Coach Yourself, Change Your Life, And Succeed with Your Podcast. The Podcaster's Coach was written to help podcasters shorten their path to success by using podcast creation as a self-coaching and happiness tool. It covers the mindset and strategies you need to change your life. In these pages, you will learn: The potential to re-invent yourself and grow How podcasting can help you leave a long-lasting, digital legacy A new way of looking at podcast as art, with the host as an artist An example of how to build authority in new or existing industries. Alexander Laurin is a Certified Professional Life Coach. Alexander has produced and hosted The Metta Holistic Palliative Care Podcast, The Biggest Win Sales Podcast, Podcasters, The Micro Podcast Improv, The Work Utopia Podcast, and The Habs Life. He was given the Podcast Success Writer Award in 2018 at The Mastery of Greatness from Raymond Aaron, New York Times best selling author. In these pages, Alexander shares his experience of personal reinvention, creating positive change, and living with purpose and fun, offering a recipe for success to aspiring podcast creators. Inside are ideas on how to create and develop authority, but most importantly, how to use the momentum of podcast creation to craft a new awareness of purpose, meaning, self-care and community. Included are special contributions by Ian Farrar (Global Platorm, Local Focus), Rob O'Donohue (Overcoming the Imposter Syndrome 1% at a Time!), Steven Pacheco (Finding the Truth in Your Own Voice), Bunmi Akinnusotu (Doing it My Way), Dave Lee (Bridging The Gap With a Father & Son Podcast), Joseph Fanning (What Podcasting Does For Me), Michael Howie (Podcasting as a Tool For Improved Mental Health), Pavo (The Foot of the Mountain), Josh Naaman (Podcasting as an Art Form), Jesse Kahat (Keeping the Legacy Alive Through Podcasting), Perry and Lindsay Johnson (How Podcasting Saved Our Marriage). Chapter 1: My Journey Toward Success The Day and Moment Things Changed My Rocky Path Toward Success How One Podcast Episode Saved My Life How NOT to Measure Success Chapter 2: Living Well Bye Bye Boredom Achievement Versus Meaningless Activities The Creative Element - Free, Present, and Within A Part of a Spiritual Practice The End of Your Life and The Bucket List Your Digital Legacy Chapter 3: Happiness You Can't Podcast on a Theme that Doesn't Feel Right Inside Positive Messaging Becoming a New You Getting Out of the Shell and Overcoming Shyness What Other Podcasters Say About Happiness Chapter 4: New & Enhanced Relationships Making New Connections Podcasters Around the World A Great Way to Connect With Those Whom You Admire Common Interests With Family Members Chapter 5: Self Help & Podcast Pseudo Therapy Putting Yourself Out There Liberating The Pain Within - Release & Teach Use an Audible Diary Chapter 6: Learn, Change, and Have Fun Learning New Things About Yourself Learning From Others When It's Time to Change Your Process When It's Time to Change Your Podcast Excitement When You Start Podcasting Has a Formula for Fun with a Co-Host Chapter Chapter 7: Career, Business and Income Chapter 8: How to Get Started toCreate Your Podcast Chapter 9:Podcaster Successes
“A concise and gripping history of the Troubles, revealing the people behind the pain and violence” from the award-winning investigative journalist (Vice). On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism. “As gripping as a thriller, except that this isn’t fiction but cold, spine-tingling reality.” —Daily Mail “A remarkable piece of forensic journalism.” —Ed Moloney, author of Voices from the Grave “Reads like a work of fiction . . . True and harrowing.” —Irish Sunday Independent (Books of the Year)
Twenty-two side-splitting glimpses into some oddball corners of the American mind from bestselling author Ian Frazier. The title essay of Coyote v. Acme, Frazier's second collection of humorous essays, imagines the opening statement of an attorney representing cartoon character Wile E. Coyote in a product liability suit against the Acme Company, supplier of unpredictable rocket sleds and faulty spring-powered shoes. Other essays are about Bob Hope's golfing career, a commencement address given by a Satanist college president, a suburban short story attacked by the Germans, the problem of issues versus non-issues, and the theories of revolutionary stand-up comedy from Comrade Stalin. From first to last, this is Frazier at his hilarious best.
When The Atlantic Monthly celebrated its 150th anniversary by publishing excerpts from the best writing ever to appear in the magazine, in the category of the humorous essay it chose only four pieces—one by Mark Twain, one by James Thurber, one by Kurt Vonnegut, and Ian Frazier's 1997 essay "Lamentations of the Father." The title piece of this new collection has had an ongoing life in anthologies, in radio performances, in audio recordings, on the Internet, and in photocopies held by hamburger magnets on the doors of people's refrigerators. The august company in which The Atlantic put Frazier gives an idea of where on the literary spectrum his humorous pieces lie. Frazier's work is funny and elegant and poetic and of the highest literary aspiration, all at the same time. More serious than a "gag" writer, funnier than most essayists of equal accomplishment, Frazier is of a classical originality. This collection, a companion to his previous humor collections Dating Your Mom (1985) and Coyote v. Acme (1996), contains thirty-three pieces gathered from the last thirteen years. Past winner of the Thurber Prize for American Humor; author of the nonfiction bestsellers Great Plains, Family, and On the Rez; contributor to The New Yorker, Outside, and other magazines, Frazier is the greatest writer of our (or indeed of any) age.
