A single comprehensive resource for the design, application, testing, and maintenance of rotating machines Filling a long-standing gap in the field, Electrical Insulation for Rotating Machines covers, in one useful volume, all aspects of the design, deterioration, testing, and repair of the electrical insulation used in motors and generators. Lucidly written by leading experts, this authoritative reference provides both historical background important to understanding machine insulation design and the most up-to-date information on new machines and how to select insulation systems for them. Coverage includes such key topics as: Types of rotating machines, windings, and rotor and stator winding construction Evaluating insulation materials and systems Stator winding and rotor winding insulation systems in current use Failure mechanisms and repair Testing and monitoring Maintenance strategies Detailing over 30 different rotor and stator winding failure processes and reviewing almost 25 different tests and monitors used to assess winding insulation condition, Electrical Insulation for Rotating Machines will help machine users avoid unnecessary machine failures, reduce maintenance costs, and inspire greater confidence in the design of future machines.
Hollywood's Overseas Campaign: The North Atlantic Movie Trade, 1920-1950 examines how Hollywood movies became one of the most successful U.S. exports, a phenomenon that began during World War I. Focusing on Canada, the market closest to the United States, on Great Britain, the biggest market, and on the U.S. movie industry itself, Ian Jarvie documents how fear of this mass medium's impact and covetousness toward its profits motivated many nations to resist the cultural invasion and economic drain that Hollywood movies represented.
Passionate, witty, and erudite, these essays by a radical curator describe how museums approach their sometimes conflicting missions to sponsor scholarship, generate popular appeal, and claim social significance. This analysis includes discussions of art and ethnology, the failure of late-Modernist art history, the construction of official culture, the intellectual history of European exploration in the Pacific, problems with cultural studies of the Pakeha Maori, and the conservation of archives and narratives.
This major new text provides an introduction to the interaction of culture and society with the landscape and environment. It offers a broad-based view of this theme by drawing upon the varied traditions of landscape interpretation, from the traditional cultural geography of scholars such as Carl Sauer to the 'new' cultural geography which has emerged in the 1990s. The book comprises three major, interwoven strands. First, fundamental factors such as environmental change and population pressure are addressed in order to sketch the contextual variables of landscapes production. Second, the evolution of the humanised landscape is discussed in terms of processes such as clearing wood, the impact of agriculture, the creation of urban-industrial complexes, and is also treated in historical periods such as the pre-industrial, the modern and the post-modern. From this we can see the cultural and economic signatures of human societies at different times and places. Finally, examples of landscape types are selected in order to illustrate the ways in which landscape both represents and participates in social change. The authors use a wide range of source material, ranging from place-names and pollen diagrams to literature and heritage monuments. Superbly illustrated throughout, it is essential reading for first-year undergraduates studying historical geography, human geography, cultural geography or landscape history.
This book is a first attempt to cover the whole area of aesthetics from the point of view of critical rationalism. It takes up and expands upon the more narrowly focused work of E. H. Gombrich, Sheldon Richmond, and Raphael Sassower and Louis Ciccotello. The authors integrate the arts into the scientific world view and acknowledge that there is an aesthetic aspect to anything whatsoever. They pay close attention to the social situatedness of the arts. Their aesthetics treats art as emerging from craft in the form of luxurious and playful challenge to the audience. In developing it they place emphasis on the number of questions and claims that can be settled by appeal to empirical facts; on the historical character of aesthetic judgements; and on the connection of aesthetic truth to true love and true friendship, i.e. fidelity and integrity, not to informative truth.
