Foreword by Baroness Susan Greenfield CBE. In Neuroscience for Teachers: Applying Research Evidence from Brain Science, Richard Churches, Eleanor Dommett and Ian Devonshire expertly unpack, in an easy-to-read and instantly useable way, what every teacher needs to know about the brain and how we really learn and what that suggests for how they should teach. Everyone is curious about the brain including your learners! Not only can knowing more about the brain be a powerful way to understand what happens when your pupils and, of course, you pick up new knowledge and skills, but it can also offer a theoretical basis for established or new classroom practice. And as the field of neuroscience uncovers more of nature's secrets about the way we learn and further augments what we already know about effective teaching this book advocates more efficient pedagogies rooted in a better understanding and application of neuroscience in education. By surveying a wide range of evidence in specific areas such as metacognition, memory, mood and motivation, the teenage brain and how to cater for individual differences, Neuroscience for Teachers shares relevant, up-to-date information to provide a suitable bridge for teachers to transfer the untapped potential of neuroscientific findings into practical classroom approaches. The key issues, challenges and research are explained in clear language that doesn't assume a prior level of knowledge on the topic that would otherwise make it inaccessible therefore enabling more teachers to better comprehend the lessons from neuroscience while the authors also take care to expose the ways in which 'neuromyths' can arise in education in order to help them avoid these pitfalls. Laid out in an easy-to-use format, each chapter features: 'Research Zones' highlighting particular pieces of research with a supplementary insight into the area being explored; 'Reflection' sections that give you something to think about, or suggest something you might try out in the classroom; and concluding 'Next steps' that outline how teachers might incorporate the findings into their own practice. The authors have also included a glossary of terms covering the book's technical vocabulary to aid the development of teachers' literacy in the field of neuroscience. Packed with examples and research-informed tips on how to enhance personal effectiveness and improve classroom delivery, Neuroscience for Teachers provides accessible, practical guidance supported by the latest research evidence on the things that will help your learners to learn better. Suitable for LSAs, NQTs, teachers, middle leaders, local authority advisers and anyone working with learners.
The Liberal Unionist party was one of the shortest-lived political parties in British history. It was formed in 1886 by a faction of the Liberal party, led by Lord Hartington, which opposed Irish home rule. In 1895, it entered into a coalition government with the Conservative party and in 1912, now under the leadership of Joseph Chamberlain, it amalgamated with the Conservatives. Ian Cawood here uses previously unpublished archival material to provide the first complete study of the Liberal Unionist party. He argues that the party was a genuinely successful political movement with widespread activist and popular support which resulted in the development of an authentic Liberal Unionist culture across Britain in the mid-1890s. The issues which this book explores are central to an understanding of the development of the twentieth century Conservative party, the emergence of a 'national' political culture, and the problems, both organisational and ideological, of a sustained period of coalition in the British parliamentary system.
If people turn to look at you in the street, you are not well dressed, but either too stiff, too tight, or too fashionable." -- Beau Brummell Long before tabloids and television, Beau Brummell was the first person famous for being famous, the male socialite of his time, the first metrosexual -- 200 years before the word was conceived. His name has become synonymous with wit, profligacy, fine tailoring, and fashion. A style pundit, Brummell was singly responsible for changing forever the way men dress -- inventing, in effect, the suit. Brummell cut a dramatic swath through British society, from his early years as a favorite of the Prince of Wales and an arbiter of taste in the Age of Elegance, to his precipitous fall into poverty, incarceration, and madness. Brummell created the blueprint for celebrity crash and burn, falling dramatically out of favor and spending his last years in a hellish asylum. For nearly two decades, Brummell ruled over the tastes and pursuits of the well heeled and influential, and for almost as long, lived in penury and exile. With vivid prose, critically acclaimed biographer Ian Kelly unlocks the glittering, turbulent world of late-eighteenth/early-nineteenth-century London -- the first truly modern metropolis: venal, fashion-and-celebrity obsessed, self-centered and self-doubting -- through the life of one of its greatest heroes and most tragic victims. Brummell personified London's West End, where a new style of masculinity and modern men's fashion were first defined. Brummell was the leading Casanova and elusive bachelor of his time, appealing to both men and women of his society. The man Lord Byron once claimed was more important than Napoleon, Brummell was the ultimate cosmopolitan man. "Toyboy" to Georgiana, Duchess of Devonshire, and leader of playboys including the eventual king of England, Brummell inspired Pushkin to write Eugene Onegin, and Byron to write Don Juan, and he influenced others from Oscar Wilde to Coco Chanel. Through love letters, historical records, and poems, Kelly reveals the man inside the suit, unlocking the scandalous behavior of London's high society while illuminating Brummell's enigmatic life in the colorful, tumultuous West End. A rare rendering of an era filled with excess, scandal, promiscuity, opulence, and luxury, Beau Brummell is the first comprehensive view of an elegant and ultimately tragic figure whose influence continues to this day.
