The Vita Christi, written by the abbess Isabel de Villena, is the only literary work in Catalan to bear the signature of a woman during the Middle Ages. It represents a fascinating re-evaluation of the role women played in the life of Jesus Christ.
Classical music can be a dangerous pastime... What with love affairs, their conductor dropping dead, a stolen cello and no money, Stockwell Park Orchestra is having a fraught season. After Mrs Ford-Hughes is squashed and injured by a dying guest conductor mid-concert, she and her husband withdraw their generous financial backing, leaving the orchestra broke and unsure of its future. Cellist Erin suggests a recovery plan, but since it involves their unreliable leader, Fenella, playing a priceless Stradivari cello which then goes missing, it’s not a fool-proof one. Joshua, the regular conductor, can’t decide which affair to commit to, while manager David’s nervous tic returns at every doom-laden report from the orchestra’s treasurer. There is one way to survive, but is letting a tone-deaf diva sing Strauss too high a price to pay? And will Stockwell Park Orchestra live to play another season? What people are saying about Life, Death and Cellos: “I was charmed... a very enjoyable read.” Marian Keyes “Life, Death and Cellos is a witty and irreverent musical romp, full of characters I’d love to go for a pint with. I thoroughly enjoyed getting to know the Stockwell Park Orchestra and can't wait for the next book in the series.” Claire King, author of The Night Rainbow “Life, Death and Cellos is that rare thing – a funny music book. Rogers knows the world intimately, and portrays it with warmth, accuracy and a poetic turn of phrase. Sharp, witty and richly entertaining.” Lev Parikian, author of Why Do Birds Suddenly Disappear? “With its retro humour bordering on farce, this novel offers an escape into the turbulent (and bonkers) world of the orchestra.” Isabel Costello, author of Paris Mon Amour “Dodgy post-rehearsal curries, friendly insults between musicians, sacrosanct coffee-and-biscuit breaks, tedious committee meetings: welcome to the world of the amateur orchestra. Throw in a stolen Stradivarius, an unexpected fatality and the odd illicit affair and you have Life, Death and Cellos, the first in a new series by Isabel Rogers.” Rebecca Franks, BBC Music Magazine “...a very funny tale of musical shenanigans set in the febrile atmosphere of the Stockwell Park Orchestra” Ian Critchley
Lady Burton began her autobiography a few months before she died, but in consequence of rapidly failing health she made little progress with it. After her death, which occurred in the spring of last year, it seemed good to her sister and executrix, Mrs. Fitzgerald, to entrust the unfinished manuscript to me, together with sundry papers and letters, with a view to my compiling the biography. Mrs. Fitzgerald wished me to undertake this work, as I had the good fortune to be a friend of the late Lady Burton, and one with whom she frequently discussed literary matters; we were, in fact, thinking of writing a romance together, but her illness prevented us. The task of compiling this book has not been an easy one, mainly for two reasons. In the first place, though Lady Burton published comparatively little, she was a voluminous writer, and she left behind her such a mass of letters and manuscripts that the sorting of them alone was a formidable task. The difficulty has been to keep the book within limits. In the second place, Lady Burton has written the Life of her husband; and though in that book she studiously avoided putting herself forward, and gave to him all the honour and the glory, her life was so absolutely bound up with his, that of necessity she covered some of the ground which I have had to go over again, though not from the same point of view. So much has been written concerning Sir Richard Burton that it is not necessary for me to tell again the story of his life here, and I have therefore been able to write wholly of his wife, an equally congenial task. Lady Burton was as remarkable as a woman as her husband was as a man. Her personality was as picturesque, her individuality as unique, and, allowing for her sex, her life was as full and varied as his. It has been my aim, wherever possible, throughout this book to let Lady Burton tell the story of her life in her own words, and keep my narrative in the background. To this end I have revised and incorporated the fragment of autobiography which was cut short by her death, and I have also pieced together all her letters, manuscripts, and journals which have a bearing on her travels and adventures. I have striven to give a faithful portrait of her as revealed by herself. In what I have succeeded, the credit is hers alone: in what I have failed, the fault is mine, for no biographer could have wished for a more eloquent subject than this interesting and fascinating woman. Thus, however imperfectly I may have done my share of the work, it remains the record of a good and noble life—a life lifted up, a life unique in its self-sacrifice and devotion.
