Many writers in antebellum America sought to reinvent the Bible, but no one, Ilana Pardes argues, was as insistent as Melville on redefining biblical exegesis while doing so. In Moby-Dick he not only ventured to fashion a grand new inverted Bible in which biblical rebels and outcasts assume center stage, but also aspired to comment on every imaginable mode of biblical interpretation, calling for a radical reconsideration of the politics of biblical reception. In Melville's Bibles, Pardes traces Melville's response to a whole array of nineteenth-century exegetical writings—literary scriptures, biblical scholarship, Holy Land travel narratives, political sermons, and women's bibles. She shows how Melville raised with unparalleled verve the question of what counts as Bible and what counts as interpretation.
It's widely acknowledged that American parents from different class backgrounds take different approaches to raising their children. Upper and middle-class parents invest considerable time facilitating their children's activities, while working class and poor families take a more hands-off approach. These different strategies influence how children approach school. But missing from the discussion is the fact that millions of parents on both sides of the class divide are raising their children to listen to God. What impact does a religious upbringing have on their academic trajectories? Drawing on 10 years of survey data with over 3,000 teenagers and over 200 interviews, God, Grades, and Graduation (GGG) offers a revealing and at times surprising account of how teenagers' religious upbringing influences their educational pathways from high school to college. GGG introduces readers to a childrearing logic that cuts across social class groups and accounts for Americans' deep relationship with God: religious restraint. This book takes us inside the lives of these teenagers to discover why they achieve higher grades than their peers, why they are more likely to graduate from college, and why boys from lower middle-class families particularly benefit from religious restraint. But readers also learn how for middle-upper class kids--and for girls especially--religious restraint recalibrates their academic ambitions after graduation, leading them to question the value of attending a selective college despite their stellar grades in high school. By illuminating the far-reaching effects of the childrearing logic of religious restraint, GGG offers a compelling new narrative about the role of religion in academic outcomes and educational inequality"--
An essential history of the greatest love poem ever written The Song of Songs has been embraced for centuries as the ultimate song of love. But the kind of love readers have found in this ancient poem is strikingly varied. Ilana Pardes invites us to explore the dramatic shift from readings of the Song as a poem on divine love to celebrations of its exuberant account of human love. With a refreshingly nuanced approach, she reveals how allegorical and literal interpretations are inextricably intertwined in the Song's tumultuous life. The body in all its aspects—pleasure and pain, even erotic fervor—is key to many allegorical commentaries. And although the literal, sensual Song thrives in modernity, allegory has not disappeared. New modes of allegory have emerged in modern settings, from the literary and the scholarly to the communal. Offering rare insights into the story of this remarkable poem, Pardes traces a diverse line of passionate readers. She looks at Jewish and Christian interpreters of late antiquity who were engaged in disputes over the Song's allegorical meaning, at medieval Hebrew poets who introduced it into the opulent world of courtly banquets, and at kabbalists who used it as a springboard to the celestial spheres. She shows how feminist critics have marveled at the Song's egalitarian representation of courtship, and how it became a song of America for Walt Whitman, Herman Melville, and Toni Morrison. Throughout these explorations of the Song's reception, Pardes highlights the unparalleled beauty of its audacious language of love.
Brazil's Zika outbreak revealed extreme health disparities and reproductive injustice across racial and socioeconomic lines. Brazil's 2015 Zika outbreak led to severe illnesses for many and the birth of several thousands of children with severe brain damage. Even though mosquito-borne diseases such as the Zika virus affect people across society, these children were born almost exclusively to poor, and usually non-white, women. In Viruses and Reproductive Injustice, Ilana Löwy explores the complicated health disparities and reproductive injustice that led to these cases of congenital Zika syndrome. Löwy examines the history of the outbreak in Brazil and connects it to broader questions concerning reproductive rights, the medical science behind understanding new pathogens, and the role of international health organizations in battling—or ignoring—public health crises. The explanation behind the strongly skewed distribution of cases among social classes was far from straightforward or obvious during the Zika outbreak. Löwy argues that the disproportionate effect of Zika on births among the poor is primarily a function of dramatic disparities in access to contraception and prenatal care, as well as Brazil's anti-abortion laws: only wealthier women have access to safe abortions. This is a book about the changing meaning of an infectious disease outbreak and a haunting demonstration that an epidemic is both a biological and a political event produced by the complicated entanglement of humans, viruses, and mosquitoes.
A wide-ranging exploration of the story of Ruth, a foreigner who became the founding mother of the Davidic dynasty “A virtuoso exploration of the Book of Ruth as an admirable touchstone in the realms of literature, art, and human values. Ilana Pardes foregrounds the timeless emergency of migrants and refugees with compassion and depth.”—Galit Hasan-Rokem, author of Web of Life The biblical Ruth has inspired numerous readers from diverse cultural backgrounds across many centuries. In this insightful volume, Ilana Pardes invites us to marvel at the ever-changing perspectives on Ruth’s foreignness. She explores the rabbis’ lauding of Ruth as an exemplary convert, and the Zohar’s insistence that Ruth’s Moabite background is vital to her redemptive powers. In moving to early modern French art, she looks at pastoral paintings in which Ruth becomes a local gleaner, holding sheaves in her hands. Pardes concludes with contemporary adaptations in literature, photography, and film in which Ruth is admired for being a paradigmatic migrant woman. Ruth’s afterlives not only reveal much about their own times, but also shine new light upon this remarkable ancient tale and point to its enduring significance. In our own era of widespread migration and dislocation, Ruth remains as relevant as ever.
It’s the mother of all kids’ joke books—an all-encompassing, gut-busting, and bestselling collection of more than 1,700 jokes, tongue-twisters, riddles, and puns for all occasions. Here are 61 elephant jokes, including: What did the elephant say when he walked into the post office? / Ouch! Dozens of knock-knock jokes, like: Knock-knock. / Who’s there? / Doris. / Doris who? / Doris locked. That’s why I knocked! Plus teacher jokes and creature jokes, doctor jokes and robber jokes, food jokes, gross jokes, why-did-the-chicken-cross-the-road jokes, and name-game jokes: What do you call a man in a tiger’s cage? / Claude. And for all aspiring comedians, there are joke-telling pointers and tips, funny facts, and spotlights on comic TV shows, books, and actors, from Steve Carell to Tina Fey to SpongeBob Squarepants. It’s the ultimate gift for the incurable jokester.
In a Brooklyn basement, Sima gives neighborhood women the support they need—but struggles with her own secrets: “Much more than a novel of female bonding” (Publishers Weekly). Sima Goldner runs her own bra shop, where her customers can find not only a perfect fit but also a sympathetic ear. The store, in an Orthodox Jewish neighborhood, is like a secret underground sisterhood where women of every shape and creed can share milestones, laughter, loves, and losses against a backdrop of discount lingerie. Day in and day out, Sima teaches other women to appreciate their bodies—yet feels betrayed by her own. Shamed by her infertility and a secret from her youth, she has given up on happiness and surrendered to a bitter marriage that has lasted over forty years. But then Timna, a young Israeli with enviable cleavage, becomes the shop seamstress. As the two work together, Sima finds herself awakened to long-lost yearnings for adventure and romance—and must decide if what she has is worth keeping. “A subtle, provocative, and utterly compelling examination of the friendship between two women.” —Michelle Richmond, New York Times–bestselling author of The Marriage Pact
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