This is a major new history of the British army during the Great War written by three leading military historians. Ian Beckett, Timothy Bowman and Mark Connelly survey operations on the Western Front and throughout the rest of the world as well as the army's social history, pre-war and wartime planning and strategy, the maintenance of discipline and morale and the lasting legacy of the First World War on the army's development. They assess the strengths and weaknesses of the army between 1914 and 1918, engaging with key debates around the adequacy of British generalship and whether or not there was a significant 'learning curve' in terms of the development of operational art during the course of the war. Their findings show how, despite limitations of initiative and innovation amongst the high command, the British army did succeed in developing the effective combined arms warfare necessary for victory in 1918.
Fifty Major Political Thinkers introduces the lives and ideas of some of the most influential figures in Western political thought, from ancient Greece to the present day. The entries provide a fascinating introduction to the major figures and schools of thought that have shaped contemporary politics, including: Aristotle Simone de Beauvoir Michel Foucault Mohandas Gandhi Jurgen Habermas Machiavelli Karl Marx Thomas Paine Jean-Jacques Rousseau Mary Wollstonecraft. Fully cross-referenced and including a glossary of theoretical terms, this wide-ranging and accessible book is essential reading for anyone with an interest in the evolution and history of contemporary political thought.
The Great War was the first conflict to draw men and women into uniform on a massive scale. From a small regular force of barely 250,000, the British Army rapidly expanded into a national force of over five million. A Nation in Arms brings together original research into the impact of the war on the army as an institution, gives a revealing account of those who served in it and offers fascinating insights into its social history during one of the bloodiest wars.
This is a history of the moorlands and the part they have played in English and Welsh history over ten millennia. Ian Simmons combines the perspectives of natural science, archaeology, social history and historical geography, and draws on forty years of exploring and studying the moorlands. Starting with a description of their origins and how they have changed under the impact of human and natural forces, Simmons shows how perceptions of the moors have been influenced by writers, artists and the media (and how they have been inspired by the moors), and how these perceptions have resulted in great changes in attitudes to moorland use and management. The book begins by offering some concise understanding of the physical and natural characteristics of moorlands. It then gives an account of how hunter-gatherers of the Mesolithic period altered their surroundings using fire. It describes how millennia of agricultural production wrought distinctive moorland landscapes and how these in turn were affected and sometimes transformed by industrialisation, afforestation and changes in farming methods. The renewed impetus in the twentieth century for environmental management and conservation brings the story near to the present. The North Pennines, Dartmoor and South Wales are the subject of detailed accounts that reveal the common characteristics of the moorlands as well as their marked contrasts. Beyond the recent crises of overgrazing and the 2001 foot and mouth outbreak, Ian Simmons lays out some possible futures for the moors.
