In Experiencing David Bowie: A Listener's Companion, musicologist, writer, and musician Ian Chapman unravels the extraordinary marriage of sound and visual effect that lies at the heart of the work of one of the most complex and enduring performers in popular music. Still active in a career now well into its fifth decade, Bowie’s influence on music and popular culture is vast. At the height of the “glam rock” era, Bowie stood head and shoulders above his peers. His influence, however, would extend far beyond glam through successive changes of musical style and stage work that impacted upon wider popular culture through fashion, film, gender studies, theatre, and performing arts. As Chapman suggests, Bowie recognized early on that in a post-war consumer culture that continued the cross-pollination of media platforms, the line between musician and actor was an ever-thinning one. Opposing romantic notions of authenticity in rock, Bowie wore many faces, challenging listeners who consider his large body of work with a bewildering array of musical styles, covering everything from classic vaudeville to heavy metal, glam rock to soul and funk, electronic music to popular disco. In Experiencing David Bowie, Chapman serves as tour guide through this vast musical landscape, tracing his development as a musical artist through twenty-seven studio albums he generated. Pivotal songs anchor Chapman’s no-nonsense look at Bowie’s work, alerting listeners to his innovations as composer and performer. Moreover, through a close look at Bowie's “visuals”—in particular his album covers, Chapman draws the lines of connection between Bowie the musician and Bowie the visual stage artist, illuminating the broad nature of his art. This work will appeal to not only fans of David Bowie, but anyone interested in the history of modern popular music, fashion, stage and cinema, and modern art.
Alastair Riddell's band Space Waltz was a short-lived one-album New Zealand rock act who hit gold with a #1 hit single in October 1974 with the song 'Out On The Street' but thereafter failed to achieve anything even close to that feat. While relegated to one-hit-wonder status in the eyes of many, to this day Riddell and Space Waltz epitomize the mid-1970s heyday of glam rock in New Zealand. But in truth their impact went far beyond this. Their generationally divisive nation-wide debut on the hugely popular MOR television talent quest Studio One/New Faces demonstrated the power of mass media exposure – they were instantly signed to a record deal with industry giant EMI – while Riddell's controversial gender-bending image provided a cultural crossroads that greatly impacted the wider youth culture of Aotearoa New Zealand. In addition, while the album's most famous track, 'Out On The Street,' is rightly regarded as New Zealand's glam rock anthem, the wider album demonstrates a compositional and musical depth that goes far beyond glam rock and into the realm of sophisticated progressive rock, ultimately providing an unlikely and highly unique musical amalgam.
David Bowie was one of the world’s most famous rock stars. But, as David Bowie FAQ shows, he was also far more than that. After spending the latter part of the 1960s searching for the best medium through which to express his artistic aspirations—and trying out several performing arts in the process—he experienced fleeting but significant success in music with the top-ten UK hit “Space Oddity,” released at the time of the successful Apollo 11 moon landing in 1969. Subsequently he achieved true international fame in the early 1970s through playing the role of the androgynous alien rock-star Ziggy Stardust. From here he went on to a career that spanned five decades, exploring numerous artistic disciplines, challenging societal mores and conventions, and building a platform of constant change and reinvention. Whereas most rock stars would find a winning formula and rigidly stick to it to avoid alienating their fans, David Bowie made stylistic variation his cornerstone—an entirely new and model for rock stardom. But David Bowie was more than a rock star. Reflecting an approach to art that knew no boundaries, he also made his mark in movie acting, legitimate stage acting, and more. There was a unifying factor in all of the roles he played, regardless of medium, because even from childhood he’d felt himself to be an outsider, alienated and estranged. Bowie’s fans quickly recognized this quality in him, and it created a bond that went far beyond the usual star-fan relationship. Through David Bowie, fans found themselves able to accept their sense of difference as a positive thing rather than a negative one. David Bowie didn’t simply entertain people—he empowered them.
