Colour Atlas of Ophthalmology, Second Edition provides information pertinent to the fundamental aspects of ophthalmology. This book provides the correct diagnosis and treatment of many ocular disorders. Organized into 11 chapters, this edition begins with an overview of the process of assessment of a patient with eye disease, which includes taking a good history, examining the eyes with adequate illumination, and testing the visual function. This text then describes exophthalmos, which is the most common condition of the orbit and indicates the possibility of thyroid disease or a space-occupying lesion. Other chapters consider the common causes of ocular injuries, including injury from flying particles, sharp instruments, chemicals, and ocular injury associated with head injury. The final chapter deals with the common, therapeutic, and diagnostic ocular drugs. This book is a valuable resource for ophthalmologists, physicians, nurses, students, and all those paramedical personnel who have to deal with common eye disease.
Colour Atlas of Ophthalmology, fourth edition is an up-to-date compendium of high quality colour illustrations of common eye conditions, with well-organised and concise text.
In the 6th edition of this Colour Atlas of Ophthalmology, all the chapters have been comprehensively updated to incorporate the latest advances in the understanding, diagnosis, investigations and treatment of ocular diseases. This edition has new chapters on glaucoma, trauma, global blindness with major revisions of chapters particularly cornea, cataract and retina. Photographs and images have been updated to reflect the progress in imaging systems and new diagnostic modalities. The electronic version of this book also includes short videos of common surgeries in ophthalmology. With more than 300 high quality pictures and concise text, this book will be an excellent reference for medical students, general practitioners, optometrists, paramedical personnel and community ophthalmic assistants to help understand and treat common eye diseases.
Essex is a remarkable county with a fascinating history, but how well do you know it? This fun, easy-to-use book contains 500 quiz questions in 50 rounds which are designed to test your knowledge about Essex. They range in difficulty from very easy to very hard and they cover topics as diverse as history, ancient buildings, scenes, waterways, transport, towns and villages, local claims to fame, towers, fortifications, the seaside, people, sport, writers, industry, science and islands. There are also some anagrams and some cryptic questions for you to try. Fourteen of the rounds are picture rounds. Can you recognise the places in them? This book can be used to test your own knowledge or the knowledge of your family members and friends. It can also be used in more competitive team quiz challenges in a village hall or a pub. You can even take it with you on a journey and test your knowledge of the places you visit as you go. The book can also be used as an educational tool, providing ideas for places to visit, as the answers include background information on all the topics covered. There is much of interest in Essex and this book will help you uncover it and learn about many aspects of the county’s long and interesting history. Enjoy discovering or rediscovering the many fascinating places in the best county in the country!
The Second and Third Indochina Wars are the subject of important ongoing scholarship, but there has been little research on the lasting impact of wartime violence on local societies and populations, in Vietnam as well as in Laos and Cambodia. Today's Lao, Vietnamese and Cambodian landscapes bear the imprint of competing violent ideologies and their perilous material manifestations. From battlefields and massively bombed terrain to reeducation camps and resettled villages, the past lingers on in the physical environment. The nine essays in this volume discuss post-conflict landscapes as contested spaces imbued with memory-work conveying differing interpretations of the recent past, expressed through material (even, monumental) objects, ritual performances, and oral narratives (or silences). While Cambodian, Lao and Vietnamese landscapes are filled with tenacious traces of a violent past, creating an unsolicited and malevolent sense of place among their inhabitants, they can in turn be transformed by actions of resilient and resourceful local communities.
As Foucault once identified a politics that centers on the body and another that classifies and organizes the human population, Hacking has now provided a masterful description of the politics of memory: the scientizing of the soul and the wounds it can receive.
What inspires a person to create? How does an artist see the world? What happens during a "eureka moment?" How does an artist find self-discipline? The Artist's Mentor is for those of us who want to create art but do not know how to begin. Drawing on interviews and autobiographical writings of more than 100 famous painters, photographers, sculptors, and film and video artists, Jackman gets to the heart of what makes art. Here, Michelangelo Brungardt, Frida Kahlo, Jean Renoir, Andy Warhol, Ansel Adams, Annie Leibowitz, Pablo Picasso, and many other visual artists describe the creative process. Quotes and passages from the artists are accompanied by commentary from Jackman.