In 1965, an impoverished elderly woman was found dead in Nice, France. Her death marked the end of an era; she was the last of the great courtesans. Known as La Belle Otero, she was a volcanic Spanish beauty whose patrons included Kaiser Wilhelm II, the Prince of Wales (later King Edward VII) and Grand Duke Nicholas of Russia. She accumulated an enormous fortune, but gambled it all away. Scarlet Women tells her story and many more, including: Marie Duplessis, who inspired characters by both Dumas and Verdi; Clara Ward, a rare American courtesan who hunted for a European aristocrat, but having married a Belgian prince, ran away with a gypsy violinist; Ninon de L'Enclos, who was offered 50,000 crowns by Cardinal Richelieu for one night. Money left in her will paid for Voltaire's education. Courtesans were an elite group of talented, professional mistresses. The most successful became wealthy and famous in their own right. While they led charmed lives, they occupied a curious position: they enjoyed freedom and political power unknown to most women, but they were ostracised by polite society. From the hetaerae of ancient Greece to the cortigiani onesti of 16th century Venice, the oiran of Edo-period Japan to the demimondaines of 19th century France, this captivating book--perfect for readers of A Treasury of Royal Scandals--uncovers the rich, colorful lives of these women who dared to pursue fortunes outside their societies' norms.
First Published in 2005. This volume looks at the period of 1919 to 1939 in British economic policy and the Empire, including documents on imperial policy.
Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural momentIdentifies the cinematic werewolf's most common metaphorical dimensionsHorror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.
How shipbuilders, engine manufacturers, and more united to build Britain’s Grand Fleet: “Superbly written…One of the best naval titles I have seen.”—Marine News The launch in 1906 of HMS Dreadnought, the world’s first all-big-gun battleship, rendered all existing battle fleets obsolete, but at the same time it wiped out the Royal Navy’s numerical advantage, so expensively maintained for decades. Already locked in the same arms race with Germany, Britain urgently needed to build an entirely new battle fleet of these larger, more complex, and costlier vessels. In this she succeeded spectacularly; in little over a decade fifty such ships were completed, almost exactly double what Germany achieved. It was only made possible by a vast industrial nexus of shipbuilders, engine manufacturers, armament fleets, and specialist armor producers, whose contribution to the Grand Fleet is too often ignored. This heroic achievement, and how it was done, is the subject of this book. It charts the rise of the large industrial conglomerates that were key to this success, looks at the reaction to fast-moving technical changes, and analyzes the politics of funding this vast national effort, both before and beyond the Great War. It also attempts to assess the true cost—and value—of the Grand Fleet in terms of the resources consumed. And finally, by way of contrast, it describes the effects of the postwar recession, industrial contraction, and the very different responses to rearmament in the run up to the Second World War. Includes photographs
The career of Scotland's greatest modern detective. '[Rebus is] the most compelling mind in modern crime fiction' Independent Contains: KNOTS AND CROSSES, HIDE AND SEEK, TOOTH AND NAIL, A GOOD HANGING, STRIP JACK, THE BLACK BOOK, MORTAL CAUSES, LET IT BLEED, BLACK AND BLUE, THE HANGING GARDEN, DEAD SOULS, SET IN DARKNESS, THE FALLS, RESURRECTION MEN, A QUESTION OF BLOOD, FLESHMARKET CLOSE, THE NAMING OF THE DEAD, EXIT MUSIC.
From the international bestselling author of Dracul comes the authoritative sequel to Bram Stoker’s original horror classic. London, 1912. A quarter of a century after Count Dracula “crumbled into dust,” Quincey Harker—the son of Jonathan and Mina Harker—leaves law school to pursue a career on stage, only to stumble upon the troubled production of Dracula, directed and produced by Bram Stoker himself. As the play plunges Quincey into the world of his parents' terrible secrets, death begins to stalk the original band of heroes that defeated Dracula a quarter-century ago. Could it be that the count survived and is now seeking revenge? Or is there another, far more sinister force at work whose relentless purpose is to destroy anything and anyone associated with Dracula, the most notorious vampire of all time... Dracula the Un-Dead is the true sequel to Bram Stoker’s classic novel, written by his direct descendant and a well-known Dracula historian. Dracula the Un-Dead provides answers to all the questions that the original novel left unexplained, as well as new insights into the world of iniquity and fear lurking just beneath the surface of polite Victorian England.
This is the third volume in a series of private letters written by Sir Ernest Satow (1843-1929) to his close friends. Volume One comprises his letters to Japanologists William George Aston and Frederick Victor Dickins. Volume Two consists mainly of letters to and from John Harington Gubbins who had worked under Satow in Japan. In this third volume Satow mainly discusses international law (law of the sea in wartime, Versailles peace treaty etc.) and the current political situation in the UK and Europe, a far cry from his East Asian focus on Japan which monopolised Volume One, and was still evident in Volume Two. (Lord Reay had no experience of Japan in his distinguished career.) The expert foreword is by Dr. J.E. Hoare, formerly of H.M. Diplomatic Service and a Teaching Fellow at S.O.A.S.
