Kane Greene, an extremely violent crystal-meth addicted psychopath, has just escaped from the Oakdale Psychiatric Clinic after filling a discarded syringe with his own blood and holding it to the throat of a male nurse.Kimberley Thomas is on her way to work at the Oakdale Gym when she sees a naked man covered in blood, lying lifeless on the side of the road. Trained in both first-aid and CPR, Kimberley immediately stops to render assistance, but will her decision prove fatal?Crazy Kane is an edge-of-your-seat thriller with an explosive beginning that will keep you hooked right up to its mind-blowing climax.Warning: this book contains coarse language and descriptions of violence. Therefore is has been deemed not suitable for readers under the age of 18.
Paula Kane: Studio Wall is the first in a series of books produced by ICFAR, RGAP (Research Group in Artists Publication) and IfCAR (Institute for Contemporary Arts Research, Zurich) as part of the research project 'How Art Thinks'. This project takes the idea of the artist's publication as one of several sites of enquiry, giving the reader insight into visual, material and intellectual processes of making and aims to find creative ways to document artists' decision-making, as well as listening and respondng to artists' narratives. Paula Kane's Studio Wall was first shown in gallery form as part of a solo exhibition at the Emily Tsingou Gallery in 2004. In its initial manifestation, the work assembled reference materials, reproductions, notes, sketches and drawings used in the making of her paintings. In re-thinking the work in book form, the artist has used this assemblage as a starting point, working with designer Marit Munzberg to generate an open textual-visual conversation and creating a narrative that indicates the paintings themselves as sites of enquiry.
First Published in 1998. The idea for this book came from involvement in a research project, the Mentoring in Schools project, funded by the Esmee Fairbairn Charitable Trust between September 1993 and July 1995. The book also draws on local evaluation studies of previous pilot projects such as the Articled Teacher Scheme and partnership initiatives with primary schools. A readable, interactive book which presents the phenomenological aspects of school-based training, the human face of mentoring, and which tells how people actually experience school-based teacher education partnerships.
As gang violence runs rampant and the city's rogues gallery capitalise on the chaos, Nightwing, Robin, and many of Gotham's other heroes and anti-heroes must battle for the right to wear the mantle of the Bat. Who will succeed Bruce Wayne - and how will they choose to honour his legacy?
“A concise and gripping history of the Troubles, revealing the people behind the pain and violence” from the award-winning investigative journalist (Vice). On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism. “As gripping as a thriller, except that this isn’t fiction but cold, spine-tingling reality.” —Daily Mail “A remarkable piece of forensic journalism.” —Ed Moloney, author of Voices from the Grave “Reads like a work of fiction . . . True and harrowing.” —Irish Sunday Independent (Books of the Year)
Construction work in Gotham City uncovers a secret vault built by an explorer who returned from Antarctica in 1927 with more than just frostbite. His corpse is found in the vault, torn open - from the inside Batman now has to battle an adversary he hoped never to meet again.
Berlin, in the Autumn of 1942. Inside the Irish consulate, officials and diplomats try to carry on their routine business. Outside, RAF bombing of the capital of the Third Reich intensifies. As the security services start to uncover the true origins of the consulate's German cook, should the staff step into protect her or will their neutrality render them powerless in preventing the crimes unfolding around them? As the secrets of the Nazi regime are uncovered, can a country remain neutral in a time of war? Berlin Hanover Express premiered at the Hampstead Theatre, London in March 2009
What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.
English Drama Since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ideal of renewal. This book introduces the period and its discourse whilst redefining them, to give proper consideration to developments of themes, styles, concerns and contexts from the 80s to the present. The book offers succinct and analytical introductions to the work of 60 dramatists, whilst arguing for (re)appraisal of many dates critical perspectives, in order to stimulate further argument in the field.
