A biography—thoughtful and playful—of the man who founded New Directions and transformed American publishing James Laughlin—poet, publisher, world-class skier—was the man behind some of the most daring, revolutionary works in verse and prose of the twentieth century. As the founder of New Directions, he published Ezra Pound's The Cantos and William Carlos Williams's Paterson; he brought Hermann Hesse and Jorge Luis Borges to an American audience. Throughout his life, this tall, charismatic intellectual, athlete, and entrepreneur preferred to stay hidden. But no longer—in "Literchoor Is My Beat": A Life of James Laughlin, Publisher of New Directions, Ian S. MacNiven has given us a sensitive and revealing portrait of this visionary and the understory of the last century of American letters. Laughlin—or J, as MacNiven calls him—emerges as an impressive and complex figure: energetic, idealistic, and hardworking, but also plagued by doubts—not about his ability to identify and nurture talent but about his own worth as a writer. Haunted by his father's struggles with bipolar disorder, J threw himself into a flurry of activity, pulling together the first New Directions anthology before he'd graduated from Harvard and purchasing and managing a ski resort in Utah. MacNiven's portrait is comprehensive and vital, spiced with Ezra Pound's eccentric letters, J's romantic foibles, and anecdotes from a seat-of-your-pants era of publishing now gone by. A story about the struggle to publish only the best, it is itself an example of literary biography at its finest.
In his letters Paul speaks often of his emotions, and also promotes certain feelings while banishing others. This indicates that for Paul, emotion is vital. However, in New Testament studies, the study of emotions is still nascent; current research in the social sciences highlights its cognitive and social dimensions. Ian Y. S. Jew combines rigorous social-scientific analysis and exegetical enquiry to argue that emotions are intrinsic to the formation of the Pauline communities, as they encode belief structures and influence patterns of social experience. By taking joy in Philippians and grief in 1 Thessalonians as representative emotions, and contrasting Paul's approach with that of his Stoic contemporaries, Jew demonstrates that authorized feelings have socially integrating and differentiating functions; by reinforcing the shared theological realities upon which emotional norms are based, group belonging is bolstered. Simultaneously, authorized emotions fortify the theological boundaries between Christians and others, which strengthens group solidarity in the Church by accentuating its members' insider status. Using this framework heuristically, Jew explores how the interplay of symbolic, ritual, and social elements within Paul's eschatological worldview reinforces emotional norms, and demonstrates that attention to emotion can only deepen our understanding of the social formation of the early believers.
Wilson was a wealthy gentleman who could afford to indulge his hobby of Astronomy. He was attracted to this subject when, as a teenager, he took part in the Total Eclipse Expedition to Algeria in 1870. He set up a well-equipped private Observatory at Daramona House in Streete, County Westmeath. His contributions to Astronomy included: The first fairly accurate estimate of the temperature of the Sun's visible surface; the first photo-electric measurements of the brightness of stars; a series of superb celestial photographs with a 24-inch Grubb reflector; The first use of cinematography in solar physics; One of the first to suggest that radio-activity might keep the stars shining. The book covers all these initiatives and much more. Wilson, though he never attended university, was elected to Fellowship of the (London) Royal Society and received an honorary doctorate from Dublin University. But the book covers his family and life style, with brief biographies of his contemporary scientific colleagues. The book is well illustrated with family and astronomical photographs. It is written for the 'educated layman', and no knowledge of Astronomy (or indeed science) is required.
In this important new book, Guy and Small develop a new account of literary creativity in the late nineteenth century, one that combines concepts generated by text-theorists concerning the embodied nature of textuality with the empirical insights of text-editors and book historians. Through these developments, which the authors term the ‘textual turn,’ this study examines the textual condition of nineteenth-century literature. The authors explore works by Dickens, Wilde, Hardy, Yeats, Swinburne, FitzGerald, Pater, Arnold, Pinero and Shaw, connecting questions about what a work textually ‘is’ with questions about why we read it and how we value it. The study asks whether the textual turn places us in a stronger position to analyze the value of a nineteenth-century text—not for readers of the nineteenth century, but of the twenty-first. The authors argue that this issue of value is central to their discipline.
