Literary biography is an endlessly fascinating form, not least because of the fierce controversies that attend the question of how much of a writer's real life ought to be related to readers. Ian Hamilton, a first-rate biographer who encountering his share of adversity in writing the life of J.D. Salinger, is the perfect chronicler of such controversies in this brilliant study, first published in 1992, which charts the course of literary biography from Donne and Shakespeare to Plath and Larkin.'Such a compelling read.' Antonia Fraser, Times'Lively and informative, powerfully and humorously written.' Anthony Burgess, Observer'Surely the funniest book ever written on the doom-laden issue of posthumous literary fame.' Jonathan Keates, Independent
Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s."—New York Times This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1980. "Nothing short of a masterpiece. . . . One of the great critical works produced since the 1950s."—New York Times This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek
The course of events of the Great War has been told many times, spurred by an endless desire to understand 'the war to end all wars'. However, this book moves beyond military narrative to offer a much fuller analysis of of the conflict's strategic, political, economic, social and cultural impact. Starting with the context and origins of the war, including assasination, misunderstanding and differing national war aims, it then covers the treacherous course of the conflict and its social consequences for both soldiers and civilians, for science and technology, for national politics and for pan-European revolution. The war left a long-term legacy for victors and vanquished alike. It created new frontiers, changed the balance of power and influenced the arts, national memory and political thought. The reach of this acount is global, showing how a conflict among European powers came to involve their colonial empires, and embraced Japan, China, the Ottoman Empire, Latin America and the United States.
Australian Bird Names is aimed at anyone with an interest in birds, words, or the history of Australian biology and bird-watching. It discusses common and scientific names of every Australian bird, to tease out the meanings, which may be useful, useless or downright misleading! The authors examine every species: its often many-and-varied common names, its full scientific name, with derivation, translation and a guide to pronunciation. Stories behind the name are included, as well as relevant aspects of biology, conservation and history. Original descriptions, translated by the authors, have been sourced for many species. As well as being a book about names this is a book about the history of ever-developing understandings of birds, about the people who contributed and, most of all, about the birds themselves. 2013 Whitley Award Commendation for Zoological Resource.
Winston Churchill and Austen Chamberlain both entered Parliament with inherited Unionist views. However, changing political circumstances in Britain and Ireland led them to change their stance and adopt policies that would have been anathema to their fathers.
Gregor Jack has it all: young, wealthy, and charming, he's a highly respected member of Parliament, with a beautiful wife--and a closet bursting with skeletons. When he's caught in a police raid on an Edinburgh brothel, his house of cards begins to topple. Enter Detective John Rebus: he smells a set-up. When Jack's flamboyant wife Elizabeth disappears, Rebus uncovers a full-house of orgies, drunken parties, an incestuous "Pack" of deceitful chums...and ultimately Elizabeth's badly beaten body. Now Rebus is on a new quest--to find a killer who holds all the cards. Strip Jack is a stellar entry in Ian Rankin's Inspector Rebus series, which The New York Times calls "A superior series.
Lt.-Gen. Sir Garnet Wolseley commented that history would record the formation of the Volunteers Movement as one of the most remarkable events in the century. In this study of the Rifle Volunteer Movement, the author Ian Beckett has drawn from a wide range of primary source material such as official, regimental, local and private repositories. He has been able to put into perspective the Movement within the structure of the Victorian and Edwardian social, political and military affairs from its formation in 1859 to its absorption in the Territorial Force in 1908.
This second edition of Australian Bird Names is a completely updated checklist of Australian birds and the meanings behind their common and scientific names, which may be useful, useless or downright misleading! For each species, the authors examine the many-and-varied common names and full scientific name, with derivation, translation and a guide to pronunciation. Stories behind the name are included, as well as relevant aspects of biology, conservation and history. Original descriptions, translated by the authors, have been sourced for many species. As well as being a book about names, this is a book about the history of the ever-developing understanding of birds, about the people who contributed to this understanding and, most of all, about the birds themselves. This second edition has been revised to follow current taxonomy and understanding of the relationships between families, genera and species. It contains new taxa, updated text and new vagrants and will be interesting reading for anyone with a love of birds, words or the history of Australian biology and bird-watching.
