The first novel in the Westerman and Crowther historical crime series that The New York Times Book Review called “CSI: Georgian England” and Tess Gerritsen called “chillingly memorable” Debut novelist Imogen Robertson won the London Telegraph’s First Thousand Words of a Novel competition in 2007 with the opening of Instruments of Darkness. The finished work is a fast-paced historical mystery starring a pair of amateur eighteenth-century sleuths with razor-sharp minds. When Harriet Westerman, the unconventional mistress of a Sussex manor, finds a dead man on her grounds, she enlists reclusive anatomist Gabriel Crowther to help her find the murderer. Moving from drawing room to dissecting room, from dark London streets to the gentrified countryside, Instruments of Darkness is a gripping tale of the forbidding Thornleigh Hall and an unlikely forensic duo determined to uncover its deadly secrets.
London, 1785. When the body of a former West Indies planter is found outside St Paul's Cathedral, suspicion abounds. But talk is not only of the man's death. His past brings a tide of fear directly to Harriet Westerman's door where William Geddings, senior footman, knows more than he is prepared to confess. In search of answers, Harriet and her friend, anatomist Gabriel Crowther, reluctantly explore the dark and destructive world of Britain's slave trade. And as Harriet must confront an ugly truth close to home, London's hidden network of slave traders are forced to face the light. Francis Glass, a former slave, holds the key to their anonymity and no one can be sure what he plans to do with it. When some people will risk everything for their reputation, some acts can never be forgiven.
The third novel in the critically acclaimed Westerman and Crowther historical mystery series reveals the dark secrets of Crowther’s past England, 1783. For years, reclusive anatomist Gabriel Crowther has pursued his forensic studies—and the occasional murder investigation—far from his family estate. But an ancient tomb there will reveal a wealth of secrets. When laborers discover an extra body inside the tomb, the lure of the mystery brings Crowther home at last, accompanied by his partner in crime, the forthright Mrs. Harriet Westerman. What Crowther learns will rewrite his family’s past—and spill new blood in a land torn between old magic and modern justice. The next installment in a series described as “CSI: Georgian England” (The New York Times Book Review), Island of Bones is a riveting tale that will captivate fans of Jacqueline Winspear and Charles Finch.
A prescient page-turner about secrets, lies, ruthless ambition and betrayal' SARAH VAUGHAN 'A rare view from the inside of the Machiavellian machinations for power . . . Fascinating' HARRIET TYCE __________ In their remarkable debut political thriller, Tom Watson, former Deputy Leader of the Labour Party, and Imogen Robertson open the doors to The House, a place of ambition, hope, friendship . . . and betrayal. Once allies, Labour MP Owen McKenna and Conservative Minister Philip Bickford now face each other across the House of Commons as bitter enemies. Then the reappearance of a figure from their past forces them to confront the choices that led to the tragic downfall of their former housemate, Jay. Late one night, Owen receives a visit from a lobbyist who promises to protect him from the consequences of his actions in exchange for one, small favour - or to have his reputation and career utterly destroyed if he refuses. But that favour will sell out everything Owen believes in. As rivals gather and whispers of wrongdoing fill the corridors of Westminster, it's clear that someone knows the truth about Jay's Icarus-like fall from grace. Now, the former friends must face one terrible truth... Someone is responsible, and a reckoning is overdue. __________ 'Politics red in tooth and claw. Watson and Robertson capture, with scalpel precision, the neurotic allure of the Westminster power game' LUKE JENNINGS 'Few people know more about what goes on behind the political scenes than Watson, and it is all unveiled here, in a snappy, twisty page-turner' HOLLY WATT
The second historical suspense novel in Imogen Robertson’s critically acclaimed Westerman and Crowther mystery series London, 1781. Harriet Westerman anxiously awaits news of her husband, a ship’s captain who has been gravely injured in the king’s naval battles with France. As London’s streets seethe with rumor, a body is dragged from the murky waters of the Thames. Having gained a measure of fame as amateur detectives for unraveling the mysteries of Thornleigh Hall, the indomitable Mrs. Westerman and her reclusive sidekick, anatomist Gabriel Crowther, are once again called on to investigate. In this intricate novel, Harriet and Crowther will discover that this is no ordinary drowning—the victim is part of a plot to betray England’s most precious secrets.