Landscape and History explores a complex relationship over the past five centuries. The book is international and interdisciplinary in scope, drawing on material from social, economic and cultural history as well as from geography, archaeology, cultural geography, planning and landscape history. In recent years, as the author points out, there has been increasing interest in, and concern for, many aspects of landscape within British, European and wider contexts. This has included the study of the history, development and changes in our perception of landscape, as well as research into the links between past landscapes and political ideologies, economic and social structures, cartography, art and literature. There is also considerable concern at present with the need to evaluate and classify historic landscapes, and to develop policies for their conservation and management in relation to their scenic, heritage and recreational value. This is manifest not only in the designation of particularly valued areas with enhanced protection from planning developments, such as national parks and world heritage sites, but in the countryside more generally. Further, Ian D. Whyte argues, changes in European Union policies relating to agriculture, with a greater concern for the protection and sustainable management of rural landscapes, are likely to be of major importance in relation to the themes of continuity and change in the landscapes of Britain and Europe.
They explore how weather forecasters today formulate their ideas through state-of-the-art mathematics, taking into account limitations to predictability.
An examination of the treatment of common land in the work of English painters, at a time when much of it was to disappear forever. A most elegantly written book that calmly knocked many entrenched but erroneous notions about British landscape painting firmly on the head. Longlisted and commended by the judges of the 2013 William M. B. Berger prize forBritish art history. During the eighteenth and nineteenth centuries, much of England's common land was eradicated by the processes of parliamentary enclosure. However, despite the fact that the landscape was frequentlyviewed as unproductive, outmoded and unsightly, many British landscape painters of the time - including Constable, Gainsborough and Turner - resolutely continued to depict it. This book is the first full study of how they did so, using evidence drawn not only from art-historical picture analysis, but from contemporary poems and novels, and the contemporary pamphlets, essays and reports that advanced the rhetoric of both agricultural improvement and new theories on landscape aesthetics. It highlights a deep-rooted social and cultural attachment to the common field landscape, and demonstrates that common land played a significant but - until now - underestimated role in both the history of English art and of the formation of an English national identity, reflecting what are still highly sensitive issues of progress, nostalgia and loss within the English countryside. Recasting common land as a recurrentfacet of English culture in the modern period, the numerous paintings, drawings and prints featured in this book give the reader a comprehensive and evocative sense of what this now almost wholly lost landscape looked like in itshey-day. Ian Waites is Senior Lecturer in History of Art and Design at the University of Lincoln.
Based on the landmark Radio 4 series, this beautifully illustrated modern history of the connections between science and art offers a new perspective on what that relationship has contributed to the world around us. __________ Throughout history, artists and scientists have been driven by curiosity and the desire to experiment. Both have wanted to make sense of the world around them, often to change it, sometimes working closely together, certainly taking inspiration from each other's disciplines. The relationship between the two has traditionally been perceived as one of love and hate, fascination and revulsion, symbiotic but antagonistic. But art is crucial to helping us understand our science legacy and science is well served by applying an artistic lens. How exactly has the ingenuity of science and technology been incorporated into artistic expression? And how has creative practice, in turn, stimulated innovation and technological change? The Art of Innovation is a history of the past 250 years viewed through the disciplines of art and science. Through fascinating stories that explore the sometimes unexpected relationships between famous artworks and significant scientific and technological objects - from Constable's cloudscapes and the chemist who first measured changes in air pressure, to the introduction of photography and the representation of natural history in print - it offers a new way of seeing, studying and interpreting the extraordinary world around us.
In this 5th edition of the concise and clearly written best selling title, all the chapters have been thoroughly updated and expanded, particularly the sections on the retinal, macular, phacoemulsification, lasik, new equipment and ophthalmic drugs.The book is generously illustrated with more than 200 colour pictures and is an excellent volume for medical students, general practitioners, ophthalmic students and all paramedical personnel who have to deal with common eye diseases.
Colour Atlas of Ophthalmology, Second Edition provides information pertinent to the fundamental aspects of ophthalmology. This book provides the correct diagnosis and treatment of many ocular disorders. Organized into 11 chapters, this edition begins with an overview of the process of assessment of a patient with eye disease, which includes taking a good history, examining the eyes with adequate illumination, and testing the visual function. This text then describes exophthalmos, which is the most common condition of the orbit and indicates the possibility of thyroid disease or a space-occupying lesion. Other chapters consider the common causes of ocular injuries, including injury from flying particles, sharp instruments, chemicals, and ocular injury associated with head injury. The final chapter deals with the common, therapeutic, and diagnostic ocular drugs. This book is a valuable resource for ophthalmologists, physicians, nurses, students, and all those paramedical personnel who have to deal with common eye disease.
