You've seen the headlines and heard the rumours. Now hear the story from the woman who was at the centre of it all. 25 AUGUST 2015 was to be a happy day for Indrani Mukerjea-a birthday celebration had been planned in the family. But everything changed when she was accosted by a group of officers of the Mumbai Police in plain clothes as she exited Anand Ashram that day. The charge: the murder of her daughter, Sheena Bora. As the news spread and more details unravelled, Indrani found herself in the middle of a sensational murder investigation. A fast-expanding list of suspects, the beginnings of a sinister plot, and the strong whiff of scandal-the media had smelt blood. And, soon, Indrani was under the merciless glare of journalists and television anchors, making her a household name. Accusations of filicide, broken marriages, a mighty business empire, the gilded lives of the rich and famous, powerful politicians, and a complicated family-this case had it all. As a constant feed of images and updates from the trial bombarded television screens across the country, people across the country grew more and more curious about this woman who was at the very heart of the controversy and stories swirling around. In her memoir, Unbroken, Indrani doesn't hold back. From her childhood in Guwahati, the time she spent in Calcutta in the 1980s to her meteoric rise as a media baron in Mumbai, the city of dreams, and finally, the 2460 days she spent in Byculla jail as prisoner number 1468-this is her journey, in her own words, for the very first time. Told with unflinching honesty, Indrani's memoir speaks to the fragility of human relationships, the devastating aftermath of betrayal and grief, and the power of human resilience, of a woman who despite it all remains unbroken.
Markus Klinko and Indrani -- the hottest team in celebrity and fashion photography -- have produced album covers for BeyoncéMariah Carey, and David Bowie, and shot everyone from Lady Gaga to Kate Winslet, Jay-Z, Lindsay Lohan, and Naomi Campbell. As former stars of the Bravo series Double Exposure and in past lives as a recording artist and top model, respectively, Markus and Indrani have spent most of their lives in front of the cameras, giving them a unique perspective on the realities and fantasies of their celebrated subjects. The result is a collection of powerful, definitive, iconic images of some of the most engaging stars of our time. As cutting edge as ever seventeen years into their career, with Icons Markus and Indrani showcase their work for the first time in book form. The text, based on interviews with the photographers and many of the stars they've shot, describes the uniquely fascinating professional partnership of the former lovers, how they work, and tells stories about the famed subjects of their photography -- at turns funny, fascinating, and endearing. Filled with more than 250 full-color photographs in crisp detail, Icons is an engrossing showcase of the hottest stars of our day in all their glamorous, glossy, and dynamic perfection. It's a dream package for legions of celebrity followers and photography enthusiasts.
Identical twins — Mukti and Lila are close yet different! Born two and a half minutes apart, they think and act in opposite ways. Mukti longs to move beyond the complex family structures, cocooned within the Indian customs while Lila is a dreamer. Personal tragedy, a burgeoning national movement for independence and sweeping social reforms propel both sisters into the world outside their narrow domestic walls. New relationships and a string of events challenge their loyalties while lives are uprooted as the world changes. The sisters struggle to control their lives and loves as the sub-continent labours to give birth to a new nation. Nothing is permanent, yet everything is connected. Set against the intriguing backdrop of India’s multifaceted society and travelling through nearly fifty years of history, the author challenges the reader to ask who is the rose and who is the thorn.
Drawing Upon A Wide Range And Variety Of Literary And Non-Literary Sources Of Nineteenth Century British India, Woman And Empire Examines Perceptions Of Gender Over The 1858 1900 Period. The Book Focuses On Representations Of White And Indian Women, In Addition To Women Of Mixed Races, In Fiction As Well As In Colonial Newspapers And Journals.
This textbook includes -Physical Anthropology, Prehistory and Social-Cultural Anthropology. For Students of Anthropologyin Indian Universities. This is a valuable textbook of Anthropology which aims to serve all students of Anthropology. Each of these parts deal with specific portion of the subject matter and corresponds to the major branches of Anthropology. The book offers has been written lucidly in simple language with plenty of examples. It offers a blueprints for the subject Anthropology as such as to satisfy the general readers also who are enthusiastic to know more and more Man.