A brilliant box set of the first ten Rebus novels. Collection comprises of: Knots & Crosses; Hide & Seek; Tooth & Nail; Strip Jack; The Black Book; Mortal Causes; Let it Bleed; Black & Blue; The Hanging Garden; Dead Souls.
The career of Scotland's greatest modern detective. '[Rebus is] the most compelling mind in modern crime fiction' Independent Contains: KNOTS AND CROSSES, HIDE AND SEEK, TOOTH AND NAIL, A GOOD HANGING, STRIP JACK, THE BLACK BOOK, MORTAL CAUSES, LET IT BLEED, BLACK AND BLUE, THE HANGING GARDEN, DEAD SOULS, SET IN DARKNESS, THE FALLS, RESURRECTION MEN, A QUESTION OF BLOOD, FLESHMARKET CLOSE, THE NAMING OF THE DEAD, EXIT MUSIC.
In a reinterpretation of the history of fetishism as a concept, Ian traces the significance of the trope of the "phallic mother" from early psychoanalytic discourse through Klein, Kristeva, and Lacan; across key works of modernist literature by Wilde, Eliot, Joyce, Lawrence, Genet, and others; and in recent feminist theory, gender theory, and postmodern critical theory. Annotation copyright by Book News, Inc., Portland, OR
In a 1968 speech on British immigration policy, Enoch Powell insisted that although a black man may be a British citizen, he can never be an Englishman. This book explains why such a claim was possible to advance and impossible to defend. Ian Baucom reveals how "Englishness" emerged against the institutions and experiences of the British Empire, rendering English culture subject to local determinations and global negotiations. In his view, the Empire was less a place where England exerted control than where it lost command of its own identity. Analyzing imperial crisis zones--including the Indian Mutiny of 1857, the Morant Bay uprising of 1865, the Amritsar massacre of 1919, and the Brixton riots of 1981--Baucom asks if the building of the empire completely refashioned England's narratives of national identity. To answer this question, he draws on a surprising range of sources: Victorian and imperial architectural theory, colonial tourist manuals, lexicographic treatises, domestic and imperial cricket culture, country house fetishism, and the writings of Ruskin, Kipling, Ford Maddox Ford, Forster, Rhys, C.L.R. James, Naipaul, and Rushdie--and representations of urban riot on television, in novels, and in parliamentary sessions. Emphasizing the English preoccupation with place, he discusses some crucial locations of Englishness that replaced the rural sites of Wordsworthian tradition: the Morant Bay courthouse, Bombay's Gothic railway station, the battle grounds of the 1857 uprising in India, colonial cricket fields, and, last but not least, urban riot zones.
Here, said the reviewer for Salon.com, is a book that is "lively and accessible and erudite...the perfect companion for anyone who wouldn't be caught dead with an airport paperback-though I wouldn't want to wager which one provides more juice." Historically, the sexual motives of travel have rarely been spelled out in travel guides and brochures. Sultry Climates is an alternative history of tourism, made up of precisely the details that usually go unmentioned. As Ian Littlewood demonstrates with dazzling elegance and wit, if we want to make sense of the celebrated "Grand Tour" of the nineteenth and early twentieth centuries, for example, it's as important to take account of travelers' visits to Dresden streetwalkers and Venetian courtesans as it is to reckon with their visits to the Dresden picture gallery and the Doge's Palace. From Byron in Greece to Isherwood in Germany, from American expatriates on the Left Bank to Orton in Morocco and right up to the present day, what emerges from these experiences is a continuing motif of tourism, previously neglected or ignored-"a breathless book, a Grand Tour in and of itself" (Los Angeles Times).
