In Context: the Reade Festschrift' is a collection of invited and peer-reviewed essays by friends and colleagues of Julian Edgeworth Reade, sometime Mesopotamia curator at the British Museum from 1975 to 2000. Here is fresh work from which any reader can gain a new appreciation of the importance of the ancient Near East.
The recent translation of a Babylonian tablet launches a groundbreaking investigation into one of the most famous stories in the world, challenging the way we look at ancient history. Since the Victorian period, it has been understood that the story of Noah, iconic in the Book of Genesis, and a central motif in Judaism, Christianity and Islam, derives from a much older story that existed centuries before in ancient Babylon. But the relationship between the Babylonian and biblical traditions was shrouded in mystery. Then, in 2009, Irving Finkel, a curator at the British Museum and a world authority on ancient Mesopotamia, found himself playing detective when a member of the public arrived at the museum with an intriguing cuneiform tablet from a family collection. Not only did the tablet reveal a new version of the Babylonian Flood Story; the ancient poet described the size and completely unexpected shape of the ark, and gave detailed boat building specifications. Decoding this ancient message wedge by cuneiform wedge, Dr. Finkel discovered where the Babylonians believed the ark came to rest and developed a new explanation of how the old story ultimately found its way into the Bible. In The Ark Before Noah, Dr. Finkel takes us on an adventurous voyage of discovery, opening the door to an enthralling world of ancient voices and new meanings.
It's enthralling stuff, mixing the scholarly with the accessible and placing storytelling right at the heart of the human experience.' - History Revealed 'A fascinating journey' - Yorkshire Post 'Marvellous...Finkel is an expert in Mesopotamian cultures at the British Museum, and is one of the most clever, and nicest, of people it has ever been my pleasure to encounter...A fascinating journey' - The Scotsman There are few things more in common across cultures than the belief in ghosts. Ghosts inhabit something of the very essence of what it is to be human. Whether we personally 'believe' or not, we are all aware of ghosts and the rich mythologies and rituals surrounding them. They have inspired, fascinated and frightened us for centuries - yet most of us are only familiar with the vengeful apparitions of Shakespeare, or the ghastly spectres haunting the pages of 19th century gothic literature. But their origins are much, much older... The First Ghosts: Most Ancient of Legacies takes us back to the very beginning. A world-renowned authority on cuneiform, the form of writing on clay tablets which dates back to 3400BC, Irving Finkel has embarked upon an ancient ghost hunt, scouring these tablets to unlock the secrets of the Sumerians, Babylonians and Assyrians to breathe new life into the first ghost stories ever written. In The First Ghosts, he uncovers an extraordinarily rich seam of ancient spirit wisdom which has remained hidden for nearly 4000 years, covering practical details of how to live with ghosts, how to get rid of them and bring them back, and how to avoid becoming one, as well as exploring more philosophical questions: what are ghosts, why does the idea of them remain so powerful despite the lack of concrete evidence, and what do they tell us about being human?
This catalogue makes available more than 600 complete or fragmentary stone vessels kept in the British Museum. Most of them were excavated at Nineveh and other major sites in northern Iraq and Syria, and are presented here for the first time. They range in date from prehistory down to the Persian and Hellenistic periods; the bulk belong in the eighth and seventh centuries, when the Near East under Assyrian rule grew increasingly cosmopolitan. The collection includes luxury items made for palaces and temples, often bearing royal inscriptions, besides many perfume-jars, mortars and other vessels for practical use. The catalogue incorporates extensive information on material culture, art, technology, economic relationships, and social and religious practices, and will be used by historians, archaeologists, philologists and anthropologists alike.
In THE ARK BEFORE NOAH, British Museum expert Dr Irving Finkel reveals how decoding the symbols on a 4,000 year old piece of clay enable a radical new interpretation of the Noah's Ark myth. A world authority on the period, Dr Finkel's enthralling real-life detective story began with a most remarkable event at the British Museum - the arrival one day in 2008 of a single, modest-sized Babylonian cuneiform tablet - the palm-sized clay rectangles on which our ancestors created the first documents. It had been brought in by a member of the public and this particular tablet proved to be of quite extraordinary importance. Not only does it date from about 1850 BC, but it is a copy of the Babylonian Story of the Flood, a myth from ancient Mesopotamia revealing among other things, instructions for building a large boat to survive a flood. But Dr Finkel's pioneering work didn't stop there. Through another series of enthralling discoveries he has been able to decode the story of the Flood in ways which offer unanticipated revelations to readers of THE ARK BEFORE NOAH.
Board games have been played since prehistoric times, passing from person to person and country to country all over the world. This colourful and unique book explains the origins of five of the most long-lasting games, with five fold out game boards and rules so that you can play the games yourself.
Long ago, in a time of magic, there lived a mighty king whose name was Gilgamesh. He ruled a great city, and he was the noblest and strongest of men. Everyone bowed down to him; no fighter could match him. Surely he had everything he could want. But Gilgamesh was restless, and bored.
The Lewis Chessmen were found on the Isle of Lewis in mysterious circumstances. Consisting of elaborately worked walrus ivory and whales teeth in the form of seated kings and queens, bishops, knights, warders and pawns, this curious chess set is strongly influenced by Norse culture. Of the 93 pieces known to us today, 11 pieces are in Edinburgh at the National Museum of Scotland, and 82 are in the British Museum, where they have delighted generations of visitors with their wonderfully expressive details. In this engaging story, Irving Finkel follows the many adventures of the chessmen after they came to light on a Scottish beach in the nineteenth century. It ends with the big surprise that befell them in September 1993, when they were all temporarily reunited for the first time since their separation, at a Special Exhibition of Chessmen at the British Museum.
The library is situated, said the short entry in the Guide to British Libraries A-L, in pleasant rolling countryside not too far from Hereford, and is perhaps most readily accessible by private motor vehicle. This statement was quite accurate. Inaccessibility had always been one of the Library's most prized qualities. The Last Resort Library was founded in 1962, and is a forward-looking institution with very much its own sense of mission, it continued. The truth was that the Guide compiler had never heard of the Library himself, but someone had mentioned it to him right at the last minute, and he was improvising while correcting proofs. Researchers should be aware that, despite the size of the Library's holdings, there is no published catalogue of any kind. That's what he had been told, and it seemed only sensible to make a formal note of it. - Prologue
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