On the Hills of God describes the year-long journey of a boy becoming a man, while all that he has known crumbles to ashes. The novel has been translated into German and Arabic and won the PEN Oakland Award for literary excellence. Critic Ishmael Reed calls it “a monumental book.” This revised edition includes a new introduction. When we first encounter Palestinian Yousif Safi in June 1947, he is filled with hopes for his education abroad to study law, and with daydreams of his first love, the beautiful Salwa. But as the future of Palestine begins to look bleak due to the pressure on the United Nations from the international Zionist movement, Yousif is frustrated by his fellow Arabs' inability to thwart the Zionist encroachment and by his own inability to prevent the impending marriage of Salwa to an older suitor chosen by her parents. As Palestinians face the imminent establishment of Israel, Yousif resolves to face his own responsibilities of manhood. Despite the monumental odds against him, Yousif vows to win back both his loves -- Salwa and Palestine -- and create his world anew.
In this sequel to Ibrahim Fawal's critically acclaimed On the Hills of God (winner of the PEN Oakland Award), the young Palestinian Yousif Safi searches throughout Jordan for Salwa, his bride, from whom he was separated during their forced exodus after the catastrophe (Nakba) of 1948. Amidst the squalor of refugee camps, and beside himself with anxiety for Salwa, Yousif joins his countrymen in trying to exist while waiting to be restored to their homeland. Why, they ask, did this tragedy befall their country and its people? Why had the holy land been turned into a battleground? And now they've become a people without a land. As weeks turn to months and months to years, the Palestinians’ hopes dim, yet Yousif does find his beloved Salwa, and they joyfully begin their new life together. The Disinherited follows the young couple as expatriate workers in Kuwait, then as students in Cairo. Always they are working and organizing, joining with their fellows to develop schools, newspapers, and increasingly militant organizations. Their dream is to unite the Palestinian people around the world, and to regain their homeland. In measured, epic storytelling, Fawal masterfully weaves a second chapter in the story of the Palestinian diaspora.
On the Hills of God describes the year-long journey of a boy becoming a man, while all that he has known crumbles to ashes. The novel has been translated into German and Arabic and won the PEN Oakland Award for literary excellence. Critic Ishmael Reed calls it “a monumental book.” This revised edition includes a new introduction. When we first encounter Palestinian Yousif Safi in June 1947, he is filled with hopes for his education abroad to study law, and with daydreams of his first love, the beautiful Salwa. But as the future of Palestine begins to look bleak due to the pressure on the United Nations from the international Zionist movement, Yousif is frustrated by his fellow Arabs' inability to thwart the Zionist encroachment and by his own inability to prevent the impending marriage of Salwa to an older suitor chosen by her parents. As Palestinians face the imminent establishment of Israel, Yousif resolves to face his own responsibilities of manhood. Despite the monumental odds against him, Yousif vows to win back both his loves -- Salwa and Palestine -- and create his world anew.
A discussion of the frequently controversial film maker Youssef Chahine. The book aims to illuminate Chahine's work in the context of modern Egyptian culture and its tumultuous post-war history and how such films as 'Cairo Station' (1958), 'The Earth' (1959) and 'The Sparrow' (1973) dramatized the dilemmas of ordinary Egyptians. He also argues that Chahine's intensely autobiographical trilogy 'Alexandria...Why?' (1978), 'An Egyptian Story' (1985) and 'Alexandria...More and More' (1989) spoke to the concerns of the broader Egyptian intelligentsia amongst whom he has earned the reputation of being the 'poet and thinker' of modern Arab cinema. The final analysis of the book argues that Chahine's work stands comparison with directors such as Fellini, Bergman, Kurosawa or Sembene but also emphatically draws strength from its links with one of the most vibrant popular cinemas of the world and from the roots and traditions of popular Arabic culture.
In this sequel to Ibrahim Fawal's critically acclaimed On the Hills of God (winner of the PEN Oakland Award), the young Palestinian Yousif Safi searches throughout Jordan for Salwa, his bride, from whom he was separated during their forced exodus after the catastrophe (Nakba) of 1948. Amidst the squalor of refugee camps, and beside himself with anxiety for Salwa, Yousif joins his countrymen in trying to exist while waiting to be restored to their homeland. Why, they ask, did this tragedy befall their country and its people? Why had the holy land been turned into a battleground? And now they've become a people without a land. As weeks turn to months and months to years, the Palestinians’ hopes dim, yet Yousif does find his beloved Salwa, and they joyfully begin their new life together. The Disinherited follows the young couple as expatriate workers in Kuwait, then as students in Cairo. Always they are working and organizing, joining with their fellows to develop schools, newspapers, and increasingly militant organizations. Their dream is to unite the Palestinian people around the world, and to regain their homeland. In measured, epic storytelling, Fawal masterfully weaves a second chapter in the story of the Palestinian diaspora.
A discussion of the frequently controversial film maker Youssef Chahine. The book aims to illuminate Chahine's work in the context of modern Egyptian culture and its tumultuous post-war history and how such films as 'Cairo Station' (1958), 'The Earth' (1959) and 'The Sparrow' (1973) dramatized the dilemmas of ordinary Egyptians. He also argues that Chahine's intensely autobiographical trilogy 'Alexandria...Why?' (1978), 'An Egyptian Story' (1985) and 'Alexandria...More and More' (1989) spoke to the concerns of the broader Egyptian intelligentsia amongst whom he has earned the reputation of being the 'poet and thinker' of modern Arab cinema. The final analysis of the book argues that Chahine's work stands comparison with directors such as Fellini, Bergman, Kurosawa or Sembene but also emphatically draws strength from its links with one of the most vibrant popular cinemas of the world and from the roots and traditions of popular Arabic culture.
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