Daphne du Maurier meets CSI in this exhilarating debut Thornleigh Hall, seat of the Earl of Sussex, dominates its surroundings. Its heir is missing, and the once vigorous family is reduced to a cripple, his whore and his alcoholic second son, but its power endures. Impulsive Harriet Westerman has felt the Hall's menace long before she happens upon a dead man bearing the Thornleigh arms. The grim discovery cries out for justice, and she persuades reclusive anatomist Gabriel Crowther to her cause, much against his better judgement; he knows a dark path lies before those who stray from society's expectations. That same day, Alexander Adams is killed in a London music shop, leaving his young children orphaned. His death will lead back to Sussex, and an explosive secret that has already destroyed one family and threatens many others.
Book 1: INSTRUMENTS OF DARKNESS In the year 1780, Harriet Westerman, the unconventional mistress of a country house in Sussex, finds a dead man on her grounds with a ring bearing the crest of the nearby Thornleigh Hall in his pocket. With the help of a reclusive local anatomist, Gabriel Crowther, Harriet resolves to find the murderer. Book 2: ANATOMY OF MURDER London, 1781. Harriet Westerman anxiously awaits news of her husband, a ship's captain who has been gravely injured in the king's naval battles with France. As London's streets seethe with rumour, a body is dragged from the murky waters of the Thames. Book 3: ISLAND OF BONES Cumbria, 1783. The tomb of the first Earl of Greta should have lain undisturbed on its island of bones for three hundred years.When idle curiosity opens the stone lid, however, inside is one body too many.
“The best yet in [Robertson’s] late-18th-century historical series.” —Publishers Weekly (starred review) In the fourth installment of Imogen Robertson’s acclaimed historical suspense series, Mrs. Harriet Westerman and Gabriel Crowther depart England for the Duchy of Maulberg on a desperate mission to save a man accused of murder. Shrove Tuesday, 1784. As Germany’s elite dance at a masked ball, the beautiful Lady Martesen is murdered. Daniel Clode, Mrs. Westerman’s brother-in-law, is found near the body, his wrists cut, his memories nightmarish. Is Daniel a killer? As he awaits execution, Westerman enlists Crowther, the increasingly reclusive anatomist, to help prove Daniel’s innocence. After another ruthless death, the investigative duo find themselves racing to solve the mystery behind the killings—but no one will talk, and the clock is ticking for Daniel.
A FAMILIAR FOE. A BATTLE FOR THE HEART OF A COUNTRY AT WAR WITH ITSELF. South Africa, 1899 - the smouldering hostility between the Boers of the Transvaal and Orange Free State and the British colonies of the Cape and Natal is about to burst into flame. War is coming and no one can prevent it. Colonel Penrod Ballantyne, hero of Abu Klea and Omdurman, is sent to Mafeking, 'the place of stones', to recruit and train men for the fighting ahead. Amber, his wife, the successful novelist, accompanies him - eager to see more of the country her husband is about to risk his life for. But when war is declared, Amber must flee with their baby son and pray for her husband's survival against impossible odds. Eight hundred miles to the south, in Cape Town, Ryder Courtney - adventurer, maverick, industrialist - is using his wealth and connections to bankroll the British war effort. His artist wife Saffron, frustrated by stuffy Cairo society, has joined him with their three children. There is peace in the Courtney household, or so Saffron believes, until their eldest son, Leon, stows away on a train to the front line, determined to join his distinguished uncle, Penrod Ballantyne, in changing the course of history. Saffron and Ryder have no choice but to leave the safety of the Cape Colony and follow. Leon is convinced that his parents are without honour and courage. Little does he realise that he has no chance of escaping the people they used to be. Two families torn apart, caught up in a battle for the heart of a country at war with itself. The Courtneys and the Ballantynes come together once again in the sequel to the worldwide bestsellers The Triumph of the Sun and King of Kings.