John F. Kennedy: A Reference Guide to His Life and Works cover all aspects of his life and work. Despite his short tenure in office, Kennedy shaped the domestic and international direction of the nation for decades to come. He is remembered domestically for the hope and encouragement he instilled in the struggle for civil rights, his support for the freedom riders and for equality for women. Abroad, his memory lives in his handling of the Cold War against an aggressive Soviet Union and such events as the Berlin crisis and Wall, his intervention in the Vietnam War, the invasion of Cuba and Bay of Pigs disaster, the Cuban Missile crisis, and the beginnings of space exploration—all of which tested the young, relatively inexperienced, leader. Includes a detailed chronology detailing John F. Kennedy’s life, family, and work. The A to Z section includes family members, his handling of the Cold War, and such events as the Berlin crisis and Wall, his intervention in the Vietnam War, the invasion of Cuba and Bay of Pigs disaster, the Cuban Missile crisis, and the beginnings of space exploration. The bibliography includes a list of publications concerning his life and work. The index thoroughly cross-references the chronological and encyclopedic entries.
A revisionist history of American liberalism, from the Great Depression to the Cold War. Finalist of the MSA First Book Prize by The Modernist Studies Association In Making Liberalism New, Ian Afflerbach traces the rise, revision, and fall of a modern liberalism in the United States, establishing this intellectual culture as distinct from classical predecessors as well as the neoliberalism that came to power by century's end. Drawing on a diverse archive that includes political philosophy, legal texts, studies of moral psychology, government propaganda, and presidential campaign materials, Afflerbach also delves into works by Tess Slesinger, Richard Wright, James Agee, John Dewey, Lionel Trilling, and Vladimir Nabokov. Throughout the book, he shows how a reciprocal pattern of influence between modernist literature and liberal intellectuals helped drive the remarkable writing and rewriting of this keyword in American political life. From the 1930s into the 1960s, Afflerbach writes, modern American fiction exposed and interrogated central concerns in liberal culture, such as corporate ownership, reproductive rights, color-blind law, the tragic limits of social documentary, and the dangerous allure of a heroic style in political leaders. In response, liberal intellectuals borrowed key values from modernist culture—irony, tragedy, style—to reimagine the meaning and ambitions of American liberalism. Drawing together political theory and literary history, Making Liberalism New argues that the rise of American liberal culture helped direct the priorities of modern literature. At the same time, it explains how the ironies of narrative form offer an ideal medium for readers to examine conceptual problems in liberal thought. These problems—from the abortion debate to the scope of executive power—remain an indelible feature of American politics.
A collection of science fiction stories and novelettes by the Hugo and Philip K. Dick Award–winning author of Desolation Road and Luna: New Moon. Published in conjunction with his Locus Award–winning debut novel, Desolation Road, Empire Dreams collects some of Ian McDonald’s finest early short fiction, including a several stories that first appeared in Asimov’s Science Fiction magazine. In “Vivaldi,” an astrophysicist contemplates the death of the universe as he hurtles through space to investigate a black hole. A beach bum in Morocco encounters a woman who is curiously full of life in “Radio Marrakech.” An Irish scientist prepares to make contact with aliens as his daughter dreams of fairies in “King of Morning, Queen of Day.” And in the title novelette, a boy is given an experimental treatment that allows him to fight his cancer via virtual reality gameplaying. As Asimov’sScience Fiction declared, Ian McDonald is “the Frank Herbert, William Gibson, or arguably even Thomas Pynchon of the early 21st century.”
