A stunning novel about mothers and daughters, about vengeance, and an aging, still beautiful woman on trial for shooting her lover. In a French courtroom, the trial of a woman is taking place. Gladys Eysenach is no longer young, but she remains striking, elegant, cold. She is accused of shooting dead her much-younger lover. As the witnesses take the stand and the case unfolds, Gladys relives fragments of her past: her childhood, her absent father, her marriage, her turbulent relationship with her daughter, her decline, and then the final irrevocable act. With the depth of insight and pitiless compassion we have come to expect from the acclaimed author of Suite Francaise, Irene Nemirovsky shows us the soul of a desperate woman obsessed with her lost youth.
NATIONAL BESTSELLER • The remarkable story of men and women thrown together in circumstances beyond their control during World War II—a heartrending "portrait of a small French town under seige, and the people trying to survive, even to live, as Hitler’s horrors march closer and closer to their doors" (New York). “Stunning.... A tour de force.” —The New York Times Book Review Beginning in Paris on the eve of the Nazi occupation in 1940, as Parisians flee the city, human folly surfaces in every imaginable way: a wealthy mother searches for sweets in a town without food; a couple is terrified at the thought of losing their jobs, even as their world begins to fall apart. Moving on to a provincial village now occupied by German soldiers, the locals must learn to coexist with the enemy—in their town, their homes, even in their hearts. When Irène Némirovsky began working on Suite Française, she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz, where she died. For sixty-four years, this novel remained hidden and unknown.
A new treasure unearthed by Némirovsky’s biographers: another never-before-published novel from the author of the #1 bestselling Suite Française. This perfect gem of a novel was discovered only recently in separate archive files. A few pages were in the famous suitcase that Irène Némirovsky’s daughters saved, but the balance had been deposited with a very close friend during the war. A morality tale with doubtful morals, a story of murder, love and betrayal in rural France, Fire in the Blood, planned in 1937 and written in 1941, is set in a small village (based on Issy l’Evèque, where Suite Française was written), and brilliantly prefigures the village community in her later masterpiece. Fire in the Blood is a beautiful chamber piece which starts quietly, lyrically, but then races away with revelations and narrative twists in a story about young women forced into marriages with old men, about mothers and daughters, stepmothers and stepdaughters, youthful passions and the regrets of old age, about peasant communities and the ways they hide their secrets. Némirovsky looks at her characters, both young and old, with the same clear-eyed distance and humanity as she displayed in Suite Française, unpeeling layer after layer. As atmospheric and haunting as Sándor Márai’s Embers, and with the crystalline perfection of Chekhov, Fire in the Blood is another gripping literary find.
In haunting ways, this gorgeous novel prefigures Irène Némirovsky’s masterpieceSuite Française. Set in France between 1910 and 1940 and first published in France in 1947, five years after the author’s death, All Our Worldly Goods is a gripping story of war, family life and star-crossed lovers. Pierre and Agnes marry for love against the wishes of his parents and his grandfather, the tyrannical family patriarch. Their marriage provokes a family feud that cascades down the generations. This brilliant novel is full of drama, heartbreak, and the telling observations that have made Némirovsky’s work so beloved and admired.
In 1903 Léon M–a devout terrorist–is given the responsibility by the Revolutionary Committee of publicly “liquidating” Valerian Alexandrovitch Courilof, a notoriously brutal and cold-blooded minister. Posing as his newly appointed personal physician, Léon M is made privy to the inner world of Courilof–his failing health, his troubled domestic situation and, most importantly, the tyrannical grip that the Czar himself holds over all his ministers, forcing them to obey him or suffer the most deadly punishments. Set in Kiev and St. Petersburg, The Courilof Affair, the story of one man’s inquisition during the Bolshevik Revolution, is both an elegy to a world lost and an unsparing observation of human motives and behaviour during a period of radical upheaval in European history.
This panoramic exploration of French life between the wars reads like a prequel to Irène Némirovsky’s international bestseller Suite Française. At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain. Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.
In haunting ways, this gorgeous novel prefigures Irène Némirovsky’s masterpieceSuite Française. Set in France between 1910 and 1940 and first published in France in 1947, five years after the author’s death, All Our Worldly Goods is a gripping story of war, family life and star-crossed lovers. Pierre and Agnes marry for love against the wishes of his parents and his grandfather, the tyrannical family patriarch. Their marriage provokes a family feud that cascades down the generations. This brilliant novel is full of drama, heartbreak, and the telling observations that have made Némirovsky’s work so beloved and admired.