A wondrous accomplishment--a wise story about love, loyalties among women, and the punishments of betrayals."--Amy Tan It should have been a day for celebrating: Eighteen-year-old Chchanda, her younger sister Mala, and their old servant Parvati receive news that their beloved aunt is returning from nearby Ranchi with a husband. Their meager ways of eking out a living will come to an end. There will be a man in the house and, as a lawyer, he is rich. But instead of rejoicing, the daughters of the house are threatened. Rich with nuances and cadences of human emotion, Daughters of the House explores the true meaning of love, betrayal, and compassion. Filled with the sights, sounds, and mores of contemporary rural India, Daughters of the House takes as its characters not only women, but their house, nature, and the society that enmeshes them. Borne along with Indrani Aikath-Gyaltsen's beguiling language, we come to know and experience their world, one that is strangely familiar, yet unlike any we have ever seen. Praise for Daughters of the House "An involving and engaging look at relationships that connect women in families. I found my own sisters, mother, and madrinas in Indrani Aikath-Gyaltsen's Indian women. A book that quietly, surely won me with its clarity and good writing."--Julia Alvarez, author of How the Garcia Girls Lost Their Accent "[A] fine first novel . . . What begins as the narrator's amusing campaign of passive resistance darkens when sickness and betrayal invade the house and she learns that houses and families can devour as well as sustain."--The New Yorker
This book promotes a better understanding of the role of the sun on natural climate variability. It is a comprehensive reference book that appeals to an academic audience at the graduate, post-graduate and PhD level and can be used for lectures in climatology, environmental studies and geography. This work is the collection of lecture notes as well as synthesized analyses of published papers on the described subjects. It comprises 18 chapters and is divided into three parts: Part I discusses general circulation, climate variability, stratosphere-troposphere coupling and various teleconnections. Part II mainly explores the area of different solar influences on climate. It also discusses various oceanic features and describes ocean-atmosphere coupling. But, without prior knowledge of other important influences on the earth’s climate, the understanding of the actual role of the sun remains incomplete. Hence, Part III covers burning issues such as greenhouse gas warming, volcanic influences, ozone depletion in the stratosphere, Arctic and Antarctic sea ice, etc. At the end of the book, there are few questions and exercises for students. This book is based on the lecture series that was delivered at the University of Oulu, Finland as part of M.Sc./ PhD module.
Renee’s Triumph is a sequel to Renee’s Treasure. In this book Renee goes through all the experiences girls go through in their teenage years as they grow into young women. She finds she has a deep seated insecurity as well, which she struggles to overcome as a school girl in Calcutta. Once she completes her graduation she meets two young men, Rajdeep and Kunal at the Railway Club, which she often visits in the evenings. She gets married to Rajdeep and knows the joys of motherhood; yet there is a deep discontent within her which she is unable to overcome. Renee meets Kunal again, now a married man with a family of his own, and he is quick to notice her loss of confidence. Their children become friends and during the frequent family meetings Kunal reaches out to Renee with his support. The two realize that they have fallen in love. Kunal makes a decision to find a job in Bombay and explains to Renee that they must stay away from each other so both can do their duty towards their families. Renee learns that in life there is love, but there is also duty, and accepts Kunal’s decision with the serenity of a mature woman.
As an epistemological perspective, ‘nomadism’ is an emerging field of scholarship, offering intersectionality with eco-criticism, feminism, post-colonialism, migration studies, and translation. Much of the scholarship that uses the precepts of nomadism to read cultural texts and phenomena is scattered as separate articles in academic journals or as single chapters in books wherein the primary focus is the intersectional fields. Few book-length publications solely focus on the ramifications of nomadism; Posthumanist Nomadisms across non-Oedipal Spatiality fills that void. The fifteen chapters in this volume explore the possibilities offered by the nomadic perspective to explore a wide range of literary and cultural texts; organized into three sections, “Nomadic Assemblages,” “Non-Oedipal Cartographies”, and “Space-Time Montages”, that work as one to negate absorption into the interiority of sovereign territory. These sections are not an attempt at corralling the nomadic spirit into separate enclosures; instead, they are bands of warriors that operate the violence of the hunted animal, dehumanized human others, and earth others. The chapters are in constant multi-vocal conversations with narratives that camp on the turbulent weathers of global transitory spaces. They charter real or intellectual turfs of interstitial/rhizomatic nomadic epistemologies as political resistance to the exclusionary practices of a violently wired world. This book will appeal to post-graduate students, researchers, and faculty in the departments of literature, comparative literary and cultural studies. Researchers in sociology, cultural anthropology, gender studies, and migration studies will also find the material applicable to the expanding approaches available in their fields.
Indian mythology is a teeming storehouse of heroes and heroines, who are psychological studies in themselves. Did you know, for instance, how Krishna’s son, who was his father’s alter ego, tackled the curse to be the destroyer of his entire clan? Did you know that sage Gargi was the only lady amongst legendary sages who competed for the prize for the greatest sage in the sub-continent? Did you know that Sahadev, the youngest Pandava, had qualities lacking in any of his other, better-known brothers? Did you know that Shakuni is actually a tragic hero? Myth and the Mind is a collection of six short stories about very interesting personalities in Indian mythology. These men and women are all great, and they are all human beings in whom we will all discover a small part of ourselves.
