This volume contains recent research papers presented at the international workshop on ?Probabilistic Methods in Fluids? held in Swansea. The central problems considered were turbulence and the Navier-Stokes equations but, as is now well known, these classical problems are deeply intertwined with modern studies of stochastic partial differential equations, jump processes and random dynamical systems. The volume provides a snapshot of current studies in a field where the applications range from the design of aircraft through the mathematics of finance to the study of fluids in porous media.
William Boyce: A Tercentenary Sourcebook and Compendium is published in celebration of the three-hundreth anniversary of the birth in 1711 of England’s leading eighteenth-century composer. It is the first book to be devoted to a musician who more than any of his contemporaries carried the flag in the broadest sense for English music during a period that was inevitably dominated by the towering figure of Handel, who was then resident in London. By the late 19th century, however, Boyce had become generally known only as a composer of anthems and the national song, ‘Hearts of Oak,’ and as the editor of a monumental historical anthology of English anthems, Cathedral Music, which was still in use at that time. The emergent ‘Baroque revival’ led to a gradual broadening of awareness of Boyce from the 1890s onwards. Yet it was only following the initiatives inspired by the bicentenary of his death in 1979 that a significantly wider public appreciation of the quality and range of his achievements came about. Previously neglected works were revived, new recordings made, scholarly articles written, and new editions of his music began to be published. This book brings together diplomatic transcriptions of all the most significant contemporary documents relevant to Boyce’s personal and family life, his career as a composer, editor, theorist, teacher, conductor, Master of the King’s Music, and the reception history of his music. They are accompanied by critical commentaries whenever necessary. The range of sources drawn on includes memoirs, histories, diaries, letters, poems, concert programmes and related press reports, chapel royal, court and parish archives, prefaces to Boyce’s own publications of his music and those edited by others, advertisements for performances of his works and related press reports, details of his subscriptions to musical and literary works, and materials that throw light on his character and professional relationships with the poets, playwrights, churchmen and other musicians with whom he collaborated within the vibrant, burgeoning, and sometimes colourful, English musical culture of his time. The book’s ‘Catalogue of Works’ constitutes the first comprehensive listing of Boyce’s musical output to have been published, and the select, historical ‘Discography’ is the first catalogue of recordings to have been devoted to the composer’s works.
From Cohen to Carson provides the first book-length analysis of one of Canada's most distinctive fields of literary production. Ian Rogers argues that Canadian poets have turned to the novel because of the limitations of the lyric, but have used lyric methods - puns, symbolism, repetition, juxtaposition - to create a mode of narrative that contrasts sharply with the descriptive conventions of realist and plot-driven novels." "Detailed case studies of novels by Leonard Cohen, Michael Ondaatje, George Bowering, Daphne Marlatt, and Anne Carson, as well as sections on A. M. Klein and Anne Michaels, reveal how these authors framed their early novels according to formal precedents established in their poetry. In tracking the authors' shift from lyric to long poem to novel, Rae also investigates their experiments with non-literary art forms - photography, painting, and film. He argues convincingly that the authors discussed have combined disparate genres and media to alter notions of narrative coherence in the novel and engage the diverse but fragmented cultural histories of Canadian society." --Résumé de l'éditeur.
Psychiatrist John Cunningham is secretly also "Jack Cannon", author of popular horror novels. Under hypnotic regression, John's patient Tony reveals a bizarre and horrifying tale of a "past life" lived on Tyneside in the 1950s, involving two schoolboys and a weird creature with paranormal powers lurking in caves beneath Tynemouth Castle. As John regresses Tony through earlier lives as far back as the 14th century it begins to seem that the local legend, captured in folksong, of a malevolent Lambton Worm may have had a basis in fact: that it was, in fact, the salamander of alchemical belief, summoned by an alchemist known as Raymond Lully, and possibly still locked below Tynemouth Castle And while John Cunningham is exploring Tony's multiple personalities, he begins to experience personality problems of his own, as Jack Cannon beings to assert his own individuality.
A completely revised and updated edition of the bestselling autobiography of cricketing legend Ian Botham, including his first-hand insight into the 1999/2000 winter tour to South Africa.
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