In The Fish's Eye: Essays about Angling and the Outdoors, Ian Frazier explores his lifelong passion for fishing, fish, and the aquatic world. He sees the angler's environment all around him-in New York's Grand Central Station, in the cement-lined pond of a city park, in a shimmering bonefish flat in the Flordia keys, in the trout streams of the Rocky Mountains. He marvels at the fishing in the turbid Ohio River by downtown Cincinatti, where a good bait for catfsh is half a White Castle french fry. The incidentals of the angling experience, the who and the where of it, interest him as much as what he catches and how. The essays (including the famous profile of master angler Jim Deren, late proprietor of New York's tackle store, the Angler's Roost) contain sharply focused observations of the American outdoors, a place filled with human alterations and detritus that somehow remains defiantly unruined. Frazier's simple love of the sport lifts him to straight -ahead angling description that are among the best contemporary writing on the subject. The Fish's Eye brings together twenty years of heartfelt, funny, and vivid essays on a timeless pursuit where so many mysteries, both human and natural, coincide.
In this collection of reporting pieces that have appeared in The New Yorker, Ian Frazier's subjects range from Heloise, the household hints columnist, to Jim Deren, the famous fisherman. Remarkably vivid, enjoyable profiles of seemingly obscure subjects.
It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's most extraordinary creations. Visual effects artists and films discussed include: Dennis Muren (Star Wars: Episodes IV–VI; Terminator 2: Judgment Day; Jurassic Park; A.I. Artificial Intelligence; War of the Worlds) Bill Westenhofer (Babe: Pig in the City; Cats & Dogs; The Lion, the Witch and the Wardrobe; The Golden Compass; Life of Pi) Joe Letteri (The Lord of the Rings trilogy; King Kong; Avatar; Planet of the Apes; The Hobbit trilogy) Rob Legato (Apollo 13; Titanic; The Aviator; Hugo) Paul Franklin (Pitch Black; Christopher Nolan’s The Dark Knight trilogy; Inception; Interstellar) Richard Edlund (Star Wars: Episodes IV–VI; Raiders of the Lost Ark; Ghostbusters; Multiplicity); Edson Williams (X-Men: The Last Stand; The Curious Case of Benjamin Button; The Social Network; Captain America films) Karen Goulekas (Godzilla; The Day After Tomorrow; 10,000 BC; Green Lantern); Chris Corbould (Golden Eye; Die Another Day; Christopher Nolan’s The Dark Knight trilogy; Inception); Ian Hunter (The X-Files; The Dark Knight; The Dark Knight Rises; Inception; Interstellar) John Rosengrant (Terminator films; Jurassic Park; Iron Man films; Real Steel)
Dispatches from the front lines of American culture by the great humorist Ian Frazier, “America’s greatest essayist” (Los Angeles Times), has gathered his insights on the most urgent issues of today in Cranial Fracking. From climate change (what did Al Gore say at his colloquium on the rising temperatures in Hell?) to the state of culture (what do you do when you’re afflicted with Loss of Funding?) to Texas (what should we do with Texas?), he has all the answers. Or, at the very least, a lot of questions. Frazier is endlessly curious and perpetually delighted, and seeing the absurdity of the world through his eyes is irresistible. Once more, the author of Hogs Wild and Travels in Siberia has struck oil.
A master of both distilled insight and utter nonsense" (The Believer), Ian Frazier is one of the most gifted chroniclers of contemporary America. Hogs Wild assembles a decade's worth of his finest essays and reportage, and demonstrates the irrepressible passions and artful digressions that distinguish his enduring body of work. Part muckraker, part adventurer, and part raconteur, Frazier beholds, captures, and occasionally reimagines the spirit of the American experience. He travels down South to examine feral hogs, and learns that their presence in any county is a strong indicator that it votes Republican. He introduces us to a man who, when his house is hit by a supposed meteorite, hopes to "leverage" the space object into opportunity for his family, and a New York City police detective who is fascinated with rap-music-related crimes. Alongside Frazier's delight in the absurdities of contemporary life is his sense of social responsibility: there's an echo of the great reform-minded writers in his pieces on a soup kitchen, opioid overdose deaths on Staten Island, and the rise in homelessness in New York City under Mayor Bloomberg. In each dizzying discovery, Hogs Wild unearths the joys of inquiry without agenda, curiosity without calculation. To read Frazier is to become a kind of social and political anthropologist--astute and deeply engaged.
