Tommy Banks...Is this a story that is any different to the plethora of footballers' autobiographies that cram the bookshelves of the High Street retailers? The reality is that this is a story of a very talented, very proud and extremely honourable and dignified man. A man who recognised the wrongs of the professional footballers' contracts in the post-war era and, in his own words and dialect, was determined to "purrit reet." This down to earth charismatic Farnworth lad played an integral and pivotal role in changing the way footballers were treated and paid. There is absolutely no doubt that the celebrity footballers we recognise today bear no comparison to the men that Tommy took up the cause for. However they would do well to read, recognise and, most importantly, respect the part that Tommy and several others played in changing the landscape of the present modern day footballer. Tommy Banks...family man, coal miner, hod carrier, Bolton Wanderer and England footballer, a warm hearted man with a bulldog spirit and a builder of dreams. Ah'm tellin' thee is a humble, honest and heartfelt account of a local lad made good. Tommy was astute and quick, wingers didn't like playing against him, he was belligerent, he would clatter them if required and played mind games with them. Francis Lee Today's multi-millionaire footballers owe a great debt to the son of Farnworth who might well have been formed out of the very coal pits which featured in that area as he was granite like, a great player, great person and a great character. from the Foreword by Gordon Taylor Chief Executive of the Professional Footballers Association I admire him, a gifted footballer he was also a leader, you could hear him all over the field roaring out instructions and praise. Dennis Stevens He had a lot to say on and off the field but knew his football and was a master of his craft. If you had any soft spot in your make up he'd exploit it, few if any got the better of him. Every time I see him I always try to think of something fun to say but he always beats me to it, a lovely man. Bobby Charlton
Ecohydraulics: An Integrated Approachprovides a research level text which highlights recent developments of this emerging and expanding field. With a focus on interdisciplinary research the text examines:- the evolution and scope of ecohydraulics interactions between hydraulics, hydrology, fluvial geomorphology and aquatic ecology the application of habitat modelling in ecohydraulic studies state of the art methodological developments and approaches detailed case studies including fish passage design and the management of environmental flow regimes research needs and the future of ecohydraulics research The contributions offer broad geographic coverage to encapsulate the wide range of approaches, case studies and methods used to conduct ecohydraulics research. The book considers a range of spatial and temporal scales of relevance and aquatic organisms ranging from algae and macrophytes to macroinvertebrates and fish. River management and restoration are also considered in detail, making this volume of direct relevance to those concerned with cutting edge research and its application for water resource management. Aimed at academics and postgraduate researchers in departments of physical geography, earth sciences, environmental science, environmental management, civil engineering, biology, zoology, botany and ecology; Ecohydraulics: An Integrated Approach will be of direct relevance to academics, researchers and professionals working in environmental research organisations, national agencies and consultancies.
One Time Fits All tells the story of the development, integration, and obstacles overcome in setting an the International Date Line, establishing the worldwide system of Standard Time zones, and adopting Daylight Saving Time—including their global impacts on how the general public keeps time today.
In this first major study of the captivating life of Audrey Hepburn, Ian Woodward uncovers the truly sensational story of one of Hollywood's most enduring legends. Ranked number 50 in Empire Magazine's 'Top 100 Movie Stars of All Time', her appeal as a screen icon is set to last for years to come. From her roles in such legendary films as Breakfast at Tiffany's and her Oscar-winning performance in Roman Holiday, to her lovers and the pain of losing a child, this revealing biography is essential reading for Hepburn and film fans alike.
In Oh Joy! Oh Rapture! expert and enthusiast Ian Bradley explores the world of Gilbert and Sullivan over the last four and a half decades, looking at the way this "phenomenon" is passed from generation to generation. Taking as his starting point the expiry of copyright on the opera libretti at the end of 1961 and using fascinating hitherto unpublished archive material, Bradley reveals the extraordinary story of the last years of the old D'Oyly Carte Opera Company, the guardian of Savoy tradition for over a hundred years, and the troubled history of its successor. He explores the rich vein of parodies, spoofs, and spin-offs of the songs, as well as their influence on twentieth century lyricists and composers. He analyzes professional productions across the world, looks at the unique place of G&S in schools, colleges, and universities, and lovingly explores the culture of amateur performance. He also uncovers the largely male world of the obsessive fans, those collecting memorabilia, the myriad magazines, journals, websites, and festivals devoted to G&S, and the arcane interests of some of the faithful "inner brotherhood.
