It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's most extraordinary creations. Visual effects artists and films discussed include: Dennis Muren (Star Wars: Episodes IV–VI; Terminator 2: Judgment Day; Jurassic Park; A.I. Artificial Intelligence; War of the Worlds) Bill Westenhofer (Babe: Pig in the City; Cats & Dogs; The Lion, the Witch and the Wardrobe; The Golden Compass; Life of Pi) Joe Letteri (The Lord of the Rings trilogy; King Kong; Avatar; Planet of the Apes; The Hobbit trilogy) Rob Legato (Apollo 13; Titanic; The Aviator; Hugo) Paul Franklin (Pitch Black; Christopher Nolan’s The Dark Knight trilogy; Inception; Interstellar) Richard Edlund (Star Wars: Episodes IV–VI; Raiders of the Lost Ark; Ghostbusters; Multiplicity); Edson Williams (X-Men: The Last Stand; The Curious Case of Benjamin Button; The Social Network; Captain America films) Karen Goulekas (Godzilla; The Day After Tomorrow; 10,000 BC; Green Lantern); Chris Corbould (Golden Eye; Die Another Day; Christopher Nolan’s The Dark Knight trilogy; Inception); Ian Hunter (The X-Files; The Dark Knight; The Dark Knight Rises; Inception; Interstellar) John Rosengrant (Terminator films; Jurassic Park; Iron Man films; Real Steel)
L’inspecteur John Rebus, passionné de musique, ne peut qu’être charmé par la voix douce de la mystérieuse Penny Cook, animatrice d’une émission de radio nocturne. Il lui prête mille visages, mille corps, mille vies. Lorsque Penny signale recevoir des menaces de la part de l’un de ses auditeurs, l’inspecteur voit là l’opportunité d’enfin la rencontrer.
In the most politically incorrect book ever published in this country, journalist Wishart rounds up a herd of sacred cows, skewering the social engineers, and exposing the elites who want your taxes and your children while they laugh all the way to the bank like perverse Pied Pipers.
To the outside world, David Emmeret Smith has it all. He's at the height of his acting career, is the envy of his peers, and is in a loving, committed relationship. But, on the cusp of the biggest night of his life, one impulsive decision after another begins a downward spiral which puts everything he holds dear at risk. What follows from there is a hedonist's love affair with drugs, depravity, and destruction.
In my experience, all our problems do indeed stem from this hyperactive and delusional thinking we have acquired over time. There is a way to eradicate the light-speed, blind reactions and the habitual confusion. The way is very simple. It boils down to just two words: do nothing. That’s it. Do nothing. Sit quietly in a room alone and do nothing. Watch the monkey mind and do not try to fix it or eliminate it or drown it out or engage it. This is doing non-doing. Observe the mind, on autopilot as usual, screaming editorial comments from the sidelines like some frenzied play-by-play announcer and do nothing about it. Don't turn the monologue into a dialogue. Do nothing. “Nothing to see here, folks. Let’s keep it moving.”
It would be rare these days to find a film that did not in some way depend on the magic of visual effects, from the raging computer-generated dinosaurs in Steven Spielberg's Jurassic Park, to the fantastical worlds of Tim Burton's Alice in Wonderland, and the photoreal tiger and ocean in Ang Lee's Life of Pi. Through interviews with 16 of the leading effects pioneers from around the world (see list below), author Ian Failes explores the making of some of the most memorable film sequences ever produced, showcasing the shift from practical to digital magic with original behind-the-scenes imagery, shot breakdowns, and detailed explanations of some of the secrets behind the making of cinema's most extraordinary creations. Visual effects artists and films discussed include: Dennis Muren (Star Wars: Episodes IV–VI; Terminator 2: Judgment Day; Jurassic Park; A.I. Artificial Intelligence; War of the Worlds) Bill Westenhofer (Babe: Pig in the City; Cats & Dogs; The Lion, the Witch and the Wardrobe; The Golden Compass; Life of Pi) Joe Letteri (The Lord of the Rings trilogy; King Kong; Avatar; Planet of the Apes; The Hobbit trilogy) Rob Legato (Apollo 13; Titanic; The Aviator; Hugo) Paul Franklin (Pitch Black; Christopher Nolan’s The Dark Knight trilogy; Inception; Interstellar) Richard Edlund (Star Wars: Episodes IV–VI; Raiders of the Lost Ark; Ghostbusters; Multiplicity); Edson Williams (X-Men: The Last Stand; The Curious Case of Benjamin Button; The Social Network; Captain America films) Karen Goulekas (Godzilla; The Day After Tomorrow; 10,000 BC; Green Lantern); Chris Corbould (Golden Eye; Die Another Day; Christopher Nolan’s The Dark Knight trilogy; Inception); Ian Hunter (The X-Files; The Dark Knight; The Dark Knight Rises; Inception; Interstellar) John Rosengrant (Terminator films; Jurassic Park; Iron Man films; Real Steel)
Chronicles the extraordinary lengths to which some people will go when they have endured their pet peeves long enough and are not going to take it anymore.
