The exhibition presents the work of Russian artists of different ages and experience, displayed in various painting techniques and genres, united by one idea to capture the spiritual world of a person and its manifestation in life and culture. The idea of such an exhibition was born a long time ago, and now it has formed into a concept to present the work of both already formed artistic personalities with their own unique vision of the world, who have developed their own manner and painting techniques, and novice, young artists with a direct, open look at the world, untrained visual approaches reflecting their idea of people, their deeds, experiences, exploits, an independent vision of the reality being changed by a person and cultural transformation of space. Artists pay close attention to the transience of the flow of human life, the cyclical nature of natural phenomena, the passion of human nature, the strength of spirit, the height of spirituality, the depth of poetry, historical exploits, cultural traditions and embody in the images of their works.
The exhibition presents the work of Russian artists of different ages and experience, displayed in various painting techniques and genres, united by one idea to capture the spiritual world of a person and its manifestation in life and culture. The idea of such an exhibition was born a long time ago, and now it has formed into a concept to present the work of both already formed artistic personalities with their own unique vision of the world, who have developed their own manner and painting techniques, and novice, young artists with a direct, open look at the world, untrained visual approaches reflecting their idea of people, their deeds, experiences, exploits, an independent vision of the reality being changed by a person and cultural transformation of space. Artists pay close attention to the transience of the flow of human life, the cyclical nature of natural phenomena, the passion of human nature, the strength of spirit, the height of spirituality, the depth of poetry, historical exploits, cultural traditions and embody in the images of their works.
A Comprehensive Bibliography Volume I: Southeastern and East Central Europe (Edited by Irina Livezeanu with June Pachuta Farris) Volume II: Russia, the Non-Russian Peoples of the Russian
A Comprehensive Bibliography Volume I: Southeastern and East Central Europe (Edited by Irina Livezeanu with June Pachuta Farris) Volume II: Russia, the Non-Russian Peoples of the Russian
This is the first comprehensive, multidisciplinary, and multilingual bibliography on "Women and Gender in East Central Europe and the Balkans (Vol. 1)" and "The Lands of the Former Soviet Union (Vol. 2)" over the past millennium. The coverage encompasses the relevant territories of the Russian, Hapsburg, and Ottoman empires, Germany and Greece, and the Jewish and Roma diasporas. Topics range from legal status and marital customs to economic participation and gender roles, plus unparalleled documentation of women writers and artists, and autobiographical works of all kinds. The volumes include approximately 30,000 bibliographic entries on works published through the end of 2000, as well as web sites and unpublished dissertations. Many of the individual entries are annotated with brief descriptions of major works and the tables of contents for collections and anthologies. The entries are cross-referenced and each volume includes indexes.
God only knows how many diverse, captivating impressions and thoughts evoked by these impressions... pass in a single day. If it were only possible to render them in such a way that I could easily read myself and that others could read me as I do..." Such was the desire of the young Tolstoy. Although he knew that this narrative utopia—turning the totality of his life into a book—would remain unfulfilled, Tolstoy would spend the rest of his life attempting to achieve it. "Who, What Am I?" is an account of Tolstoy's lifelong attempt to find adequate ways to represent the self, to probe its limits and, ultimately, to arrive at an identity not based on the bodily self and its accumulated life experience.This book guides readers through the voluminous, highly personal nonfiction writings that Tolstoy produced from the 1850s until his death in 1910. The variety of these texts is enormous, including diaries, religious tracts, personal confessions, letters, autobiographical fragments, and the meticulous accounts of dreams. For Tolstoy, inherent in the structure of the narrative form was a conception of life that accorded linear temporal order a predominant role, and this implied finitude. He refused to accept that human life stopped with death and that the self was limited to what could be remembered and told. In short, his was a philosophical and religious quest, and he followed in the footsteps of many, from Plato and Augustine to Rousseau and Schopenhauer. In reconstructing Tolstoy's struggles, this book reflects on the problems of self and narrative as well as provides an intellectual and psychological biography of the writer.
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