A memoir of how a small number of British officers led Muslim soldiers in the hard-fought anti-insurgency war that has shaped today’s Gulf. While the Americans were fighting in Vietnam, a struggle of even greater strategic significance was taking place in the Middle East: The Sultanate of Oman stood guard at the entrance to the Arabian Gulf, and thus controlled the movement of oil from that region. In the 1960s and 70s, the Communists tried to seize this artery and, had they succeeded, the consequences for the West and for the Middle East would have been disastrous—and yet, few people have ever heard of this geo-political drama at the height of the Cold War. In the Service of the Sultan “is an enthralling book. In a mere 180 pages, Ian Gardiner, an army officer who fought with the Sultan of Oman’s forces, succeeds in three major objectives. He describes what it is like to be a young officer leading men of different nationalities into combat against wily and courageous guerrillas. He captures the landscape and the spirit of Oman, ‘that entrancing, fascinating, hauntingly beautiful country.’ Finally, he puts the battles he fought in their geopolitical context . . . It should be read with enduring pleasure by anyone who wishes to reaffirm his pride in his country and in its fighting forces” (The Telegraph). “For anyone interested in understanding the ingredients behind a successful counterinsurgency campaign, In the Service of the Sultan is a must read.”—Imperial Armour Blogspot “Politics, history, irregular warfare, religion, and international affairs: all are ingredients in this absorbing, informative read.”—Oxford & Cambridge Club Military History Group
Scoring the Score is the first scholarly examination of the orchestrator’s role in the contemporary film industry. Orchestrators are crucial to the production of a film’s score, yet they have not received significant consideration in film-music research. This book sheds light on this often-overlooked yet vital profession. It considers the key processes of orchestrating and arranging and how they relate, musical and filmic training, the wide-ranging responsibilities of the orchestrator on a film-scoring project, issues related to working practices, the impact of technology, and the differences between the UK and US production processes as they affect orchestrators. Drawing on interviews with American and British orchestrators and composers, Scoring the Score aims to expose this often hidden profession through a rigorous examination of the creative process and working practices, and analysis of the skills, training and background common to orchestrators. It will appeal to scholars, students, and practitioners of film music.
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
A New York Times Bestseller "A beautiful blend of history and prose and proves again Mr. Toll’s mastery of the naval-war narrative." —Wall Street Journal This masterful history encompasses the heart of the Pacific War—the period between mid-1942 and mid-1944—when parallel Allied counteroffensives north and south of the equator washed over Japan's far-flung island empire like a "conquering tide," concluding with Japan's irreversible strategic defeat in the Marianas. It was the largest, bloodiest, most costly, most technically innovative and logistically complicated amphibious war in history, and it fostered bitter interservice rivalries, leaving wounds that even victory could not heal. Often overlooked, these are the years and fights that decided the Pacific War. Ian W. Toll's battle scenes—in the air, at sea, and in the jungles—are simply riveting. He also takes the reader into the wartime councils in Washington and Tokyo where politics and strategy often collided, and into the struggle to mobilize wartime production, which was the secret of Allied victory. Brilliantly researched, the narrative is propelled and colored by firsthand accounts—letters, diaries, debriefings, and memoirs—that are the raw material of the telling details, shrewd judgment, and penetrating insight of this magisterial history. This volume—continuing the "marvelously readable dramatic narrative" (San Francisco Chronicle) of Pacific Crucible—marks the second installment of the Pacific War Trilogy, which will stand as the first history of the entire Pacific War to be published in at least twenty-five years.
When first published in 2001, Have Not Been The Same became the first book to comprehensively document the rise of Canadian underground rock from 1985 to 1995. 10 years on, the 650-page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists.
The Second World War involved most of the countries of the world and left so many millions dead and maimed, disorganised and devastated through personal and communal loss. This book recovers some of South Africa’s soldiers’ experiences from the physical and mental debris of the war. Individuals are important; their lives – used as lenses – give us colour and texture, and their voices tell the stories of ordinary soldiers. Using their memoirs and diaries, the vitality of their endeavours is reasserted, their successes and failures, victories and indecencies are re-examined, and their magnanimity and the general triumph of the human spirit are celebrated.
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