Set in the idyllic mountains of Northern Italy, the latest volume in Ilaria Tuti’s gripping series is a tour de force, a poignant and irresistible story about the relentless pull of the past on the present. Superintendent Teresa Battaglia, a trail-blazing criminal detective on the Italian police force, is on sick leave, recovering from her recent brush with death in pursuit of a killer. But none of her colleagues, not even her partner, know that her Alzheimer’s is getting worse, and that Teresa is unsure she will ever return to work. Teresa’s plans for retirement are shelved, however, when she is urgently summoned to meet with menacing serial killer Giacomo Mainardi. Refusing to speak with anyone but Teresa, whose investigative work twenty-seven years prior landed him in maximum security prison, Mainardi has disconcerting news: somebody is after him, and only Teresa holds the key to keeping everyone, including herself, safe. To solve the case, Teresa must come face to face with a history she thought she’d buried, back to when Giacomo first began to kill, and Teresa—newly pregnant and married to an abusive man—did everything she could to catch him.
A 2021 Sue Grafton Memorial Award Nominee In the highly anticipated follow-up to Flowers Over the Inferno, Superintendent Teresa Battaglia, expert criminal profiler with four decades of experience on the Italian police force, returns for a chilling cold case. A decades-old murder investigation has landed on Superintendent Teresa Battaglia's desk. DNA analysis has revealed that a painting from the final days of World War II contains matter from a human heart. Teresa is able to trace the evidence to Val Resia, one of Italy’s most isolated, untouched regions. When Teresa’s investigation hits too close to the truth, a fresh human heart is hung at the valley’s entrance, a warning not to cross its threshold. As she hunts a ruthless killer, Teresa must face down her own rapidly deteriorating physical and cognitive abilities, as well as someone she hoped never to see again—a man who has just become her supervisor.
In this thrilling series debut set in the Italian Alps, an instinct-driven detective won't let her aging body and mind prevent her from tracking a brutal killer. Superintendent Teresa Battaglia has fought for nearly four decades to earn rank and respect on a testosterone-heavy Italian police force. When she’s called to investigate a gruesome murder near a mountainside town, she’s paired with a young male inspector she’s not sure she trusts. But she has no choice—in this remote town full of secrets, eerie folktales and primal instincts, the killer seems drawn to a group of local children, who may be in grave danger. As Teresa inches closer to the truth, she must confront the possibility that her faculties, no longer what they once were, may fail her before the chase is over.
A TIMES CRIME BOOK OF THE MONTH ONE OF M. W. CRAVEN'S BOOKS OF 2019 A ruthless killer is spreading panic in a quiet village in the Italian Alps. Police Inspector Teresa Battaglia is the only one who can stop them. But how can you catch a monster when you're slowly losing your mind? PREPARE TO FALL IN LOVE WITH TERESA BATTAGLIA, A POLICE INSPECTOR LIKE NO OTHER: 'Superintendent Teresa Battaglia, a criminal profile expert, is in her sixties, overweight, lonely, diabetic, full of the ailments of ageing - and delightful. It's rare that a character like Teresa Battaglia enters crime fiction for the first time, and with such gripping impact' Marcel Berlins, The Times (Crime Book of the Month) 'Teresa Battaglia is set to give tyneside's Vera a run for her money' Lancashire Post 'Teresa Battaglia is one of the most interesting detectives to emerge in recent years' M. W. Craven, author of The Puppet Show 'I was rooting for Teresa Battaglia from the start' Sarah Ward, author of In Bitter Chill 'I totally fell for the tough-but-vulnerable Teresa Battaglia' Roz Watkins, author of The Devil's Dice 'A brilliant protagonist, an eerie setting and a community hiding dark secrets' Dead Good (Debut crime novels to watch out for in 2019)
RACCONTO LUNGO FANTASCIENZA - Chi è Iro? E perché è salita dai Livelli più profondi del pianeta Egemona per infastidire Caronte, il potente spacciatore di Chew-9 che vive come un dio? La risposta cambierà la vita a entrambi. Per sempre... Quando Caronte si trova davanti Iro, una ragazzina sparuta che proviene dai Livelli inferiori del mondo-alveare che è Egemona, capisce che il suo mondo dorato da dei problemi: Cerberus, l'intelligenza artificiale che regola la sua vita e tutte le sue attività clandestine, ha deciso di sopraffarlo. La lotta è per il controllo del Chew-9, la sostanza più preziosa dell'universo, e Caronte è disposto a tornare negli inferi del pianeta, pur di non abbandonare il controllo su quella straordinaria risorsa. Friulana, classe 1976, Ilaria Tuti ha intrapreso studi riguardanti materie economiche e ha fatto dei numeri il suo lavoro, ma la passione per le parole l'ha spinta qualche anno fa a dedicarsi alla scrittura e a partecipare a diversi premi letterari, pubblicando racconti principalmente di genere noir e horror in varie antologie. Il suo primo romanzo si intitola "Isabel" (Edizioni Montag) e ne ha realizzato anche l'illustrazione per la copertina. Nella collana The Tube ha già pubblicato "La fame e l'inferno" con Carlo Vicenzi (The Tube 2), "Ceneri" (The Tube 4) e "Nido di carne" (The Tube 9).
In this thrilling series debut set in the Italian Alps, an instinct-driven detective won't let her aging body and mind prevent her from tracking a brutal killer. Superintendent Teresa Battaglia has fought for nearly four decades to earn rank and respect on a testosterone-heavy Italian police force. When she’s called to investigate a gruesome murder near a mountainside town, she’s paired with a young male inspector she’s not sure she trusts. But she has no choice—in this remote town full of secrets, eerie folktales and primal instincts, the killer seems drawn to a group of local children, who may be in grave danger. As Teresa inches closer to the truth, she must confront the possibility that her faculties, no longer what they once were, may fail her before the chase is over.
A 2021 Sue Grafton Memorial Award Nominee In the highly anticipated follow-up to Flowers Over the Inferno, Superintendent Teresa Battaglia, expert criminal profiler with four decades of experience on the Italian police force, returns for a chilling cold case. A decades-old murder investigation has landed on Superintendent Teresa Battaglia's desk. DNA analysis has revealed that a painting from the final days of World War II contains matter from a human heart. Teresa is able to trace the evidence to Val Resia, one of Italy’s most isolated, untouched regions. When Teresa’s investigation hits too close to the truth, a fresh human heart is hung at the valley’s entrance, a warning not to cross its threshold. As she hunts a ruthless killer, Teresa must face down her own rapidly deteriorating physical and cognitive abilities, as well as someone she hoped never to see again—a man who has just become her supervisor.
Set in the idyllic mountains of Northern Italy, the latest volume in Ilaria Tuti’s gripping series is a tour de force, a poignant and irresistible story about the relentless pull of the past on the present. Superintendent Teresa Battaglia, a trail-blazing criminal detective on the Italian police force, is on sick leave, recovering from her recent brush with death in pursuit of a killer. But none of her colleagues, not even her partner, know that her Alzheimer’s is getting worse, and that Teresa is unsure she will ever return to work. Teresa’s plans for retirement are shelved, however, when she is urgently summoned to meet with menacing serial killer Giacomo Mainardi. Refusing to speak with anyone but Teresa, whose investigative work twenty-seven years prior landed him in maximum security prison, Mainardi has disconcerting news: somebody is after him, and only Teresa holds the key to keeping everyone, including herself, safe. To solve the case, Teresa must come face to face with a history she thought she’d buried, back to when Giacomo first began to kill, and Teresa—newly pregnant and married to an abusive man—did everything she could to catch him.
Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.
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