A seven-fifty derby, new only that afternoon and destined already to be reblocked! Ex-roundsman Timothy McCarty, whose complete transition to civilian attire was still so recent as to be a source of satisfaction to himself and of despair to his tailor and haberdasher, shrugged his broad shoulders and trudged sturdily along in the teeming downpour. A walk he had come out for, to clear his head of all that psycho-junk he’d been reading, and a walk he would have, but he could think of a place the devil could take this rain to, where it would be better appreciated! Rain dripped down upon a sodden wisp of tobacco which hung dejectedly from beneath his mustache, and muddy streams spurted up almost to his knees with every step. It was a mean district, a neighborhood of broken, narrow sidewalks, dilapidated tenements and squalid wooden shacks, which became more squalid as McCarty neared the river, although here great warehouses loomed against the lesser darkness of the night sky. It was barely nine o’clock but there was scarcely a light in the streets, except where irregularly spaced street lamps emitted a blurred glimmer which emphasized rather than dispelled the murky gloom, yet McCarty strode on with the unconcern of one treading a once-familiar precinct. He was not the only pedestrian abroad in the late September storm. Under the glow of a lamp he presently descried a dark figure proceeding also in the direction of the waterfront, and insensibly he quickened his own steps. Some peculiarity in the latter’s gait had aroused that suspicion, more than mere curiosity, that had served him so well in the old days on the Force. The man was lurching along at an unsteady pace, now breaking into a shambling trot for a few steps, now pulling up short, only to dive forward once more, reeling through the driving sheets of rain. McCarty followed closely. He had almost overtaken the man when a tall, bluecoated figure stepped suddenly from the shelter of a doorway and barred his progress.
Where the eye sees the brushstroke, the heart sees the truth. At thirty-five, Gabriella “Ella” Graham is a successful portrait artist in London. She captures the essential truth in each of her subjects’ faces—a tilt of the chin, a glint in the eye—and immortalizes it on canvas. But closer to home, Ella finds the truth more elusive. Her father abandoned the family when she was five, and her mother has remained silent on the subject ever since. Ella’s sister, Chloe, is engaged to Nate, an American working in London, but Ella suspects that he may not be so committed. Then, at Chloe’s behest, Ella agrees to paint Nate’s portrait. From session to session, Ella begins to see Nate in a different light, which gives rise to conflicted feelings. In fact, through the various people she paints—including an elderly client reflecting on her life and a woman dreading the prospect of turning forty—Ella realizes that there is so much more to a person’s life than what is seen on the surface. And as her portraits of Nate and the others progress, they begin to reveal less about their subjects than about the artist herself. Look for special features inside. Join the Circle for author chats and more.
Dirigido a estudiantes de la UNED para la asignatura "Literatura Norteamericana y Contemporanea" del grado "Estudios Ingleses: Lengua, Literatura y Cultura". Ofrece un recorrido por la vida de los autores, las preocupaciones del siglo XX en la literatura americana y presta principal atención al modernismo y al posmodernismo como grandes momentos culturales.
The term 'pre-autism' is becoming more widespread as a result of growing awareness of the importance of a child's first three years of life in diagnosing behaviours which, if untreated, can develop into autism. In this book we are shown the problems parents can experience when their young child does not respond to them in a 'typical' way, how they often voice concerns that something is 'not quite right' with their child, and how it is important to address these concerns, which may be signs of pre-autism. This book is about a new approach called 'Re:Start', developed by Stella Acquarone, to diagnose and treat early autism. In the Re:Start infant/family programme, a multidisciplinary team works with the parents and through the family relationships to reconfigure dysfunctional dynamics with the aim to "change destinies".
Lonely Planet's Great Britain is your passport to the most relevant, up-to-date advice on what to see and skip, and what hidden discoveries await you. Puzzle the mysteries of Stonehenge, sip whisky in Scotland, and hike the mountains of Wales; all with your trusted travel companion. Get to the heart of Great Britain and begin your journey now! Inside Lonely Planet's Great Britain Travel Guide: Up-to-date information - all businesses were rechecked before publication to ensure they are still open after 2020s COVID-19 outbreak Planning tools for family travellers - where to go, how to save money, plus fun stuff just for kids What's New feature taps into cultural trends and helps you find fresh ideas and cool new areas our writers have uncovered NEW Accommodation feature gathers all the information you need to plan your accommodation NEW Where to Stay in London map is your at-a-glance guide to accommodation options in each neighbourhood Colour maps and images throughout Highlights and itineraries help you tailor your trip to your personal needs and interests Insider tips to save time and money and get around like a local, avoiding crowds and trouble spots Honest reviews for all budgets - eating, sleeping, sightseeing, going out, shopping, hidden gems that most guidebooks miss Cultural insights give you a richer, more rewarding travel experience - history, people, music, landscapes, wildlife, cuisine, politics Over 150 maps Covers England London, Canterbury, Southeast England, Oxford & the Cotswolds, Bath, Bristol, Somerset, Hampshire, Wiltshire, Dorset, Devon, Cornwall, Isles of Scilly, Cambridge, East Anglia, Birmingham, the Midlands, Yorkshire, Manchester, Liverpool, Northwest England, The Lake District, Newcastle, Northeast England Wales Cardiff (Caerdydd), Pembrokeshire, South Wales, Brecon Beacons, Mid-Wales, Snowdonia & North Wales Scotland Edinburgh, Glasgow, Southern Scotland, Stirling, Central Scotland, Inverness, Northern Highlands & Islands The Perfect Choice: Lonely Planet's Great Britain, our most comprehensive guide to Great Britain, is perfect for both exploring top sights and taking roads less travelled. Looking for just the highlights? Check out Pocket London, a handy-sized guide focused on the can't-miss sights for a quick trip. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)
In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.
