Produced in the aftermath of the Second World War, Michael Powell and Emeric Pressburger's A Matter of Life and Death (1946) stars David Niven as an RAF pilot poised between life and death, his love for the American radio operator June (Kim Hunter) threatened by medical, political and ultimately celestial forces. The film is a magical, profound fantasy and a moving evocation of English history and the wartime experience, with virtuoso Technicolor special effects. In the United States it was released under the title Stairway to Heaven, referencing one of its most famous images, a moving stairway between earth and the afterlife. Ian Christie's study of the film shows how its creators drew upon many sources and traditions to create a unique form of modern masque, treating contemporary issues with witty allegory and enormous visual imagination. He stresses the teamwork of Powell and Pressburger's gifted collaborators, among them Director of Photography Jack Cardiff, production designer Alfred Junge, and costume designer Hein Heckroth, and explores the history of both British and international responses to the film. Christie argues that the film deserves to be thought of as one of the greatest achievements of British cinema, but of all cinema.
The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
The multiple award-winning Doctor Zhivago (1965) is one of America's finest films of all time. Ian Christie contextualizes the film as an epic Russian love story and a Cold War classic, charts its production and reception, including the contribution of designer John Box, and discusses the unique history of the Bruce Pasternak novel it is based on.
The first definitive biography of the ultimate American rock band How did a pair of little Dutch boys trained in classical music grow up to become the nucleus of the most popular heavy metal band of all time? What's the secret behind Eddie Van Halen's incredible fast and furious guitar solos? What makes David Lee Roth and Sammy Hagar so wacky? And, are all those stories about groupies, booze bashes, and contract riders true? The naked truth is laid bare in Everybody Wants Some--the real-life story of a rock 'n' roll fantasy come true.
The late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley’s work was focused on the problems and possibilities of cross-cultural musical influences, fantasies and flows and on the importance of performing circuits and networks. Her interest in the details of music-making and in the lives of music-makers means that this collection is also an original and illuminating study of music and politics. In drawing on Jan Fairley’s journalism, this volume also offers students a guide to various genres of world music, from Cuban son to flamenco, as well as an insight into the lives of such world music stars as Mercedes Sosa and Silvio Rodríguez. This is inspiring as well as essential reading.
The films of Michael Powell (1905-90) and Emeric Pressburger (1902-88), among them I Know Where I'm Going! (1945), A Matter of Life and Death (1947) and The Red Shoes (1948), are landmarks in British cinema, standing apart from the realist and comic mainstream with their highly stylised aesthetic and their themes of romantic longing and spiritual crisis. Powell and Pressburger are revered by film lovers and film-makers (Martin Scorsese has called them 'the most successful experimental film-makers in the world'). In this first-ever collection of essays on Powell, an international group of critics and scholars map out his film-making skills, providing new readings of individual films, analysing recurrent techniques and themes, and relating them to contemporary debates about gender, sexuality, nationality and cinematic spectacle. Powell, with and without Pressburger, emerges as a film-maker of lasting originality and significance.
In a world where environmental problems spill across political, administrative and disciplinary boundaries, there is a pressing need for a clear understanding of the kinds of organizations, management structures and policy-making approaches required to bring about socially equitable and ecologically sustainable development. In this second edition, the authors incorporate lessons from a decade of work on the conditions of sustainability in both developed and developing countries. They prescribe action networks - partnerships of flexible, achievement-oriented actors - and present new case studies demonstrating the success of organizations that have applied this approach. They also introduce case studies on action networks that work simultaneously on international, national and local levels.
For a large proportion of the electorate, national politics misses the real issues. As a result, membership of campaigning organizations has soared whilst party numbers have declined. This work distils the principles and priorities of many of the leading voluntary groups into a strong and coherent programme of political aims and actions. The problem can be measured as a sustainability gap - between official policies and achievements and actual democratic participation, environmental restoration and the eradication of poverty. With examples and short case studies, the book translates the gap into practical and realistic recommendations for progress.
Watermarks reflect the very stuff of the origin, date, distribution, composition, history, and culture of paper-based items. Digital imaging of watermarks releases the research potential as widely as the internet itself. One example is the digital “fingerprinting” of paper in order to enhance the security of items, such as valuable and vulnerable maps. Revealing Watermarks offers detailed instructions of this process, through the author's own PaperPrint method, and by means of the case study of a sixteenth-century watermark—a crown from the arms of Danzig—it illustrates how cultural influences spread and have endured across the centuries, in this case from Sweden to Russia.
The Film Factory provides a comprehensive documentary history of Russian and Soviet cinema. It provokes a major reassessment of conventional Western understanding of Soviet cinema. Based on extensive research and in original translation, the documents selected illustrate both the aesthetic and political development of Russian and Soviet cinema, from its beginnings as a fairground novelty in 1896 to its emergence as a mass medium of entertainment and propaganda on the eve of World War II.
The definitive history of the first 30 years of heavy metal, containing over 100 interviews with members of Black Sabbath, Metallica, Judas Priest, Twisted Sister, Slipknot, Kiss, Megadeth, Public Enemy, Napalm Death, and more. More than 30 years after Black Sabbath released the first complete heavy metal album, its founder, Ozzy Osbourne, is the star of The Osbournes, TV's favourite new reality show. Contrary to popular belief, headbangers and the music they love are more alive than ever. Yet there has never been a comprehensive book on the history of heavy metal - until now. Featuring interviews with members of the biggest bands in the genre, Sound of the Beast gives an overview of the past 30-plus years of heavy metal, delving into the personalities of those who created it. Everything is here, from the bootlegging beginnings of fans like Lars Ulrich (future founder of Metallica) to the sold-out stadiums and personal excesses of the biggest groups. From heavy metal's roots in the work of breakthrough groups such as Black Sabbath and Led Zeppelin to MTV hair metal, courtroom controversies, black metal murderers and Ozzfest, Sound of the Beast offers the final word on this elusive, extreme, and far-reaching form of music.