Experiencing Alice Cooper: A Listener’s Companion takes a long overdue look at the music and stage act of rock music’s self-styled arch-villain. A provocateur from the very start of his career in the mid-1960s, Alice Cooper, aka Vince Furnier, son of a lay preacher in the Church of Jesus Christ, carved a unique path through five decades of rock’n’roll. Despite a longevity that only a handful of other artists and acts can match, Alice Cooper remains a difficult act and artist to pin down and categorize. During the last years of the 1960s and the heydays of commercial success in the 1970s, Cooper's groundbreaking theatricality, calculated offensiveness, and evident disregard for the conventions of rock protocols sowed confusion among his critics and evoked outrage from the public. Society’s watchdogs demanded his head, and Cooper willingly obliged at the end of each performance with his on-stage self-guillotining. But as youth anthem after youth anthem - “I’m Eighteen,” “School’s Out,” “Elected,” “Department of Youth”—rang out in his arena concerts the world over and across airwaves, fans flocked to experience Cooper’s unique brand of rock. Critics searched for proper descriptions: “pantomime,” “vaudeville,” “retch-rock,” “Grand Guignol.” In 1973 Cooper headlined in Time magazine as “Schlock Rock’s Godzilla.” In Experiencing Alice Cooper: A Listener’s Companion, Ian Chapman surveys Cooper’s career through his twenty-seven studio albums (1969-2017). While those who have written about Cooper have traditionally kept their focus on the stage spectacle, too little attention has been paid to Cooper’s recordings. Throughout, Chapman argues that while Cooper may have been rock’s most accomplished showman, he is first and foremost a musician, with his share of gold and platinum albums to vouch for his qualifications as a musical artist.
Full of brightly coloured memories and glittering things, with contributions from those who were there, let Dr Glam be your guide through the glorious decade when orange and brown vinyl reigned supreme and too much was never enough.
Galois theory is a fascinating mixture of classical and modern mathematics, and in fact provided much of the seed from which abstract algebra has grown. It is a showpiece of mathematical unification and of "technology transfer" to a range of modern applications. Galois Theory, Second Edition is a revision of a well-established and popular te
... A uniquely archival book celebrating the music known as the ‘Dunedin Sound.’ Predominantly pictorial, it is a plethora of personal photographs and memorabilia ..." -- Website.
Since 1973, Galois Theory has been educating undergraduate students on Galois groups and classical Galois theory. In Galois Theory, Fourth Edition, mathematician and popular science author Ian Stewart updates this well-established textbook for today's algebra students. New to the Fourth EditionThe replacement of the topological proof of the fundame
Tall tales of the ones that got away from a selection of Kiwi fisherfolk. You will fall hook, line and sinker for this latest in the 'Kiwi Guide' series. A quirky selection of Kiwis share their take on the passion that is fishing whether salt of fresh water. From trophies, near catches, to foibles, favourite sites and gear, and the philosophies and preoccupations which accompany this gentle art, fisherfolk open up to two obsessive fishermen. Entertaining and highly illustrated, this is the perfect present for those who dream of the ultimate big catch or will settle for the journey itself.
OK Boomer! New Zealand in the Swinging Sixties looks at Politics, Sport, Wining & Dining, fashion, night life and everything 60s in a highly illustrated format. Based on the hugely successful Weekly News titles published by Moa back in the early 90's. This title will take us on a nostalgic trip down memory lane! "--Publisher's website.
A state-of-the-art meditation on relations, theoretical and practical, among a familiar triad of themes: comunitarianism, liberalism, and democracy. --American Political Science Review A collection of distinguished contributors, from a wide range of disciplines, examine the implications of the resurgence of interest in community. The chapters in Democratic Community consider the fundamental issues that divide liberals and communitarians, as well as the structure of communities, the roles of freedom and democratic institutions in sustaining one another, the place of a democratic civil society in a democratic polity, and the contributions of feminist thinking. This thirty-fifth volume in the American Society of Political and Legal Philosophy series is devoted, as is each volume in the series, to a single topic-- in this case, the implications for human nature and democratic theory of the resurgence of interest in community. Democratic Community deals not only with fundamental issues that divide liberals and communitarians, but is also concerned with the structure of communities, the roles of freedom and democratic institutions in sustaining one another, the place of a democratic civil society in a democratic polity, and the contributions of feminist thinking to the great debate. The collection of distinguished contributors, from a wide range of disciplines, includes: Richard J. Arneson (University of California, San Diego), Jean Baechler (University of Paris, Sorbonne), Christopher J. Berry (University of Glasgow), Robert A. Dahl (Yale University), Martin P. Golding (Duke University), Carol C. Gould (Stevens Institute of Technology), Amy Gutmann (Princeton University), Jane Mansbridge (Northwestern University), Kenneth Minogue (London School of Economics), Robert C. Post (University of California, Berkeley), David A. J. Richards (New York University), Gerald N. Rosenberg (University of Chicago), Bruce K. Rutherford (Yale University), Alan Ryan (Princeton University), and Carmen Sirianni (Brandeis University).