By the early 1940s, when Ukrainian-born Irène Némirovsky began working on what would become Suite Française—the first two parts of a planned five-part novel—she was already a highly successful writer living in Paris. But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she’d begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky’s literary masterpiece The first part, “A Storm in June,” opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, “Dolce,” we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity. Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.
A never-before-translated collection by the bestselling author of Suite Française Written between 1934 and 1942, these ten gem-like stories mine the same terrain of Némirovsky's bestselling novel Suite Française: a keen eye for the details of social class; the tensions between mothers and daughters, husbands and wives; the manners and mannerisms of the French bourgeoisie; questions of religion and personal identity. Moving from the drawing rooms of pre-war Paris to the lives of men and women in wartime France, here we find the beautiful work of a writer at the height of her tragically short career.
A new treasure unearthed by Némirovsky’s biographers: another never-before-published novel from the author of the #1 bestselling Suite Française. This perfect gem of a novel was discovered only recently in separate archive files. A few pages were in the famous suitcase that Irène Némirovsky’s daughters saved, but the balance had been deposited with a very close friend during the war. A morality tale with doubtful morals, a story of murder, love and betrayal in rural France, Fire in the Blood, planned in 1937 and written in 1941, is set in a small village (based on Issy l’Evèque, where Suite Française was written), and brilliantly prefigures the village community in her later masterpiece. Fire in the Blood is a beautiful chamber piece which starts quietly, lyrically, but then races away with revelations and narrative twists in a story about young women forced into marriages with old men, about mothers and daughters, stepmothers and stepdaughters, youthful passions and the regrets of old age, about peasant communities and the ways they hide their secrets. Némirovsky looks at her characters, both young and old, with the same clear-eyed distance and humanity as she displayed in Suite Française, unpeeling layer after layer. As atmospheric and haunting as Sándor Márai’s Embers, and with the crystalline perfection of Chekhov, Fire in the Blood is another gripping literary find.
A stunning novel about mothers and daughters, about vengeance, and an aging, still beautiful woman on trial for shooting her lover. In a French courtroom, the trial of a woman is taking place. Gladys Eysenach is no longer young, but she remains striking, elegant, cold. She is accused of shooting dead her much-younger lover. As the witnesses take the stand and the case unfolds, Gladys relives fragments of her past: her childhood, her absent father, her marriage, her turbulent relationship with her daughter, her decline, and then the final irrevocable act. With the depth of insight and pitiless compassion we have come to expect from the acclaimed author of Suite Francaise, Irene Nemirovsky shows us the soul of a desperate woman obsessed with her lost youth.
In 1903 Léon M–a devout terrorist–is given the responsibility by the Revolutionary Committee of publicly “liquidating” Valerian Alexandrovitch Courilof, a notoriously brutal and cold-blooded minister. Posing as his newly appointed personal physician, Léon M is made privy to the inner world of Courilof–his failing health, his troubled domestic situation and, most importantly, the tyrannical grip that the Czar himself holds over all his ministers, forcing them to obey him or suffer the most deadly punishments. Set in Kiev and St. Petersburg, The Courilof Affair, the story of one man’s inquisition during the Bolshevik Revolution, is both an elegy to a world lost and an unsparing observation of human motives and behaviour during a period of radical upheaval in European history.
In 1929, 26-year-old Irène Némirovsky shot to fame in France with the publication of her first novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul. Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism? Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.
This panoramic exploration of French life between the wars reads like a prequel to Irène Némirovsky’s international bestseller Suite Française. At the end of the First World War, Bernard Jacquelain returns from the trenches a changed man. Broken by the unspeakable horrors he has witnessed, he becomes addicted to the lure of wealth and success. He wallows in the corruption and excess of post-war Paris, but when his lover abandons him, Bernard turns to a childhood friend for comfort. For ten years, he lives the good bourgeois life, but when the drums of war begin to sound again, everything around which he has rebuilt himself starts to crumble, and the future—of his marriage and of his country—suddenly becomes terribly uncertain. Written after Némirovsky fled Paris in 1940, just two years before her death, and first published in France in 1957, The Fires of Autumn is a coruscating, tragic novel of war and its aftermath, and of the ugly color it can turn a man's soul.