Hailed as the most compelling biography of the German dictator yet written, Ian Kershaw's Hitler brings us closer than ever before to the heart of its subject's immense darkness. From his illegitimate birth in a small Austrian village to his fiery death in a bunker under the Reich chancellery in Berlin, Adolf Hitler left a murky trail, strewn with contradictory tales and overgrown with self-created myths. One truth prevails: the sheer scale of the evils that he unleashed on the world has made him a demonic figure without equal in this century. Ian Kershaw's Hitler brings us closer than ever before to the character of the bizarre misfit in his thirty-year ascent from a Viennese shelter for the indigent to uncontested rule over the German nation that had tried and rejected democracy in the crippling aftermath of World War I. With extraordinary vividness, Kershaw recreates the settings that made Hitler's rise possible: the virulent anti-Semitism of prewar Vienna, the crucible of a war with immense casualties, the toxic nationalism that gripped Bavaria in the 1920s, the undermining of the Weimar Republic by extremists of the Right and the Left, the hysteria that accompanied Hitler's seizure of power in 1933 and then mounted in brutal attacks by his storm troopers on Jews and others condemned as enemies of the Aryan race. In an account drawing on many previously untapped sources, Hitler metamorphoses from an obscure fantasist, a "drummer" sounding an insistent beat of hatred in Munich beer halls, to the instigator of an infamous failed putsch and, ultimately, to the leadership of a ragtag alliance of right-wing parties fused into a movement that enthralled the German people. This volume, the first of two, ends with the promulgation of the infamous Nuremberg laws that pushed German Jews to the outer fringes of society, and with the march of the German army into the Rhineland, Hitler's initial move toward the abyss of war.
“A concise and gripping history of the Troubles, revealing the people behind the pain and violence” from the award-winning investigative journalist (Vice). On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son. In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism. “As gripping as a thriller, except that this isn’t fiction but cold, spine-tingling reality.” —Daily Mail “A remarkable piece of forensic journalism.” —Ed Moloney, author of Voices from the Grave “Reads like a work of fiction . . . True and harrowing.” —Irish Sunday Independent (Books of the Year)
For anyone who ever wanted to be an archaeologist, Ian Graham could be a hero. This lively memoir chronicles Graham's career as the "last explorer" and a fierce advocate for the protection and preservation of Maya sites and monuments across Mexico, Guatemala, and Belize. It is also full of adventure and high society, for the self-deprecating Graham traveled to remote lands such as Afghanistan in wonderful company. He tells entertaining stories about his encounters with a host of notables beginning with Rudyard Kipling, a family friend from Graham's childhood.Born in 1923 into an aristocratic family descended from Oliver Cromwell, Ian Graham was educated at Winchester, Cambridge, and Trinity College, Dublin. His career in Mesoamerican archaeology can be said to have begun in 1959 when he turned south in his Rolls Royce and began traveling through the Maya lowlands photographing ruins. He has worked as an artist, cartographer, and photographer, and has mapped and documented inscriptions at hundreds of Maya sites, persevering under rugged field conditions. Graham is best known as the founding director of the Corpus of Maya Hieroglyphic Inscriptions Program at the Peabody Museum of Archaeology and Ethnology, Harvard University. He was awarded a MacArthur Foundation "genius grant" in 1981, and he remained the Maya Corpus program director until his retirement in 2004. Graham's careful recordings of Maya inscriptions are often credited with making the deciphering of Maya hieroglyphics possible. But it is the romance of his work and the graceful conversational style of his writing that make this autobiography must reading not just for Mayanists but for anyone with a taste for the adventure of archaeology.
The official line is clear: the United Kingdom does not "participate in, solicit, encourage or condone" torture. And yet, the evidence is irrefutable: when faced with potential threats to their national security, the gloves always come off. Drawing on previously unseen official documents and the accounts of witnesses, victims and experts, prize–winning investigative journalist Ian Cobain looks beyond the cover–ups, the equivocations, and the attempts to dismiss brutality as the work of a few rogue interrogators, to get to the truth. From the Second World War to the War on Terror, via Kenya and Northern Ireland, A Secret History of Torture shows how the West have repeatedly and systematically resorted to torture, turning a blind eye where necessary, bending the law where they can, and issuing categorical denials all the while. What emerges is a picture of Britain that challenges our complacency on human rights and exposes the lie behind their reputation for fair play.