In 1638, the first printing press was imported to the Massachusetts Bay Colony and a group of local religious leaders--including, it is thought, Richard Mather, John Cotton, and Richard Eliot--set about to create "a plain and familiar translation of the psalms and words of David into English metre" for use in the colony's church meetings. Earlier psalteries had been brought to the New World by colonists, but in Puritan thought they had strayed too far from the original Hebrew text. In 1640, The Whole Booke of Psalmes Faithfully Translated into English Metrewas published in Cambridge; it was the first book published in the American Colonies. The Bay Psalm Book, as it has come to be known, consists of a substantial introduction summarizing the creators' philosophy and intentions, followed by translations of the Psalms rendered into meter, enabling them to be sung to well-known tunes of the day. The psaltery was soon in widespread use on both sides of the Atlantic. It went through multiple printings and editions before being succeeded by newer texts in later decades. Generations of theologians and scholars have turned to The Bay Psalm Book,considering it from a variety of perspectives. Besides its significance as a religious treatise, spiritual guide, and historical document, The Bay Psalm Bookis also recognized as an important milestone in the evolution of the American musical tradition. In recent years, a new generation of scholars has returned to the book, seeing it from fresh perspectives--as a social document, for example, and as a physical artifact of early American life in the Massachusetts Bay area. The Digital Bay Psalm Bookgives scholars, researchers, and enthusiasts alike a rich and intimate experience of the book as it was known by its earliest readers. As an electronic-only publication offered as a downloadable PDF, The Digital Bay Psalm Booktakes advantage of digital technology to offer meticulously rendered photographs of the 7.25 x 4 inch book, one of several once owned by Thomas Prince, scholar and minister of Boston's Old South Church from 1718 to 1758. In this format, users are able to zoom in to examine each individual page, the quality of the paper and printing, marginalia, notes, and other marks accrued over the centuries, yielding insights into the owner's use and understanding of the text as well as the very life of the book itself. In addition, Christie-Miller provides four supplements that shed light on the technology and craft that went into the creation of America's first English-language book.
What is it about the Franklin dynasty? Handsome, highly sexed, bright and adventurous, these men (and women) are driven to fly in planes and spacecraft, to slip the surly bonds of Earth and touch the face of the unknown... Two close friends, Helen and Diana, meet trouble as the year 2000 approaches. Diana succumbs to an illness, and later Helen, married to space ace Bob Franklin, is faced with a momentous asteroid shower that finally puts paid to Earth. Luckily, she and Bob are chosen for an escape probe that sets off into space. And 1500 years later, another Bob Franklin gets the call to return home to Earth. Who does he find there, and why is it so important for him to stay? Ian Christie's trilogy uses science fiction to explore genetic inheritance, intertwining lives and love that endures across logical limits. Time shift is one thing, but rekindling a flame after two millennia? The Franklin Saga holds plenty of surprises, a lot of insight, and an abundance of life's miracle ingredient. Read on...
This book, based on in-depth comparative case studies, assesses the relationship between EU and UK science policy, the costs and benefits of cooperative research networks, and the determining factors of successful management and operation of networks.
A history of the origins and development of forensic science in murder investigations in early twentieth-century England. Crime scene investigation—or CSI—has captured the modern imagination. On television screens and in newspapers, we follow the exploits of forensic officers wearing protective suits and working behind police tape to identify and secure physical evidence for laboratory analysis. But where did this ensemble of investigative specialists and scientific techniques come from? In Murder and the Making of English CSI, Ian Burney and Neil Pemberton tell the engrossing history of how, in the first half of the twentieth century, novel routines, regulations, and techniques—from chain-of-custody procedures to the analysis of hair, blood, and fiber—fundamentally transformed the processing of murder scenes. Focusing on two iconic English investigations—the 1924 case of Emily Kaye, who was beaten and dismembered by her lover at a lonely beachfront holiday cottage, and the 1953 investigation into John Christie’s serial murders in his dingy terraced home in London’s West End—Burney and Pemberton chart the emergence of the crime scene as a new space of forensic activity. Drawing on fascinating source material ranging from how-to investigator handbooks and detective novels to crime journalism, police case reports, and courtroom transcripts, the book shows readers how, over time, the focus of murder inquiries shifted from a primarily medical and autopsy-based interest in the victim’s body to one dominated by laboratory technicians laboring over minute trace evidence. Murder and the Making of English CSI reveals the compelling and untold story of how one of the most iconic features of our present-day forensic landscape came into being. It is a must-read for forensic scientists, historians, and true crime devotees alike. “Out of some pretty gruesome parts, Burney and Pemberton have assembled a remarkably elegant account of the making of modern murder investigation. Their analysis combines scholarly sophistication with a clarity of prose that entertains, informs, and surprises. Murder and the Making of English CSI brims with insight about the historical path that led to our forensic present.” —Mario Biagioli, UC Davis School of Law, author of Galileo's Instruments of Credit: Telescopes, Images, Secrecy “This nuanced and fascinating history of English crime scene reconstruction has an uncanny prescience for today’s debates about how to manage crime scene evidence.” —Simon A. Cole, University of California, Irvine, author of Suspect Identities: A History of Fingerprinting and Criminal Identification
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