The distinguished diplomat Sir Ernest Satow's retirement began in 1906 and continued until his death in August 1929. From 1907 he settled in the small town of Ottery St. Mary in rural East Devon, England. He was very active, serving as a British delegate at the Second Hague Peace Conference in 1907 and on various committees related to church, missionary and other more local affairs: he was a magistrate and chairman of the Urban District Council. He had a very wide social circle of family, friends and former colleagues, with frequent distinguished visitors. He produced two seminal books: A Guide to Diplomatic Practice (1917, now in its seventh revised edition and referred to as 'Satow') and A Diplomat in Japan (1921). The latter is highly evaluated as a rare foreigner's view of the years leading to the Meiji Restoration of 1868. This book in two volumes is the last in a series of Satow's diaries edited by Ian Ruxton. This is the first-ever publication.
First published in 1998, this volume emerged in the context of rapidly developing nursing and health care fields and features contributions on areas in the NHS and private nursing including nurses’ pay and education, the gender balance in the nursing labour market, working patterns, employment contracts and turnover. It is part of a series of monographs offers up-to-date reports of recently completed research projects in the fields of nursing and health care. The aim of the series is to report studies that have relevance to contemporary nursing and health care practice. It includes reports of research into aspects of clinical nursing care, management and education. The series is of interest to all nurses and health care workers, researchers, managers and educators in the field.
The British spa came into its own in the Georgian period, with thousands flocking to take the waters at Bath, Cheltenham and Tunbridge Wells as well as numerous other towns. As these towns grew, their reputation as fashionable destinations became as or more important than the benefits of bathing, which in any case often involved immersion in water tainted by dirt and diseases from fellow bathers. Ian D. Rotherham here traces the story of the British spa back to Roman and medieval times, through their heyday in Georgian and Victorian Britain and right up to their decline in the twentieth century and recent revival. With a wealth of colourful illustrations, this book is a perfect introduction to changing attitudes to public bathing and health, and describes the rise of some of Britain's most famous towns.
Principles and Practice of Pediatric Neurosurgery, Third Edition is a completely revised edition of the most authoritative guide to the management of pediatric neurosurgical disorders encountered in clinical practice. Written by leaders in the field, it provides pediatric neurosurgeons with a clear understanding of the current standards of practice and treatment in the subspecialty. Key Features: Now in full color, with more than 1,000 images An increased emphasis on clinical management strategies in pediatric neurosurgery Seven new chapter topics, including cellular therapy for pediatric neurosurgical disease, conjoined twins, lipomeningoceles, and skeletal syndromes Pearls and pitfalls in every chapter This book is an essential reference for all residents and practitioners in pediatric neurosurgery and pediatric neurology.
Located within wider debates about ‘security versus liberty’ in our post 9/11 world, the book analyses the new landscape of UK counter terrorism powers and offences and focuses upon the deleterious consequences of the so-called ‘war on terror’ on freedom of political expression and association. Questioning the compatibility of recent speech-limiting measures with liberalism’s established commitment to free speech and international human rights norms, the book takes a critical look at new powers to proscribe ‘extremist’ political parties, possession offences and other criminal controls (eg. Official Secrets Act prosecutions) as well as new offences such as ‘glorification’ of terrorism. Less visible, extra-legal forms of censorship are also evaluated. The monograph concludes by asking how a more vigorous defence of unorthodox and unpopular forms of expression might be safeguarded in the UK.
Introduces undergraduates to the key debates regarding space and culture and the key theoretical arguments which guide cultural geographical work. This book addresses the impact, significance, and characteristics of the 'cultural turn' in contemporary geography. It focuses on the development of the cultural geography subdiscipline and on what has made it a peculiar and unique realm of study. It demonstrates the importance of culture in the development of debates in other subdisciplines within geography and beyond. In line with these previous themes, the significance of space in the production of cultural values and expressions is also developed. Along with its timely examination of the health of the cultural geographical subdiscipline, this book is to be valued for its analysis of the impact of cultural theory on studies elsewhere in geography and of ideas of space and spatiality elsewhere in the social sciences.
