landscape a number of key consistencies exist. Not only do all these goth substyles share a number of musical and textual characteristics, but more importantly these aspects of the music are constitutive of goth social reality. Drawing on their own experiences in the European and American goth scenes, the authors explore the ways in which the sounds of goth inform the scene’s listening practices, its fantasies of other worlds, and its re-enchantment of their own world. Goth music, this book asserts, engenders a musical timespace of its own, a musical chronotope that is driven by nostalgic yearning. Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.

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Page Count

202

Publisher

Routledge

Published Date

ISBN 10

1317962974

ISBN 13

9781317962977

Mystical Love in the German Baroque

Theology, Poetry, Music

By: Isabella van Elferen

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Mystical Love in the German Baroque

Theology, Poetry, Music

By: Isabella van Elferen

Mystical Love in the German Baroque: Theology, Poetry, Music identifies the cultural and devotional conventions underlying expressions of mystical love in poetry and music of the German baroque. It sheds new light on the seemingly erotic overtones in settings of the Song of Songs and dialogues between Christ and the faithful soul in late 17th- and early 18th-century cantatas by Heinrich Sch tz, Dieterich Buxtehude, and Johann Sebastian Bach. While these compositions have been interpreted solely as a secularizing tendency within devotional music of the baroque period, Isabella van Elferen demonstrates that they need to be viewed instead as intensifications of the sacred. Based on a wide selection of previously unedited or translated 17th- and 18th-century sources, van Elferen describes the history and development of baroque poetic and musical love discourses, from Sch tz's early works through Buxtehude's cantatas and Bach's cantatas and Passions. This long and multilayered discursive history of these compositions considers the love poetry of Petrarch, European reception of petrarchan imagery and traditions, its effect on the madrigal in Germany, and the role of Catholic medieval mystics in baroque Lutheranism. Van Elferen shows that Bach's compositional technique, based on the emotional characteristics of text and music rather than on the depiction of single words, allows the musical expression of mystical love to correspond closely to contemporary literary and theological conceptions of this affect.

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Page Count

384

Publisher

Scarecrow Press

Published Date

ISBN 10

0810861364

ISBN 13

9780810861367

Gothic Music

The Sounds of the Uncanny

By: Isabella Van Elferen

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Gothic Music

The Sounds of the Uncanny

By: Isabella Van Elferen

Gothic Music - The Sounds of the Uncanny traces sonic Gothic through history and genres from the eighteenth-century ghost story through the spooky soundtracks of cinema, television and video games to the dark music of the Goth subculture.

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Page Count

242

Publisher

University of Wales Press

Published Date

ISBN 10

0708325181

ISBN 13

9780708325186

Gothic Music

The Sounds of the Uncanny

By: Isabella Van Elferen

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Gothic Music

The Sounds of the Uncanny

By: Isabella Van Elferen

Gothic Music: The Sounds of the Uncanny traces sonic Gothic from the echoing footsteps in Gothic novels to the dark soundscapes of Goth club nights. This broad perspective importantly widens the scope of Gothic music from Goth subculture to literature, film, television and video games. This book also provides the musical and theoretical definition of Gothic music that lacks in current scholarship. Whether voicing the spectral beings of early cinema, announcing virtual terrors in video games, or intensifying the nocturnal rituals of Goth, Gothic music represents the sounds of the uncanny.

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Page Count

268

Publisher

University of Wales Press

Published Date

ISBN 10

1783165316

ISBN 13

9781783165315

Mystical Love in the German Baroque

Theology, Poetry, Music

By: Isabella van Elferen

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Mystical Love in the German Baroque

Theology, Poetry, Music

By: Isabella van Elferen

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Page Count

384

Publisher

Scarecrow Press

Published Date

ISBN 10

0810861364

ISBN 13

9780810861367

Goth Music

From Sound to Subculture

By: Isabella van Elferen,Jeffrey Andrew Weinstock

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Goth Music

From Sound to Subculture

By: Isabella van Elferen,Jeffrey Andrew Weinstock

Is "goth music" a genre, and if so, how does it relate to the goth subculture? The music played at goth club nights and festivals encompasses a broad range of musical substyles, from gloomy Batcave reverberations to neo-medieval bagpipe drones and from the lush vocals of goth metal to the harsh distortion of goth industrial. Goth Music: From Sound to Subculture argues that within this variegated musical landscape a number of key consistencies exist. Not only do all these goth substyles share a number of musical and textual characteristics, but more importantly these aspects of the music are constitutive of goth social reality. Drawing on their own experiences in the European and American goth scenes, the authors explore the ways in which the sounds of goth inform the scene's listening practices, its fantasies of other worlds, and its re-enchantment of their own world. Goth music, this book asserts, engenders a musical timespace of its own, a musical chronotope that is driven by nostalgic yearning. Goth Music: From Sound to Subculture reorients goth subcultural studies onto music: goth music must be recognized not only as simultaneously diverse and consistent, but also as the glue that holds together goth scenes from all over the world. It all starts with the music.

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ISBN 10

0415720044

ISBN 13

9780415720045

Book's by Isabella Van Elferen

Timbre

Timbre

Timbre

Timbre

Goth Music

Goth Music

Mystical Love in the German Baroque

Mystical Love in the German Baroque

Gothic Music

Gothic Music

Gothic Music

Gothic Music

Mystical Love in the German Baroque

Mystical Love in the German Baroque

Goth Music

Goth Music

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