... explores key moments of connection between portraiture and psychology in Australia since the early twentieth century. The exhibition brings together portraits of the pioneers of pscyhology in Australia from World War I to the 1950s and explores the works of artists whose experiments with portraiture are strongly informed by their interest in psychology, the subconsious mind and intense mental states."--P. 1.
Based on an extensive study of six Pacific island states, 'Capturing Wealth from Tuna' maps out the aspirations and limitations of six Pacific island countries and proposes strategies for capturing more wealth from this resource in a sustainable and socially equitable manner"--Provided by publisher.
Ben Jonson was the greatest of Shakespeare's contemporaries. In the century following his death he was seen by many as the finest of all English writers, living or dead. His fame rested not only on the numerous plays he had written for the theatre, but on his achievements over three decades as principal masque-writer to the early Stuart court, where he had worked in creative, and often stormy, collaboration with Inigo Jones. One of the most accomplished poets of the age, he had become - in fact if not in title - the first Poet Laureate in England. Jonson's life was full of drama. Serving in the Low Countries as a young man, he overcame a Spanish adversary in single combat in full view of both the armies. His early satirical play, The Isle of Dogs, landed him in prison, and brought all theatrical activity in London to a temporary — and very nearly to a permanent — standstill. He was 'almost at the gallows' for killing a fellow actor after a quarrel, and converted to Catholicism while awaiting execution. He supped with the Gunpowder conspirators on the eve of their planned coup at Westminster. After satirizing the Scots in Eastward Ho! he was imprisoned again; and throughout his career was repeatedly interrogated about plays and poems thought to contain seditious or slanderous material. In his middle years, twenty stone in weight, he walked to Scotland and back, seemingly partly to fulfil a wager, and partly to see the land of his forebears. He travelled in Europe as tutor to the mischievous son of Sir Walter Ralegh, who 'caused him to be drunken and dead drunk' and wheeled provocatively through the streets of Paris. During his later years he presided over a sociable club in the Apollo Room in Fleet Street, mixed with the most learned scholars of his day, and viewed with keen interest the political, religious, and scientific controversies of the day. Ian Donaldson's new biography draws on freshly discovered writings by and about Ben Jonson, and locates his work within the social and intellectual contexts of his time. Jonson emerges from this study as a more complex and volatile character than his own self-declarations (and much modern scholarship) would allow, and as a writer whose work strikingly foresees - and at times pre-emptively satirizes - the modern age.
In this important new book, Guy and Small develop a new account of literary creativity in the late nineteenth century, one that combines concepts generated by text-theorists concerning the embodied nature of textuality with the empirical insights of text-editors and book historians. Through these developments, which the authors term the ‘textual turn,’ this study examines the textual condition of nineteenth-century literature. The authors explore works by Dickens, Wilde, Hardy, Yeats, Swinburne, FitzGerald, Pater, Arnold, Pinero and Shaw, connecting questions about what a work textually ‘is’ with questions about why we read it and how we value it. The study asks whether the textual turn places us in a stronger position to analyze the value of a nineteenth-century text—not for readers of the nineteenth century, but of the twenty-first. The authors argue that this issue of value is central to their discipline.
Concerned with the management of complex long-term engineering projects, this important volume, of great interest to postgraduate students of business, technology management and engineering, reports on a set of rich, novel and unique findings concerning the conduct and management of three high profile and complex projects. The major investments which constitute complex long-term projects represent an increasingly important source of economic activity, often with particularly significant consequences for economic growth and public policy. This informative volume expertly contributes to broader debates concerning new organizational forms, knowledge management and organizational learning and the management of innovation in project-based settings.
This wide-ranging dictionary covers over 2,300 statistical terms in accessible, jargon-free language. All existing entries and web links have been revised and updated to ensure that the content is as relevant as possible. An indispensable reference work for any students or professionals who come into contact with statistics at work or university.
SCM Study Guide: New Testament Books, together with its companion volume on "New Testament Interpretation", offers an up-to-date, accessible introduction to this fast-changing area of theological study. Aimed at level one students, it encourages interaction with the New Testament texts and provides pointers for further reading and learning. The book describes the world out of which the New Testament came, and what can be known of the key figures of Jesus and Paul, before discussing the 27 books in turn. At every stage, attention is paid to the range of questions New Testament interpretation raises - historical, literary, theological - with worked examples from specific passages. Topics of particular interest include: What can be known about Jesus? Why are there four gospels? What is the Legacy of Paul? Does Revelation predict the End of the World?
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