A group biography of '90s punk rock told through the prism of Green Day, The Offspring, NOFX, Rancid, Bad Religion, Social Distortion, and more Two decades after the Sex Pistols and the Ramones birthed punk music into the world, their artistic heirs burst onto the scene and changed the genre forever. While the punk originators remained underground favorites and were slow burns commercially, their heirs shattered commercial expectations for the genre. In 1994, Green Day and The Offspring each released their third albums, and the results were astounding. Green Day's Dookie went on to sell more than 15 million copies and The Offspring's Smash remains the all-time bestselling album released on an independent label. The times had changed, and so had the music. While many books, articles, and documentaries focus on the rise of punk in the '70s, few spend any substantial time on its resurgence in the '90s. Smash! is the first to do so, detailing the circumstances surrounding the shift in '90s music culture away from grunge and legitimizing what many first-generation punks regard as post-punk, new wave, and generally anything but true punk music. With astounding access to all the key players of the time, including members of Green Day, The Offspring, NOFX, Rancid, Bad Religion, Social Distortion, and many others, renowned music writer Ian Winwood at last gives this significant, substantive, and compelling story its due. Punk rock bands were never truly successful or indeed truly famous, and that was that -- until it wasn't. Smash! is the story of how the underdogs finally won and forever altered the landscape of mainstream music.
During the Second World War, the Merchant Navy suffered a higher percentage loss than any of the British armed forces, but despite this extraordinary fact few people today are aware of it. In total, 33,000 merchant seamen died, while others were severely injured both physically and mentally. This book is an important volume attempting to dispel the ignorance, and for the first time brings together a wealth of information concerning ship losses, including such details as ships’ names, their captains, the route they were lost on, date and positions when lost, loss of life, and many other particulars. A former wartime Merchant Navy man himself, Malcolm presents a compendium of shipping company losses that is staggering in scale. This work will be of great value to shipping enthusiasts and anyone interested in the war at sea.
Winston Churchill and Austen Chamberlain both entered Parliament with inherited Unionist views. However, changing political circumstances in Britain and Ireland led them to change their stance and adopt policies that would have been anathema to their fathers.
Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.
“A worthy tribute to the John Brown company and to British shipbuilding . . . a joy to enthusiasts of the great ships of the past.”—Australian Naval Institute The Clydebank shipyard built some of the most famous vessels in maritime history—great transatlantic liners like Lusitania, Queen Mary and QE2, and iconic warships like the battlecruiser Hood, and Britain’s last battleship, HMS Vanguard. Starting life as J & G Thomson in 1847, the business acquired its more famous persona when taken over in 1899 by the Sheffield-based steelmaker John Brown & Co, which enhanced the yard’s existing reputation for turning out first-class products, both naval and mercantile. This book charts the fortunes of the company in terms of its business development, its management and personnel, as well as the great variety of ships it built during the century and a quarter of its existence. It also tells a wider story of the rise to world domination of the British shipbuilding industry and its eventual decline and collapse in the post-war decades, as reflected in the experience of John Brown. Written by an acknowledged authority on Clydeside shipbuilding, the book was originally published in a limited edition in 2000, but this reprint is entirely new and revised, although it retains all the original photographs from the yard’s own unrivaled collection. “Essential to anyone’s maritime collection.”—Sea Breezes “The profusely illustrated, beautifully produced and very detailed story of John Brown & Company.”—Army Rumour Service
The late twentieth century saw charities grow from timid service deliverers into major providers with campaigning teeth. What caused this? How did they gain confidence and strength? In this fascinating history, examined through the eyes of RNIB from 1970 to 2010, Ian Bruce examines the internal drivers and the external socio-political environment that allowed and encouraged this explosion. Bruce’s experience of leading a charity at the forefront of this change, and his participation in the wider charity sector for fiftyyears as both activist and academic, gives him an unsurpassed understanding of what happened and why. His first-hand knowledge will speak to charity workers as well as academics, covering themes such as the rise of beneficiary power against patronising providers; the change from welfare to rights; the shift from the medical to the social model of disability; and the adoption of social welfare and business professionalisms such as Strategic Planning and Charity Marketing. Today’s charities have much to learn from the successes and mistakes of this dynamic period.