Inspired by the true story of World War II's greatest heroine, this international bestseller and "cinematic treat" tells the story of Nancy Wake and the impact she had on the world (Publishers Weekly). Hero. Soldier. Spy. Leader. Her name is Nancy Wake. To the Allies, she was a fearless freedom fighter, a special operations legend, a woman ahead of her time. To the Gestapo, she was a ghost, a shadow, the most wanted person in the world. But at first, Nancy Wake was just another young woman living in Marseilles and recently engaged to a man she loved. Then France fell to the Nazi blitzkrieg. With her appetite for danger, Nancy quickly finds herself drawn into the underground Resistance standing up to Nazi rule. Gaining notoriety as the White Mouse, with a 5-million-franc bounty hanging over her head, Wake rises to the top of the Nazi's Most Wanted list—only to find her husband arrested for treasonous activity under suspicion of being the White Mouse himself. Narrowly escaping to Britain, Wake joins the Special Operations Executive (SOE) and parachutes into the Auvergne, where she must fight for the respect of some of the toughest Resistance fighters in France. As she and her maquisards battle the Nazis, their every engagement brings the end of the war closer—but also places her husband in deeper peril. A riveting, richly imagined historical thriller, Liberation brings to life one of World War II's most fascinating unsung heroines in all her fierce power and complexity. This is the story of one of the one of the war's most decorated women, told like never before.
Maud Heighton has come to Paris in 1909 to flee the constraints of her small English town. But while her fellow students enjoy the dazzling joys of the Belle Epoque, Maud slips into poverty. Quietly starving, and dreading another cold Paris winter, Maud takes a job as companion to young, beautiful Sylvie Morel. But Sylvie has a secret: an addiction to opium. As Maud is drawn into the Morels' world of elegant luxury, their secrets become hers. Before the New Year arrives, a greater deception will plunge her into the darkness that waits beneath this glittering city of light.
A prescient page-turner about secrets, lies, ruthless ambition and betrayal' SARAH VAUGHAN 'A rare view from the inside of the Machiavellian machinations for power . . . Fascinating' HARRIET TYCE __________ In their remarkable debut political thriller, Tom Watson, former Deputy Leader of the Labour Party, and Imogen Robertson open the doors to The House, a place of ambition, hope, friendship . . . and betrayal. Once allies, Labour MP Owen McKenna and Conservative Minister Philip Bickford now face each other across the House of Commons as bitter enemies. Then the reappearance of a figure from their past forces them to confront the choices that led to the tragic downfall of their former housemate, Jay. Late one night, Owen receives a visit from a lobbyist who promises to protect him from the consequences of his actions in exchange for one, small favour - or to have his reputation and career utterly destroyed if he refuses. But that favour will sell out everything Owen believes in. As rivals gather and whispers of wrongdoing fill the corridors of Westminster, it's clear that someone knows the truth about Jay's Icarus-like fall from grace. Now, the former friends must face one terrible truth... Someone is responsible, and a reckoning is overdue. __________ 'Politics red in tooth and claw. Watson and Robertson capture, with scalpel precision, the neurotic allure of the Westminster power game' LUKE JENNINGS 'Few people know more about what goes on behind the political scenes than Watson, and it is all unveiled here, in a snappy, twisty page-turner' HOLLY WATT
The third novel in the critically acclaimed Westerman and Crowther historical mystery series reveals the dark secrets of Crowther’s past England, 1783. For years, reclusive anatomist Gabriel Crowther has pursued his forensic studies—and the occasional murder investigation—far from his family estate. But an ancient tomb there will reveal a wealth of secrets. When laborers discover an extra body inside the tomb, the lure of the mystery brings Crowther home at last, accompanied by his partner in crime, the forthright Mrs. Harriet Westerman. What Crowther learns will rewrite his family’s past—and spill new blood in a land torn between old magic and modern justice. The next installment in a series described as “CSI: Georgian England” (The New York Times Book Review), Island of Bones is a riveting tale that will captivate fans of Jacqueline Winspear and Charles Finch.
