Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.
Adaptation studies has historically been neglected in both the English and Film Studies curricula. Reflecting on this, Screen Adaptation celebrates its emergence in the late 20th and 21st centuries and explores the varieties of methodologies and debates within the field. Drawing on approaches from genre studies to transtexuality to cultural materialism, the book examines adaptations of both popular and canonical writers, including William Shakespeare, Jane Austen and J.K.Rowling. Original and provocative, this book will spark new thinking and research in the field of adaptation studies. Mapping the way in which this exciting field has emerged and shifted over the last two decades, the book is also essential reading for students of English Literature and Film.
`Lively and impressive. I can easily imagine this text being used by both gender and women's studies undergraduates and postgraduates. In particular it will enable students to get a sense of how older and more contemporary theoretical movements and debates relate to one another' - Lisa Adkins, Department of Sociology, University of Manchester Part of a new `Key Concepts' series published by SAGE, Key Concepts in Gender Studies offers 1,500 word expositions of 50 topics central to the field. Jane Pilcher and Imelda Whelehan's introduction gives an account of gender studies - what it is and how it originated. Their selection of topics is authoritative and the 50 entries reflect the complex, multi-faceted nature of the field in an accessible dictionary format. Each of the 50 key concepts: · begins with a concise definition · includes illustrations of how the concept has been applied within the field · offers examples which allow a critical re-evaluation of the concept · is cross-referenced with the other key concepts · makes further reading suggestions. The level of detail offered encourages understanding of gender studies without sacrificing depth detail and critical evaluation essential to convey the complexity of the issues dealt with. As such, the book appeals both to undergraduate and postgraduate students across a range of social science disciplines. 50 Key Concepts in Gender Studies gives testimony to the health of gender studies and related disciplines and looks forward to an ever-shifting dynamic of debates and ideas.
Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.
Imelda Whelehan provides an overview of popular women's writing from the late 1960s to the present, looking at how key feminist texts such as The Women's Room, Kinflicks and Fear of Flying have influenced popular contemporary fiction such as Bridget Jones' Diary and Sex and the City. Whelehan reconsiders the links between the politics of feminist thought, action and writing and creative writing over the past 30 years and suggests that even so-called 'post feminist' writing owes an enormous debt to feminism's second wave.
Adaptation studies has historically been neglected in both the English and Film Studies curricula. Reflecting on this, Screen Adaptation celebrates its emergence in the late 20th and 21st centuries and explores the varieties of methodologies and debates within the field. Drawing on approaches from genre studies to transtexuality to cultural materialism, the book examines adaptations of both popular and canonical writers, including William Shakespeare, Jane Austen and J.K.Rowling. Original and provocative, this book will spark new thinking and research in the field of adaptation studies. Mapping the way in which this exciting field has emerged and shifted over the last two decades, the book is also essential reading for students of English Literature and Film.
The authors' introduction gives an account of gender studies - what it is and how it originated. Their selection of topics is authoritative and the 50 entries reflect the complex, multi-faceted nature of the field in an accessible dictionary format.
This is an excellent guide to Helen Fielding's genre-defining novel. It features a biography of the author, a full-length analysis of the novel, and a great deal more. If you're studying this novel, reading it for your book club, or if you simply want to know more about it, you'll find this guide informative and helpful. This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.
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