Readers everywhere were introduced to the work of Irène Némirovsky through the publication of her long-lost masterpiece, Suite Française. But Suite Française was only the coda to the brief yet remarkably prolific career of this nearly forgotten, magnificent novelist. Here in one volume are four of Némirovsky’s other novels–all of them newly translated by the award-winning Sandra Smith, and all, except DAVID GOLDER, available in English for the first time. DAVID GOLDER is the novel that established Néirovsky’s reputation in France in 1929 when she was twenty-six. It is a novel about greed and lonliness, the story of a self-made business man, once wealthy, now suffering a breakdown as he nears the lonely end of his life. THE COURILOF AFFAIR tells the story of a Russian revolutionary living out his last days–and his recollections of his first infamous assassination. Also included are two short, gemlike novels: THE BALL, a pointed exploration of adolescence and the obsession with status among the bourgeoisie; and SNOW IN AUTUMN, an evocative tale of White Russian émigrés in Paris after the Russian Revolution. Introduced by celebrated novelist Claire Messud, this collection of four spellbinding novels offers the same storytelling mastery, powerful clarity of language, and empathic grasp of human behavior that would give shape to Suite Française.
From the acclaimed author of Suite Française comes Némirovsky’s third novel, a masterpiece of French literature, available for the first time in Canada. Le Bal is a penetrating and incisive book set in early twentieth century France. At its heart is the tension between mother and daughter. The nouveau-riche Kampfs, desperate to become members of the social elite, decide to throw a ball to launch themselves into high society. For selfish reasons Mrs. Kampf forbids her teenage daughter, Antoinette, to attend the ball and banishes her to the laundry room. In an unpremeditated fury of revolt and despair, Antoinette takes a swift and horrible revenge. A cruel, funny and tender examination of class differences, Le Bal describes the torments of childhood with rare accuracy. Also included in this volume is Snow in Autumn, in which Némirovsky pays homage to Chekov and chronicles the life of a devoted servant following her masters as they flee Revolutionary Moscow and emigrate to a life of hardship in Paris.
Introspective and poignant, The Wine of Solitude is the most autobiographical of all of the novels from the celebrated author of Suite Française. Beginning in a fictionalized Kiev, The Wine of Solitude follows the Karol family through the Great War and the Russian Revolution, as the young Hélène grows from a dreamy, unhappy child into a strongwilled young woman. From the hot Kiev summers to the cruel winters of St Petersburg and eventually to springtime in Paris, the would-be writer Hélène blossoms, despite her mother’s neglect, into a clear-eyed observer of the life around her. Here is a powerful tale of disillusionment — the story of an upbringing that produces a young woman as hard as a diamond, prepared to wreak a shattering revenge on her mother. A Vintage Paperback Original
Yves Harteloup, scarred by war, is a disappointed young man who returns for the summer to the rich, comfortable Atlantic resort of Hendaye. He becomes infatuated by the beautiful, bored, Denise, whose husband is away on business. Intoxicated by summer nights and Yves' intensity, Denise falls passionately in love.
The world of finance is again undergoing crisis and transformation. This book provides a new perspective on finance through the prism of popular and formal culture and examines fascination and repulsion toward money, the role of governments and individuals in financial crises and how the Crisis of 2008, like others since 1720, repeat the same patterns of enthusiasm, greed, culpability, revulsion, reform and recovery. The book explores the political and socio-economic factors which determine fallibility and resilience in financial cultures, periods of crisis, transition and recovery based on cyclical rather than linear progression. Examining the roots of financial capitalism, in Europe and the United States and its corollary development in Asia, Russia and emerging markets proves that cultural and psychosocial reactions to financial success, endeavor and calamity transcend specific periods or events. The book allows the reader to discover parallel and intersecting reactions, controversies and resolutions in the cultural history of financial markets and institutions.
In 1929, 26-year-old Irène Némirovsky shot to fame in France with the publication of her first novel David Golder. At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul. Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism? Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.
Memoir of a Polish Girl at the Time of the Russian Revolution (1914/1924). Expanded edition with additional photographs and endnote. Irene Rochas was born Aniela Tarnowicz in Warsaw in 1906, the youngest child in a large upper middle-class Polish family. With the outbreak of World War I in 1914, Irene and her family were stranded in Moscow, and with the further outbreak of the Bolshevik Revolution, they were able to return to their homeland only after a delay of four years. Irene's rediscovered narrative -- written when she was fifty years old and set in the form of a novel -- is a remembrance of those eventful years of her childhood in Moscow and Warsaw. In this sense, it is truly a "memoir," but, as the reader will see, it is also much more than that. Yes, "danse macabre" is the dance of death, the last waltz to which we are all invited. But Irene's "Danse Macabre" -- with its inquisitive and empathetic tone... and its often searing imagery -- is less a rumination on the inevitability of death and more a testament to the vibrancy of life itself. [340 pp., preface, endnote, 29 plates]
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