Art BC presents -- in full colour -- 100 outstanding works by 84 of British Columbia�s foremost artists. Finally, we have the much-needed history of the visual arts in British Columbia, one that also properly integrates our great heritage of First Nations art into the mainstream. In the introduction, Ian M. Thom outlines the art history of the province over the past century. He also writes clearly and thoughtfully about each work individually, setting it in context to reflect the times in which it was made, describing the artist�s achievements, and placing the artist and the work into the art history of British Columbia.
While studying art in London, Emily Carr seriously undermined her health and was sent to a sanatorium for a complete rest cure. Bridling at the hospital’s rules, which prohibited excitement of any kind, the always rebellious Carr proceeded to make friends, raise birds, and cause trouble. In words and enchanting sketches, Carr presents a funny, poignant account of her 18-month convalescence.
A celebration of the life and work of Bertram Charles Binning, one of Canada's foremost artists, architectural innovators and arts educators-a seminal figure in the flourishing of the arts in British Columbia. Artist, educator and architectural innovator -- Bertram Charles (B.C.) Binning was all of these. From the early 1930s through the mid-1970s Binning was at the forefront of West Coast modern art, architecture and arts education. He is perhaps best known for the groundbreaking design of his Modernist home, which has been recognized by the Historic Sites and Monuments Board of Canada. Built in 1940, the Binning residence captures the spirit of early Modernism in Canada. Binning is equally well known for his lively line drawings and his geometric, non-figurative abstract paintings that often reflect his fascination with boats and maritime activity.
Remarkable paintings grace the pages of Maria Chapdelaine, a novel written by a Frenchman yet embraced by generations of Canadian readers. Renowned Canadian artist Clarence Gagnon used a meticulous process to create fifty-four small paintings for Louis Hémon's early twentieth-century story set in the Quebec countryside. Gagnon's vivid illustrations depict the strength of body and soul necessary to survive such a harsh environment. In Clarence Gagnon: The "Maria Chapdelaine" Illustrations, art historian and curator Ian M. Thom provides insight into Gagnon's life and an appreciation of his art. All of the Gagnon Maria Chapdelaine illustrations are reproduced in this book, with excerpts from the novel. The complete set of paintings resides in the McMichael Canadian Art Collection, where it is considered a rare treasure.
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