In his long-awaited new novel, renowned German author Ingo Schulze provides a rich and nuanced panorama of a world in transition. East Germany, January 1990. Enrico Türmer–man of the theater, aspiring novelist–has turned his back on the art world and joined a startup newspaper. Before long, the former aesthete and rebel becomes obsessed with personal gain, and in a series of letters to his sister, a friend, and a would-be lover, Enrico vividly muses on his capitalist ventures and latent worldly ambitions. As Schulze peels away the layers of Enrico’s previous existence, his antihero’s reinvention comes to embody all the questionable aspects not only of life in the old Germany, but of life in the Germany just taking form.
An intriguing, fabulously bizarre debut collection of short stories by prize-winning German writer Ingo Schulze, author of Simple Stories. These thirty-three macabre, often comical short pieces revolve around moments of odd bliss–moments seized by characters who have found ways to conquer the bleakness of everyday life in the chaotic world of post-communist Russia. Peopled by Mafia gunmen, desperate young prostitutes, bewildered foreign businessmen, and even a trio of hungry devils, the stories are by turns tragic and bleakly funny. From a sly retelling of the legend of St. Nicholas featuring a rich American named Nick, to a lavish gourmet feast in which the young female cook ends up as the main dish, these stories are above all playful and even surreal–and many of them are masterful tributes to Russian writers from Gogol to Nabokov. Translated by John E. Woods.
Prize-winning German writer Ingo Schulze's first novel, Simple Stories, is a marvel of storytelling and craft. Set in the East German town of Altenburg after the fall of the Berlin Wall, it deftly leaps among an array of confused characters caught in the crossroads of their country’s history: a lovelorn waitress who falls for a visiting West German investor; an art historian turned traveling salesman; a former Communist official plagued by his past; an unsuccessful writer who asks his neighbor to break his leg so that he can continue to live on welfare. Schulze skillfully intercuts an assortment of moving and comic vignettes about seemingly unconnected people, gradually linking them into an exhilarating whole of tidal unity and emotional force, until we see that all the time we have been reading a novel in glittering fragments, spun by a master. With a piercing eye for detail and a magical ear for dialogue, Schulze portrays the tragi-comedy of ordinary people caught up in the last great historical upheaval of the century.
Prize-winning German writer Ingo Schulze's first novel, Simple Stories, is a marvel of storytelling and craft. Set in the East German town of Altenburg after the fall of the Berlin Wall, it deftly leaps among an array of confused characters caught in the crossroads of their country’s history: a lovelorn waitress who falls for a visiting West German investor; an art historian turned traveling salesman; a former Communist official plagued by his past; an unsuccessful writer who asks his neighbor to break his leg so that he can continue to live on welfare. Schulze skillfully intercuts an assortment of moving and comic vignettes about seemingly unconnected people, gradually linking them into an exhilarating whole of tidal unity and emotional force, until we see that all the time we have been reading a novel in glittering fragments, spun by a master. With a piercing eye for detail and a magical ear for dialogue, Schulze portrays the tragi-comedy of ordinary people caught up in the last great historical upheaval of the century.
An intriguing, fabulously bizarre debut collection of short stories by prize-winning German writer Ingo Schulze, author of Simple Stories. These thirty-three macabre, often comical short pieces revolve around moments of odd bliss–moments seized by characters who have found ways to conquer the bleakness of everyday life in the chaotic world of post-communist Russia. Peopled by Mafia gunmen, desperate young prostitutes, bewildered foreign businessmen, and even a trio of hungry devils, the stories are by turns tragic and bleakly funny. From a sly retelling of the legend of St. Nicholas featuring a rich American named Nick, to a lavish gourmet feast in which the young female cook ends up as the main dish, these stories are above all playful and even surreal–and many of them are masterful tributes to Russian writers from Gogol to Nabokov. Translated by John E. Woods.
In his long-awaited new novel, renowned German author Ingo Schulze provides a rich and nuanced panorama of a world in transition. East Germany, January 1990. Enrico Türmer–man of the theater, aspiring novelist–has turned his back on the art world and joined a startup newspaper. Before long, the former aesthete and rebel becomes obsessed with personal gain, and in a series of letters to his sister, a friend, and a would-be lover, Enrico vividly muses on his capitalist ventures and latent worldly ambitions. As Schulze peels away the layers of Enrico’s previous existence, his antihero’s reinvention comes to embody all the questionable aspects not only of life in the old Germany, but of life in the Germany just taking form.
“A literary event” (Frankfurter Allgemeine Zeitung): thirteen new stories from one of Germany’s finest writers. New Year’s Eve 1999, Berlin. At a party to kick off the twenty-first century, Frank Reichert meets Julia, his lost love. Since their separation in the fall of 1989, he’s drifted through life like an exile, remaining apathetic toward the copy-shop business he started even as it flourishes apace. Nothing has the power to move him now: his whole life lies under the shadow of Julia, of the idea that things could have worked out differently. But as night draws on to day, the promised end becomes an unexpected new beginning. Ingo Schulze introduces us to characters as they stray outside the confines of East Germany into other, newer lives—into Egypt, where the betrayal of a lover turns an innocent vacation into a nightmare; into Vienna, where life starts to mimic art; into Estonia, where we meet a retired circus bear in an absurd (and absurdly hilarious) dilemma—or as they simply stay put, struggling to maintain their sense of themselves as the world around them changes. Mixed in with these tragicomic tales are some of the most beautiful love stories ever to feature cell phones. And throughout, Schulze’s masterfully controlled style conceals an understated, but finally breathtaking, intricacy.