“The best yet in [Robertson’s] late-18th-century historical series.” —Publishers Weekly (starred review) In the fourth installment of Imogen Robertson’s acclaimed historical suspense series, Mrs. Harriet Westerman and Gabriel Crowther depart England for the Duchy of Maulberg on a desperate mission to save a man accused of murder. Shrove Tuesday, 1784. As Germany’s elite dance at a masked ball, the beautiful Lady Martesen is murdered. Daniel Clode, Mrs. Westerman’s brother-in-law, is found near the body, his wrists cut, his memories nightmarish. Is Daniel a killer? As he awaits execution, Westerman enlists Crowther, the increasingly reclusive anatomist, to help prove Daniel’s innocence. After another ruthless death, the investigative duo find themselves racing to solve the mystery behind the killings—but no one will talk, and the clock is ticking for Daniel.
A prescient page-turner about secrets, lies, ruthless ambition and betrayal' SARAH VAUGHAN 'A rare view from the inside of the Machiavellian machinations for power . . . Fascinating' HARRIET TYCE __________ In their remarkable debut political thriller, Tom Watson, former Deputy Leader of the Labour Party, and Imogen Robertson open the doors to The House, a place of ambition, hope, friendship . . . and betrayal. Once allies, Labour MP Owen McKenna and Conservative Minister Philip Bickford now face each other across the House of Commons as bitter enemies. Then the reappearance of a figure from their past forces them to confront the choices that led to the tragic downfall of their former housemate, Jay. Late one night, Owen receives a visit from a lobbyist who promises to protect him from the consequences of his actions in exchange for one, small favour - or to have his reputation and career utterly destroyed if he refuses. But that favour will sell out everything Owen believes in. As rivals gather and whispers of wrongdoing fill the corridors of Westminster, it's clear that someone knows the truth about Jay's Icarus-like fall from grace. Now, the former friends must face one terrible truth... Someone is responsible, and a reckoning is overdue. __________ 'Politics red in tooth and claw. Watson and Robertson capture, with scalpel precision, the neurotic allure of the Westminster power game' LUKE JENNINGS 'Few people know more about what goes on behind the political scenes than Watson, and it is all unveiled here, in a snappy, twisty page-turner' HOLLY WATT
London, 1785. When the body of a former West Indies planter is found outside St Paul's Cathedral, suspicion abounds. But talk is not only of the man's death. His past brings a tide of fear directly to Harriet Westerman's door where William Geddings, senior footman, knows more than he is prepared to confess. In search of answers, Harriet and her friend, anatomist Gabriel Crowther, reluctantly explore the dark and destructive world of Britain's slave trade. And as Harriet must confront an ugly truth close to home, London's hidden network of slave traders are forced to face the light. Francis Glass, a former slave, holds the key to their anonymity and no one can be sure what he plans to do with it. When some people will risk everything for their reputation, some acts can never be forgiven.
Inspired by the true story of World War II's greatest heroine, this international bestseller and "cinematic treat" tells the story of Nancy Wake and the impact she had on the world (Publishers Weekly). Hero. Soldier. Spy. Leader. Her name is Nancy Wake. To the Allies, she was a fearless freedom fighter, a special operations legend, a woman ahead of her time. To the Gestapo, she was a ghost, a shadow, the most wanted person in the world. But at first, Nancy Wake was just another young woman living in Marseilles and recently engaged to a man she loved. Then France fell to the Nazi blitzkrieg. With her appetite for danger, Nancy quickly finds herself drawn into the underground Resistance standing up to Nazi rule. Gaining notoriety as the White Mouse, with a 5-million-franc bounty hanging over her head, Wake rises to the top of the Nazi's Most Wanted list—only to find her husband arrested for treasonous activity under suspicion of being the White Mouse himself. Narrowly escaping to Britain, Wake joins the Special Operations Executive (SOE) and parachutes into the Auvergne, where she must fight for the respect of some of the toughest Resistance fighters in France. As she and her maquisards battle the Nazis, their every engagement brings the end of the war closer—but also places her husband in deeper peril. A riveting, richly imagined historical thriller, Liberation brings to life one of World War II's most fascinating unsung heroines in all her fierce power and complexity. This is the story of one of the one of the war's most decorated women, told like never before.