Polemon of Laodicea (near modern Denizli, south-west Turkey) was a wealthy Greek aristocrat and a key member of the intellectual movement known as the Second Sophistic. Among his works was the Physiognomy, a manual on how to tell character from appearance, thus enabling its readers to choose friends and avoid enemies on sight. Its formula of detailed instruction and personal reminiscence proved so successful that the book was re-edited in the fourth century by Adamantius in Greek, translated and adapted by an unknown Latin author of the same era, and translated in the early Middle Ages into Syriac and Arabic. The surviving versions of Adamantius, Anonymus Latinus, and the Leiden Arabic more than make up for the loss of the original. The present volume is the work of a team of leading Classicists and Arabists. The main surviving versions in Greek and Latin are translated into English for the first time. The Leiden Arabic translation is authoritatively re-edited and translated, as is a sample of the alternative Arabic Polemon. The texts and translations are introduced by a series of masterly studies that tell the story of the origins, function, and legacy of Polemon's work, a legacy especially rich in Islam. The story of the Physiognomy is the story of how one man's obsession with identifying enemies came to be taken up in the fascinating transmission of Greek thought into Arabic.
Kant conceived of 'critique' as a kind of winnowing exercise, with the aim of separating the wheat of good metaphysics from the chaff of bad. He used a less familiar metaphor to make this point, namely, that of 'the fiery test of critique'-not a medieval ordeal of trial by fire, but rather a metallurgical assay, or cupellation, a procedure in which ore samples are tested for their precious-metal content. When seen in this light, critique has a positive, investigatory side: it seeks not merely to eliminate bad, 'dogmatic' metaphysics but also to uncover what of philosophical value might be contained in traditional speculative metaphysics. In this comprehensive study of the Transcendental Dialectic in Kant's Critique of Pure Reason, Proops argues that Kant uncovered two nuggets of value: the indirect proof of Transcendental Idealism afforded by the resolution of the Antinomies, and a defence of theoretically grounded 'doctrinal beliefs' in a wise and great originator, on the one hand, and in an afterlife, on the other. This examination of critique engages with Kant's views on a number of central problems in philosophy and meta-philosophy: the explanation of the enduring human impulse towards metaphysics, the correct philosophical method, the limits of self-knowledge, the possibility of human freedom, the resolution of metaphysical paradox ('Antinomy'), the justification of faith, the nature of scepticism, and the role of 'as if' reasoning in natural science.
How can we understand and analyze the primarily unconscious process of writing? In this groundbreaking work of neuro-cognitive literary theory, Ian Lancashire maps the interplay of self-conscious critique and unconscious creativity. Forgetful Muses shows how a writer's own 'anonymous, ' that part of the mind that creates language up to the point of consciousness, is the genesis of thought. Those thoughts are then articulated by an author's inner voice and become subject to critique by the mind's 'reader-editor.' The 'reader-editor' engages with the 'anonymous, ' which uses this information to formulate new ideas. Drawing on author testimony, cybernetics, cognitive psychology, corpus linguistics, text analysis, the neurobiology of mental aging, and his own experiences, Lancashire's close readings of twelve authors, including Caedmon, Chaucer, Coleridge, Joyce, Christie, and Atwood, serve to illuminate a mystery we all share.
Alcohol use is complex and multifaceted. Our understanding must be also. Alcohol use, both problematic and not, can be understood at many levels – from basic biological systems through to global public health interventions. To provide the multi-level perspective needed to address this complexity, the Handbook of Alcohol Use draws together an eclectic set of authors, including both researchers and practitioners, to examine the causes, processes and effects of alcohol consumption. Specifically, this book approaches the topic from biological, individual cognition, small group/systems, and domestic/global population perspectives. Each examines alcohol use differently and each offers its own ways to combat problematic behavior. While these alternative viewpoints are sometimes construed as incompatible or antagonistic, the current volume also explores how they can be complimentary.In summary, the Handbook of Alcohol Use brings together an international group of experts to explore how alcohol use can be understood from various perspectives and how these conceptualizations relate. In doing so, it allows us to understand alcohol consumption, and our responses to it, more from an account which spans 'from synapse to society'. - Explores alcohol use from individual through to societal levels - Synthesizes these varied levels of analysis on alcohol use - Draws on an international team of experts including researchers and alcohol treatment practitioners - Makes clear the implications of research for practice (and vice versa)
Reader's Guides provide a comprehensive starting point for any advanced student, giving an overview of the context, criticism and influence of key works. Each guide also offers students fresh critical insights and provides a practical introduction to close reading and to analysing literary language and form. They provide up-to-date, authoritative but accessible guides to the most commonly studied classic texts. The Great Gatsby (1925) is a classic of modern American literature and is often seen as the quintessential novel of 'the jazz age'. This is the ideal guide to the text, setting The Great Gatsby in its historical, intellectual and cultural contexts, offering analyses of its themes, style and structure, providing exemplary close readings, presenting an up-to-date account of its critical reception and examining its afterlife in literature, film and popular culture. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading.