Part 1. A History of Commons and Commons Management : Cultural Severance and Commons Past; Part 2. Commons : Current Management and Problems : Cultural Severance and Commons Present
Part 1. A History of Commons and Commons Management : Cultural Severance and Commons Past; Part 2. Commons : Current Management and Problems : Cultural Severance and Commons Present
The threats from global cultural change and abandonment of traditional landscape management increased in the last half of the twentieth century and ten years into the twenty-first century show no signs of slowing down. Their impacts on global biodiversity and on people disconnected from their traditional landscapes pose real and serious economic and social problems which need to be addressed now. The End of Tradition conference held in Sheffield, UK, was organised by Ian D. Rotherham and colleagues. It addressed the fundamental issues of whether we can conserve the biodiversity of wonderful and iconic landscapes and reconnect people to their natural environment. And, if we can, how can we do so and make them relevant for the twenty-first century. The book is in two parts: Part 1. A History of Commons and Commons Management and Part 2. Commons: Current Management and Problems.
The themes of this book were addressed at a major international conference in 2013, and the expanded papers are presented here as chapters with an introduction by Ian D. Rotherham. The papers are grouped around several themes: Military Landscapes; Battles and Battlefields; The Impacts of Conflict and War; War & Peat in the Peak District; and Non-military Campaigns. As we approach the centenary of the Great War (WW1), matters of landscape, terrain, resources and strategies become increasingly topical and relevant. The relationships of people and landscapes, of economies and conflicts, and ecology and history, are complex and multi-faceted. For peatlands, including bogs, fens, moors, and heaths, the interactions of people and nature in relation to history and conflicts, are both significant and surprising."--
Ben Jonson was the greatest of Shakespeare's contemporaries. In the century following his death he was seen by many as the finest of all English writers, living or dead. His fame rested not only on the numerous plays he had written for the theatre, but on his achievements over three decades as principal masque-writer to the early Stuart court, where he had worked in creative, and often stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he had become - in fact if not in title - the first Poet Laureate in England. Jonson's life was full of drama. Serving in the Low Countries as a young man, he overcame a Spanish adversary in single combat in full view of both the armies. His early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary — and very nearly to a permanent — standstill. He was 'almost at the gallows' for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again; and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. In his middle years, twenty stone in weight, he walked to Scotland and back, seemingly partly to fulfil a wager, and partly to see the land of his forebears. He travelled in Europe as tutor to the mischievous son of Sir Walter Ralegh, who 'caused him to be drunken and dead drunk' and wheeled provocatively through the streets of Paris. During his later years he presided over a sociable club in the Apollo Room in Fleet Street, mixed with the most learned scholars of his day, and viewed with keen interest the political, religious, and scientific controversies of the day. Ian Donaldson's new biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time. Jonson emerges from this study as a more complex and volatile character than his own self-declarations (and much modern scholarship) would allow, and as a writer whose work strikingly foresees - and at times pre-emptively satirizes - the modern age.
The first major study of the rural and cultural career of William Cobbett engages Cobbett's own writings, and other innovative sources such as popular songs, to tie Cobbett's radical politics to rural society.
On the cover of the 1970 record THE VANISHING REGIMENTS, Colonel CH Jaeger OBE made an interesting observation: ‘Be it true or not that old soldiers never die but only fade away, it is absolutely certain that the music connected with soldiering never does in fact. Many famous Regiments in the last few years have passed off the scene, others have been amalgamated. Much of the music of former Regiments is still in use, though the names of the Regiments concerned have vanished, perhaps forever’. Regimental colours are the symbolic spirit of the regiment; their marches are the musical spirit. Their histories are sometimes older than the regiments themselves and very much guarded and cherished by them. When you hear a regimental band play a march, why that march? This book is an attempt to cover the fascinating histories of military marches, how and why regiments adopted them, even those that have faded into history. It will appeal to those interested in Regimental Marches of Canadian and United Kingdom Armed Forces. Over 500 marches are covered with many band photos from across the centuries. Also included are narratives of the composers, Victoria Cross musicians and even words to many marches. So, get out the records, crank up the volume and listen to the bands play their MUSICAL COLOURS while reading all bout them.