Ben Jonson was the greatest of Shakespeare's contemporaries. In the century following his death he was seen by many as the finest of all English writers, living or dead. His fame rested not only on the numerous plays he had written for the theatre, but on his achievements over three decades as principal masque-writer to the early Stuart court, where he had worked in creative, and often stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he had become - in fact if not in title - the first Poet Laureate in England. Jonson's life was full of drama. Serving in the Low Countries as a young man, he overcame a Spanish adversary in single combat in full view of both the armies. His early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary — and very nearly to a permanent — standstill. He was 'almost at the gallows' for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again; and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. In his middle years, twenty stone in weight, he walked to Scotland and back, seemingly partly to fulfil a wager, and partly to see the land of his forebears. He travelled in Europe as tutor to the mischievous son of Sir Walter Ralegh, who 'caused him to be drunken and dead drunk' and wheeled provocatively through the streets of Paris. During his later years he presided over a sociable club in the Apollo Room in Fleet Street, mixed with the most learned scholars of his day, and viewed with keen interest the political, religious, and scientific controversies of the day. Ian Donaldson's new biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time. Jonson emerges from this study as a more complex and volatile character than his own self-declarations (and much modern scholarship) would allow, and as a writer whose work strikingly foresees - and at times pre-emptively satirizes - the modern age.
This comprehensive resource provides up-to-date political coverage of every country and political entity in the world today. It incorporates all the major global and regional changes following the decolonization of Hong Kong in 1997, recent leadership changes in China and Russia, the results of the Dayton Peace Accord, the rise of the New Labor Party in the UK, the 1999 elections in Israel and South Africa, and the continued search for peace in the Middle East and Northern Ireland. The economic crisis in Asia and the widespread growth of world nuclear powers are also covered.
Michael Feinstein was just 20 years old when he got the chance of a lifetime: a job with his hero, Ira Gershwin. During their six-year partnership, Feinstein blossomed under Gershwin's mentorship and Gershwin was reinvigorated by the younger man's zeal. Now, in The Gershwins and Me, Michael Feinstein shares unforgettable stories and reminiscences from the music that defined American popular song, along with rare Gershwin memorabilia he's collected through the years. Includes an accompanying CD packed with Feinstein's original recordings of 12 Gershwins' songs.
101 World Whiskies To Try Before You Die is the companion guide to 2010's 101 Whiskies To Try Before You Die. Ian Buxton again eschews the obvious whiskies and recommends another 101 whiskies that he believes every whisky lover should taste. In Ian Buxton's new collection of whisky recommendations he has cast his net wider. He includes not only whiskies from the established whisky-producing countries, but also many newcomers. The book includes whiskies from Austria, Belgium, Canada, the Czech Republic, England, India, Ireland, Japan, The Netherlands, Scotland, Taiwan, USA and Wales. All the whiskies included are both affordable and accessible. Ian Buxton does not believe in collecting whiskies or investing in whisky. He believes in tasting and enjoying the huge range of whiskies that are available. The book includes single malts and blends - and provacatively a few renegade suggestions that are bound to offend purists.
Legend has it that Hollywood lures gifted writers into its service with sunshine and money, only to treat them as glorified typists and plot-mechanics, peripheral to the main business of moviemaking. This is what Ian Hamilton describes as 'the writer-in-chains saga that emerges from any study of Hollywood during its so-called golden years - the period I have marked as running from 1915-1951.' But in this superb account of what befell the likes of Faulkner, Fitzgerald, Chandler and Huxley by working for the Dream Factory, Hamilton argues that these writers 'were in the movies by choice: they earned far more money than their colleagues who did not write for films, and in several cases they applied themselves conscientiously to the not-unimportant task at hand. And they had a lot of laughs...' 'Fascinating and enjoyable.' New Statesman 'Abounds in marvelous stories, apocryphal, fabulous, funny and even true.' Observer Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.
Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural momentIdentifies the cinematic werewolf's most common metaphorical dimensionsHorror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.