Traces literary developments in the German-speaking countries from 1900 to the present. This study of German literature in the past hundred years sets its subject clearly in the artistic and political context of developments in Western Europe during the century. It begins with the turn-of-the-century aestheticism andvisions of decay led by Schnitzler, Hofmannsthal and other Austrian writers, and the quite different explosion of new artistic energy in the Expressionist and Dada movements. These movements are succeeded by the rise of Modernism, culminating in the inter-war years: the poetry of Rilke, Brecht's epic theatre, and novels by Thomas Mann, Kafka, Hesse, Musil, Doblin and Broch; the influence of Nazism on literary production is considered. The study of developments after 1945 reflects the struggle to establish a post-Holocaust literature and to deal with the questions posed by the political division of Germany. Finally, the convergence of East and West German literature after unification is addressed. Ingo R. Stoehr teaches literature at Kilgore College, Texas, and is editor of the bilingual journal of German literature in English translation, Dimension2.
Frontcover -- Contents -- Preface -- Acknowledgments -- Introduction -- 1: Heroes and Martyrs -- 2: Chroniclers and Interpreters -- 3: Critics and Renegades -- 4: Tale Spinners and Poets -- 5: Women of the Revolution -- 6: "1968" and the Media -- 7: "1968" and the Arts -- 8: Zaungäste -- 9: Not Dark Yet: The 68ers at Seventy -- 10: Romantic Relapse or Modern Myth? -- Conclusion -- Notes -- Bibliography -- Index
Shows German Science Fiction's connections with utopian thought, and how it attempts Zukunftsbewältigung: coping with an uncertain but also unwritten future.
This book summarizes the considerable progress recently achieved in the understanding of nucleon and nuclear structure by using high energy electrons as a probe. A collection of papers discusses in detail the new frontiers of this field. Experimental and theoretical articles cover topics such as the structure of the nucleon, nucleon distributions, many-body correlations, non-nucleonic degrees of freedom and few-body systems. This book is an up-to-date introduction to the research planned with continuous beam electron accelerators.
The vast majority of all international judicial decisions have been issued since 1990. This increasing activity of international courts over the past two decades is one of the most significant developments within the international law. It has repercussions on all levels of governance and has challenged received understandings of the nature and legitimacy of international courts. It was previously held that international courts are simply instruments of dispute settlement, whose activities are justified by the consent of the states that created them, and in whose name they decide. However, this understanding ignores other important judicial functions, underrates problems of legitimacy, and prevents a full assessment of how international adjudication functions, and the impact that it has demonstrably had. This book proposes a public law theory of international adjudication, which argues that international courts are multifunctional actors who exercise public authority and therefore require democratic legitimacy. It establishes this theory on the basis of three main building blocks: multifunctionality, the notion of an international public authority, and democracy. The book aims to answer the core question of the legitimacy of international adjudication: in whose name do international courts decide? It lays out the specific problem of the legitimacy of international adjudication, and reconstructs the common critiques of international courts. It develops a concept of democracy for international courts that makes it possible to constructively show how their legitimacy is derived. It argues that ultimately international courts make their decisions, even if they do not know it, in the name of the peoples and the citizens of the international community.
The apocryphal story of punk and hardcore is narrated as a history of young rebels united by shared interests, values and a sense of equality. Through the example of the scene of Buenos Aires, Ingo Rohrer demonstrates that this unity is fragile and requires different practices of maintenance to ensure the cohesive continuity of the community. Friendship is the focus of these efforts, but at the same time it is also a point of vulnerability where the group’s dissolution and disappointment about the scene germinates. Ingo Rohrer examines how a local scene’s quest for cohesion is concurrent with tensions and contradictions. Beyond the attention put on the friendship in the local scene, the author asks what role friendships play in the local life world of neighborhoods and in the globalized punk and hardcore scene. Based on rich empirical data, the author suggests new perspectives on group processes and local/transnational relations with relevance far beyond the realm of these vibrant music scenes.
The book provides readers with an overview of the unique features of German business and enterprise law and an in-depth analysis of the organs of governance of German public limited companies (general meeting, management board, supervisory board). In addition, approaches for reforms required at the international level are also suggested and discussed, including, among others, the unique interplay and dynamics of the German two-tier board model with the system of codetermination, referring to the arrangement of employees sitting on the supervisory boards of German public limited companies and private companies employing more than 500 employees; also covered are significant recent legal developments in Europe.The book highlights the core function of valuation and financial reporting at the international, European and German levels, with accounting as the documentary proof of good corporate governance. Corporate governance encompasses the free enterprise system, which is treated comprehensively in this book from a German perspective. This distinguishes the book from other books written in English in this subject area, not only because of the comprehensive way it covers German corporate law and corporate governance, but also because of the fact that it provides international and European perspectives on these important topics.The book is addressed to researchers, practitioners and basically anyone with an interest in the complex, but intriguing areas of corporate law and corporate governance.
This introduction to Enterprise JavaBeans (EJB's) discusses the component paradigm, which is the basic idea behind EJB's, covers basics and focuses on issues beyond specification.
This volume collects six articles on selected topics at the frontier between partial differential equations and spectral theory, written by leading specialists in their respective field. The articles focus on topics that are in the center of attention of current research, with original contributions from the authors. They are written in a clear expository style that makes them accessible to a broader audience. The articles contain a detailed introduction and discuss recent progress, provide additional motivation, and develop the necessary tools. Moreover, the authors share their views on future developments, hypotheses, and unsolved problems.
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