The Vita Christi, written by the abbess Isabel de Villena, is the only literary work in Catalan to bear the signature of a woman during the Middle Ages. It represents a fascinating re-evaluation of the role women played in the life of Jesus Christ.
Concepción Gimeno de Flaquer (Alcañiz, 1850-Buenos Aires, 1919) was a Spanish journalist, newspaper editor, and author, who dedicated her life to the world of letters. She was also an intrepid international traveler at a time when it was not easy to cross the Atlantic. As a transatlantic author, she wrote novels, short stories, essays, opinion pieces, social commentary, and theater reviews. This book explores how Concepción Gimeno de Flaquer’s evolution as a writer was closely linked to the development of her political-literary project, in which a feminist activist agenda plays an important role. This critical edition contributes to existing research on Gimeno de Flaquer by examining a collection of texts that have not been studied in-depth. This monograph-length publication is the first one to feature a translation of significant portions of Gimeno de Flaquer’s work. 'Concepción Gimeno de Flaquer (1850-1919): Her Personal Letters, Short Stories, and Journalism' includes ten letters that Concepción Gimeno wrote to the Spanish actor and theatre entrepreneur Manuel Catalina y Rodríguez (1820-1886), seven short stories, and a selection of her seventeen most representative newspaper articles.
This study analyses the legal condition of women in Catalonia, Spain, in the early modern ages, particularly during the seventeenth and eighteenth centuries, by way of the study of primary legal sources. The legal discourse was conceived as being different for men and women: women were treated as a specific social category, were judicially discriminated against and were given inferior legal personality. Following the moral discourse of the time, jurists classified women as honest and dishonest, and tried to establish a physical and legal barrier to divide the good from the bad. As a result, women were before the law, pawns for male decisions. However, women did not easily comply with the submissive role attributed to them and, as civil lawsuits show, often they used the law that discriminated them in their own benefit.
The historical narratives of the Inca dynasty, known to us through Spanish records, present several discrepancies that scholarship has long attributed to the biases and agendas of colonial actors. Drawing on a redefinition of royal descent and a comparative literary analysis of primary sources, this book restores the pre-Hispanic voices embedded in the chronicles. It identifies two distinctive bodies of Inca oral traditions, each of which encloses a mutually conflicting representation of the past that, considered together, reproduces patterns of Cuzco’s moiety division. Building on this new insight, the author revisits dual representations in the cosmology and ritual calendar of the ruling elite. The result is a fresh contribution to ethnohistorical works that have explored native ways of constructing history.
Orphic gold tables are key documents for the knowledge of rites and beliefs of Orphics, an atypical group that configured a highly original creed and that influenced powerfully over other Greek writers and thinkers. The recent discovery of some tablets has forced a noteworthy modification of some points of view and a review ofthe different hypothesis proposed about them. The book presents a complete edition of the texts, their translation and some fundamental keys for their interpretation, in an attempt at updating our current knowledge on Orphic ideas about the soul and the Afterlife stated in those texts. The work is improved with an appendix of iconographic annotations in which some plastic representations in drawings are reproduced related to the universe of tablets, selected and commented on by Ricardo Olmos.
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