Revolting Subjects is a groundbreaking account of social abjection in contemporary Britain, exploring how particular groups of people are figured as revolting and how they in turn revolt against their abject subjectification. The book utilizes a number of high-profile and in-depth case studies - including 'chavs', asylum seekers, Gypsies and Travellers, and the 2011 London riots - to examine the ways in which individuals negotiate restrictive neoliberal ideologies of selfhood. In doing so, Tyler argues for a deeper psychosocial understanding of the role of representational forms in producing marginality, social exclusion and injustice, whilst also detailing how stigmatization and scapegoating are resisted through a variety of aesthetic and political strategies. Imaginative and original, Revolting Subjects introduces a range of new insights into neoliberal societies, and will be essential reading for those concerned about widening inequalities, growing social unrest and social justice in the wider global context.
A unique contribution to the architectural and social history of Bath, Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape approaches the past with the methods of the architectural historian and the site-specific interventions of the contemporary artist. Looking beyond and behind Bath's strategic marshalling of its past, Cynthia Imogen Hammond presents the ways in which women across classes shaped the built environment and designed landscapes of one of England's most architecturally significant cities. This study argues that Bath's efforts to preserve itself as an idealized Georgian town reveal an aesthetics of exclusion. Jane Austen may be well known, but the role of historic women in the creation of this city has had minimal treatment within the city's collective, public memory. This book is an intervention into this memory; the author uses site-specific works of public art as strategic counterparts to her historical readings. Through them, she aims to transform as well as critique the urban image of Bath. At once a performative literature, an extensively researched history, and an alternative guide to the city, Architects, Angels, Activists engages with current struggles over urban signification in Bath and beyond.
This textbook is an ambitious and engaging introduction to the more advanced writings on medical law and ethics, primarily designed to allow students to 'get under the skin' of the topic and begin to build their critical thinking and analysis skills. Each chapter is structured around key questions and debates that provoke deeper thought and, ultimately, a clearer understanding. The aim of the book is not to present a complete overview of theoretical issues in medical law and ethics, but rather to illustrate the current debates which are currently going on among those working in and shaping the area. The text features summaries of the views of notable experts on key topics and each chapter ends with a list of guided further reading. A perfect book for students taking a module in medical law, or for those wanting to deepen their knowledge. New to this Edition: - The Supreme Court decision in Montgomery receives extensive discussion and analysis - Recent developments on the best interests test under the Mental Capacity Act are explored - The latest case law on end of life decision making is set out - Debates over whether abortion should be decriminalised are examined - The Charlie Gard case is considered
The first novel in the Westerman and Crowther historical crime series that The New York Times Book Review called “CSI: Georgian England” and Tess Gerritsen called “chillingly memorable” Debut novelist Imogen Robertson won the London Telegraph’s First Thousand Words of a Novel competition in 2007 with the opening of Instruments of Darkness. The finished work is a fast-paced historical mystery starring a pair of amateur eighteenth-century sleuths with razor-sharp minds. When Harriet Westerman, the unconventional mistress of a Sussex manor, finds a dead man on her grounds, she enlists reclusive anatomist Gabriel Crowther to help her find the murderer. Moving from drawing room to dissecting room, from dark London streets to the gentrified countryside, Instruments of Darkness is a gripping tale of the forbidding Thornleigh Hall and an unlikely forensic duo determined to uncover its deadly secrets.
Approaching the past as both historian and artist, Cynthia Imogen Hammond documents how women across classes shaped the built environment of one of England's most architecturally significant cities. Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape documents Hammond's own creative, spatial interventions in the city, through which she brings the history of women to the foreground of Bath's urban image.