Replete with references to primary sources and the secondary literature, this major undertaking provides a comprehensive exposition of English medical law, from the organization of health care to the legal meaning of death.
This is a study of the parliamentary history of the Whigs during the Age of Reform, describing the extent to which both Grey and Melbourne's governments, with Peel's assistance, attempted to safeguard the interests of the landed aristocracy while allowing for moderate reforms in Church and State.
Ian Johnson's evaluation of Alwyn's film music places his achievement in the context of wider movements within the film industry. William Alwyn was a leading composer of British film music in the 1940s and '50s, a time when the British film industry was at its peak. His scores ranged from documentaries to almost 80 full-length feature films, including classics such as Fires were Started, Desert Victory, Odd Man Out, The Fallen Idol, and The History of Mr Polly; he was adept at any musical genre, from classical to cartoon slapstick, and in the process worked with legendary directors, including Carol Reed, David Lean, Humphrey Jennings, and Anthony Asquith. Alone with Vaughan Williams he was granted the distinction of a separate title credit; columnists mentioned him alongside Bliss, Bax and Walton. However, as the reputation of the British film industry declined in the 1950s, so musical snobbery against those who were its leading lights became unpleasantly raw. In recent years, however, with sensitive performances of hisfilm and concert music available on CD, this most appealing of composers has enjoyed something of a renaissance. In this long overdue reassessment, Alwyn's films are analysed and put into the context of his biography,the film industry, and of society at large: the author shows in particular this remarkably versatile composer developed a hitherto unrecognised grammar of film music which enhanced every film on which he worked. He also examines his work for war propaganda, radio, and the concert hall. The volume is enhanced by the most complete filmography, discography, and bibliography of the composer's works yet published, as well as listings of his concert and radio music.
This is the full account of USAAF Mission 311 on 22 April 1944 when American bombers suffered their highest ever loss to German intruders. The German fighters followed the air armada home after the raid, picking individual bombers off on their return over Europe and then over England as the American force struggled to land. The book covers many famous USAAF, RAF and Luftwaffe units and describes the ferocious action over Europe when the Americans attacked Germanys largest railway marshalling yards at Hamm. Packed with powerful human interest stories, history and technical details, it chronicles the mission fully from the initial planning stage to its bloody finale, untangling the facts behind what went so horribly wrong and why sixty bomber crewmen and ground personnel lost their lives owing to intruder action. Ian McLachlan is a renowned aviation historian and author. His other books include Final Flights and Eighth Air Force Bomber Stories. He lives in Beccles, Suffolk.
There is not one you. There are many yous. There is not one world. There are many worlds. Ours is one among billions of parallel earths. When Everett Singh's scientist father is kidnapped from the streets of London, he leaves young Everett a mysterious app on his computer: the Infundibulum, the map of all the parallel earths, the most valuable object in the multiverse. There are dark forces in the Plenitude of Known Worlds who will stop at nothing to get it. They've got power, authority, the might of ten planets—some of them more technologically advanced than our Earth—at their fingertips. He's got wits, intelligence, and a knack for Indian cooking. Everett must trick his way through the Heisenberg Gate that his dad helped build and go on the run in a parallel Earth. But to rescue his dad from Charlotte Villiers and the sinister Order, this Planesrunner's going to need friends. Friends like Captain Anastasia Sixsmyth, her adopted daughter, Sen, and the crew of the airship Everness. Can they rescue Everett's father and get the Infundibulum to safety? The game is afoot! Praise for Planesrunner “PLANESRUNNER is chock-full of awesome. Ian McDonald's steampunk London blazes on a vast scale with eye-popping towers, gritty streets, and larger-than-life characters who aren't afraid to fight for each other. The kind of airship-dueling, guns-blazing fantasy that makes me wish I could pop through to the next reality over, join the Airish, and take to the skies.” —Paolo Bacigalupi “Science fiction rules in this stellar series opener about a boy who travels to parallel universes. What joy to find science fiction based on real scientific concepts... Shining imagination, pulsing suspense and sparkling writing make this one stand out.” —Kirkus (Starred Review) “McDonald writes with scientific and literary sophistication, as well as a wicked sense of humor. Add nonstop action, eccentric characters, and expert universe building, and this first volume of the Everness series is a winner.” —Publishers Weekly
The late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley’s work was focused on the problems and possibilities of cross-cultural musical influences, fantasies and flows and on the importance of performing circuits and networks. Her interest in the details of music-making and in the lives of music-makers means that this collection is also an original and illuminating study of music and politics. In drawing on Jan Fairley’s journalism, this volume also offers students a guide to various genres of world music, from Cuban son to flamenco, as well as an insight into the lives of such world music stars as Mercedes Sosa and Silvio Rodríguez. This is inspiring as well as essential reading.
Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922-2009) has been described as a Neo-Romantic, but he called himself a "kind of Arcadian". His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton's ebullient pictures. Ian Collins expands our understanding of the artist greatly--including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.
Dr. Rabey's profound critical study of David Rudkin's drama constitutes an in-depth evaluation of this unique dramatist, re-assessed in the light of his bi-sexuality and Anglo-Irish origins. This key study includes insights from noted performers of Rudkin's work, including Ian Hogg, Peter McEnery, Ian McDiarmid, Gerard Murphy, and Charlotte Cornwell. It is a fully authorized study with exclusive reference to archival material which includes some frank and urgent interview contributions from the dramatist himself, who is usually deemed reclusive. It is enhanced by Dr. Rabey's own experience of Wales, Ireland, and the English Black Country for his exposition of Rudkin's mythic sense of Celtic and Mercian history.
With charm, humour and a generous smattering of musical history, cellist Ian Hampton takes readers into the cello section of the London Symphony Orchestra, performing The Rite of Spring under the baton of Pierre Monteux; into a ubiquitous Bombardier snow-machine tracking across the Arctic, late for a concert with members of the CBC Radio Orchestra; to a basement party where Ian plays Schubert with Stradivarius-wielding cellist Jacqueline du Pré; and on to the stage at Wigmore Hall in London, premiering the works of innovative Canadian composers with the Purcell String Quartet. Structured as if it were a concert, Jan in 35 Pieces revolves around thirty-five compositions that have influenced the course of Ian’s long career. Jan in 35 Pieces is more than a memoir—it is an extravaganza of music history in which Hampton offers smart, playful glimpses into the world of a professional musician.
The formative years of Britain's railway network produced a host of ideas, activities and characters, quite a few of which now seem not only highly unusual, but sometimes little short of ridiculous. Weird schemes and designs, extravagant behaviour, reckless competition and larger-than-life characters all featured in the genuine struggle of the railway system to evolve. While the dawning of regulation and common sense brought about more uniform and responsible practices, factors like the weather and the innate complexity of railway operation continued to produce a stream of nonstandard incidents and outcomes, from wild storms to unusual equipment. This book, by ex-railwaymen Geoff and Ian Body, captures over 150 entertaining snippets, stories, and strange and unusual facts from an ample supply of railway curiosities.
Taking a critical and radical approach, this book calls for a return to mental health social work that has personal relationships and an emotional connection between workers and those experiencing distress at its core. The optimism that underpinned the development of community care policies has dissipated to be replaced by a form of bleak managerialism. Neoliberalism has added stress to services already under great pressure and created a danger that we could revert to institutional forms of care. This much-needed book argues that the original progressive values of community care policies need to be rediscovered, updated and reinvigorated to provide a basis for a mental health social work that returns to fundamental notions of dignity and citizenship.
Conventional chronologies of world history concentrate on the reigns of kings and queens, the dates of battles and treaties, the publication dates of great books, the completion of famous buildings, the deaths of iconic figures, and the years of major discoveries. But there are other more interesting stories to tell--stories that don't usually get into the history books, but which can nevertheless bring the past vividly and excitingly to life. Imagine a history lesson that spares you the details of such seminal events as the 11th-century papal-imperial conflict, that fails to say much at all about the 1815 Congress of Vienna--and that neglects entirely to mention the world-changing moment that was the 1521 Diet of Worms. Imagine instead a book that tells you the date of the ancient Roman law that made it legal to break wind at banquets; the name of the defunct medieval pope whose putrefying corpse was subjected to the humiliation of a trial before a court of law; the identity of the priapic monarch who sired more bastards than any other king of England; and last but not least the date of the demise in London of the first goat to have circumnavigated the globe twice. Imagine a book crammed with such deliciously disposable information, and you have History without the Boring Bits. By turns bizarre, surprising, trivial, and enlightening, History without the Boring Bits offers rich pickings for the browser, and entertainment and inspiration aplenty for those who have grown weary of more conventional works of history.