Because screenwriter Robert Riskin (1897–1955) spent most of his career collaborating with legendary Hollywood director Frank Capra, his own unique contributions to film have been largely overshadowed. With five Academy Award nominations to his credit for the monumental films Lady for a Day, Mr. Deeds Goes to Town, You Can't Take It with You, Here Comes the Groom, and It Happened One Night (for which he won an Oscar), Riskin is often imitated but rarely equaled. Robert Riskin: The Life and Times of a Hollywood Screenwriter is the first detailed critical examination of the Hollywood pioneer's life and work. In addition to being one of the great screenwriters of the classic Hollywood era, Riskin was also a producer and director, founding his own film company and playing a crucial role in the foundation of the Screen Writers Guild. During World War II, Riskin was one of the major forces behind propaganda filmmaking. He worked in the Office of War Information and oversaw the distribution—and later, production—of films and documentaries in foreign theaters. He was interested in showing the rest of the world more than just an idealized version of America; he looked for films that emphasized the spiritual and cultural vibrancy within the United States, making charity, faith, and generosity of spirit his propaganda tools. His efforts also laid the groundwork for a system of distribution channels that would result in the dominance of American cinema in Europe in the postwar years. Author Ian Scott provides a unique perspective on Riskin and the ways in which his brilliant, pithy style was realized in Capra's enduring films. Riskin's impact on cinema extended far beyond these films as he articulated his vision of a changing America and helped spread Hollywood cinema abroad.
O'Connor explores the heated professional and personal battle between Arnold Palmer and Jack Nicklaus in fascinating, intimate, and revelatory detail. Drawing on unique access to both players, O'Connor illuminates the golf greats' extreme differences and sprawling influences.
Can civilization survive the 21st century? Professor Ian Lowe, author, pre-eminent scientist and president of the Australian Conservation Foundation, thinks we have a chance--but we have to act now, and not just on global warming. Here, collected for the first time, are Lowe's views on topics that concern all Australians--the environment, culture, science, politics, education, technology and the economy, along with new pieces on Australia's outlook this century. Written in Lowe's accessible and engaging style, this collection of essays and opinion pieces is a resource for change based on common sense rather than fear-mongering. Informative, challenging and incisive, "A Voice of Reason: Reflections on Australia" will inspire you to make a difference.
The prize-winning biography of the celebrated author of the Alexandria Quartet and the Avignon Quintet: an “elegant and meticulous . . . treat” (Kirkus Reviews). A New York Times Notable Book Born in colonial India in 1912, Lawrence Durrell established his literary reputation as a citizen of the Mediterranean. After attending school in England, Durrell escaped the country he dubbed “Pudding Island” for the Greek island of Corfu, only to make another escape—this time from Nazi invasion—to Egypt. His experiences in wartime Alexandria led to a quartet of novels, beginning with Justine, that are collectively considered some of the great masterpieces of postwar fiction. Durrell’s peripatetic life, which eventually took him to the South of France, fed his work with the richness and drama of his various adoptive homes. A man of protean talents, Durrell is celebrated for his fiction and poetry, as well has his highly regarded translations, essays, and travel literature. In researching this authorized biography, Ian S. MacNiven traveled over a period of twenty years from India to California, interviewing hundreds of individuals and visiting all but one of the many places Durrell lived. The result is an intimate portrait of a literary titan that was awarded a prize by the French city of Antibes for the year’s best study on Durrell.
While much attention has been paid to the commemoration of conflict in the twentieth century, this book is the first to consider conflict memory in the long term, arguing that modern practices were not created out of the mud of the trenches, but evolved from much longer practices. From the fourteenth century to the present day, this work analyses the changing commemoration and memories of British battlefields at home and overseas, from Bannockburn (1314) to Bosworth (1485) to Basra (1914-1921). Across these seven centuries, there have been a series of recurring post-battle rituals that have shaped and continue to shape memories of conflict. Three distinct but overlapping periods of memory can be delineated: In the later Middle Ages battlefields were consecrated by the burial of the fallen and often by the erection of a battlefield cross, or chapel or chantry to pray for the dead. The second phase began with the Protestant Reformation in the 1530s, when pilgrimage and prayers for the dead was abolished, and battlefield chantries were dissolved and many battlefield crosses were demolished. Memories shifted from the dead to the living, especially the bodies of surviving veterans who commemorated the conflict by their wounds, and from soil and stone to print and ink. The third phase began in the eighteenth century when antiquaries and others established new monuments on past battlefields. Monuments to survivors and the dead were established on contemporary battlefields such as Waterloo, once again hailed as sacred ground hallowed by bloodshed, fit destinations for a pilgrimage. Not just officers but ordinary soldiers began to be memorialized by name on the battlefield, culminating in the cult of the names of the dead enshrined by the creation of the War Graves Commission in 1917, and the idea that battlefields should be preserved unchanged as seen in modern heritage management. Drawing on a wide variety of literary and historical sources and taking a uniquely longue durée approach, the book explores and links memory-making practices from across the period to reconsider the ways in which battlefields are commemorated and re-commemorated. In so doing, it makes a unique contribution to a wide range of historiographical fields: British history since the fourteenth century, memory studies, heritage studies, landscape history, conflict archaeology, and military history.