Christopher Hare has done well for himself: one of the world’s top food writers, he has travelled to the best restaurants in the most exotic locations, accompanied by the chic dining companion known to readers of his lavish books as Thé Glacé. But when the credit crunch ushers in a new age of austerity, it’s uncertain whether his audience will still have an appetite for his thoughts on Robuchon and caramelized quail. Certainly Christopher’s editor has had his fill. One evening, as he explores the budget options in a mediocre restaurant in off-season Nice—alone, for Thé Glacé, his erstwhile wife Mary Pepper, has left him to find international fame and fortune as an art photographer of pornographically eroticized foodstuffs—Christopher witnesses an assassination. Impulsively, he throws himself into the action, and becomes the almost-willing victim of a political kidnapping. Will his ex-wife come to his rescue? Will the harshly beautiful Palestinian pediatrician Hawwa Habash soften toward her accidental prisoner? Suffused with culinary delights and political menace, this funny, fast-paced novel uses a fascination with food as a metaphor for an age obsessed with excess and the ultimate rejection of it.
Ian Wedde's latest collection of poems are a complex mix of rhapsody, fear, and humor, and the prose explore the contradictions between life's pool-side surfaces and frightening undertows. Opening with a major new series of poems &“The Lifeguard,&” it concludes with another long sequence, &“Shadow Stands Up,&” in which a world of Platonic memory and tidal recurrence is observed from a window-seat in Auckland's conspicuously green-branded Link bus. Bringing together work from the past five years by one of New Zealand's most outstanding contemporary poets, this collection shows a master of the are at his thoughtful and surprising best.
Increasing awareness of the extent and cause of environmental problems has fuelled the emergence of a new and timely discipline: environmental history. An exciting blend of geography, history, archaeology, anthropology, landscape, environment and science, it seeks to reveal how human activity has affected the environment in the past and how we, in turn, have been affected by that environment. How did people use and transform their environment? What problems of pollution and resource depletion occurred? What has been the impact of industrialisation and urbanisation? How have people's perceptions of nature and the environment changed over time? Environmental historians are revealing how and why our environment changed in the past, they are providing key insights into the mechanisms that influence environmental change today, and are helping to make informed decisions on crucial environmental concerns such as deforestation, desertification, pollution, global warming and climate change. Professor Whyte's A Dictionary of Environmental History provides in a single volume a comprehensive reference work covering the past 12,000 years of the Earth's environmental history. An introduction to the discipline is followed by almost 1,000 entries covering key terminology, events, places, dates, topics, as well as the major personalities in the history of the discipline. Entries range from shorter factual accounts to substantial mini-essays on major topics and issues. Fully cross-referenced and with an extensive bibliography, this pioneering work provides an authoritative yet accessible resourcethat will form essential reading for academics, practitioners and students of environmental history and related disciplines.
A strong new collection from an important poet, his first in seven years. It draws inspiration from the odes of Horace (and Keats), shows a new reflective and sober mood, but also evokes the rich world of the senses and the pleasures of the moment.
Ian Wedde has been a major presence in New Zealand poetry since his work began appearing in journals in the late 1960s. His first book of poetry appeared in 1971; his sixth book won the New Zealand Book Award for Poetry in 1978; his sixteenth and most recent was a finalist in 2014. By the mid-1980s, as well as shaping his own verse, he had become an influential critic and shaper of larger trends in poetry as one of the co-editors of The Penguin Book of New Zealand Verse (1985) and The Penguin Book of Contemporary New Zealand Poetry – Nga Kupu Titohu o Aotearoa (1989). After a quiet spell in the mid- to late 1990s came the much celebrated The Commonplace Odes in 2001, in which Wedde offered the Horatian/Keatsian ode as transformative a moment as Baxter had given the sonnet back in 1970. Three excellent books followed, most recently The Lifeguard: Poems 2008–2013, published at the end of his tenure as New Zealand Poet Laureate. While Wedde has constantly experimented with and pushed boundaries of form and influence in his poetry, his work returns often to key themes and ideas, preoccupations and effects that this book throws into brilliant relief: a politics of language, social and ecological relationships, how memory works, the perceptual world. The son Carlos of Earthly: Sonnets for Carlos (1975) is now a father himself; Ian Wedde's poems are now more likely to feature grandchildren. But the ranging, tenacious, conceptual-romantic poet, with his linguistically rich but intellectually rigorous voice, is the same, and tracing that voice through nearly five decades will be one of the many pleasures readers take from this book. With selections from 1971's Homage to Matisse all the way through to 2013's The Lifeguard, Ian Wedde's Selected Poems will introduce readers new and old to one of New Zealand's most distinguished contemporary poets.