Ian Bradley's Complete Annotated Gilbert and Sullivan has established itself across the world as the authorized and definitive 'Bible' for all those interested in the Savoy operas. Originally published in two Penguin paperbacks in the 1980's, a single-volume comprehensive compendium, hailed widely as "easily the best annotated Gilbert & Sullivan available" (Gayden Wren, New York Times) was published by Oxford University Press in 1996. This brand new 20th anniversary edition includes Thespis, Gilbert and Sullivan's first collaboration which is now being increasingly performed, despite the loss of the vocal and orchestral scores. It also features a completely new introduction, reflecting on the state of Gilbert and Sullivan nearly 150 years after the pair began their legendary collaboration, and new annotations addressing recent performance history, newly discovered 'lost' songs and dialogue, and, for the first time, Gilbert and Sullivan references in contemporary popular culture. Scholars, performers, and fans are sure to rejoice in this indispensable companion to the Gilbert and Sullivan repertoire, newly updated for the present day.
William Boyce: A Tercentenary Sourcebook and Compendium is published in celebration of the three-hundreth anniversary of the birth in 1711 of England’s leading eighteenth-century composer. It is the first book to be devoted to a musician who more than any of his contemporaries carried the flag in the broadest sense for English music during a period that was inevitably dominated by the towering figure of Handel, who was then resident in London. By the late 19th century, however, Boyce had become generally known only as a composer of anthems and the national song, ‘Hearts of Oak,’ and as the editor of a monumental historical anthology of English anthems, Cathedral Music, which was still in use at that time. The emergent ‘Baroque revival’ led to a gradual broadening of awareness of Boyce from the 1890s onwards. Yet it was only following the initiatives inspired by the bicentenary of his death in 1979 that a significantly wider public appreciation of the quality and range of his achievements came about. Previously neglected works were revived, new recordings made, scholarly articles written, and new editions of his music began to be published. This book brings together diplomatic transcriptions of all the most significant contemporary documents relevant to Boyce’s personal and family life, his career as a composer, editor, theorist, teacher, conductor, Master of the King’s Music, and the reception history of his music. They are accompanied by critical commentaries whenever necessary. The range of sources drawn on includes memoirs, histories, diaries, letters, poems, concert programmes and related press reports, chapel royal, court and parish archives, prefaces to Boyce’s own publications of his music and those edited by others, advertisements for performances of his works and related press reports, details of his subscriptions to musical and literary works, and materials that throw light on his character and professional relationships with the poets, playwrights, churchmen and other musicians with whom he collaborated within the vibrant, burgeoning, and sometimes colourful, English musical culture of his time. The book’s ‘Catalogue of Works’ constitutes the first comprehensive listing of Boyce’s musical output to have been published, and the select, historical ‘Discography’ is the first catalogue of recordings to have been devoted to the composer’s works.
This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the 'new' cultural geography which has emerged in the 1990s. The book comprises three major, interwoven strands. First, fundamental factors such as environmental change and population pressure are addressed in order to sketch the contextual variables of landscapes production. Second, the evolution of the humanised landscape is discussed in terms of processes such as clearing wood, the impact of agriculture, the creation of urban-industrial complexes, and is also treated in historical periods such as the pre-industrial, the modern and the post-modern. From this we can see the cultural and economic signatures of human societies at different times and places. Finally, examples of landscape types are selected in order to illustrate the ways in which landscape both represents and participates in social change. The authors use a wide range of source material, ranging from place-names and pollen diagrams to literature and heritage monuments. Superbly illustrated throughout, it is essential reading for first-year undergraduates studying historical geography, human geography, cultural geography or landscape history.