Originally published in 1990 this book focusses on the main manoeuvres that took place in Scotland and England between 1688 and the Battle of Culloden in 1746. It provides a detailed chronological narrative of places, people and battles. Many of the sites associated with the Jacobites have not changed greatly in the last two centuries, and the book is extensively illustrated with photographs and specially drawn maps. The book examines objectively the often contradictory and imprecise accounts surviving from the time in order to discover the real events and significance of the Jacobite risings.
The climax and conclusion of one of the best-selling biographies of our time. The New Yorker declared the first volume of Ian Kershaw's two-volume masterpiece "as close to definitive as anything we are likely to see," and that promise is fulfilled in this stunning second volume. As Nemesis opens, Adolf Hitler has achieved absolute power within Germany and triumphed in his first challenge to the European powers. Idolized by large segments of the population and firmly supported by the Nazi regime, Hitler is poised to subjugate Europe. Nine years later, his vaunted war machine destroyed, Allied forces sweeping across Germany, Hitler will end his life with a pistol shot to his head. "[M]ore probing, more judicious, more authoritative in its rich detail...more commanding in its mastery of the horrific narrative."—Milton J. Rosenberg, Chicago Tribune
* Each location is presented on facing pages where possible, so that text and maps can be read without turning pages * Photography has been taken in conditions and standards that walkers and riders will experience along the routes * Most of the routes chosen do not require specialist navigation or bushcraft skills For the first time in a single volume, this book brings together more than 140 of the best walks, tracks or trails in New South Wales, which can be walked by the moderately fit individual. They are located in national parks, coastal parks, state forests, conservation reserves, historic parks and local government and public easements. Other routes follow state highways, minor roads, coastal cliffs, old gold routes, or pass bushranger haunts and back roads linking towns and historical features. Most routes do not require specialist navigation or bushcraft skills, and vary in length from a 45-minute stroll to a 4-day, 65-kilometre camping trip. Walks, Tracks and Trails of New South Wales highlights the best the state has to offer, from an outback ghost town and ancient lake beds, to Australia's highest mountain, coastal environments and World Heritage rainforests. Easy-to-interpret maps are included to help you navigate, and the book's size makes it convenient to bring with you on your adventures.
Shades of Green offers a creative reimagining of early and antebellum American literary culture by exploring the complex web of relationships linking racial thought to natural science and natural imagery. The book charts a dynamic shift in both polemical and imaginative literature during the century before the Civil War, as scientific, artistic, and spiritual vocabularies regarding "nature" became increasingly important for authors seeking to mobilize public opinion against slavery or to redefine racial identity. Finseth argues that these vocabularies both liberated and constrained antislavery philosophy and, more broadly, that our understanding of race in early American literature must take the natural world into account. In doing this, Finseth fuses a cultural history of the period with fresh readings of such major figures as Ralph Waldo Emerson, Harriet Beecher Stowe, and Frederick Douglass. Drawing on a range of theoretical and disciplinary perspectives, including aesthetics, anthropology, phenomenology, and ecocriticism, Shades of Green demonstrates the agility with which human thought about the natural and the racial leapt across formal epistemological, professional, and artistic boundaries. In this innovative account, the politics of race and slavery are shown to have been deeply intertwined with putatively apolitical cultural understandings of the natural world. The book will be of value to scholars in a variety of disciplines, including American studies, African American literary history, and environmental philosophy.
In this volume, Ian Kershaw introduces Adolf Hitler at the apex of his power, idolized by millions of Germans for bringing the nation out of economic catastrophe. The Nazi party, the armed forces, the industrial cartels, and the civil servants are all "working towards the Fuhrer." Meanwhile, Hitler is poised to realize his Mephistophelean vision : the subjugation of Europe under the Thousand Year Reich and, in the process, the annihilation of the Jews. For three years, Hitler and his relentless armies pluge the European continent into a bloodbath, as German soldiers, accompanied by fanatical SS units, slaughter conquered troops and civilians alike. Then, as Allied might prevails, Kershaw reveals a Hitler transformed from invincible warlord to desperate gambler, ultimately bring destruction to his country and ending his life in a bunker under the ruines of Berlin. Based on immense research, including the use of many previously untapped sources, Hitler, 1936-1945"--Page 4 of cover.