From jaunty and self-deprecating to serious and nostalgic, the poems in this collection paint a vivid portrait of Wellington businesses and institutions. Quietly hilarious, the verse captures the essence of Toyota, Tony's Tyre Service, Metalworx Engineering, Wellington Scrap Metal, the KFC on the corner of Pirie Street, and the Society for Prevention of Cruelty to Animals. At the heart of this collection are three stunning sequences: an ode to walking the streets of Wellington, a gathering of surreal and quirky moments, and a lyrical approach to the author's travels from Bangladesh to the south of France. Playing with the contrasts of light and dark and dawn to dusk, this compendium also explores the balance between departures and arrivals as well as the seen and unseen.
Canada’s media companies are melting faster than the polar ice caps, and in No News Is Bad News, Ian Gill chronicles their decline in a biting, in-depth analysis. He travels to an international journalism festival in Italy, visits the Guardian in London, and speaks to editors, reporters, entrepreneurs, investors, non-profit leaders, and news consumers from around the world to find out what’s gone wrong. Along the way he discovers that corporate concentration and clumsy adaptations to the digital age have left Canadians with a gaping hole in our public square. And yet, from the smoking ruins of Canada’s news industry, Gill sees glimmers of hope, and brings them to life with sharp prose and trenchant insights.
Chilling... To Hell and Back should be required reading in every chancellery, every editorial cockpit and every place where peevish Euroskeptics do their thinking…. Kershaw documents each and every ‘ism’ of his analysis with extraordinary detail and passionate humanism."—The New York Times Book Review The Penguin History of Europe series reaches the twentieth century with acclaimed scholar Ian Kershaw’s long-anticipated analysis of the pivotal years of World War I and World War II. The European catastrophe, the long continuous period from 1914 to 1949, was unprecedented in human history—an extraordinarily dramatic, often traumatic, and endlessly fascinating period of upheaval and transformation. This new volume in the Penguin History of Europe series offers comprehensive coverage of this tumultuous era. Beginning with the outbreak of World War I through the rise of Hitler and the aftermath of the Second World War, award-winning British historian Ian Kershaw combines his characteristic original scholarship and gripping prose as he profiles the key decision makers and the violent shocks of war as they affected the entire European continent and radically altered the course of European history. Kershaw identifies four major causes for this catastrophe: an explosion of ethnic-racist nationalism, bitter and irreconcilable demands for territorial revisionism, acute class conflict given concrete focus through the Bolshevik Revolution, and a protracted crisis of capitalism. Incisive, brilliantly written, and filled with penetrating insights, To Hell and Back offers an indispensable study of a period in European history whose effects are still being felt today.
Legend has it that Hollywood lures gifted writers into its service with sunshine and money, only to treat them as glorified typists and plot-mechanics, peripheral to the main business of moviemaking. This is what Ian Hamilton describes as 'the writer-in-chains saga that emerges from any study of Hollywood during its so-called golden years - the period I have marked as running from 1915-1951.' But in this superb account of what befell the likes of Faulkner, Fitzgerald, Chandler and Huxley by working for the Dream Factory, Hamilton argues that these writers 'were in the movies by choice: they earned far more money than their colleagues who did not write for films, and in several cases they applied themselves conscientiously to the not-unimportant task at hand. And they had a lot of laughs...' 'Fascinating and enjoyable.' New Statesman 'Abounds in marvelous stories, apocryphal, fabulous, funny and even true.' Observer Faber Finds is devoted to restoring to readers a wealth of lost or neglected classics and authors of distinction. The range embraces fiction, non-fiction, the arts and children's books. For a full list of available titles visit www.faberfinds.co.uk. To join the dialogue with fellow book-lovers please see our blog, www.faberfindsblog.co.uk.