En Grande-Bretagne, au début des années 1970, la guerre froide est loin d’être finie. Serena Frome, jeune femme aussi séduisante qu'intelligente, se retrouve engagée par le MI5 en vue de l’opération Sweet Tooth. Cette dernière consiste à subvenir aux besoins d'écrivains dont les œuvres s’accordent avec l’idéologie du gouvernement. Mais c’est sans compter sur les dangers de l’amour et de la littérature.
A book about redemption, letting go, finding your voice and refusing to be held down anymore. This book is about empowerment and the struggle to get there. There are some darker themes of processing through anger and guilt for those feelings but at the end of it all this is about letting life sort itself out and coming out better for it.
Adam Mahfouz is mugged by a former pupil. His life unravels: he loses his job as tutor on a global educational programme, then loses his house and nearly his life. As he walks through and under London, he remembers his past and understands the truth about his life. A Glass Rope celebrates London and the Thames 30-40years in the future.
With the nation’s most respected broadcaster now exposed for cheating, The Big Story comes as a timely and highly topical satire on the television industry, where the words 'truth' and 'reality' can have quite different meanings. Written by an insider, it’s scurrilous, witty…and accurate (honest!)
Evan O'Gorman is a young, Irish rower, coached by a father who is tormented by grief and an obsession with qualification for the Olympics. When Evan's oar hits a dead horse in the River Liffey, it starts an irresistible chain of events that carries him from rowing defeat, through the psychological devastation of a breakup, to exile in Barcelona. Evan's search for the daughter of a Basque terrorist draws him into the sphere of a psychopathic killer and ultimately leads to a flight for his life, a World Championships and a thrilling conclusion on a lake in the north of Spain.
Étrange idée que de faire chanter un petit fonctionnaire sans histoire. Mais l'inspecteur John Rebus flaire vite que, derrière cette tentative farfelue, se cache en réalité l'occasion de régler de vieux comptes.
A single mother's patience snaps when a delinquent yob crosses the line and breaks into her property in the middle of the night. Instead of calling the police, she ties the sixteen-year-old terror to a dining chair and attempts to find out why she does the things that she does.
Dam was convinced he was a collection of tiny organisms that were being programmed to live a chosen life. Whether that life had been chosen by him was a question he often asked his organisms. Nothing happened, they did not respond. Maybe they have a different language? he thought. As it will be noticed, these stories are not in any order. Though the collection did come chronologically from the same well, spring, they are not intended to have any logical sequence. They simply record the rambling devotions of an idiot. And as such should relay extreme caution to the reader so he or she may never step in the same shoes as Mr. Dam Diligent! On the other hand, Dams okay. He is not worried about much, and he is still alive! I think . . .
The Fallen Boys were at their zenith when Zac's luck ran out. How does the shock of being dumped from dazzling and conspicuous success into relative obscurity affect his fellow band members Karl, Ritchie and Leon? Accustomed to adulation, wall-to-wall glamour and all the illusions of fame, the Boys find themselves in strange territory. No longer courted, with zero prospect of resurrecting the group, they find themselves facing harsh realities. Karl is driven to appear on chat shows and accept pantomime roles: all the P.R. exercises he previously spurned. Reluctantly, he participates in a TV reality series soon after he meets Lizzie Keating, daughter of an IRA bomber. As the challenges to their relationship surface: Karl's father, ex-Army and implacable in his hatred for the Irish; Karl's wandering eye and Lizzie's refusal to play second fiddle to anyone, Karl learns what is really valuable.
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