This book skilfully intertwines three main themes in the growth and expression of management. The essential component to understanding of context is established through a stark exposition of the conditions of society in the 18th and 19th centuries. From these is drawn the, until now, unrecognised precursor of major change: the establishment of mass education. This was achieved through the wayward genius of the charismatic teacher Joseph Lancaster who, despite his struggles with the Church and his own foibles, was able through his attractively cheap plan and dominant guiding idea to bring mass education to Britain, then Europe, the USA, the Americas and much of the world, enabling the institution of the first and second industrial revolutions. This occurred in parallel with the remarkable growth of what was to become modern and financial management. The practical case studies also included in the text, usefully highlight the merits and demerits of major societal transformations. An invaluable and essential contribution to the creation of a new paradigm for Management Studies, this important exposition with its emphasis on the human element and experience, is relevant to all students, teachers and practitioners of management; from school, college and university levels to the postgraduate and experienced management practitioner.
In Millennium, bestselling historian Ian Mortimer takes the reader on a whirlwind tour of the last ten centuries of Western history. It is a journey into a past vividly brought to life and bursting with ideas, that pits one century against another in his quest to measure which century saw the greatest change.We journey from a time when there was a fair chance of your village being burned to the ground by invaders — and dried human dung was a recommended cure for cancer — to a world in which explorers sailed into the unknown and civilizations came into conflict with each other on an epic scale. Here is a story of godly scientists, fearless adventurers, cold-hearted entrepreneurs, and strong-minded women — a story of discovery, invention, revolution, and cataclysmic shifts in perspective. Millennium is a journey into the past like no other. Our understanding of human development will never be the same again, and the lessons we learn along the way are profound ones for us all.
This book is based on a major conference with Historic England, Natural England, the Ancient Tree Forum and others which took place in 2016 as part of the celebrations for the tercentenary of Lancelot 'Capability' Brown. The event brought together ecologists, landscape historians and archaeologists, land managers and conservationists to look critically at the impact of Brown and his successors on the UK's landscape. The book addresses the paradigms of these designed landscapes. It considers the issues around the legacy of Brown's creations and ideas and the repercussions that are still apparent today. It makes for a thought-provoking and rich discussion covering habitat conservation and creation, drainage and the release of alien species. This is the untold story of the ecology of Capability Brown and the landscape school which followed.
The themes of this book were addressed at a major international conference in 2013, and the expanded papers are presented here as chapters with an introduction by Ian D. Rotherham. The papers are grouped around several themes: Military Landscapes; Battles and Battlefields; The Impacts of Conflict and War; War & Peat in the Peak District; and Non-military Campaigns. As we approach the centenary of the Great War (WW1), matters of landscape, terrain, resources and strategies become increasingly topical and relevant. The relationships of people and landscapes, of economies and conflicts, and ecology and history, are complex and multi-faceted. For peatlands, including bogs, fens, moors, and heaths, the interactions of people and nature in relation to history and conflicts, are both significant and surprising."--
The tenth Inspector Rebus novel from the No.1 bestselling author of A SONG FOR THE DARK TIMES. 'Britain's best crime novelist' DAILY EXPRESS 'No one in Britain writes better crime novels today Evening Standard Stalking a poisoner at the local zoo, Inspector John Rebus comes across a paedophile taking pictures of children. When the social workers claim he is there for legitimate educational reasons, Rebus is faced with a dilemma - should he be outed to protect local kids or given a chance to start anew? As the locals begin a hate campaign Rebus gets a call from the past: the son of a friend has gone missing and no one else will make time to ask the right questions. And then a fragment of Scotland's criminal history is repatriated at the end of a life sentence for murder. Once more Rebus's cup of trouble runneth over and the ghosts of past misdeeds return to haunt Edinburgh's streets.
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