This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
The main concern of Dr Jarvie’s book is the relation of belief to action. He argues that people act in society because of beliefs, because of ‘the way they see things’. There is the world of physical and social conditioning – where fixed roles, tropisms, adaptations seem to operate; there is the world of mind – where action, alternatively, seems to originate; but then there is Karl Popper’s ‘third world’ – where dwell the objects of thought (ideals, theories, beliefs, values) which ‘directly affect how people act, and thus affect the way the world is’. Reform, change, improvement, modification, all proceed from the competitive interaction between our private beliefs about the world, and their ‘third world’ brothers. Jarvie contends that the struggle of privately held beliefs to realize themselves in the world through the actions of their believers is a fundamental force behind social change.
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 examines how Hollywood movies became one of the most successful U.S. exports, a phenomenon that began during World War I. Focusing on Canada, the market closest to the United States, on Great Britain, the biggest market, and on the U.S. movie industry itself, Ian Jarvie documents how fear of this mass medium's impact and covetousness toward its profits motivated many nations to resist the cultural invasion and economic drain that Hollywood movies represented.
x philosophy when he inaugurated a debate about the principle of methodologi cal individualism, a debate which continues to this day, and which has inspired a literature as great as any in contemporary philosophy. Few collections of material in the general area of philosophy of social science would be considered complete unless they contained at least one of Watkins's many contributions to the discussion of this issue. In 1957 Watkins published the flrst of a series of three papers (1957b, 1958d and 196Oa) in which he tried to codify and rehabilitate metaphysics within the Popperian philosophy, placing it somewhere between the analytic and the empirical. He thus signalled the emergence of an important implica tion of Popper's thought that had not to that point been stressed by Sir Karl himself, and which marked off his followers from the antimetaphysical ideas of the regnant logical positivists. In 1965 years of work in political philosophy and in the history of philosophy in the seventeenth century were brought to fruition in Watkins's widely cited and admired Hobbes's System of Ideas (1965a, second edition 1973d). This book is an important contribution not just to our understanding of Hobbes's political thinking, but, perhaps more importantly, to our understanding of the way in which a system of ideas is constituted and applied. Watkins built on earlier work in developing an account of Hobbes's ideas in which was revealed and clarifled the unity of Hobbes's metaphysical, epistemological and political ideas.
This book offers a careful re-reading of Popper's classic falsificationist demarcation of science, stressing its institutional aspects. Popper's social thinking about science, individuals, institutions, and rationality is tracked through The Poverty of Historicism and The Open Society and Its Enemies as he criticises and improves his earlier work. New links are established between the works of the 1935-1945 period, revealing them as a source for criticism of the institutions and governance of science.
Children and the Movies: Media Influence and the Payne Fund Controversy analyzes the first and most comprehensive study of the influence of movies on American youth, the Payne Fund Studies. First published in 1933, these studies are intrinsically important for their insights and conclusions regarding the effects of movies on behaviour. They are, moreover, also an important landmark of modern social science research, demonstrating the rapid evolution of this discipline in American academic institutions over the first three decades of the century.
Examines the overlap between film and philosophy in three distinct ways: epistemological issues in film-making and viewing; aesthetic theory and film; and film as a medium of philosophical expression.
This book is a first attempt to cover the whole area of aesthetics from the point of view of critical rationalism. It takes up and expands upon the more narrowly focused work of E. H. Gombrich, Sheldon Richmond, and Raphael Sassower and Louis Ciccotello. The authors integrate the arts into the scientific world view and acknowledge that there is an aesthetic aspect to anything whatsoever. They pay close attention to the social situatedness of the arts. Their aesthetics treats art as emerging from craft in the form of luxurious and playful challenge to the audience. In developing it they place emphasis on the number of questions and claims that can be settled by appeal to empirical facts; on the historical character of aesthetic judgements; and on the connection of aesthetic truth to true love and true friendship, i.e. fidelity and integrity, not to informative truth.
This latest publication has a host of additional sections and in particular includes substantial expansion of basic airway and ventilation interventions and is specifically targeted at pre-hospital use.
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