This volume examines the life and work of New Zealand author Maurice Duggan. His life was turbulent and difficult as he suffered from a "black Irish" personality, the lifelong trauma of an amputated leg, and battles with alcoholism, relationships and employment. This biography looks at the complexity of his life and offers a picture of literary life in New Zealand, and especially Auckland, in the 1950's and 1960's.
Central to any reappraisal of Southey’s mid to late career, is 'Roderick'. This best-selling epic romance has not been republished since 1838 and is contextualised here within Southey’s wider oeuvre. The four-volume edition also benefits from a general introduction, volume introductions, textual variants, endnotes and a consolidated index.
Based on the landmark Radio 4 series, this beautifully illustrated modern history of the connections between science and art offers a new perspective on what that relationship has contributed to the world around us. __________ Throughout history, artists and scientists have been driven by curiosity and the desire to experiment. Both have wanted to make sense of the world around them, often to change it, sometimes working closely together, certainly taking inspiration from each other's disciplines. The relationship between the two has traditionally been perceived as one of love and hate, fascination and revulsion, symbiotic but antagonistic. But art is crucial to helping us understand our science legacy and science is well served by applying an artistic lens. How exactly has the ingenuity of science and technology been incorporated into artistic expression? And how has creative practice, in turn, stimulated innovation and technological change? The Art of Innovation is a history of the past 250 years viewed through the disciplines of art and science. Through fascinating stories that explore the sometimes unexpected relationships between famous artworks and significant scientific and technological objects - from Constable's cloudscapes and the chemist who first measured changes in air pressure, to the introduction of photography and the representation of natural history in print - it offers a new way of seeing, studying and interpreting the extraordinary world around us.
“Magisterial . . . anyone who wishes to understand the Third Reich must read Kershaw.”—Niall Ferguson “The Hitler biography of the twenty-first century” (Richard J. Evans), Ian Kershaw’s Hitler is a one-volume masterpiece that will become the standard work. From Hitler’s origins as a failed artist in fin-de-siècle Vienna to the terrifying last days in his Berlin bunker, Kershaw’s richly illustrated biography is a mesmerizing portrait of how Hitler attained, exercised, and retained power. Drawing on previously untapped sources, such as Goebbels’s diaries, Kershaw addresses the crucial questions about the unique nature of Nazi radicalism, about the Holocaust, and about the poisoned European world that allowed Hitler to operate so effectively. Some images in the ebook are not displayed owing to permissions issues.
Archaeology has been complicit in the appropriation of indigenous peoples' pasts worldwide. While tales of blatant archaeological colonialism abound from the era of empire, the process also took more subtle and insidious forms. Ian McNiven and Lynette Russell outline archaeology's "colonial culture" and how it has shaped archaeological practice over the past century. Using examples from their native Australia-- and comparative material from North America, Africa, and elsewhere-- the authors show how colonized peoples were objectified by research, had their needs subordinated to those of science, were disassociated from their accomplishments by theories of diffusion, watched their histories reshaped by western concepts of social evolution, and had their cultures appropriated toward nationalist ends. The authors conclude by offering a decolonized archaeological practice through collaborative partnership with native peoples in understanding their past.