ÿA phone sex worker who seizes a golden opportunity to turn the tables on a sinister abuser; a jailbird who finds an unexpected new outlet for his talent for forgery; a conjuror whose spurned wife discovers the secret of his most terrifying stage stunt. Ian P. Oliver has written a dozen short stories dealing with love and hate, lust and loathing, rage and retribution. All have a twist in the tale. Not recommended for bedtime reading, if you want a peaceful night?s sleep?
A former Soviet-trained IRA soldier turned businessman finds himself catapulted into his old life when he accidentally witnesses a murder as well as the murderer.
It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's most extraordinary creations. Visual effects artists and films discussed include: Dennis Muren (Star Wars: Episodes IV–VI; Terminator 2: Judgment Day; Jurassic Park; A.I. Artificial Intelligence; War of the Worlds) Bill Westenhofer (Babe: Pig in the City; Cats & Dogs; The Lion, the Witch and the Wardrobe; The Golden Compass; Life of Pi) Joe Letteri (The Lord of the Rings trilogy; King Kong; Avatar; Planet of the Apes; The Hobbit trilogy) Rob Legato (Apollo 13; Titanic; The Aviator; Hugo) Paul Franklin (Pitch Black; Christopher Nolan’s The Dark Knight trilogy; Inception; Interstellar) Richard Edlund (Star Wars: Episodes IV–VI; Raiders of the Lost Ark; Ghostbusters; Multiplicity); Edson Williams (X-Men: The Last Stand; The Curious Case of Benjamin Button; The Social Network; Captain America films) Karen Goulekas (Godzilla; The Day After Tomorrow; 10,000 BC; Green Lantern); Chris Corbould (Golden Eye; Die Another Day; Christopher Nolan’s The Dark Knight trilogy; Inception); Ian Hunter (The X-Files; The Dark Knight; The Dark Knight Rises; Inception; Interstellar) John Rosengrant (Terminator films; Jurassic Park; Iron Man films; Real Steel)
A fearless and fiercely intelligent story collection which captures the Midwest better than any writer since Jonathan Franzen or Stuart Dybek, and announces the arrival of a major new talent.
Acclaimed hillwalking writers Ian R Mitchell and George Rodway tell the fascinating story of Aberdeen-born Alexander Kellas, and his contribution to mountaineering from the 20th century to the present day. Now a largely neglected figure, Kellas is the pioneer of high altitude physiology, his climbing routes still in evidence today. Follow Kellas' journey, which takes him from the Scottish Cairngorms to the Himalaya, and discover how his struggles and explorations have impacted upon mountaineering today.
How videogames offer a new way to do journalism. Journalism has embraced digital media in its struggle to survive. But most online journalism just translates existing practices to the Web: stories are written and edited as they are for print; video and audio features are produced as they would be for television and radio. The authors of Newsgames propose a new way of doing good journalism: videogames. Videogames are native to computers rather than a digitized form of prior media. Games simulate how things work by constructing interactive models; journalism as game involves more than just revisiting old forms of news production. Wired magazine's game Cutthroat Capitalism, for example, explains the economics of Somali piracy by putting the player in command of a pirate ship, offering choices for hostage negotiation strategies. Videogames do not offer a panacea for the ills of contemporary news organizations. But if the industry embraces them as a viable method of doing journalism—not just an occasional treat for online readers—newsgames can make a valuable contribution.
Nobody Better, Better Than Nobody is a collection of five extended essays that appeared in The New Yorker from 1978 to 1986. In the tradition of A. J. Liebling and Joseph Mitchell, Ian Frazier raises journalism to high literary art. His vivid stories showcase a strange and wonderful parade of American life, from portraits of Heloise, the syndicated household-hints columnist, and Jim Deren, the urban fly-fisher's guru, to small-town residents in western Kansas preparing to celebrate a historic, mutual massacre, to which they invite the Cheyenne Indians' descendants with the promise of free bowling.
Born in 1917 into an aristocratic Boston family Robert Lowell was not yet thirty when his first major collection of poems, Lord Weary's Castle, won the Pulitzer Prize. With Life Studies, his third book, he found the intense, highly personal voice that made him the foremost American poet of his generation. He held strong, complex and very public political views. His private life was turbulent, marred by manic depression and troubled marriages. But in this superb biography (first published in 1982) the poet Ian Hamilton illuminates both the life and the work of Lowell with sympathetic understanding and consummate narrative skill. 'Our one consolation for Ian Hamilton's early death is that his work seems to have lived on with undiminished force... The critical prose, in particular, still sets a standard that nobody else comes near.' Clive James
The battle for Ypres in October and November 1914 represented the last opportunity for open, mobile warfare on the Western Front. In the first study of First Ypres for almost 40 years, Ian Beckett draws on a wide range of sources never previously used to reappraise the conduct of the battle, its significance and its legacy.
More serious than a "gag" writer and funnier than most essayists, Frazier has a classical originality. This collection, a companion to his previous humor collections "Dating Your Mom" and "Coyote v. Acme," contains 33 pieces gathered from the last 13 years.
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