This radical text presents central management questions that managers and students need to work with and understand. Key debates in management theory are taken out of their academic setting and discussed in relation to management experience. Exercises, examples, illustrations and summaries bring the problems and dilemmas alive for the student. From people management to organizational culture; leadership to learning; institutional power to individual innovation; the multi-faceted territory of management is explored and opened up.
From early childhood in postwar Blenheim to the remote regions of Bangladesh, from an English boarding school to 1960s Auckland, and from Jordan during the civil war of 1969–70 to family homes full of children, this dazzling book traces the many shifts in Ian Wedde's life. Haunted by the ghosts of his restless German and Scottish great grandparents, and of his wandering parents, Wedde is always looking over his shoulder as he writes. His companion throughout is his twin brother Dave, who shared their first home—their mother Linda's womb—and who, as the book ends, hosts a lunch where the brothers raise their glasses to the transit lounges of their lives. Affectionate, funny, sad, analytical, but above all honest, The Grass Catcher is at once a moving personal memoir and an engaging and reflective essay on the nature of memory.
What exactly is military history? Forty years ago it meant battles, campaigns, great commanders, drums and trumpets. It was largely the preserve of military professionals and was used to support national history and nationalism. Now, though, the study of war has been transformed by the war and society approach, by the examination of identity, memory and gender, and a less Euro-centric and more global perspective. Generally it is recognised that war and conflict must be integrated into the wider narrative of historical development, and this is why Ian Becketts research guide is such a useful tool for anyone working in this growing field. It introduces students to all the key debates, issues and resources. While European and global perspectives are not neglected, there is an emphasis on the British experience of war since 1500. This survey of British military history will be essential reading and reference for anyone who has a professional or amateur interest in the subject, and it will be a valuable introduction for newcomers to it.
This book exposes the myths surrounding the propaganda films produced during the Third Reich. One, that the Nazis were infallible masters in the use of film propaganda. Two, that everything the Nazis said was a lie. Three, that only the Riefenstahl documentaries are significant to the modern viewer. It reveals the truth, lies, successes and failures of key films designed to arouse hostility against the Nazis’ enemies, including Ohm Krüger - the most anti-British film ever produced; their 1943 anti-capitalist version of Titanic; anti-English films about Ireland and Scotland; and anti-American films like The Emperor of California and The Prodigal Son. Including an objective analysis of all the key films produced by the Nazi regime and a wealth of film stills, Ian C. Garden takes the reader on a journey through the Nazi propaganda machine. In today’s turbulent world the book serves as a poignant reminder of the levels to which powerful regimes will stoop to achieve power and control.
In civil-rights-era Chicago, a dedicated group of black activists, educators, and organizations employed black public history as more than cultural activism. Their work and vision energized a movement that promoted political progress in the crucial time between World War II and the onset of the Cold War. Ian Rocksborough-Smith’s meticulous research and adept storytelling provide the first in-depth look at how these committed individuals leveraged Chicago’s black public history. Their goal: to engage with the struggle for racial equality. Rocksborough-Smith shows teachers working to advance curriculum reform in public schools, while well-known activists Margaret and Charles Burroughs pushed for greater recognition of black history by founding the DuSable Museum of African American History. Organizations like the Afro-American Heritage Association, meanwhile, used black public history work to connect radical politics and nationalism. Together, these people and their projects advanced important ideas about race, citizenship, education, and intellectual labor that paralleled the shifting terrain of mid-twentieth-century civil rights.