The first novel from Ian Douglas introduces us to Simon Hadlow, a New Zealand Policeman who has many experiences to his credit, including Diplomatic Protection Service and Undercover work. Simon finds himself in a conflicting situation when his brother in law is arrested on theft and burglary offences and Simon is asked by family member to arrange something to ‘get him off’. Preferring to transfer out of town, leaving behind his broken marriage, Simon establishes himself in the popular tourist town of Queenstown where he not only develops his career further but his personal life takes a much needed improvement. A transfer to the Christchurch Policing Area to assist with the management of an off the track Inspector, see’s Simon becoming involved in a particularly gruesome investigation involving the discovery of two severed arms, from different bodies. But where did they come from and what is the link to the Royal Artillery and the Falkland Islands ? Within Reach develops the character of Simon Hadlow and those people who are associated with him; from DCI Scotty MacPherson, Pathologist Gordon Williams and Area Commander Mathewson through to Melanie Kensington and her family by way of the twists, turns and international travel that Simon encounters along the way to solving this puzzling case.
Topics in Applied Psychology offers a range of accessible, integrated texts ideal for courses in applied psychology. The books are written by leading figures in their field and provide a comprehensive academic and professional insight into each topic. They incorporate a range of features to bring psychology to life including case histories, research methods, ethical debate and learner activities. Each chapter opens with learning objectives to consolidate key points. A reading list and sample essay questions at the end of chapters enable further independent study. The series also offers an appreciation of multiple perspectives, examines the relationship between psychology and other cognate disciplines and discusses recent developments in each field. Topics in Applied Psychology will provide you with the tools you need to engage with, enjoy and understand your applied psychology discipline, ultimately ensuring confidence and success in exams as well as a comprehensive grounding in the profession. Organizational and Work Psychology examines individual behaviour, motivation and satisfaction, diversity management, teamwork, and decision making. Personnel practices and human resource management, performance management and career management are also explored in depth. The book also includes discussions on health, wellness and dysfunctional behaviour at work, politics and power in organizations, leadership, job design and the meaning of work. It concludes with an analysis of organizational cultures and climates and organizational change and development. The integrated and interactive approach, combined with the comprehensive coverage, make this book the ideal companion for courses in applied organizational and work psychology. Other books in the series include: Clinical Psychology, Criminal Psychology, Educational Psychology, Health Psychology and Sport and Exercise Psychology.
The true confessions of a working opera composer: an exhilarating story of "a life that comes out of chaos." At eight years old, Ricky Ian Gordon pulled The Victor Book of Opera off his piano teacher’s bookshelf, and his world shifted on its axis. Though scandal, sadness, and confusion would shake that world over the next few decades, its polestar remained constant. Music has been the guiding force of Gordon’s life; through it, he has been able not only to survive great sorrow but also to capture the depths of his emotion in song. It is this strength, this technical and visceral genius, that has made him one of our generation’s greatest composers. In Seeing Through, Gordon writes with humor, insight, and incredible candor about his life and work: a tumultuous youth on Long Island, his artistic collaborations and obsessions, the creation of his compositions (including The Grapes of Wrath, 27, Orpheus and Euridice, Intimate Apparel, Ellen West, and more), his addictions and the abuses he endured, and the loss of his partner to AIDS and the devastation of the HIV/AIDS epidemic. As Gordon writes of that period: “We were, thousands of us, Lazarus. We had to rise from the ashes. We didn’t have to rebuild our lives, we had to build new ones.” Gordon has succeeded in building a remarkable life, as well as a body of work that bears witness to all he survived in the process—one that will endure as a pivotal chapter in America's songbook.