This volume examines the life and work of New Zealand author Maurice Duggan. His life was turbulent and difficult as he suffered from a "black Irish" personality, the lifelong trauma of an amputated leg, and battles with alcoholism, relationships and employment. This biography looks at the complexity of his life and offers a picture of literary life in New Zealand, and especially Auckland, in the 1950's and 1960's.
Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, and sexual contexts.
“Without any doubt, London is one of the best cities in the world for modern architecture. But it is also one of the biggest cities in the world, and it does not make a display of its best things. A visitor looking for new buildings in the City and the West End might well be justified in turning away with a shudder. Yet delightful things may be waiting for him in Lewisham or St. Albans.” —Ian Nairn, from the foreword As one of the few architectural critics to eschew purely aesthetic modes of analysis, Ian Nairn’s timeless books on modern urban cities have been hailed as some of the most significant writing about contemporary Britain, while also being praised as alternative “guidebooks” for curious travellers. First published in 1964, Modern Buildings in London celebrates the character of buildings that were immediately recognisable as “modern” in 1964, many of which were not the part of the well-known landscape of London but instead were gems that Nairn stumbled across. Written “by a layman for laymen,” Nairn’s take on modern design includes classic buildings such as the Barbican, the former BBC Television Centre and the Penguin Pool at Regent’s Park Zoo as well as schools, old timber yards, ambulance stations, car parks and even care homes.
Pay a visit to London and a black mini cab will probably be one the first things you will see. The London taxi drivers are almost as famous as the black cabs in which they drive, this is mainly due to their in-depth knowledge of London and ability in taking their occupants to their desired destination amid the congestion and the chaos that you often find when travelling through London’s streets. London taxi drivers go through stringent training to obtain their licence, they need to pass “The Knowledge”, a test which is amongst the hardest to pass in the world, and has been described as ‘like having an atlas of London implanted into your brain’. The test requires you to master no fewer than 320 basic routes, all of the 25,000 streets that are scattered within the basic routes and approximately 20,000 landmarks and places of public interest that are located within a six-mile radius of Charing Cross. This book breaks the test down into a series of head-scratching questions and features enough trivia about the capital to surprise even born and bred Londoners. It’s the perfect gift for anyone who thinks they know London inside-out, or wants to learn more!
A newbie’s comprehensive guide to the joys of classical music, including introductions to forty of its greatest composers. Musical tastes may change, but the great classical composers maintain a devoted fan base—for centuries. For anyone who’s interested in classical music but finds it a bit intimidating or confusing, passionate fan and former music-industry executive Ian Christians has developed a unique approach to the genre, designed to make it as easy as possible for new listeners to explore with confidence. With a distinctly unsnobbish air, Discovering Classical Music concentrates on the most legendary composers, taking you step-by-step into their most approachable music and, in some cases, boldly into some of the greatest works traditionally considered too difficult for newcomers. Rarely does a book offer such potential for years of continued discovery and enjoyment. “I recommend [this book] wholeheartedly to new music lovers everywhere.” —Sir Charles Groves, CBE, from the Foreword
What is it that you would want to be preserved for eternity? A man wakes in the middle of the night to discover that the world has stopped. Through the crack in his bedroom curtains he can see no signs of life at all...other than a light in the house opposite where a woman in an oversized Bowie T-shirt stands, looking back at him. The Greatest Play in the History of the World is a beautifully constructed love story, set on Preston Road and also in space and in time. Presented as a monologue for one actor, it asks profound questions with deepest sincerity whilst simultaneously balancing the human quest for meaningful connections. This edition was published to coincide with the play's run at the Traverse Theatre, Edinburgh in summer 2018 starring Julie Hesmondhalgh.
The amazing adventures of a woman with a fist in her head. Clara Darcy is fit! She's also (almost) care-free, (kind of) happily single and joyously dancing through life but, little does she know, her world is about to be turned upside down thanks to the arrival of a fist - slap-bang in the middle of her head. Based on her astonishing real-life story, There Should Definitely Be More Dancing explores the things that define us, that fill us up and make us who we are – a cautionary postcard from the edge of life stuffed full of heart and love and dancing. First produced by Oldham Coliseum Theatre, this edition was published to coincide with the world premiere production at Oldham Coliseum Theatre, followed by a national tour and run at the Assembly Rooms as part of Edinburgh Festival Fringe.
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