In 1958 three brothers and two ladies embarked on a road trip of a lifetime. Travelling for four months, starting in Cape Town across Africa through Europe and finishing in London in a VW Kombi, they got to see and do things that most people will never get the chance to. It was a foolhardy trip, with the most inappropriate and basic of equipment by modern standards, yet the pioneer spirit, companionship, raw tenacity and finding of a soul mate saw them overcoming all obstacles. This book is the daily diary account by 26-year-old Joan as she describes her maiden voyage of sights, companions and recounts the numerous travelling challenges detailing an era long gone.
Media and Gender Adaptation examines how fans and professionals change the gender of characters when they adapt existing work. Using research into fans, and case studies on Sherlock Holmes, Ghostbusters and Doctor Who, it illustrates the foundation of the process and ways the works engage with and critique media and gender at a political level. The default maleness of narratives in media are reworked to be inclusive of other points of view. Regendering as an adaptational technique relies on audience familiarity with existing works, however it also reveals an increasing trend in aggressive backlash against interpretations of media that include marginalised and minority communities. Combining analysis of fanfiction, television and big budget Hollywood productions, Media and Gender Adaptation also analyses fan responses to regendering in popular media. Through demographic surveys and interviews with fans, creators and broader audiences, a combination of playful and serious attitudes to gender are revealed to be part of how transformative fans (professional or not) adapt work. Specific fanfiction examples are analysed alongside professional works to reveal the depth and breadth of fannish play in regendered work and the constraints that professional adaptations are held to. It also reveals a schism in audiences, and those researching media, where the intersection of gender and race are sites of tension – nostalgia combining with expected representation of gender and race to create an aggressive defence of an original work that reiterates the mainstream hierarchies of gender and race.
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