Provides coverage of Motor Current Signature Analysis (MCSA) for cage induction motors This book is primarily for industrial engineers. It has 13 chapters and contains a unique data base of 50 industrial case histories on the application of MCSA to diagnose broken rotor bars or unacceptable levels of airgap eccentricity in cage induction motors with ratings from 127 kW (170 H.P.) up to 10,160 kW (13,620 H.P.). There are also unsuccessful case histories, which is another unique feature of the book. The case studies also illustrate the effects of mechanical load dynamics downstream of the motor on the interpretation of current signatures. A number of cases are presented where abnormal operation of the driven load was diagnosed. Chapter 13 presents a critical appraisal of MCSA including successes, failures and lessons learned via industrial case histories. The case histories are presented in a step by step format, with predictions and outcomes supported by current spectra and photographic evidence to confirm a correct or incorrect diagnosis The case histories are presented in detail so readers fully understand the diagnosis The authors have 108 years of combined experience in the installation, maintenance, repair, design, manufacture, operation and condition monitoring of SCIMs There are 10 questions at the end of chapters 1 to 12 and answers can be obtained via the publisher Current Signature Analysis for Condition Monitoring of Cage Induction Motors serves as a reference for professional engineers, head electricians and technicians working with induction motors. To obtain the solutions manual for this book, please send an email to pressbooks@ieee.org. William T. Thomson is Director and Consultant with EM Diagnostics Ltd, in Scotland. Prof. Thomson received a BSc (Hons) in Electrical Engineering in 1973 and an MSc in 1977 from the University of Strathclyde. He has published 72 papers on condition monitoring of induction motors in a variety of engineering journals such as IEEE Transactions (USA), IEE Proceedings (UK), and also at numerous International IEEE and IEE conferences. He is a senior member of the IEEE, a fellow of the IEE (IET) in the UK and a Chartered Professional Engineer registered in the UK. Ian Culbert was a Rotating Machines Specialist at Iris Power Qualitrol since April 2002 until his very untimely death on 8th September, 2015. At this company he provided consulting services to customers, assisted in product development, trained sales and field service staff and reviewed stator winding partial discharge reports. He has co-authored two books on electrical machine insulation design, evaluation, aging, testing and repair and was principal author of a number of Electric Power Research Institute reports on motor repair. Ian was a Registered Professional Engineer in the Province of Ontario, Canada and a Senior Member of IEEE.
Why is the brain important in eating disorders? This ground-breaking new book describes how increasingly sophisticated neuroscientific approaches are revealing much about the role of the brain in eating disorders. Even more importantly, it discusses how underlying brain abnormalities and dysfunction may contribute to the development and help in the treatment of these serious disorders. Neuropsychological studies show impairments in specific cognitive functions, especially executive and visuo-spatial skills. Neuroimaging studies show structural and functional abnormalities, including cortical atrophy and neural circuit abnormalities, the latter appearing to be playing a major part in the development of anorexia nervosa. Neurochemistry studies show dysregulation within neurotransmitter systems, with effects upon the modulation of feeding, mood, anxiety, neuroendocrine control, metabolic rate, sympathetic tone and temperature. The first chapter, by an eating disorders clinician, explains the importance of a neuroscience perspective for clinicians. This is followed by an overview of the common eating disorders, then chapters on what we know of them from studies of neuroimaging, neuropsychology and neurochemistry. The mysterious phenomenon of body image disturbance is then described and explained from a neuroscience perspective. The next two chapters focus on neuroscience models of eating disorders, the first offering an overview and the second a new and comprehensive explanatory model of anorexia nervosa. The following two chapters offer a clinical perspective, with attention on the implications of a neuroscience perspective for patients and their families, the second providing details of clinical applications of neuroscience understanding. The final chapter looks to the future. This book succinctly reviews current knowledge about all these aspects of eating disorder neuroscience and explores the implications for treatment. It will be of great interest to all clinicians (psychiatrists, psychologists, nurses, dieticians, paediatricians, physicians, physiotherapists) working in eating disorders, as well as to neuroscience researchers.
Today's organizations and corporations often encompass several different and somewhat independent branches, departments and specialized activities, employing a diversity of people. The coordination of all of the areas is essential to the success of an organization. Shows how to communicate effectively with people on whom managers rely but over whom they may exercise no authority. The problems of communicating within a superior-subordinate relationship and communicating laterally are addressed, and the basic linguistic and behavioral skills necessary for productive communication are developed. The interaction of what actually goes on within an organization and between its various groups are brought to light, and steps for communicating to effect coordination of these groups and the organization as a whole are detailed.
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