Aldous Huxley is one of the most well-known modernist intellectuals of the first half of the twentieth century, excelling in novels, essays, philosophical tracts, and poems. His novels are special in that they use a unique form – the novel of ideas – with which to satirize human nature and the pride regarding human achievement. Few readers of English literature are not acquainted with books like Point Counter Point, Eyeless in Gaza, and Brave New World (novels dealt with in detail). A proper study of Huxley’s characterization in his novels opens up a veritable treasure-house of history, philosophy, psychology, and incisive satire. "Characterology", as the art of projecting different kinds of characters is called, is an ancient art, which either aimed at representing the entire universe in a single individual, or the same in a variegated form through various individuals. Huxley uses the latter kind in his representation of character, and as such, a study of the characters of his novels opens up a general interpretation of the universe as a whole.
This book explores the possibility of using azimuthal Walsh filters as an effective tool for manipulating far-field diffraction characteristics near the focal plane of rotationally symmetric imaging systems. It discusses the generation and synthesis of azimuthal Walsh filters, and explores the inherent self-similarity presented in various orders of these filters, classifying them into self-similar groups and sub-groups. Further, it demonstrates that azimuthal Walsh filters possess a unique rotational self-similarity exhibited among adjacent orders. Serving as an atlas of diffraction phenomena with pupil functions represented by azimuthal Walsh filters of different orders, this book describes how orthogonality and self-similarity of these filters could be harnessed to sculpture 2D and 3D light distributions near the focus.
Vibrio parahaemolyticus is a gram negative, halophilic bacterium that occurs in the coastal and estuarine environments worldwide and is implicated in several cases of seafood-born gastroenteritis around the globe. However, not all strains of V. parahaemolyticus are pathogenic. Clinical isolates of V. parahaemolyticus most often produce either the thermostable direct haemolysin (TDH) or TDH-related haemolysin (TRH) encoded by tdh and trh genes, respectively. A pandemic clone of O3:K6 which was first detected in Kolkata (India), has been responsible for many outbreaks in Asia and the USA. With the emergence of pandemic clone of V. parahaemolyticus, this organism has assumed significance. Although most of the V. parahaemolyticus outbreaks are invariably related to seafood consumption, pathogenic strains are rarely isolated from seafood. Virulent strains producing TDH or TRH and the pandemic clone, which is responsible for most of the outbreaks (that have occurred after 1996) have been rarely isolated from seafood and other environmental samples. This could be due to the occurrence of pathogenic strains in the estuarine environment at a lower level compared to non-pathogenic strains. Another reason can be that the pathogenic stains are more sensitive to dystropic conditions in the aquatic environment and rapidly become non-culturable. Similarity in growth kinetics between virulent and non-virulent strains also made the isolation of virulent strains from the aquatic environment difficult. Several studies were done to determine the factors responsible for an increased virulence and persistance of pandemic clone. However, none of those studies were conclusive. Several researchers have proposed various genetic markers for specific detection of pandemic clone of V. parahaemolyticus. But many of those genetic markers were found to be unreliable. Recently, seven genomic islands (VPaI-1 to VPaI-7) unique to pandemic clone were identified. This Research Topic is dedicated to improve our current understanding of ecology, pathogenesis and detection of pathogenic and pandemic clone of V. parahaemolyticus, and will also strive to identify areas of future development.
An Anthology on Applied Ethics, volume 2 is a collection of ten articles written by distinguished scholars who have provided exciting and interesting introduction to some domains of medical ethics, environmental ethics, ethics of politics, exploratory account of moral domains centring female sexuality, women’s position in society and prescribed code of conduct for women and analytic explanation of some hard-core ethical concepts and theories. This publication aims at carrying out the task of emphasizing the link, if any, between hard-core ethical theories and their applications to real life practical situations with special reference to Indian texts and literature. However, any holistic approach to ethics as a branch of philosophy hardly can deny drawing some contrast, comparison and analogy with the Western paradigms. The present anthology is no exception to this custom. Strictly speaking, this is a book on Applied Ethics which aims at exploring concrete suggestions, as far as possible, to meet challenges posed before human beings arising from moral conflicts and dilemmas at different levels of life. Whoever is interested in applied ethics – whether a researcher or a student or a lay reader – will be enormously benefited by the richness of the content of this volume. Authors have sharpened theoretical tools as per their requirements and credibly covered some of the fuzzy areas of practical moral situations. Articles are written in clear language and in very lucid but argumentative style.
