Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.
The editors of the "Florida Atlantic Comparative Studies" literary journal provide a forum for comparative study in the arts, humanities, language, culture, and social sciences.
The editors of the "Florida Atlantic Comparative Studies" literary journal provide a forum for comparative study in the arts, humanities, language, culture, and social sciences.
Using original sources--such as newspaper articles, silent movies, letters, autobiographies, and interviews--Ilaria Serra depicts a large tapestry of images that accompanied mass Italian migration to the U.S. at the turn of the twentieth century. She chooses to translate the Italian concept of immaginario with the Latin imago that felicitously blends the double English translation of the word as "imagery" and "imaginary." Imago is a complex knot of collective representations of the immigrant subject, a mental production that finds concrete expression; impalpable, yet real. The "imagined immigrant" walks alongside the real one in flesh and rags.
With the emergence and structuring of the Lucanian ethnos during the fourth century BC, a network of cult places, set apart from habitation spaces, was created at the crossroads of the most important communication routes of ancient Lucania. These sanctuaries became centers of social and political aggregation of the local communities: a space in which the community united for all the social manifestations that, in urban societies, were usually performed within the city space. With a detailed analysis of the archaeological record, this study traces the historical and archaeological narrative of Lucanian cult places from their creation to the Late Republican Age, which saw the incorporation of southern Italy into the Roman state. By placing the sanctuaries within their territorial, political, social, and cultural context, Battiloro offers insight into the diachronic development of sacred architecture and ritual customs in ancient Lucania. The author highlights the role of material evidence in constructing the significance of sanctuaries in the historical context in which they were used, and crucial new evidence from the most recent archaeological investigations is explored in order to define dynamics of contact and interaction between Lucanians and Romans on the eve of the Roman conquest.
In the panorama of studies related to the ability of lands to support both natural processes and agricultural production activities, this research introduces a still unexplored or under-studied theme which is that of the relationship between urban sprawl in its various forms and land quality. The first part of the book is dedicated to the motivations and the theoretical premises from which the research originates, connected to the concept of land and those of sustainable urban form. The second part concerns the complex path towards a sustainable use of land, both in terms of institutional and regulatory measures, and in terms of knowledge and understanding of soil degradation processes. This research focuses on the Mediterranean area which is discussed in more detail in the third part. In this part of Europe we try to establish relationships between settlement dynamics and land quality: here fragile ecosystems are diffused both from a biological point of view. physical as well as socio-economic, here we find landscapes that are particularly sensitive to land degradation processes (subject to land degradation, considered the antipodes of land quality) and which in recent decades have been particularly affected by anthropic pressure. In the fourth part, an analysis is presented concerning 76 metropolitan areas representative of southern Europe. The methodology used in this analysis is based on the relationship that exists between soil sealing (or soil waterproofing) and land degradation (or land degradation) aimed at an interpretation, at the metropolitan scale, of how in southern Europe the pattern of Urbanization (compact, dispersive, intermediate) affects the land's ability to support both natural processes and agricultural production activities in a diversified way. In particular, the data on land quality and data on land use were considered together in order to analyze the processes of urban growth and the occupation of productive land for a very large area that includes Greece, France, Italy, Spain, Portugal and some parts of the Adriatic coast. There is still a long way to go, in terms of sharing, integration and definition of strategies aimed at achieving certain targets. A necessary and innovative look towards land quality could help to consider the protection of the soil as a whole, even at the planning level.
The first Manifesto of Futurism was published on Le Figaro on February 20th, 1909. It was to become the first avantgarde movement in art, with the multiple aim of: changing the function of art within society, foster Italian culture beyond its provincial domains, and last, but not least extend language as free expression of a new and forthcoming society of technology. Art in life, was the deep aim of Marinetti’s poetry, which was then to expand well beyond Italian borders and well beyond artistic expression, becoming an attitude for entering the new society. The more society was developing social constraints, the more artistic expression would become free of canons to let imagination fluently overwhelm reality. The main topics proclaimed as crucial by Futurists are the contemporary most influencial topics for social stability: politics, communication and technology as well as the major movers of social change. What can we still grasp from the radical claims of avant-garde art?
During the Ptolemaic period, Egyptian temples were divided into three ranks: first, second and third class. This volume examines the rules according to which Egyptian sacred buildings were classified and how the different classes of temples were planned and arranged.
This volume is a full-scale commentary on the extant fragments of Acusilaus of Argos, commonly regarded as one of the earliest Greek mythographers (VI-V cent. BCE). To encapsulate his contribution to archaic literature, his book on Genealogies is described as a "Rhapsody in Prose", that foregrounds especially the exegetical nature of his book, which rewrote the most ancient past on the basis of the most authoritative epic poems.
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