This book is about professional education and developing the required knowledge and skills to equip students for the pressing needs of professional practice. Student professionals from health care, teaching, business, law and social work must learn how to practise both independently (to respond to a constantly changing environment) and collaboratively (to respond to the complexity of today's society); also they must learn how to work in partnership with the consumers of professional services. Imogen Taylor explores how professional education can develop approaches to teaching and learning which both help learners to be reflexive, self-monitoring practitioners and meet the requirements of professional accrediting bodies. She draws upon her own research into students experiencing professional education based on small group, problem-based learning; on an extensive range of relevant international theory and research; and on her own long experience in professional education, training and practice. "This is a timely addition to the literature which provides a challenge to professional education: both through its portrayal of a highly innovative problem-based course (and the rich detail of students' experience) which shows how a learner-centred approach can impact on participants; and through its location in much wider contexts of teaching and learning in professional education and in debates about the relationship between university education and professional practice" - Professor David Boud "At a time when attention is being directed increasingly towards lifelong learning, this book offers an extremely timely guide to the development of the learning skills needed to make this a reality. Readable, relevant and full of practical illustrations, it will be widely read by educators in a variety of professional contexts" - Professor Patricia Broadfoot This is an important resource for all those educators and trainers in professional education seeking to improve their own practice.
The sculptural history of the long 1980s has been dominated by New British Sculpture and Young British Artists. Arguing for a more expansive history of British sculpture and its supporting infrastructures, these twenty-three vivid and enthralling interviews with artists, curators, dealers and facilitators working then demonstrate the interconnected networks, diversity of ideas and practices, energy, imagination and determination that transformed British art from being marginal to internationally celebrated. With a substantial introduction, this timely volume provides valuable new insights into the education, work, careers, studios, infrastructures and exhibitions of the artists and facilitators, substantially enlarging our understanding of the era.
Encountering theology for the first time is exciting, but it can also be daunting. Some struggle to connect with doctrinal discussion they perceive to be abstract or abstruse. Others may find the scope of theology, and the connections between different theological issues, dizzying. In order to address these difficulties and keep the initial excitement alive, A New Introduction to Theology offers a range of accessible, practical, experiential and interactive encounters with the major elements of academic Christian theology. The guiding motif of this book is the claim that theology is full-bodied thought. The phrase 'full-bodied' shows both the richness of the experience of theology and its nature as a thoroughly embodied encounter with ways of knowing God and God's ways with the world. This motif allows the authors to bring together topics ranging from theology through the arts, sexuality and the body and the nature of the church's everyday life, to mystical theology, spirituality, political action and ecology. Working imaginatively with the five senses and the notions of loving and resting, each chapter provides a range of activities, guided discussions and reflections on key theological texts, authors and issues. This is a unique introduction to the key innovative and interdisciplinary elements from contemporary theology, ideal for individual reflection, classroom work, or flexible and distributed learning.
Global Heating and the Australian Far Right examines the environmental politics of far-right actors and movements in Australia, exploring their broader political context and responses to climate change. The book traces the development of far-right pseudo-environmentalism and territorial politics, from colonial genocide and Australian nationalism to extreme-right political violence. Through a critical analysis of news and social media, it reveals how denialist and resignatory attitudes towards climate change operate alongside extreme right accelerationism, in a wider Australian political context characterised by reactionary fossil fuel politics and neoliberal New Right climate change agendas. The authors scrutinise the manipulation of environmental politics by contemporary Australian far- and extreme-right actors in cross-national online media. They also assess the political-ideological context of the contemporary far right, addressing intergovernmental approaches to security threats connected to the far right and climate change, and the emergence of radical environmentalist traditions in ‘New Catastrophism’ literature. The conclusion synthesises key insights, analysing the mainstreaming of ethnonationalist and authoritarian responses to global heating, and potential future trajectories of far-right movements exploiting the climate crisis. It also emphasises the necessity for radical political alternatives to counter the far right’s exploitation of climate change. This book will be of interest to researchers of climate change, the far right, neoliberal capitalism, extremism and Australian politics.
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