This book offers a comprehensive assessment of the music of George Harrison, revealing him as one of the most gifted and authentic singer-songwriters of his generation. The Words and Music of George Harrison is an in-depth appreciation of this often underappreciated musician, following Harrison's development as a singer-songwriter from his earliest songs with The Beatles through his final album, Brainwashed, released after his 2001 death from brain cancer. The Words and Music of George Harrison sheds new light on Harrison's 40-year career, examining his music output in the context of the enormous personal and professional changes he underwent, from the early days in Liverpool and the global explosion of Beatlemania through a solo career marked by spiritual concerns, political activism, and high-profile collaborations. As the book shows, at every stage, George Harrison's songs posed questions, provided commentaries, and looked for solutions, with results that add up to a remarkable music legacy.
John Lennon, Paul McCartney, George Harrison, and Ringo Starr are four of the most famous names in the history of music. In the 1960s, the Beatles became the bestselling pop band in the world, inspiring legions of fans and developing into popular music icons. Fifty years later, their recordings are still in demand. But none of this happened overnight. As Ian Inglis reveals in this tale of the band’s early years, before they took the world by storm, the Beatles were little more than an inexperienced, semi-professional group of talented musicians in dire need of practice. Inglis tells the story of the Beatles in Hamburg, Germany, where their agent, Allan Williams, first sent them in August of 1960. In addition to showing how Hamburg itself played a role in the Beatles’ remarkable story, Inglis details the difficulties they faced— unusual performance venues, age restrictions, and deportations—and the experiences and personalities that shaped them as performers and composers. Ultimately, Inglis explains, the Beatles not only became proficient musicians in Hamburg, but while there they began to build the reputation that would eventually make them the most popular band in the world. An illuminating look at the group’s formative years, The Beatles in Hamburg is the perfect book for any one in thrall of Beatlemania or fan of popular music history.
Listening to popular music and watching television have become the two most common activities for postwar generations in Britain. From the experiences of programmes like Oh Boy! and Juke Box Jury, to the introduction of 24 hour music video channels, the number and variety of television outputs that consistently make use of popular music, and the importance of the small screen as a principal point of contact between audiences and performers are familiar components of contemporary media operation. Yet there have been few attempts to examine the two activities in tandem, to chart their parallel evolution, to explore the associations that unite them, or to consider the increasingly frequent ways in which the production and consumption of TV and music are linked in theory and in practice. This volume provides an invaluable critical analysis of these, and other, topics in newly-written contributions from some of Britain's leading scholars in the disciplines of television and/or popular music studies. Through a concentration on four main areas in which TV organises and presents popular music – history and heritage; performers and performances; comedy and drama; audiences and territories – the book investigates a diverse range of musical genres and styles, factual and fictional programming, historical and geographical demographics, and the constraints of commerce and technology to provide the first systematic account of the place of popular music on British television.
Since the emergence of rock'n'roll in the early 1950s, there have been a number of live musical performances that were not only memorable in themselves, but became hugely influential in the way they shaped the subsequent trajectory and development of popular music. Each, in its own way, introduced new styles, confronted existing practices, shifted accepted definitions, and provided templates for others to follow. Performance and Popular Music explores these processes by focusing on some of the specific occasions when such transformations occurred. An international array of scholars reveal that it is through the (often disruptive) dynamics of performance – and the interaction between performer and audience – that patterns of musical change and innovation can best be recognised. Through multi-disciplinary analyses which consider the history, place and time of each event, the performances are located within their social and professional contexts, and their immediate and long-term musical consequences considered. From the Beatles and Bob Dylan to Michael Jackson and Madonna, from Woodstock and Monterey to Altamont and Live Aid, this book provides an indispensable assessment of the importance of live performance in the practice of popular music, and an essential guide to some of the key moments in its history.
Cultural Sociology: An Introduction is the first dedicated student textbook to address cultural sociology as a legitimate model for sociological thinking and research. Highly renowned authors present a rich overview of major sociological themes and the various empirical applications of cultural sociology. A timely introductory overview to this increasingly significant field which provides invaluable summaries of key studies and approaches within cultural sociology Clearly written and designed, with accessible summaries of thematic topics, covering race, class, politics, religion, media, fashion, and music International experts contribute chapters in their field of research, including a chapter by David Chaney, a founder of cultural sociology Offers a unified set of theoretical and methodological tools for those wishing to apply a cultural sociological approach in their work
Descendants of James Henderson and Christian Inglis of Kinghorn and Wemyss parishes in Scotland, married 1782. Descendants settled throughout Australia.
All money earned from this ebook by the publisher and authors will go to Chest Heart and Stroke Scotland.Collected are 17 tales of terror, from writers, old and new.Find out what lies inside the trinket box.Will O'Hare and Callaghan uncover the secret of the Great Australian Vampyre, or will the secret devour them?Find out how some can be haunted by the living themselves.A book full of sentient rubbish, time travel, murder, ghouls, murderers, funerals and...oh yes, lots of ghosts.Featuring tales by Duncan Lunan, Neil Williamson, Jo Thomas, Ian Hunter, M.J. Steel Collins, Marco Piva, Jon Arnold, Kevin Biggs, Michael S. Collins, Dan Barratt, Thomas Jordan, Paul Gill, Jenny Shirt, Ana Prundaru, Jim Steel, Vaughan Stanger and Gavin Inglis."There they were. Footsteps coming up behind him. Light footstep. Children perhaps, but why would children be out on a night like this? Laughing children. Glanced around in every angle. No tell tale shadows. Just the sound. Of threatening feet. Chasing feet. Running footsteps. He was in no doubt though. Children. Many children. Running. Running after him! Light and fast. Gaining on him. His heart pounded. He tasted fear. Knots in the stomach. A cold sweat. Breathing issues. He turned and ran. He wasn't sure what he was running from. He ran as fast as he could. As if, his life depended on it. From every angle, he heard the footsteps chasing after him.Henry ran. Between streets he'd know well in better light and weather. Didn't know where he was. Still he could hear the footsteps. Directly behind him. In front of him. All around.
William Ian Miller presents a close reading of one of the best known of the Icelandic sagas, showing its moral, political, and psychological sophistication. Hrafnkel tells of a fairly simple feud in which a man rises, falls, and rises again with a vengeance, so to speak. The saga deals with complex issues with finely layered irony: who can one justifiably hit, when, and by what means? It does this with cool nuance, also taking on matters of torture and pain-infliction as a means of generating fellow-feeling. How does one measure pain and humiliation so as to get even, to get back to equal? People are forced to set prices on things we tell ourselves soporifically are priceless, such as esteem, dignity, life itself. Morality no less than legal remedy involves price-setting. This book flies in the face of all the previous critical literature which, with very few exceptions, imposes simplistic readings on the saga. A translation of the saga is provided as an appendix.
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