Colour Atlas of Ophthalmology, fourth edition is an up-to-date compendium of high quality colour illustrations of common eye conditions, with well-organised and concise text.
Reviews in Neurology is the CME Proceedings of Indian Academy of Neurology Annual Conference 2018. The theme for this year has been chosen as “Myelin”. Some of the experts in “Myelin” have contributed to this issue. The book discusses on the structure, development and functioning of myelin and the pathogenesis, pathology and electrophysiology of various demyelinating disorders. It also focuses on the multidimensional aspects of multiple sclerosis. There are some chapters that describe other central demyelinating disorders and disorders of central myelin in paediatrics. And lastly, discussion about disorders of myelin in peripheral nervous system has been done.
Places of Pilgrimage is a record of the travels of artist Ian Scott Massie, as he seeks out the spirit of place of over seventy locations around Britain. In words and paintings, he explores the personality of these sites explaining, for example, what he feels on the spot where Saint Cuthbert's coffin rooted itself to the earth, or the visions conjured up on crossing the sands to Holy Island. Some places, which have already been interpreted by people such as A. E. Houseman, Vaughn Williams and Stanley Spencer, are presented afresh. Some are very personal choices: the landscapes painted by Paul Nash (who grew up in the same area as the artist); the village where Laurie Lee wrote Cider with Rosie; the boathouse where Dylan Thomas composed Under Milk Wood, and the industrial landscape which inspired L. S. Lowry. Some are traditional pilgrimage sites, like Lindisfarne, Durham and Canterbury; some are places which have other holds over the visitor - the stones of Avebury, the battlefield of Culloden, the tree where Robin Hood assembled his merry men.
Great Britain can be accused of many things; a proliferation of queuing, a fondness of the demon drink; but it's not without more than its fair share of important historical and modern people. 'Great Britons: A Very Peculiar History' looks at a myriad brillliant Britons and their influence on the world. The book features a short potted history of each person, detailing their acheivements, personalities and lifestyles in a quirky and memorable way. From kings and queens, pirates and politicians, actors and directors to sportsmen, explorers, scientists and inventors, 'Great Britons: A Very Peculiar History' celebrates the men and women who have shaped Great Britain and made it what it is today.
EXAMS! Just the word is enough to bring you out in a muck sweat. We've all been there, staring at the paper, wondering what it means, and if we'll get extra marks for a funny answer or just pelters and an 'F' for F'un Eejit-Heid Failure. F'un Exams is a hilarious collation of exam answers that most of us would have liked to have made, just for the hell of it. In Home Eccy, for instance, the question, 'Name three typical Scottish dishes' got the answer, 'A cup, a plate, and a wee saucer with a chip out of it.' Was that you? So reminisce, step back into the exam hall, and have a laugh at the true and allegedly true howlers in F'un Exams. And if it wasn't you that gave these answers, you'll wish it was.
Covering Western art from the ancient Greeks to the present day, this best-selling and authoritative dictionary is more wide-ranging than any comparable reference work. It contains over 2,500 clear and concise entries on styles and movements, materials and techniques, and museums and galleries. It also includes biographical entries for artists, critics, collectors, dealers, and patrons, with places and full dates of birth and death (in many instances correcting misinformation that has found its way into other sources). For this new edition, entries have been thoroughly revised and updated, and more than fifty new entries have been added, for example Tracey Emin and Jack Vettriano. Browsers and readers with an interest in a particular area will benefit from the classified list of all the entries in the book - an invaluable innovation that makes it easy to see immediately which collectors, for example, or 18th-century French artists, or printmaking terms, are included in the dictionary. Written in an engaging manner with many entries enlivened by quotations from artists and critics, this dictionary is a pleasure to browse, whilst its A-Z structure and classified list makes it perfect for quick reference. Previously entitled The Concise Oxford Dictionary of Art and Artists, this major new edition is essential for students and teachers of art, design, art theory, and art history, and it is ideal for artists, visitors to art exhibitions and galleries, and anyone with an interest in art.
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