Now available in a single, abridged paperback, Ian Kershaw's Hitler is the definitive biography of the Nazi leader. Ian Kershaw's two volume biography, Hitler 1889-1936: Hubris and Hitler 1936-1945: Nemesis, was greeted with universal acclaim as the essential work on one of the most malign figures in history, from his earliest origins to the final days of the Second World War. Now this landmark historical work is available in one single, abridged edition, tracing the story of how a bitter, failed art student from an obscure corner of Austria rose to unparalleled power, destroying the lives of millions and bringing the world to the brink of Armageddon. 'Supersedes all previous accounts. It is the sort of masterly biography that only a first-rate historian can write' David Cannadine, Observer 'The Hitler biography for the twenty-first century' Richard Evans, Sunday Telegraph 'I cannot imagine a better biography of this great tyrant emerging for a long while' Jeremy Paxman 'Magisterial ... anyone who wishes to understand the Third Reich must read Kershaw, for no one has done more to lay bare Hitler's morbid psyche' Niall Ferguson, Sunday Telegraph
Psychological Management of Stroke presents a review and synthesis of the current theory and data relating to the assessment, treatment, and psychological aspects of stroke. Provides comprehensive reviews of evidence based practice relating to stroke Written by clinical psychologists working in stroke services Covers a broad range of psychological aspects, including fitness to drive, decision making, prevention of stroke, and involvement of carers and families Reviews and synthesizes new data across a wide range of areas relevant to stroke and the assessment, treatment, and care of stroke survivors and their families Represents a novel approach to the application of psychological theory and principles in the stroke field
One poet, his poem, New York City, and a world on the verge of change. W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality, became a scapegoat and a poet-expatriate largely excluded from British literary history because he left. And his poem, “September 1, 1939,” was his most famous and celebrated, yet one which he tried to rewrite and disown and which has enjoyed—or been condemned—to a tragic and unexpected afterlife. These are the contributing forces underlying Ian Sansom’s work excavating the man and his most celebrated piece of literature. But Sansom’s book is also about New York City: an island, an emblem of the Future, magnificent, provisional, seamy, and in 1939—about to emerge as the defining twentieth-century cosmopolis, the capital of the world. And so it is also about a world at a point of change—about 1939, and about our own Age of Anxiety, about the aftermath of September 11, when many American newspapers reprinted Auden’s poem in its entirety on their editorial pages. More than a work of literary criticism or literary biography, this is a record of why and how we create and respond to great poetry.
Nine months after the explosion, a French expedition searching for signs of life discovered a single spider that had crossed to the island on a balloon of silk. Life had returned to Krakatau. Scientists have been studying the island ever since.
Following the rapid expansion of translation studies as an emergent (inter-)discipline over recent decades, demand for doctoral research opportunities is now growing fast in many countries. At the same time, doctoral training packages of a generic nature have been elaborated and refined at many universities, drawing on long traditions of doctoral research in established disciplines. A degree of consensus no doubt exists on such matters as the need for rigor, method and the generation of new knowledge. Beyond that, however, there are a host of issues specific to translation and interpreting studies that remain under-researched and under-discussed. Contributors to this special issue encourage reflection on a range of issues in ways that foster further debate and collaboration on the development of doctoral studies within the field. A number of concrete proposals are offered that could be adapted to local situations in different countries and academic settings. While some of the contributions adopt a mainly empirical stance, others adopt a broad perspective on training, citing examples of widely differing projects. Two contributors offer insights from personal experience of doctoral study while another describes the organization of doctoral work within the conceptual framework of a research group. All consider training from the angle of student needs and offer concrete suggestions for ensuring that doctoral candidates are equipped with the guidance, concepts, methods and tools required for success.
It's a time of change. While mankind is adjusting to its first encounter with an alien civilisation, black-ops soldier Jim Leyton has absconded from the agency that trained him, and allied himself with a mysterious faction in order to rescue the woman he loves. Since his death, scientist and businessman Philip Kaufman has realised that there is more to the virtual world than he'd suspected. Yet it soon becomes clear that all is not well in Virtuality. Both men begin to suspect that the much heralded 'First Contact' was anything but, and that a sinister con is being perpetrated on the whole of humankind. Now all they have to do is prove it.
The 19th-century steam railway epitomized modernity's relentlessly onrushing advance. Ian Carter delves into the cultural impact of the train. Why, for example, did Britain possess no great railway novel? He compares fiction and images by canonical British figures (Turner, Dickens, Arnold Bennett) with selected French and Russian competitors: Tolstoy, Zola, Monet, Manet. He argues that while high cultural work on the British steam railway is thin, British popular culture did not ignore it. Detailed discussions of comic fiction, crime fiction, and cartoons reveal a popular fascination with railways tumbling from vast (and hitherto unexplored) stores of critically overlooked genres.
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