This volume contains the proceedings of an AMS special session held at the 1999 Joint Mathematics Meetings in San Antonio. The participants were an international group of researchers studying singularities from algebraic and analytic viewpoints. The contributed papers contain original results as well as some expository and historical material. This volume is dedicated to Oscar Zariski, on the one hundredth anniversary of his birth. Topics include the role of valuation theory in algebraic geometry with recent applications to the structure of morphisms; algorithmic approaches to resolution of equisingular surface singularities and locally toric varieties; weak subintegral closures of ideals and Rees valuations; constructions of universal weakly subintegral extensions of rings; direct-sum decompositions of finitely generated modules; construction and examples of resolution graphs of surface singularities; Jacobians of meromorphic curves; investigation of spectral numbers of curve singularities using Puiseux pairs; Gröbner basis calculations of Hochschild homology for hypersurfaces with isolated singularities; and the theory of characteristic classes of singular spaces - a brief history with conjectures and open problems.
After World War I, the US was flooded with newspapers, magazines, radio stations and movies. Many feared serious books would disappear altogether. The concern caused a boom in fine editions, valued for beauty, craftsmanship or rarity, rather than content, and this is their story.
The second edition of this comprehensive production manual continues the tradition of the first edition providing technical and how-to information on all aspects of video production. New to the second edition is the emphasis on graphics, portable production, digital video, interactive and multi-image technologies. The glossary and bibliography have been updated. As before, all aspects of video production are covered, including: program development and script preparation; the studio, cameras and recording decks; SEGs and other studio equipment production in the studio; studio staff and crew; field equipment; field techniques; editing equipment; planning and budgets; fine-cut editing; post-production effects; graphics and image correction. Both basic and sophisticated procedures enabling the producer to control a complete production, are covered, from planning through production and post-production.
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