The west's Orientalism - its construction of an Arab or Islamic 'Other' - has been exposed and examined under the critical theory microscope and thoroughly expelled, it seems, from academic thought. At the same time postmodern thinkers from Nietzsche onwards have employed the motifs and symbols of the Islamic Orient within an ongoing critique of western modernity, an appropriation which, this hugely controversial book argues, runs every risk of becoming a new and more insidious Orientalist strain.Ian Almond sensitively yet rigorously examines the work of Nietzsche, Jacques Derrida, Michel Foucault, Jean Baudrillard, Julia Kristeva and Slavoj Zizek, as well as that of postmodern writers Jorge Luis Borges, Salman Rushdie and Orhan Pamuk. In doing so he exposes the implications of this 'use' of Islam for both the postmodern project and for Islam itself. Taking apart the assumptions, omissions and contradictions inherent in these thinkers' approaches to Islam and to the Arab world, and drawing on the work of prominent Muslim thinkers including Ziauddin Sardar, Aziz Al-Azmeh and Bobby S. Sayyid, "The New Orientalists" highlights the difficulty of ever speaking truly about the 'Other'. In light of the current Western climate of fear and hysteria surrounding the Islamic world, this groundbreaking project could hardly be more timely.
Making a new contribution to the developing field of multimodal critical discourse studies, Ian Roderick's book demonstrates how technologies that tend to be widely represented as innovative, or as simple pragmatic solutions, are always anchored in power relations and are therefore deeply ideological. A series of examples analysing technologies such as robotics, smart phones or bio-medicine, their functioning and uses, as well as their representations in the media, show that these are embedded within discourses that tell us about social and power relations, identities and political values. The book takes a tour of everyday technologies and how they are represented in different settings. A Disney theme park attraction showing how technology has improved family life makes many assumptions about what is natural in terms of interpersonal relations, pleasure and satisfaction. Advertisements that represent robot workers inform us about the kinds of worker-management relations now characterising work places. Roderick looks at the way that technologies, while often represented as divorced from their production and maintenance, as objects of wonder, need to be seen within a fabric of social relations that tends to be supressed from how we see them as part of a wider technological fetishism. Engaging with existing theories of technology, the book argues that we must take a more interdisciplinary approach to avoid the pitfalls of social constructivism and technological determinism. Our experiences of technologies are shaped through the relationship between knowledge, practices and institutional forms.
The actions, images and stories within films can impact upon the political consciousness of viewers, enabling their audience to imagine ways of resisting the status quo, politically, economically and culturally. But what does political theory have to say about film? Should we explore film theory through a political lens? Why might individuals respond to the political within films? This book connects the work of eight radical political theorists to eight world-renowned films and shows how the political impact of film on the aesthetic self can lead to the possibility of political resistance. Each chapter considers the work of a core thinker on film, shows its relevance in terms of a specific case study film, then highlights how these films probe political issues in a way that invites viewers to think critically about them, both within the internal logic of the film and in how that might impact externally on the way they live their lives. Examining this dialogue enables Ian Fraser to demonstrate the possibility of a political impact of films on our own consciousness and identity, and that of others.
First published in 1972, Ian Whitcomb's After the Ball is an exuberant account of the origins and explosion of popular music, informed by the author's store of experience in the field as a pop sensation of The Sixties. 'Brash, learned, funny and perspicacious.... The author of this free-wheeling, diverting history was a student at Trinity College, Dublin, when he created a rock hit 'You Turn Me On,' and experienced a brief, bewildering season as a touring rock celebrity. This book... is his effort to explain that experience to himself, and, well-educated man that he is, he goes all the way back to the first pop bestseller (in sheet music, of course), 'After The Ball,' and all the way forward to the 1960s.' New Yorker 'One of the best books on popular music to come along in the last few years.... Whitcomb's own involvement with music constantly surfaces to make the book both revealing and highly enjoyable.' Seattle Times
Here, said the reviewer for Salon.com, is a book that is "lively and accessible and erudite...the perfect companion for anyone who wouldn't be caught dead with an airport paperback-though I wouldn't want to wager which one provides more juice." Historically, the sexual motives of travel have rarely been spelled out in travel guides and brochures. Sultry Climates is an alternative history of tourism, made up of precisely the details that usually go unmentioned. As Ian Littlewood demonstrates with dazzling elegance and wit, if we want to make sense of the celebrated "Grand Tour" of the nineteenth and early twentieth centuries, for example, it's as important to take account of travelers' visits to Dresden streetwalkers and Venetian courtesans as it is to reckon with their visits to the Dresden picture gallery and the Doge's Palace. From Byron in Greece to Isherwood in Germany, from American expatriates on the Left Bank to Orton in Morocco and right up to the present day, what emerges from these experiences is a continuing motif of tourism, previously neglected or ignored-"a breathless book, a Grand Tour in and of itself" (Los Angeles Times).