Twenty-three research papers written by Liberman and colleagues at Haskins Laboratories charts the techniques, methods and insights discovered about speech perception over a period of five decades. The topics span a number of research dilemmas, for example creating machine produced speech in 1944 when technology had not risen to the researchers' imagination level. Other subjects such as speech perception research, motor theory research, and investigations in auditory and phonetic modes, are shown in process, i.e. the errors and reversals as well as the successes. Annotation copyright by Book News, Inc., Portland, OR
The ultimate road trip, celebrating the remarkable history, natural history and diversity of the Lone Star State.~Robert McCracken Peck, The Academy of Natural Sciences, Philadelphia.
A continental tour of Europe doesn’t go quite as planned! When Stockwell Park Orchestra goes on tour to Europe, it proves a challenge for even the most efficient German logistical planner. A teenage stowaway, brass players falling in canals and a sabotaged timpani van are all in a day’s work for Ingrid Bauer of Note Perfect Tours, but even she can’t solve all the problems this week throws at her. Maybe a bit of surprise Bach can calm the muddy Brexit waters. She just has to fish out the musicians first. Praise for The Stockwell Park Orchestra Series: “I was charmed... a very enjoyable read.” Marian Keyes “Friendly insults between musicians, sacrosanct coffee-and-biscuit breaks, tedious committee meetings: welcome to the world of the amateur orchestra.” BBC Music Magazine “...a witty and irreverent musical romp, full of characters I’d love to go for a pint with. I thoroughly enjoyed getting to know the Stockwell Park Orchestra and can't wait for the next book in the series.” Claire King, author of The Night Rainbow “Sharp, witty and richly entertaining.” Lev Parikian, author of Why Do Birds Suddenly Disappear? “With its retro humour bordering on farce, this novel offers an escape into the turbulent (and bonkers) world of the orchestra.” Isabel Costello, author of Paris Mon Amour “...a very funny tale of musical shenanigans set in the febrile atmosphere of the Stockwell Park Orchestra” Ian Critchley
Comprehensive, critical and accessible, Criminology: A Sociological Introduction offers an authoritative overview of the study of criminology, from early theoretical perspectives to pressing contemporary issues such as the globalisation of crime, crimes against the environment, terrorism and cybercrime. Authored by an internationally renowned and experienced group of authors in the Department of Sociology at the University of Essex, this is a truly international criminology text that delves into areas that other texts may only reference. It includes substantive chapters on the following topics: • Histories of crime; • Theoretical approaches to crime and the issue of social change; • Victims and victimisation; • Crime, emotion and social psychology; • Drugs, alcohol, health and crime; • Criminal justice and the sociology of punishment; • Green criminology; • Crime and the media; • Terrorism, state crime and human rights. The new edition fuses global perspectives in criminology from the contexts of post-Brexit Britain and America in the age of Trump, and from the Global South. It contains new chapters on cybercrime; crimes of the powerful; organised crime; life-course approaches to understanding delinquency and desistance; and futures of crime, control and criminology. Each chapter includes a series of critical thinking questions, suggestions for further study and a list of useful websites and resources. The book also contains a glossary of the criminological terms and concepts used in the book. It is the perfect text for students looking for a broad, critical and international introduction to criminology, and it is essential reading for those looking to expand their ‘criminological imagination’.
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
In this gripping, romantic sequel to These Witches Don't Burn, Hannah must work alongside her new girlfriend to take down the Hunters desperate to steal her magic. Hannah Walsh just wants to finish high school. It’s her senior year, so she should be focusing on classes, hanging out with her best friend, and flirting with her new girlfriend, Morgan. But it turns out surviving a murderous Witch Hunter doesn’t exactly qualify as a summer vacation, and now the rest of the Hunters seem more intent on destroying her magic than ever. Of course, Hannah knows a thing or two about juggling romance and recon missions, so when she learns the Hunters have armed themselves with a serum capable of taking out entire covens at once, she doesn’t think twice about helping. With Witches across the country losing the most important thing they have—their power—Hannah could be their best shot at finally defeating the Hunters. After all, she’s one of the only Witches to escape a Hunter with her magic intact. Or so everyone believes. Because as good as she is at faking it, doing even the smallest bit of magic leaves her in agony. The only person who can bring her comfort, who can make her power flourish, is Morgan. But Morgan’s magic is on the line, too, and if Hannah can’t figure out how to save her—and the rest of the Witches—she’ll lose everything she’s ever known. As the Hunters get dangerously close to their final target, will all the witches in Salem be enough to stop an enemy determined to destroy magic for good?
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