Predicated upon the towers of collapse, while T.S. Eliot, the representative modernist, in order to re-construct his culture out of the debris of its imperialist past, concluded his Waste Land (1922) by looking Eastward, into the all-pervading “shantih” of the Brihadaranyaka Upanishad, Kahlil Gibran, a Lebanese American, authored The Prophet (1923) to deconstruct such enterprise and retrieve a culture that was swirling in-between Darwinian metaphors and Nietzschean Nihilism. He who was exterior to the ‘omnipotent definitions’ of the West, saw in “Beauty” the “eternity gazing at itself in a mirror.” So, to him, “you are eternity and you are the mirror.” This book is a reading of Kahlil Gibran's life and works: his life as a text and his works as the terrains of a never-ending journey. It opens up those fissures and ruptures that make Gibran and his writings relevant vis-á-vis the socio-political, cultural and religious urgencies that the world is grappling with today. Often misconstrued as a mystic or an Oriental Wise Man, Gibran dwells in an amorphous placeless-ness within the academic space and outside of it. “Forerunner” in its own way, this book, by unfolding the process of 'reading' as a mode of travelling, subverts such stereotypes and tries to reveal to the readers that 'outlandish' lonely intellectual who, through his works, fashioned a self and a land ‘out of place’, rather in a ‘non-place’, for dismantling and up-setting monolithic cultures and their decadent notions.
“But there's a story behind everything. How a picture got on a wall. How a scar got on your face. Sometimes the stories are simple, and sometimes they are hard and heartbreaking. But behind all your stories is always your mother's story, because hers is where yours begin.” ― Mitch Albom, For One More Day
This book seeks to capture the complex experience of the white woman in colonial India through an exploration of gendered interactions over the nineteenth and early twentieth centuries. It examines missionary and memsahibs' colonial writings, both literary and non-literary, probing their construction of Indian women of different classes and regions, such as zenana women, peasants, ayahs and wet-nurses. Also examined are delineations of European female health issues in male authored colonial medical handbooks, which underline the misogyny undergirding this discourse. Giving voice to the Indian woman, this book also scrutinises the fiction of the first generation of western-educated Indian women who wrote in English, exploring their construction of white women and their negotiations with colonial modernities. This fascinating book will be of interest to the general reader and to experts and students of gender studies, colonial history, literary and cultural studies as well as the social history of health and medicine.
This compact book serves as a guide to common eye disorders and their management. It explains treatment in simple terms and seeks to avoid jargon and technical details.
The Tomb Painter and Other Super Short Stories is a compilation of forty short stories, each written with a unique theme. The themes vary from art, irony, love etc. Each story is simple and captivating and is the author’s attempt at communicating a lot to the readers in as short a manner as possible.
The Science Focus Second Edition is the complete science package for the teaching of the New South Wales Stage 4 and 5 Science Syllabus. The Science Focus Second Edition package retains the identified strengths of the highly successful First Edition and includes a number of new and exciting features, improvements and components. The innovative Teacher Edition with CD allows a teacher to approach the teaching and learning of Science with confidence as it includes pages from the student book with wrap around teacher notes including answers, hints, strategies and teaching and assessment advice.
Start Ups are the arrangements that scaffold the holes presented by the genuine issues of life. Today we see some captivating Start Ups which are building answers for society's most difficult problems effortlessly and forming the universe of tomorrow. It is being said by wiser ones that beginning your business resembles planting a sapling. At first, you need to contribute your time and cash. At that point, you should deal with it and show restraint without anticipating anything consequently. In any case, when your Start-up grows, it makes all the persistence and difficult work advantageous. Be that as it may, similar to saplings, many Start-ups fail to develop—and many stop showing sign of growth after one or two years. While there are numerous elements prompting the failure of a Start-up, one of the primary reasons for their success is passion of the founder/co founder who are the master navigator of the ship of a new business. This book is an effort to acknowledge the effort of these navigators.
This book constitutes a feminist literary analysis of motherhood as presented in selected Indian women’s fictions across a diverse range of geographical, linguistic, class and caste contexts. Situated at the crossroads of motherhood studies and literary studies, this book offers a rigorous examination of the prosody and politics of motherhood in this corpus. In its five thematically focused chapters, the book scrutinises in depth such key concerns as maternal ambivalence; maternal agency and caste; mother–daughter relationships; motherhood and diaspora; and non-biological motherhood. It attempts to understand the literary ramifications of these issues in order to identify the ways in which fiction writers reconceive of the notion of motherhood and maternal identities from and against multiple perspectives. Another pressing concern is whether these Indian women writers’ visions furnish readers with any different understandings of motherhood as compared to dominant Western feminist discourses. Maternal Fictions advances feminist literary criticism in the specific area of Indian women’s writing and the overarching areas of motherhood and literature by acting as a launchpad into a complex constellation of ideas concerning motherhood. The fictional universe is at once ambivalent, diverse, contingent, grounded in a specific location, and yet well placed to converse with discourses emanating from other times and places.
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