Perkin Warbeck, pretender to the English throne, claimed to be Richard of Shrewsbury, Duke of York & Norfolk, the younger of the two sons of Edward IV imprisoned in the Tower of London by Richard III, and whose true fate is unknown to this day. He led two attempts to claim the crown, but was captured by Henry VII and hanged at Tyburn. This book looks at who Warbeck really was, how he was used by those in power in Burgundy, France, Italy, Scotland and Ireland, and the progress of the conspiracy itself. It has often been considered to be a side issue to Henry's reign, but this book reveals how close the conspirators came to bringing about a fundamental change in European politics. Importantly, Ian Arthurson not only sets the plot within the context of what was happening in fifteenth-century Europe, but also reveals important truths about Henry's reign in England. Illustrated with a wealth of contemporary portraits, paintings, engravings and documents, The Perkin Warbeck Conspiracy will appeal to anyone with an interest in fifteenth-century history.
This book is a unique primer for school professionals, educators and policymakers to develop a solid understanding of the domains essential to cultivating and sustaining successful schools. It also provides essential reading for policymakers and researchers interested in these issues more broadly. In response to various sensationalist discourses around schooling that dominate both mainstream and social media, the authors draw upon both long-standing and up-to-date research from around the world to present a more accurate, holistic, and optimistic approach. The book identifies the key domains that are necessary to address concerns in equity, leadership and teaching for enhanced student learning and wellbeing. Specifically, these domains relate to: (1) system-wide approaches to enhance school performance; (2) building teacher capability for student learning; (3) educational leadership as a vehicle for leading learning; and (4) building community ‘infrastructures’ for equitable, place-based learning. The book can be used in several ways: each chapter can be read as a stand-alone overview of key areas for school improvement. The broad topics are important jigsaw puzzle pieces that are necessary to ‘see the whole picture’ of a successful school/system. Each chapter includes ‘Key messages’ and ‘Ways forward’ and closes with extension questions to further guide thinking through the ‘big ideas’ presented in each chapter and how they are relevant to different schooling and policy contexts. Grounded in research into productive and proactive system and school practices from around the world, this book ensures professional educators are equipped with the latest research and practice, without being overwhelmed by the detail.
Offers a unique comparative exploration of the role of tradition in Islam and Christianity. The idea of 'tradition' has enjoyed a variety of senses and definitions in Islam and Christianity, but both have cleaved at certain times to a supposedly 'golden age' of tradition from the past. The author suggests there has been a chain of thinkers from classical Islam to the twentieth century who share a common interest in ijtihad (or independent thinking). Drawing on past and present evidence, and using Christian tradition as a focus for contrast and comparison, the author highlights the seemingly paradoxical harmony between tradition and itjihad in Islam.The author draws on a variety of primary and secondary sources including contemporary newspaper and journal
An entertaining and informative compendium of facts and trivia about the U.S. presidents ranges from George Washington to the results of the 2008 presidential election in a volume organized into more than one hundred different categories.
