Palliser Wentwood, dangerously charming, has run away to England, leaving his farm in New Zealand, his beautiful wife Salome, his daughters, and his many creditors. Palliser is in search of a fortune, enough to restore the prosperity of farm and family. In Thule Hall, Herts, live the Lovelaces - Hubert and Blanche, brother and sister -both amazingly tall and immensely fat, shy and gothically retired. Engaged as butler, and posing as a grieving widower, Palliser turns his charms on Blanche, teasing out laughter and beauty where before there was only timidity. But will his deception succeed? Can he bring himself to ruin her? Or will Salome succumb to the gentle siege of Philip Butterworth, solicitor and suitor? An exceptional first novel, wise and funny and sad in equal measure, and peopled by a cast of characters as singular as they are delightful.
Three Heroines of New England Romance: Their true Stories herein set forth by Mrs Harriet Spoffard, Miss Louise Imogen Guiney, and Miss Alice Brown: Priscilla by Harriet Prescott Spofford. Agnes Surriage by Alice Brown. Martha Hilton by Louise Imogen Guiney. Notes by Edmund H. Garrett. Harriet Elizabeth Prescott Spofford was an American writer of novels, poems and detective stories. One of the United States's most widely-published authors,her career spanned more than six decades and included many literary genres, such as short stories, poems, novels, literary criticism, biographies, and memoirs. She also wrote articles on household decorative art and travel as well as children's literature. Louise Imogen Guiney was an American poet, essayist and editor, born in Roxbury, Massachusetts. Alice Brown was an American novelist, poet and playwright, best known as a writer of local color stories. She also contributed a chapter to the collaborative novel, The Whole Family (1908).
CAUTION: Reading this book will forever change the way you peruse the racks at Bergdorf's or flip through the pages of Vogue. Taking the reader through six months in a designer's life, Fashion Babylon follows an anonymous A-list British fashion designer looking to break out across the pond. Structured around three of the annual "must" industry events, this irresistible work of reportage goes inside the well-cut seams of the fashion world, where women are paid tens of thousands of dollars for simply getting dressed and where a wrong skirt length can cost you your career. You'll find out how a collection is put together -- from the objects of inspiration to the catwalk, into the shops and, hopefully, onto the cover of a magazine -- and learn who goes to the shows and where they sit...and whose backside they have to kiss to get there. Witty, naughty and jam-packed with celebrity gossip, Fashion Babylon decodes the markups and the comedowns, the fabulous extremes and the shoddy shortcuts behind one of the most lucrative and secretive businesses in the world.
Stigma is a corrosive social force by which individuals and communities throughout history have been systematically dehumanised, scapegoated and oppressed. From the literal stigmatizing (tattooing) of criminals in ancient Greece, to modern day discrimination against Muslims, refugees and the 'undeserving poor', stigma has long been a means of securing the interests of powerful elites. In this radical reconceptualisation Tyler precisely and passionately outlines the political function of stigma as an instrument of state coercion. Through an original social and economic reframing of the history of stigma, Tyler reveals stigma as a political practice, illuminating previously forgotten histories of resistance against stigmatization, boldly arguing that these histories provide invaluable insights for understanding the rise of authoritarian forms of government today.
Although film noir is traditionally associated with the mean streets of the Dark City, this volume explores the genre from a new angle, focusing on non-urban settings. Through detailed readings of more than 100 films set in suburbs, small towns, on the road, in the desert, borderlands and the vast, empty West, the author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom--and fears of loneliness, exile and dissolution. Through such films as Out of the Past, They Live by Night and A Touch of Evil, this critical study examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community.
This book uses a corpus of manuscript letters from Bess of Hardwick to investigate how linguistic features characteristic of spoken communication function within early modern epistolary prose. Using these letters as a primary data source with reference to other epistolary materials from the early modern period (1500-1750), the author examines them in a unique and systematic way. The book is the first of its kind to combine a replicable scribal profiling technique, used to identify holograph and scribal handwriting within the letters, with innovative analyses of the language they contain. Furthermore, by adopting a discourse-analytic approach to the language and making reference to the socio-historical context of language use, the book provides an alternative perspective to the one often presented in traditional historical accounts of English. This volume will appeal to students and scholars of early modern English and historical linguistics.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.