Because screenwriter Robert Riskin spent most of his career collaborating with legendary Hollywood director Frank Capra, Riskin's own unique contributions to film have been largely overshadowed. With five Academy Award nominations to his credit for the monumental films Lady for a Day, Mr. Deeds Goes to Town, You Can't Take It with You, Here Comes the Groom, and It Happened One Night (for which he won the Oscar), Riskin is often imitated but rarely equaled. In Capra's Shadow: The Life and Career of Screenwriter Robert Riskin is the first detailed critical examination of the Hollywood pioneer's life and work. In addition to being one of the great screenwriters of the classic Hollywood era, Riskin was also a producer and director, founding his own film company and playing a crucial role in the foundation of the Screen Writers Guild. During World War II, Riskin was one of the major forces behind propaganda filmmaking. He worked in the Office of War Information and oversaw the distribution -- and later, production -- of films and documentaries in foreign theaters. He was interested in showing the rest of the world more than just an idealized version of America; he looked for films that emphasized the spiritual and cultural vibrancy within the U.S., making charity, faith, and generosity of spirit his propaganda tools. His efforts also laid the groundwork for a system of distribution channels that would result in the dominance of American cinema in Europe in the postwar years. Riskin's postwar work included his production of the 1947 film Magic Town, the tale of a marketing executive who discovers the perfect American small town and uses it for polling. What Riskin created onscreen is not simply a community stuck in an antiquarian past; rather, the town of Grandview observes its own traditions while at the same time confronting the possibilities of the modern world and the challenges of postwar America. Author Ian Scott provides a unique perspective on Riskin and the ways in which his brilliant, pithy style was realized in Capra's enduring films. Riskin's impact on cinema extended far beyond these films as he helped spread Hollywood cinema abroad and articulated his vision of a changing America.
Winner of the Philip K Dick Award “Filled with wondrous language, marvelous events.” —Science Fiction Chronicle In Ireland, three generations of young women fight to control the powers coursing through their blood: the power to bring the mystical Otherworld into our world, and change it. Emily, Jessica and Enye must each face their dark side of human mythoconsciousness–and their own personal histories. But the forces of faerie are ever treacherous... Filled with vivid, passionate characters you will never forget, King of Morning, Queen of Day is a spellbinding fantasy of the real Ireland. “McDonald’s power as a storyteller lies in his stylistic versatility and intensity of language as well as in his capacity to create vivid and memorable characters. Highly recommended.” —Library Journal “A brilliant book.” —Charles de Lint
The seventeen equations that form the basis for life as we know it. Most people are familiar with history's great equations: Newton's Law of Gravity, for instance, or Einstein's theory of relativity. But the way these mathematical breakthroughs have contributed to human progress is seldom appreciated. In In Pursuit of the Unknown, celebrated mathematician Ian Stewart untangles the roots of our most important mathematical statements to show that equations have long been a driving force behind nearly every aspect of our lives. Using seventeen of our most crucial equations -- including the Wave Equation that allowed engineers to measure a building's response to earthquakes, saving countless lives, and the Black-Scholes model, used by bankers to track the price of financial derivatives over time -- Stewart illustrates that many of the advances we now take for granted were made possible by mathematical discoveries. An approachable, lively, and informative guide to the mathematical building blocks of modern life, In Pursuit of the Unknown is a penetrating exploration of how we have also used equations to make sense of, and in turn influence, our world.
The most comprehensive review available for the PANCE® and PANRE®—fully revised and updated with all-new professional practice content More than 1,300+ Q&As Help You Achieve Your Highest Score Possible on the PANCE® AND PANRE Exams® 1,300+ multiple-choice questions supplement coursework and help you prepare for the certification exams Each question is accompanied by a detailed, referenced answer Organized by body system to help you pinpoint your areas of strength and weakness High-yield chapter on test-taking skills and techniques—plus score boosting-hints Includes 40% new Q&As with coverage of the latest treatment and diagnostic tests New! Professional practice chapter and expanded color page supplements for images and ECGs Thorough review of basic science and clinical science concepts Topics include Cardiovascular, Dermatology, Endocrinology, EENT, Gastroenterology, Genitourinary, Hematology/Oncology, Infectious Disease, Musculoskeletal, Nephrology, Neurology, Psychiatry, Pulmonology, Reproductive Medicine
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